New Releases by Robert Macfarlane

From celebrated writer Robert Macfarlane comes this brilliant, perspective-shifting new book - which answers a resounding yes to the question of its title. At its heart is a single, transformative idea: that rivers are not mere matter for human use, but living beings - who should be recognized as such in both imagination and law. Is a River Alive? takes the reader on an exhilarating exploration of the past, present and futures of this ancient, urgent concept. The book flows first to northern Ecuador, where a miraculous cloud-forest and its rivers are threatened by goldmining. Then, to the wounded rivers, creeks and lagoons of southern India, where a desperate battle to save the lives of these waterbodies is under way. And finally, to north-eastern Quebec, where a spectacular wild river - the Mutehekau or Magpie - is being defended from death by damming in a river-rights campaign. At once Macfarlane''s most personal and most political book to date, Is a River Alive? will open hearts, spark debates and lead us to the revelation that our fate flows with that of rivers - and always has

A comprehensive guide to the dyeing and printing of textiles, including descriptions of the chemical properties of various animal and mineral substances commonly used in these industries. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This publication offers a rich and expansive visual record of Julie Brook'' s artistic practice, and proposes a unique collaboration between Brook and distinct voices from the nature writing and craftsmanship traditions. Situating Brook'' s practice in the context of critical reflections by Robert Macfarlane, Alexandra Harris and Raku Jikinyu, the publication presents a striking visual narrative of Brook''s landscape and tidal sculptural work, and a sense of its timeless yet contemporary resonance. Documenting in depth a number of recent works made in the Hebrides, Japan and Namibia, their shared attention to the elements and their key pre-occupations of the fleeting, mobile forces of light, time, and gravity demonstrate Brook'' s coherent vision within vastly contrasting environments. Throughout her oeuvre, the balance between what Brook makes in relation to the environment and materials themselves is paramount. Including film stills, photography and drawing, which are all integral languages for conceptualising and communicating the work, plus insightful extracts from Brook'' s notebooks, this beautiful publication succeeds in providing the reader with a unique understanding of the art

Contemporary photographers pay tribute to the life and work of Barry Lopez

From the bestselling, prize-winning authors of beloved cult phenomena The Lost Words and The Lost Spells ''Breathtaking and magical. Jackie Morris has created something that you could spend all day looking at'' New Statesman ''Robert Macfarlane and Jackie Morris have made a thing of astonishing beauty'' Observer Discover and share the wonders of the wild world as seen in The Lost Words and The Lost Spells... This collection of 100 postcards features artwork and words from two beloved modern classics, in which Jackie Morris and Robert Macfarlane celebrate the creatures, trees and plants of nearby nature, from Acorn to Wren, by way of Curlew and Kingfisher, Silver Birch and Snow Hare, Goldfinch and Gorse. The front of each card bears one of Morris''s Greenaway Medal-winning paintings; on the reverse, you will find an accompanying quotation from one of the spell-poems in the Lost books, as well as an identification of the species shown on the card. The remaining space is left blank for you to fill in these wild cards with pen, pencil or paint - and then send them out into the world to make and renew connections.

This book reveals a thread of unsettling takes on the British landscape stretching from paintings, prints and photographs made by Paul Nash in the aftermath of the First World War to contemporary artists exploring themes of memory, belonging, hauntology, dislocation and human impact on nature. In his introductory essay Robert Macfarlane explains that the eerie, involves that form of fear which is felt first as unease then as dread, and it tends to be incited by glimpses and tremors rather than outright attack. Horror specialises in confrontation and aggression; the eerie in intimation and intimidation.? Macfarlane suggests that eerie art has often flourished at times of crisis, as seen in the work of Neo-Romantic artists around the time of the Second World War. The works featured in the exhibition are grouped around four overlapping themes: Ancient Landscapes? features that are inexplicable and mysterious, connecting us to the unknown distant past; Unquiet Nature ? landscapes and natural forms used to unsettling effect, such as trees, lonely expanses of heath and the borderlands where different worlds meet; Absence/Presence, how the inclusion (and absence) of figures and objects can generate feelings of the eerie through mystery, suggestion and isolation; Atmospheric Effect ? the influence of weather, season, light and the time of day on responses to landscape. Exhibition: St Barbe Museum and Art Gallery, New St, Lymington, UK (11.09.2021-08.01.2022).

Seventy years after the 1951 Refugee Convention ''endeavoured to assure refugees the widest possible exercise of these fundamental rights and Freedoms'', the fourth volume of Refugee Tales again shares the tales of people who have sought refuge and welcome, and instead have found themselves detained. As the coronavirus death toll rises across the world, more than ever the detention of migrants and people forced to move is a defining issue of our moment. In these new tales, poets, novelists and writers have collaborated with people who have experienced detention, their stories appearing alongside first-hand accounts of people who themselves have been detained. Here we are told what it means to experience the ongoing reality of the UK''s ''hostile environment'', as well as detention in Canada, Greece, Italy, and the USA. Each new story communicates the human costs of a system which fundamentally breaches human rights, and each story conveys the need for urgent political change.

What happens when the land comes to life?Somewhere on a salt-and-shingle island, inside a concrete-and-iron structure called The Green Chapel, a figure called The Armourer is leading a black mass. He plans to detonate a thermonuclear missile. But something is coming to stop him.Five more-than-human figures - or forms, or forces - are traversing the landscape, moving steadily towards a point where they will converge and become Ness. Ness is the land awakened. Ness is lichen skin and willow-bones, condensing mist and tidal drift. Ness has hagstones for eyes and Ness speaks only in birds. And Ness has come to take this island back.

A hauntingly beautiful diptych of works inspired by Robert Macfarlane’s travels with celebrated collaborators to two eerie corners of England. In Holloway, "a perfect miniature prose-poem" (William Dalrymple), Macfarlane, artist Stanley Donwood, and writer Dan Richards travel to Dorset, near the south coast of England, to explore a famed "hollowed way"—a path used by walkers and riders for so many centuries that it has become worn far down into the soft golden bedrock of the region. In Ness, "a triumphant libretto of mythic modernism for our poisoned age" (Max Porter), Macfarlane and Donwood create a modern myth about Orford Ness, the ten-mile-long shingle spit that lies off the coast of East Anglia, which the British government used for decades to conduct secret weapons tests.

Dazzlingly beautiful and wonderfully inventive, discover the magical new book from the creators of bestselling, critically acclaimed literary phenomenon, The Lost Words... Kindred in spirit to The Lost Words but fresh in its form, The Lost Spells is a pocket-sized treasure that introduces a beautiful new set of natural spell-poems and artwork by beloved creative duo Robert Macfarlane and Jackie Morris. As in The Lost Words, these "spells" take their subjects from relatively commonplace, and yet underappreciated, animals, birds, trees and flowers -- from Barn Owl to Red Fox, Grey Seal to Silver Birch, Jay to Jackdaw. But they break out of the triptych format of The Lost Words, finding new shapes, new spaces and new voices with which to conjure. Written to be read aloud, painted in brushstrokes that call to the forest, field, riverbank and also to the heart, The Lost Spells summons back what is often lost from sight and care, and inspires protection and action on behalf of the natural world. Above all, it celebrates a sense of wonder, bearing witness to nature''s power to amaze, console and bring joy. Praise for The Lost Words: ''Gorgeous to look at and to read. Give it to a child to bring back the magic of language'' Jeanette Winterson, Guardian ''Breathtaking, magical... Jackie Morris has created something that you could spend all day looking at'' New Statesman ''Robert Macfarlane and Jackie Morris have made a thing of astonishing beauty'' Observer

With contributions by: William Boyd, Candice Carty-Williams, Imtiaz Dharker, Roddy Doyle, Pico Iyer, Robert Macfarlane, Andy Miller, Jackie Morris, Jan Morris, Sisonke Msimang, Dina Nayeri, Chigozie Obioma, Michael Ondaatje, David Pilling, Max Porter, Philip Pullman, Alice Pung, Jancis Robinson, S.F.Said, Madeleine Thien, Salley Vickers, John Wood and Markus Zusak ''This story, like so many stories, begins with a gift. The gift, like so many gifts, was a book...'' So begins the essay by Robert Macfarlane that inspired this collection. In this cornucopia of an anthology, you will find essays by some of the world''s most beloved novelists, nonfiction writers, essayists and poets. ''You will see books taking flight in flocks, migrating around the world, landing in people''s hearts and changing them for a day or a year or a lifetime. ''You will see books sparking wonder or anger; throwing open windows into other languages, other cultures, other minds; causing people to fall in love or to fight for what is right. ''And more than anything, over and over again, you will see books and words being given, received and read - and in turn prompting further generosity.'' Published to coincide with the 20th anniversary of global literacy non-profit, Room to Read, The Gifts of Reading forms inspiring, unforgettable, irresistible proof of the power and necessity of books and reading. Inspired by Robert Macfarlane Curated by Jennie Orchard

National Bestseller • New York Times "100 Notable Books of the Year" • NPR "Favorite Books of 2019" • Guardian "100 Best Books of the 21st Century" • Winner of the National Outdoor Book Award "Mesmerizing…Underland is a portal of light in dark times." —Terry Tempest Williams, New York Times Book Review In Underland, Robert Macfarlane delivers an epic exploration of the Earth’s underworlds as they exist in myth, literature, memory, and the land itself. Traveling through the dizzying expanse of geologic time—from prehistoric art in Norwegian sea caves, to the blue depths of the Greenland ice cap, to a deep-sunk "hiding place" where nuclear waste will be stored for 100,000 years to come—Underland takes us on an extraordinary journey into our relationship with darkness, burial, and what lies beneath the surface of both place and mind. Global in its geography and written with great lyricism, Underland speaks powerfully to our present moment. At once ancient and urgent, this is a book that will change the way you see the world.

From bestselling Landmarks author Robert Macfarlane and acclaimed artist and author Jackie Morris, a beautiful collection of poems and illustrations to help readers rediscover the magic of the natural world.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

British artist and designer Stuart Haygarth gathers discarded or overlooked objects and elevates them into art. He makes designs and installations out of common detritus and everyday waste. Yet his work is as much about the process of collecting and collating materials as it is the creation of value or beauty. For ''Strand'' he walked the entire length of the English south coast, from Gravesend to Land''s End, picking up hundreds of man-made items left washed up on the shore.

SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE SHORTLISTED FOR THE WAINWRIGHT PRIZE From the bestselling author of UNDERLAND, THE OLD WAYS and THE LOST WORDS ''Few books give such a sense of enchantment; it is a book to give to many, and to return to repeatedly'' Independent ''Enormously pleasurable, deeply moving. A bid to save our rich hoard of landscape language, and a blow struck for the power of a deep creative relationship to place'' Financial Times ''A book that ought to be read by policymakers, educators, armchair environmentalists and active conservationists the world over'' Guardian ''Gorgeous, thoughtful and lyrical'' Independent on Sunday ''Feels as if [it] somehow grew out of the land itself. A delight'' Sunday Times Discover Robert Macfarlane''s joyous meditation on words, landscape and the relationship between the two. Words are grained into our landscapes, and landscapes are grained into our words. Landmarks is about the power of language to shape our sense of place. It is a field guide to the literature of nature, and a glossary containing thousands of remarkable words used in England, Scotland, Ireland and Wales to describe land, nature and weather. Travelling from Cumbria to the Cairngorms, and exploring the landscapes of Roger Deakin, J. A. Baker, Nan Shepherd and others, Robert Macfarlane shows that language, well used, is a keen way of knowing landscape, and a vital means of coming to love it.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

THE SUNDAY TIMES BESTSELLER SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE The original bestseller from the beloved author of UNDERLAND, LANDMARKS and THE LOST WORDS - Robert Macfarlane travels Britain''s ancient paths and discovers the secrets of our beautiful, underappreciated landscape ''The Old Ways confirms Macfarlane''s reputation as one of the most eloquent and observant of contemporary writers about nature'' Scotland on Sunday Following the tracks, holloways, drove-roads and sea paths that form part of a vast ancient network of routes criss-crossing the British Isles and beyond, Robert Macfarlane discovers a lost world - a landscape of the feet and the mind, of pilgrimage and ritual, of stories and ghosts; above all of the places and journeys which inspire and inhabit our imaginations. ''Sublime... It sets the imagination tingling, laying an irresistible trail for readers to follow'' Sunday Times ''Read this and it will be impossible to take an unremarkable walk again'' Metro ''He has a rare physical intelligence and affords total immersion in place, elements and the passage of time: wonderful'' Antony Gormley

In Silt, bestselling travel writer Robert Macfarlane walks the Broomway, the deadliest path in Britain. In one of the most striking chapters of his brilliant 2012 book The Old Ways, Robert Macfarlane walks the Essex offshore path which has claimed the lives of more than sixty people over the centuries. His companion on this atmospheric and potentially perilous journey is his old friend and photographer, David Quentin. In this special e-book edition, the Broomway section of The Old Ways appears alongside a run of twenty-two photographs taken that day by David, which form a haunting counterpoint to the text itself. In a newly written afterword, David reflects on the walk, on Robert Macfarlane''s writing and on the fascinating legal terrain which paths like this one traverse even as they cross the land itself. Praise for The Old Ways: ''Macfarlane has shown how utterly beautiful a brilliantly written travel book can still be. As perfect as his now classic The Wild Places. Maybe it is even better than that'' William Dalrymple, Observer ''A lovely book, a poetic investigation into what it is to follow a path, on land and at sea, in the footsteps of both our ancient predecessors and such writers as Edward Thomas: Macfarlane is reviving an entire body of nature writing here'' David Sexton, Evening Standard ''Beautifully written, moving, thrilling. It reminded me of how much stranger and richer the world is... at walking speed'' Philip Pullman, Guardian ''A magnificent meditation on walking and writing. An astonishingly haunted book'' Adam Nicolson, Daily Telegraph ''The Old Ways sets the imagination tingling . . . it is like reading a prose Odyssey sprinkled with imagist poems'' John Carey, Sunday Times Robert Macfarlane is the author of the award-winning Mountains of the Mind; The Wild Places; The Old Ways, which was shortlisted for the 2012 Samuel Johnson Prize for Non-Fiction; and Landmarks, which was shortlisted for the 2015 Samuel Johnson Prize. He is a Fellow of Emmanuel College, Cambridge. David Quentin is a barrister specialising in tax law. He also takes photographs, teaches Cambridge undergraduates about versification and plays the bass guitar in London-based krautgoth noisegaze outfit The Murder Act.

Holloway - a hollow way, a sunken path. A route that centuries of foot-fall, hoof-hit, wheel-roll and rain-run have harrowed deep down into bedrock. In July 2005, Robert Macfarlane and Roger Deakin - author of Wildwood - travelled to explore the holloways of South Dorset''s sandstone. They found their way into a landscape of shadows, spectres & great strangeness. Six years later, after Roger Deakin''s early death, Robert Macfarlane returned to the holloway with the artist Stanley Donwood and writer Dan Richards. The book is about those journeys and that landscape. Moving in the spaces between social history, psychogeography and travel writing, Holloway is a beautiful and haunted work of art.

From the author of The Old Ways and Underland, an "eloquent (and compulsively readable) reminder that, though we''re laying waste the world, nature still holds sway over much of the earth''s surface." --Bill McKibben Winner of the Boardman Tasker Prize for Mountain Literature and a finalist for the Orion Book Award Are there any genuinely wild places left in Britain and Ireland? That is the question that Robert Macfarlane poses to himself as he embarks on a series of breathtaking journeys through some of the archipelago''s most remarkable landscapes. He climbs, walks, and swims by day and spends his nights sleeping on cliff-tops and in ancient meadows and wildwoods. With elegance and passion he entwines history, memory, and landscape in a bewitching evocation of wildness and its vital importance.

The basis for the new documentary film, Mountain: A Breathtaking Voyage into the Extreme. Combining accounts of legendary mountain ascents with vivid descriptions of his own forays into wild, high landscapes, Robert McFarlane reveals how the mystery of the world’s highest places has came to grip the Western imagination—and perennially draws legions of adventurers up the most perilous slopes. His story begins three centuries ago, when mountains were feared as the forbidding abodes of dragons and other mysterious beasts. In the mid-1700s the attentions of both science and poetry sparked a passion for mountains; Jean-Jacques Rousseau and Lord Byron extolled the sublime experiences to be had on high; and by 1924 the death on Mt Everest of an Englishman named George Mallory came to symbolize the heroic ideals of his day. Macfarlane also reflects on fear, risk, and the shattering beauty of ice and snow, the competition and contemplation of the climb, and the strange alternate reality of high altitude, magically enveloping us in the allure of mountains at every level.

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And recommendations. pp. 26.