New Releases by Robert Graves

First published in the 1400s, these classic tales of King Arthur, Camelot, and adventures of the Knights of the Round Table are translated and presented in this edition that features a new introduction written by Nobel Prize nominee Robert Graves (I, Claudius).

A little boy finds a big green book in the attic, learns many handy magic spells, and changes his unpleasant aunt and uncle into likable guardians.

A collection of essays by the author of "The White Goddess," linked together by some common assumptions regarding the nature of poetry. The title of the book, according to the writer, "is shorthand for saying that the popular view of what poetry is, or ought to be, has for centuries been based on sentimental misapprehensions."

This work examines poetry from a psychological point of view.

Robert Graves begins anew the tumultuous life of the Roman who became emporer in spite of himself. Captures the vitality, splendor, and decadence of the Roman world at the point of its decline. Copyright © Libri GmbH. All rights reserved.

An entertaining tirade against the perceived iniquities of the trade anthology. A statement of poetic integrity, it poses awkward questions about the production and consumption of art in the mass markets of twentieth and twenty-first centuries.

The well-known English poet & essayist here ventures his interpretations of the humoristic element in literature.

The greater part of this book will appear controversial, but any critic who expects me to argue on what I have written, is begged kindly to excuse me; my garrison is withdrawn without a shot fired and his artillery may blow the fortress to pieces at leisure. These notebook reflections are only offered as being based on the rules which regulate my own work at the moment, for many of which I claim no universal application and have promised no lasting regard. They have been suggested from time to time mostly by particular problems in the writing of my last two volumes of poetry. Hesitating to formulate at present a comprehensive water-tight philosophy of poetry, I have dispensed with a continuous argument, and so the sections either stand independently or are intended to get their force by suggestive neighbourliness rather than by logical catenation. The names of the glass houses in which my name as an authority on poetry lodges at present, are to be found on a back page. -- The Author