Best Selling Books by Russell Banks

Wade Whitehouse, divorced, estranged from his young daughter, spends his days as a well-driller, snow-plow operator, and policeman, his nights in a wind-swept trailer park. But when a union boss is killed in an apparent hunting accident near Wade''s home, and he is convinced that it is murder, he seizes the event as a chance to right many wrongs—unaware that as he unravels the mystery he himself will become unravelled. Soon his hunger for justice and self-respect become inseparable from a desperate violence.

Chappie is a punked-out teenager rejected by his mother and abusive stepfather. Out of school and in trouble with the police, he drifts through crash pads, doper squats, and malls until he finally settles in an abandoned school bus with Rose, a seven-year-old child, and I-Man, an exiled Rastafarian who will dramatically change his life. Together they begin an amazing journey...

“After many years of believing that I never dream of anything, I dreamed of Africa.” Over a decade after leaving her three sons behind in Liberia, Hannah Musgrave realizes she has to leave her farm in the Adirondacks and find out what has happened to them and the chimpanzees for whom she created a sanctuary. The Darling is the story of her return to the wreckage of west Africa and the story of her past, from her middle-class American upbringing to her years in the Weather Underground. It is also one of the most powerful novels of the decade, an unforgettable tale of growth and loss, and an unstinting exploration of some of the most troubling issues of our time: terrorism, race, and the contact between the first world and the third. Hannah Musgrave, the narrator of The Darling, tells us she first travelled to Africa in the mid-1970s, to escape prosecution for her radical political activities with the Weathermen. Arriving in Liberia to work in a medical research lab, Hannah – also known by her alias, Dawn Carrington – meets Woodrow Sundiata, an official in the ministry of public health, and they fall immediately in love. Courting with Woodrow, an intelligent, ambitious man, means encountering his other life in his ancestral village of Fuama – a life that could scarcely be more different from Hannah’s affluent childhood as the daughter of a bestselling pediatrician. Hannah and Woodrow start a family, but she feels herself to be somehow estranged from her life in Liberia and curiously detached from her husband and three sons. Still in search of herself as her children grow older, Hannah develops a closer and closer bond with the chimpanzees at the lab, whom she calls “dreamers.” During the early 1980s, Liberian society grows more unstable, until an illiterate soldier named Samuel Doe brutally overthrows and assassinates the president. Hannah’s courageous intervention with Doe leads to Woodrow’s release from detention, but at a price: she must return to the US, leaving her family behind. Hannah feels that her dreamers will feel her absence more deeply than her family will. In the US Hannah briefly reconnects with her parents after years of estrangement before returning to her friends from her underground years. One of them, Zack Procter, is involved with a plan to spring Charles Taylor – an attractive Liberian politician – from jail, and Hannah involves herself with the plot, genuinely believing that Taylor will bring social democracy to west Africa. Hannah gets permission to return to her family in the mid-1980s, and decides that this time things will be different: she will take charge of her home life, ousting Woodrow’s young cousin Jeanette, and she will build a sanctuary for her chimpanzees. But Charles Taylor has also returned, and his slow and bloody rebellion against Doe leads, eventually, to a night of horrific violence in which Woodrow is murdered and Hannah’s teenaged children disappear. Amidst chaos and almost unbelievable bloodshed, Hannah has time only to move her dreamers to Boniface Island before facing the heartrending decision to escape Liberia, leaving her children behind. More than ten years will pass before she can return to discover their fate, and understand her own.

Throughout his career as a novelist, Banks has also been a master of the short form, publishing four story collections, and winning O. Henry and Best American Short Story Awards and other prizes. Now with The Angel on the Roof, he offers readers an astonishing collection of thirty years of short fiction, resonant with irony and compassion, honesty and insight, extending into the vast territory of the heart and world, from working-class New England to Florida, the Caribbean and Africa. Along with nine new stories that are among the finest fiction he has ever written, he has selected the best from his collections and revised them for this volume.

Part love story, part murder mystery, Russell Banks'' "The Reserve" is as gripping as it is beautifully written, set in the pre WWII world of class, politics, art, love and madness.

When fourteen children from the small town of Sam Dent are lost in a tragic accident, its citizens are confronted with one of life’s most difficult and disturbing questions: When the worst happens, whom do you blame, and how do you cope? Masterfully written, it is a large-hearted novel that brings to life a cast of unforgettable small-town characters and illuminates the mysteries and realities of love as well as grief. The Sweet Hereafter was released as a major motion picture by Atom Egoyan in 1997 and won the Grand Prix at the Cannes Film Festival. Egoyan also received Academy Award nominations for Best Director and Best Adapted Screenplay that year.

A collection of short stories from the contemporary American master whom the New York Times declared "the most compassionate fiction writer working today." Suffused with Russell Banks’s trademark lyricism and reckless humor, the twelve stories in A Permanent Member of the Family examine the myriad ways we try—and sometimes fail—to connect with one another, as we seek a home in the world. In the title story, a father looks back on the legend of the cherished family dog whose divided loyalties mirrored the fragmenting of his marriage. “A Former Marine” asks, to chilling effect, if one can ever stop being a parent. And in the haunting, evocative “Veronica,” a mysterious woman searching for her daughter may not be who she claims she is. Moving between the stark beauty of winter in upstate New York and the seductive heat of Florida, Banks’s acute and penetrating collection demonstrates the range and virtuosity of both his narrative prowess and his startlingly panoramic vision of modern American life.

In Sucess Stories, an exceptionally varied yet coherent collection, Russell Banks proves himself one of the most astute and forceful writers in America today. Queen for a Day, Success Story, and Adultery trace fortunes of the Painter family in there pursuit of and retreat from the American dream. Banks also explores the ethos of rampant materialism in a group of contemporary moral fables. The Fish is an evocating parable of faith and greed set in a Southeast Asian village, The Gully tells of the profitability of violence and the ironies of upward mobility in a Latin American shantytown, and Chrildren''s Story explores the repressed rage that boils beneath the surface of relationships between parents and children and between citizens of the first and third worlds.

A triumph of the imagination, rich in incident and beautiful in its detail, "Cloudsplitter brings to life one of history''s legendary figures--John Brown, whose passion to abolish slavery lit the fires of the American Civil War in a conflagration that changed civilization. "From the Trade Paperback edition.

In Family Life, Russell Banks''s first novel, he transforms the dramas of domesticity into the story of a royal family in a mythical contemporary kingdom. Life inside this kingdom includes the king (dubbed "the Hearty" or "the Bluff"), who squeals angrily as is his wont; the queen, who, while pondering the mirror in her chambers, decides to write a book; three adolescent princes who are, respectively, a superb wrestler, a fanatical sports car driver, and a sullen drunk. Then there are the mysterious Green Man with a thing for princes; the Loon, who lives in a tree house designed by Christopher Wren; and a whole slew of murders, mayhem, coups, debauches, world tours, and love and loss and laughter.

“Banks has skillfully used his repertoire of contemporary techniques to write a novel that is classically American—a dark, but sometimes funny, romance with echoes of Poe and Melville.” — Washington Post "A marvelously written little book, fascinatingly intricate, yet deceptively simple. Well worth reading more than once." — New York Times Book Review From acclaimed author Russell Banks comes a work of fiction utilizing a form invented in the seventeenth century by imprisoned Puritan divines Designed to be exemplary, works of this type were aimed at brethren outside the prison walls and functioned primarily as figurative dramatizations of the tests of faith all true believers must endure. These “relations,” framed by scripture and by a sermon explicating the text, were usually read aloud in weekly or monthly installments during religious services. Utterly sincere and detailed recountings of suffering, they were nonetheless highly artificial. To use the form self-consciously, as Banks has done, is not to parody it so much as to argue good-humoredly with the mind it embodies, to explore and, if possible, to map the limits of that mind, the more intelligently to love it.

From one of America''s most celebrated storytellers come three dark, interlocking tales about the residents of a rural New York town, and the shocking headlines that become their local mythologies. A husband sells property to a mysterious, temperamental stranger, and is hounded on social media when he publicly questions the man''s character. A couple grow concerned when an enigmatic family move next door, and the children start sneaking over to beg for help. Two dangerous criminals kidnap an elderly couple and begin blackmailing their grandson, demanding that he pay back what he owes them. Suspenseful, thrilling, and expertly crafted, American Spirits explores the hostile undercurrents of our communities and politics at large, as well as the ways local tragedies can be both devastating and, somehow, everyday. Ushering the reader through the town of Sam Dent, Russell Banks has etched yet another brilliant entry into the bedrock of American fiction.

Hamilton Stark is a New Hampshire pipe fitter and the sole inhabitant of the house from which he evicted his own mother. He is the villain of five marriages and the father of a daughter so obsessed that she has been writing a book about him for years. Hamilton Stark is a boor, a misanthrope, a handsome man: funny, passionately honest, and a good dancer. The narrator, a middle-aged writer, decides to write about Stark as a hero whose anger and solitude represent passion and wisdom. At the same time that he tells Hamilton Stark''s story, he describes the process of writing the novel and the complicated connections between truth and fiction. As Stark slips in and out of focus, maddeningly elusive and fascinatingly complex, this beguiling novel becomes at once a compelling meditation on identity and a thoroughly engaging story of life on the cold edge of New England.

Get to know the colorful cast of characters at the Granite State Trailerpark, where Flora in number 11 keeps more than a hundred guinea pigs andscreams at people to stay away from her babies, Claudel in number 5 thinks he is lucky until his wife burns down their trailer and runs off with Howie Leeke, and Noni in number 7 has telephone conversations with Jesus and tells the police about them. In this series of related short stories, Russell Banks offers gripping, realistic portrayals of individual Americans and paints a portrait of New England life that is at once dark, witty, and revealing.

The author of Continental Drift, Rule of the Bone and The Sweet Hereafter returns with a very original, riveting mystery about a young outcast, and a contemporary tale of guilt and redemption. The perfect convergence of writer and subject, Lost Memory of Skin probes the zeitgeist of a troubled society where zero tolerance has erased any hope of subtlety and compassion. Suspended in a modern-day version of limbo, the young man at the centre of Russell Banks''s uncompromising and morally complex new novel must create a life for himself in the wake of incarceration. Known in his new identity only as the Kid, he is shackled to a GPS monitoring device and forbidden to go near where children might gather. He takes up residence under a south Florida causeway, in a makeshift encampment with other convicted sex offenders. Barely beyond childhood himself, the Kid, despite his crime, is in many ways an innocent. Enter the Professor, a university sociologist of enormous size and intellect who finds in the Kid the perfect subject for his research. But when the Professor''s past resurfaces and threatens to destroy his carefully constructed world, the balance in the two men''s relationship shifts. Banks has long been one of our most acute and insightful novelists. Lost Memory of Skin is a masterful work of fiction that unfolds in language both powerful and beautifully lyrical.

Banks explores the complexities of political life in the Caribbean.

With America ever under global scrutiny, Russell Banks contemplates the questions of our origins, values, heroes, conflicts, and contradictions. He writes with conversational ease and emotional insight, drawing on contemporary politics, literature, film, and his knowledge of American history.

An Omnibus Edition of Three Classic Early Novels from the Critically Acclaimed Author of Cloudsplitter and Affliction Family Life: Russell Banks''s first novel is an adult fairy tale of a royal family in a mythical contemporary kingdom where the myriad dramas of domesticity blend with an outrageous slew of murders, mayhem, coups, debauches, world tours, and love in all guises, transcendent or otherwise. Hamilton Stark: This tale of a solitary, boorish, misanthropic New Hampshire pipe fitter—the sole inhabitant of the house from which he evicted his own mother—is at once a compelling meditation on identity and a thoroughly engaging story of life on the cold edge of New England. The Relation of My Imprisonment: Utilizing a form invented by imprisoned seventeenth-century Puritan divines—an utterly sincere and detailed, if highly artificial, recounting of great suffering—Banks''s novel is a remarkably inventive, lovingly good-humored argument, exploration, and map of the caged religious mind.

The inspiration for the Major Motion Picture O, Canada directed by Paul Schrader and starring Richard Gere, Uma Thurman, Jacob Elordi, and Michael Imperioli. A searing novel about memory, abandonment, and betrayal from the acclaimed and bestselling Russell Banks "During a career stretching almost half a century, Russell Banks has published an extraordinary collection of brave, morally imperative novels. . . . In this complex and powerful novel, we come face to face with the excruciating allure of redemption." —Washington Post At the center of Foregone is famed Canadian American leftist documentary filmmaker Leonard Fife, one of sixty thousand draft evaders and deserters who fled to Canada to avoid serving in Vietnam. Fife, now in his late seventies, is dying of cancer in Montreal and has agreed to a final interview in which he is determined to bare all his secrets at last, to demythologize his mythologized life. The interview is filmed by his acolyte and ex–star student, Malcolm MacLeod, in the presence of Fife’s wife and alongside Malcolm’s producer, cinematographer, and sound technician, all of whom have long admired Fife but who must now absorb the meaning of his astonishing, dark confession. Imaginatively structured around Fife’s secret memories and alternating between the experiences of the characters who are filming his confession, the novel challenges our assumptions and understanding about a significant lost chapter in American history and the nature of memory itself. Russell Banks gives us a daring and resonant work about the scope of one man’s mysterious life, revealed through the fragments of his recovered past.

From one of America’s most beloved storytellers: a dazzling tapestry of love and faith, memory and imagination that questions what it means to look back and accept one’s place in history. In 1971, Harley Mann revisits his childhood, recounting his family''s move to Florida’s swamplands—mere miles away from what would become Disney World—to join a community of Shakers. “Eerily timely. Can what’s gone wrong in the past offer keys to the future? The Magic Kingdom confronts our longings for Paradise; also the inner serpents that are to be found in all such enchanted gardens.” —Margaret Atwood, author of The Testaments, via Twitter Property speculator Harley Mann begins recording his life story onto a reel-to-reel machine, reflecting on his youth in the early twentieth century. He recounts that after his father’s sudden death, his family migrated down to Florida to join a Shaker colony. Led by Elder John, a generous man with a mysterious past, the colony devoted itself to labor, faith, and charity, rejecting all temptations that lay beyond the property. Though this way of life initially saved Harley and his family from complete ruin, when Harley began falling in love with Sadie Pratt, a consumptive patient living on the grounds, his loyalty to the Shakers and their conservative worldview grew strained and, ultimately, broke. As Harley dictates his story across more than half a century—meditating on youth, Florida’s everchanging landscape, and the search for an American utopia—the truth about Sadie, Elder John, and the Shakers comes to light, clarifying the past and present alike. With an expert eye and stunning vision, Russell Banks delivers a wholly captivating portrait of a man navigating Americana and the passage of time.

“Banks’s narrative seductively juxtaposes rambles through lush volcanic mountains, white sand beaches and coral reefs with a barrage of memories of the hash he’s made of his private life.” —The New York Times Book Review Russell Banks has indulged his wanderlust for more than half a century. This longing for escape has taken him from the “bright green islands and turquoise seas” of the Caribbean islands to peaks in the Himalayas, the Andes, and beyond. In each of these remarkable essays, Banks considers his life and the world. In Everglades National Park this “perfect place to time-travel,” he traces his own timeline. Recalling his trips to the Caribbean in the title essay, “Voyager,” Banks dissects his relationships with the four women who would become his wives. In the Himalayas, he embarks on a different quest of self-discovery. “One climbs a mountain not to conquer it, but to be lifted like this away from the earth up into the sky,” he explains. Pensive, frank, beautiful, and engaging, Voyager brings together the social, the personal, and the historical, opening a path into the heart and soul of this revered writer.

Since 1984, Literary Arts has welcomed many of the world''s most renowned authors and storytellers to its stage. In celebration of their thirty-year anniversary, Tin House Books has collected highlights from the series in a single volume. Since 1984, Literary Arts has welcomed many of the world’s most renowned authors and storytellers to its stage for one of the country’s largest lectures series. Sold-out crowds congregate at Portland’s Arlene Schnitzer Concert Hall to hear these writers’ discuss their work and their thoughts on the trajectory of contemporary literature and culture. In celebration of Literary Arts’ thirty-year anniversary, Tin House Books has collected highlights from the series in a single volume. Whether it’s Wallace Stegner exploring how we use fiction to make sense of life or Ursula K. Le Guin on where ideas come from, Margaret Atwood on the need for complex female characters or Robert Stone on morality and truth in literature, Edward P. Jones on the role of imagination in historical novels or Marilynne Robinson on the nature of beauty, these essays illuminate not just the world of letters but the world at large.

A cinquante-neuf ans, Hannah Musgrave revient sur sa vie de jeune bourgeoise américaine contrainte par son engagement révolutionnaire à prendre la fuite vers l''Afrique au début des années 1970. Ayant tenté sa chance au Liberia, elle s''y est mariée à un bureaucrate local appartenant à une tribu puissante et promis à une brillante carrière politique. Quelques années plus tard, elle a, en catastrophe, repris le chemin de l''Amérique, laissant là leurs trois enfants, fuyant la guerre civile qui enflammait le pays. Au moment où commence ce livre, Hannah quitte sa ferme "écologique" des Adirondacks, car ce passé sans épilogue la pousse à retourner en Afrique... Evocation passionnante d''une turbulente période de l''histoire des Etats-Unis comme du destin d''un pays méconnu, le Liberia, le roman de Russell Banks tire sa force exceptionnelle de la complexité de son héroïne, et d''un bouleversant affrontement entre histoire et fiction.

Raising serious philosophical questions about terrorism, political violence, and the clash of races and cultures, this political/historical thriller is Russell Banks at his best.