New Releases by Robert Kanigel

Celebrated essayist, biographer, and non-fiction book writer Robert Kanigel presents a memoir of his meandering, serendipitous path from engineer to writer. Kanigel invites the reader back in time for a journey rich with a sense of time and place, beginning with his childhood as the son of Jewish parents in Brooklyn. He attends Rensselaer Polytechnic Institute, then moves to Baltimore and begins working at an ammunition lab. The Vietnam War lurks as a shadow just offstage, coloring his need for work and various engineering jobs he takes. He pursues a string of romances, all ending in heartbreak, until he meets Maura, a firebrand of a woman pursuing her Ph. D. in biology, who beckons him to Europe, where he spends several lonely months as an anglophone in Paris. Spared the military draft by a high lottery number, he returns to Baltimore with Maura, finally quits his engineering job, and becomes a writer, "not," Kanigel says, "because I decided to become a writer, but because I began to write." His first writing job, a series of essays for a local paper he proposed on a whim, spirals into a prestigious career. Kanigel is not the hero of his own story, but his sometimes self-deprecating honesty makes for a deeply moving tale of a young man who, in his words, "muddled" his way into writing.

From the acclaimed biographer of Jane Jacobs and Srinivasa Ramanujan comes the first full life and work of arguably the most influential classical scholar of the twentieth century, who overturned long-entrenched notions of ancient epic poetry and enlarged the very idea of literature. In this literary detective story, Robert Kanigel gives us a long overdue portrait of an Oakland druggist''s son who became known as the "Darwin of Homeric studies." So thoroughly did Milman Parry change our thinking about the origins of Homer''s Iliad and Odyssey that scholars today refer to a "before" Parry and an "after." Kanigel describes the "before," when centuries of readers, all the way up until Parry''s trailblazing work in the 1930''s, assumed that the Homeric epics were "written" texts, the way we think of most literature; and the "after" that we now live in, where we take it for granted that they are the result of a long and winding oral tradition. Parry made it his life''s work to develop and prove this revolutionary theory, and Kanigel brilliantly tells his remarkable story--cut short by Parry''s mysterious death by gunshot wound at the age of thirty-three. From UC Berkeley to the Sorbonne to Harvard to Yugoslavia--where he traveled to prove his idea definitively by studying its traditional singers of heroic poetry--we follow Parry on his idiosyncratic journey, observing just how his early notions blossomed into a full-fledged theory. Kanigel gives us an intimate portrait of Parry''s marriage to Marian Thanhouser and their struggles as young parents in Paris, and explores the mystery surrounding Parry''s tragic death at the Palms Hotel in Los Angeles. Tracing Parry''s legacy to the modern day, Kanigel explores how what began as a way to understand the Homeric epics became the new field of "oral theory," which today illuminates everything from Beowulf to jazz improvisation, from the Old Testament to hip-hop.

The first major biography of the irrepressible woman who changed the way we view and live in cities, and whose influence is felt to this day. Jane Jacobs was a phenomenal woman who wrote seven groundbreaking books, saved neighborhoods, stopped expressways, was arrested twice, and engaged in thousands of impassioned debates—all of which she won. Robert Kanigel''s revelatory portrait of Jacobs, based on new sources and interviews, brings to life the child who challenged her third-grade teacher; the high school poet; the mother who raised three children; the journalist who honed her skills at Architectural Forum and Fortune before writing her most famous book, The Death and Life of Great American Cities; and the activist who helped lead a successful protest against Robert Moses’s proposed expressway through her beloved Greenwich Village.

On the life and works of Srinivasa Ramanujan Aiyangar, 1887-1920, Indian mathematician.

NOW A MAJOR MOTION PICTURE STARRING JEREMY IRONS AND DEV PATEL! A moving and enlightening look at the unbelievable true story of how gifted prodigy Ramanujan stunned the scholars of Cambridge University and revolutionized mathematics. In 1913, a young unschooled Indian clerk wrote a letter to G H Hardy, begging the preeminent English mathematician''s opinion on several ideas he had about numbers. Realizing the letter was the work of a genius, Hardy arranged for Srinivasa Ramanujan to come to England. Thus began one of the most improbable and productive collaborations ever chronicled. With a passion for rich and evocative detail, Robert Kanigel takes us from the temples and slums of Madras to the courts and chapels of Cambridge University, where the devout Hindu Ramanujan, "the Prince of Intuition," tested his brilliant theories alongside the sophisticated and eccentric Hardy, "the Apostle of Proof." In time, Ramanujan''s creative intensity took its toll: he died at the age of thirty-two, but left behind a magical and inspired legacy that is still being plumbed for its secrets today.

On an Irish Island is a love letter to a vanished way of life, in which Robert Kanigel, the highly praised author of The Man Who Knew Infinity and The One Best Way, tells the story of the Great Blasket, a wildly beautiful island off the west coast of Ireland, renowned during the early twentieth century for the rich communal life of its residents and the unadulterated Irish they spoke. With the Irish language vanishing all through the rest of Ireland, the Great Blasket became a magnet for scholars and writers drawn there during the Gaelic renaissance—and the scene for a memorable clash of cultures between modern life and an older, sometimes sweeter world slipping away. Kanigel introduces us to the playwright John Millington Synge, some of whose characters in The Playboy of the Western World, were inspired by his time on the island; Carl Marstrander, a Norwegian linguist who gave his place on Norway’s Olympic team for a summer on the Blasket; Marie-Louise Sjoestedt, a Celtic studies scholar fresh from the Sorbonne; and central to the story, George Thomson, a British classicist whose involvement with the island and its people we follow from his first visit as a twenty-year-old to the end of his life. On the island, they met a colorful coterie of men and women with whom they formed lifelong and life-changing friendships. There’s Tomás O’Crohan, a stoic fisherman, one of the few islanders who could read and write Irish, who tutored many of the incomers in the language’s formidable intricacies and became the Blasket’s first published writer; Maurice O’Sullivan, a good-natured prankster and teller of stories, whose memoir, Twenty Years A-Growing, became an Irish classic; and Peig Sayers, whose endless repertoire of earthy tales left listeners spellbound. As we get to know these men and women, we become immersed in the vivid culture of the islanders, their hard lives of fishing and farming matched by their love of singing, dancing, and talk. Yet, sadly, we watch them leave the island, the village becoming uninhabited by 1953. The story of the Great Blasket is one of struggle—between the call of modernity and the tug of Ireland’s ancient ways, between the promise of emigration and the peculiar warmth of island life amid its physical isolation. But ultimately it is a tribute to the strength and beauty of a people who, tucked away from the rest of civilization, kept alive a nation’s past, and to the newcomers and islanders alike who brought the island’s remarkable story to the larger world.

What makes genuine leather genuine? What makes real things real? In an age of virtual reality, veneers, synthetics, plastics, fakes, and knockoffs, it''s hard to know. Over the centuries, men and women have devoted enormous energy to making fake things seem real. As early as the fourteenth century, fabric was treated with special oils to make it resemble leather. In the 1870s came Leatherette, a new bookbinding material. The twentieth century gave us Fabrikoid, Naugahyde, Corfam, and Ultrasuede. Each claims to transcend leather''s limitations, to do better than nature itself—or at least to convince consumers that it does. Perhaps more than any other natural material, leather stands for the authentic and the genuine. Its animal roots etched in its pores and in the swirls of its grain, leather serves as cultural shorthand for the virtues of the real over the synthetic, the original over the copy, the luxurious over the shoddy and second-rate. From formica, vinyl siding, and particle board to cubic zirconium, knockoff designer bags, and genetically altered foods, inspired fakes of every description fly the polyester pennant of a brave new man-made world. Each represents a journey of scientific, technical, and entrepreneurial innovation. Faux Real explores this borderland of the almost-real, the ersatz, and the fake, illuminating a centuries-old culture war between the authentic and the imitative.

The story of the Mediterranean city and its long history of tourism.

In this compilation of newspaper columns of the same title, Kanigel offers his reviews of eighty books, thirty-three of which are fiction, the rest nonfiction.

"In the past man has been first. In the future the System will be first", predicted Frederick Winslow Taylor, the first efficiency expert and model for all the stopwatch-clicking engineers who stalk the factories and offices of the industrial world. In 1874, eighteen-year-old Taylor abandoned his wealthy family''s plans for him to attend Harvard, and instead went to work as a lowly apprentice in a Philadelphia machine shop, shuttling between the manicured hedges of his family''s home and the hot, cussing, dirty world of the shop floor. As he rose through the ranks of management, he began the time-and-motion studies for which he would become famous, and forged his industrial philosophy, Scientific Management. To organized labor, Taylor was a slave-driver. To the bosses, he was an eccentric who raised wages while ruling the factory floor with a stopwatch. To himself, he was a misunderstood visionary who, under the banner of Science, would confer prosperity on all and abolish the old class hatreds. To millions today who feel they give up too much to their jobs, Taylor is the source of that fierce, unholy obsession with "efficiency" that marks modern life. The assembly line; the layout of our kitchens; the ways our libraries, fastfood restaurants, and even our churches are organized all owe much to this driven man, who broke every job into its parts, sliced and trimmed and timed them, and remolded what was left into the work of the twentieth century.

Explores the "genealogy of scientific relationships"--How scientists are connected as mentors and students. In particular, Kanigel profiles one "dynasty" of four scientific achievers, beginning with Steve Brodie, who is known as the father of drug metabolism. One of these scientists received a Nobel prize, and all four received nominations.