New Releases by Robert Graves

Robert Graves'' "The Feather Bed" represents a captivating literary work, where the prose is imbued with rich textures akin to the intricacy of lacework and the comfort suggested by the title. Graves, known for his intellectual depth and poetic prowess, crafts a narrative that is both intimate and universal, exploring themes of love, loss, and the human condition. This edition by DigiCat Publishing breathes new life into Graves'' legacy, ensuring that the nuanced articulations of his literary style remain enshrined within the literary context. The fidelity to Graves'' original vision and the modern format make this edition both a testament to its time and a continuous source of insight for contemporary readers. In the tapestry of twentieth-century literature, Robert Graves stands out as an erudite and profoundly influential figure. His background as a poet, classical scholar, and novelist informs the texture of "The Feather Bed," reflecting an eclectic blend that echoes his multifaceted literary persona. The impetus for Graves'' work often lies in his experiences, especially his service in World War I, which not only influenced his poetry but also his prose. The personal philosophy and mythic elements that pervade his writing suggest an author engaging with not just the narrative at hand but also with the larger narrative of human experience. "The Feather Bed" is recommended for aficionados of literary art seeking complex emotional and intellectual resonance within a narrative. Graves'' work has the unique ability to transport readers across temporal and spatial boundaries, while also provoking contemplation about universal themes. This edition promises to offer an enriching reading experience for those who appreciate the delicate craft of storytelling and the profound capacity of literature to capture the ineffable qualities of life''s tapestry.

Robert Graves'' ''Over the Brazier'' is a collection of war poems that vividly portrays the horrors of World War I through powerful imagery and poignant language. Written in a style reminiscent of the war poets of the early 20th century, Graves captures the raw emotion and brutality of conflict in each verse. The poems in the collection provide a unique perspective on the psychological and emotional toll of war on soldiers, offering a haunting portrayal of the human experience amidst the chaos of battle. ''Over the Brazier'' stands as a testament to the enduring impact of war on the individual and society as a whole. Robert Graves, a veteran of World War I himself, drew upon his own experiences and observations to craft this collection, infusing each poem with a sense of authenticity and depth. His intimate knowledge of war lends a compelling authenticity to the poems, allowing readers to glimpse the true cost of conflict. Recommended for those interested in exploring the profound impact of war on the human psyche, ''Over the Brazier'' is a poignant and evocative collection that resonates with readers long after the final page.

An accessible anthology of the greatest ancient Greek myths and legends for readers of all ages by the celebrated classicist and historical novelist. According to the myths, gods and goddesses of ancient Greece lived on Mount Olympus and ruled the world of mortals. Famous heroes shaped the course of history, beautiful women drew the gazes of gods and men alike, and the gods were both fickle in their favors and breathtakingly generous to those they smiled upon. From Midas’s tragic gift to the exploits of Hercules and the curse of Pandora, Robert Graves brings the legends of ancient Greece to life in a way that’s sure to appeal to everyone; from children to adults, and from casual readers to serious scholars. “Directly told, with no attempt to oversimplify them, a good deal of the symbolism and the association with the pattern of ancient Greece survives.” —Kirkus Reviews (starred review).

Translated from the Latin by the poet and author of I, Claudius, this ancient Roman novel follows the many adventures of a man who transforms into an ass. Driven by his all-consuming curiosity, a young man of good parentage named Lucius Apuleius takes a trip to Thessaly. Along the way, amidst a series of bizarre adventures, he inadvertently offends a priestess of the White Goddess, who promptly turns him into an ass. How Lucius responds to his new misfortune, and ultimately finds a way to become human again, makes for a funny and fascinating tale. The Metamorphosis of Apuleius, referred to by St. Augustine as The Golden Ass, is the oldest novel written in Latin to survive in its entirety. Originally written by Lucius of Patrae, this translation by Robert Graves highlights the ribald humor and vivid sense of adventure present in the original. Providing a rare window into the daily lives of regular people in ancient Greece, Robert Graves’s translation of this classic tale is at once hilarious, informative, and captivating.

The real story of T. E. Lawrence’s life as told by the author of I, Claudius. “A combination of history, biography, and . . . an amazingly human tale” (Boston Evening Transcript). Immortalized in the film Lawrence of Arabia, the real T. E. Lawrence was a leader, a war strategist, and a scholar, and is here immortalized in an intimate biography written by his close friend, the award-winning British novelist, poet and classicist Robert Graves. As a student at Oxford, T. E. Lawrence was fascinated with Middle Eastern history and culture, and underwent a four-month visit to Syria to study the fortifications built by the crusaders. Later, he returned to the region, this time as an archaeologist working with the British Army’s Intelligence unit in Egypt during World War I. From there, in 1916, he joined Arab rebels fighting against Turkish domination. His brilliance as a desert war tactician earned him the respect of the Turkish fighters and worldwide renown. “Interesting and informative.” —New York Herald Tribune “[Mr. Graves] has done his job admirably and without any too obvious excesses of hero worship.” —New Statesman “[Readers] will consult Mr. Graves for information about this man.” —The New Republic

Swashbuckling historical fiction from the author of I, Claudius. “A cleverly balanced mixture of spice, fact, humor and adventure on and off the high seas” (Kirkus Reviews). Set in the Age of Exploration, The Islands of Unwisdom tells the story of the ill-fated Don Álvaro de Mendaña y Neyra, a Spanish explorer set on finding the Solomon Islands, the mythical source of King Solomon’s vast wealth. Driven by greed, ambition, and lust, Don Alvaro and his wife, the beautiful and dangerous Ysabel, lead a crew of adventurers beyond the horizon in search of the wealth of their wildest dreams. However, that’s not exactly what they find. In the hands of master historical novelist, classicist, and poet Robert Graves, this tale offers a fascinating look at a brutal and bloody era, and insights into the reasons for Spain’s failure to ultimately dominate world exploration during this time.

“Both the knowledge of a scholar and the imagination of a poet are brought to bear upon Jesus as child, boy, and man. . . . A bold speculative adventure” (Harold Brighouse, Manchester Guardian). In Robert Graves’s unique retelling, Jesus is very much a mortal and the grandson of King Herod the Great. When his father runs afoul of the king’s temper and is executed, Jesus is raised in the house of Joseph the Carpenter. The kingdom he is heir to, in this version of the story, is very much a terrestrial one: the Kingdom of Judah. Graves tells of Jesus’s rise as a philosopher, scriptural scholar, and charismatic speaker in sharp detail, as well as his arrest and downfall as a victim of pitiless Roman politics. Bringing together his unparalleled narrative skill and in-depth expertise in historical scholarship, renowned classicist and historical novelist Robert Graves brings the story of Jesus Christ to life in a strikingly unorthodox way, making this one of the most hotly contested novels Graves ever wrote—and possibly one of the most controversial ever written. It provides a fascinating new twist to a well-known story, one that fans of this historical period are sure to love. “This is not reading for the easily shocked; it definitely presents Jesus as a sage and a [poet], if not divine. It moves, as does all Mr. Graves’ writing, at a brilliant fast pace, and with a tremendous style.” —Kirkus Reviews

In this sequel to I, Claudius, the story of the Roman Emperor—on which the award-winning BBC TV series was based—continues . . . In I, Claudius, Robert Graves began the story of the limping, stammering young man who is suddenly thrust onto the throne after the death of Caligula. In Claudius the God, Graves continues the story, detailing Claudius’s thirteen-year reign and his ultimate downfall. Painting the vivid, tumultuous, and decadent society of ancient Rome with spectacular detail, Graves provides a tale that is instructive, compelling, and difficult to put down for both casual readers and students of Roman history.

The author of I, Claudius reimagines the Trojan War for the young reader. “The writing is clear, straightforward, and, in places, poetic” (Kirkus Reviews). The Iliad has it all: war, corruption, greed, power, and the passions of both gods and men. In this detailed retelling, Robert Graves draws the major characters of this timeless classic in broad, gritty strokes, making Agamemnon, Paris, Odysseus, and others accessible for young readers. Written with a younger audience in mind, The Siege and Fall of Troy is nevertheless exhaustively researched and compelling enough to be of interest to both students of history and adult readers. With humor, wit, and energy, Graves is expert at weaving a story based on exhaustive scholarly research and deep imaginative prowess.

This “vigorous tale” by the acclaimed author of I, Claudius captures the sixth century fall of the Byzantine Empire as seen through the eyes of a servant (Kirkus Reviews). Threatened by invaders on all sides, the Eastern Roman Empire of the sixth century fought to maintain its borders. Leading its defense was the Byzantine general Belisarius, a man who earned the grudging respect of his enemies, and who rose to become Emperor Justinian’s greatest military leader. Loosely based on Procopius’s History of the Justinian Wars and Secret History, this novel tells the Belisarius’s story through the eyes of Eugenius, a eunuch and servant to the general’s wife. It presents a compelling portrait of a man bound by a strict code of honor and unrelenting loyalty to an emperor who is intelligent but flawed, and whose decisions bring him to a tragic end. Eminent historical novelist and classicist Robert Graves presents a vivid account of a time in history both dissolute and violent, and demonstrates one again his mastery of this historical period. “A brilliant piece of scholarship.” —Kirkus Reviews “The scope of the book is massive—encompassing religious controversy and cultural developments as well as military history—yet, throughout, Graves succeeds in blending historical details with the development of his main characters.” —Historical Novel Society

This ancient biographical history of Roman rulers from Julius Caesar to Domitian is translated by the acclaimed classicists and author of I, Claudius. As personal secretary to Emperor Hadrian, the second century scholar Suetonius had unlimited access to the Roman Imperial archives. Drawing on this wealth of source material, he wrote a sweeping account of the lives of Rome’s first twelve emperors. From the empire’s most accomplished leaders, such as Julius Caesar and Augustus, to its most depraved and doomed rulers, such as Caligula and Nero, this ancient biographical study presents an enlightening and colorful picture of these historical figures from remote antiquity. This edition of The Twelve Caesars is translated from the Latin by the renowned classicist, historian, and historical novelist Robert Graves. With his expertise in classical history and talent for telling a lively story, Graves presents an excellent translation that makes this classic work accessible to modern audiences

Edward Venn-Thomas lives in the twentieth century but has been mysteriously transported to the future, and the apparently idyllic society of New Create, where there is no hunger, no war and no dissatisfaction. However Venn-Thomas is starting to find life among the New Cretans rather dull. He comes to realize that their perfect existence, inspired by the poets and magicians of their strange occultic religion, lacks one fundamental thing - evil. So Venn-Thomas sees it as nothing less than his duty to introduce them to the darker side of life. First published in 1949 and also known as Watch the North Wind Rise, Graves''s novel is a thrilling blend of utopian fantasy, science fiction and mythology.

A sanctioned biography of T. E. Lawrence, known popularly as "Lawrence of Arabia," this work by the eminent Robert Graves attempts to provide a fair and balanced treatment of the man. Based on interviews with Lawrence and his close associates, this account clearly displays its authenticity.

Religion, history, and poetry unite in these mythological tales about the dawn of the Christian era that vividly bring the sights, sounds, and smells of Jesus'' world to life.

Antigua, Penny, Puce is a tale of sibling rivalry in which Jane and Oliver fight for posession of a never-issued one-penny stamp from Antigua. They Hanged my Saintly Billy tells of Dr William Palmer, a notorious surgeon, racehorse owner and confessed forger who was also a thief.

In these true stories, the acclaimed writer Robert Graves explores the worlds of two men intent on success. Wife to Mr. Milton is an exploration into the marriage of a man the author considered one of the heinous monsters in the English poetic pantheon--John Milton--and how his wife was ill-used by him. Milton''s first wife was 16 when they married, and Milton was after her dowry. When it did not follow he proved domineering and dishonest, unresponsive to her sensuousness and her down-to-earth wit. It was a spiritual misalliance, too: her Catholicism sorted ill with his beliefs. The dramatic political and military events of the English civil war touched her life at every point, including the execution of Charles I. The Isles of Unwisdom visits a different, very Catholic world, that of the expeditions of the Spanish explorers and discoverers, near contemporaries of Milton but not emancipated by the Reformation, who come unstuck in the New World. Reconstructed is the ill-fated voyage of Alvaro de Mendana y Neya to find the Solomon Islands, popularly believed to constitute the fabled Land of Ophir, where King Solomon amassed his legendary wealth.

An autobiographical work that describes firsthand the great tectonic shifts in English society following the First World War, Robert Graves''s Goodbye to All That is a matchless evocation of the Great War''s haunting legacy, published in Penguin Modern Classics. In 1929 Robert Graves went to live abroad permanently, vowing ''never to make England my home again''. This is his superb account of his life up until that ''bitter leave-taking'': from his childhood and desperately unhappy school days at Charterhouse, to his time serving as a young officer in the First World War that was to haunt him throughout his life. It also contains memorable encounters with fellow writers and poets, including Siegfried Sassoon and Thomas Hardy, and covers his increasingly unhappy marriage to Nancy Nicholson. Goodbye to All That, with its vivid, harrowing descriptions of the Western Front, is a classic war document, and also has immense value as one of the most candid self-portraits of an artist ever written. Robert Ranke Graves (1895-1985) was a British poet, novelist, and critic. He is best known for the historical novel I, Claudius and the critical study of myth and poetry The White Goddess. His autobiography, Goodbye to All That, was published in 1929, quickly establishing itself as a modern classic. Graves also translated Apuleius, Lucan and Suetonius for the Penguin Classics, and compiled the first modern dictionary of Greek Mythology, The Greek Myths. His translation of The Rubáiyát of Omar Khayyám (with Omar Ali-Shah) is also published in Penguin Classics. If you enjoyed Goodbye to All That, you might like Ford Madox Ford''s Parade''s End, also available in Penguin Modern Classics. ''His wonderful autobiography'' Jeremy Paxman, Daily Mail

A comprehensive and renowned guide to world mythology, this classic work stands as the monumental achievement of years of scholarship. The sources of human civilization are explored in depth with the inclusion of not only the classic Greek and Roman myths of antiquity, but also the strange and unfamiliar mythologies of cultures other than our own: from Peru to Persia; from Tahiti to Togoland. The Gods and legends of every part of the world are revealed in all their splendor with an imaginative and highly readable text accompanied by authentic paintings, sculpture, symbols, idols, and ritual objects. -- The first and most famous complete encyclopedia of world mythology -- Nearly 600 illustrations, many in full color, of ancient, primitive and exotic art

"The objects of this autobiography, written at the age of thirty-three, are simple enough: an opportunity for a formal good-bye to you and to you and to you and to me and to all that; forgetfulness, because once all this has been settled in my mind and written down and published it need never be thought about again; money". Thus begins Robert Graves''s classic 1929 autobiography with its searing account of life in the trenches of the First World War; and yet this opening passage, together with much significant material, has been unavailable since 1957, when a middle-aged Graves totally revised his text, robbing it of the painfully raw edge that had helped to make it an international bestseller. By 1957 major changes in his private life had taken place. Graves was no longer living with the American poet Laura Riding, under whose influence and in whose honor the original had been written. By cutting out all references to Riding, by deleting passages which revealed the mental strains under which he had labored, and by meticulously editing the entire text, Graves destroyed most of what had made it so powerful but also removed it from the only context in which it could be fully understood. We are pleased to offer the original 1929 edition on the occasion of Graves''s 100th anniversary, edited and annotated by Robert Graves''s nephew and biographer, whose lucid introduction greatly enhances its value.

Though he lived most of his life in the remote village of Deya on the island of Mallorca, Robert Graves (1895--1985) was conversant with the most important issues of this century and was acquainted with many of the most powerful people. Jorge Luis Borges called him "a soul above." Graves wrote almost restlessly on subjects of great diversity: myths of the Greeks, Romans, Hebrews, and Celts; modern science and economics; contemporary society and culture as well as of ancient Greece and Rome, of Celtic Wales and Ireland, of the time of Milton, and of the American Revolution. He was a poet of great fame, a celebrated writer of historical novels, and the man who imprinted the name and identity of the White Goddess upon the cultural language. His translations of Latin classics have been applauded; his recastings of Biblical and Persian texts attracted irascible attention from scholars. He was a poet of great fame, a celebrated writer of historical novels, and the man who imprinted the name and identity of the White Goddess upon the cultural language. His translations of Latin classics have been applauded; his recastings of Biblical and Persian texts attracted irascible attention from scholars.

First published in the 1400s, these classic tales of King Arthur, Camelot, and adventures of the Knights of the Round Table are translated and presented in this edition that features a new introduction written by Nobel Prize nominee Robert Graves (I, Claudius).

A little boy finds a big green book in the attic, learns many handy magic spells, and changes his unpleasant aunt and uncle into likable guardians.

A collection of essays by the author of "The White Goddess," linked together by some common assumptions regarding the nature of poetry. The title of the book, according to the writer, "is shorthand for saying that the popular view of what poetry is, or ought to be, has for centuries been based on sentimental misapprehensions."