New Releases by Robert Brown

Reprint of the original, first published in 1877.

Common Liver Diseases and Transplantation: An Algorithmic Approach to Work Up and Management provides a review of liver diseases and transplantation that is comprehensive enough to provide an intellectual basis for the data, yet simple enough to be read and assimilate into clinical practice rapidly. Common Liver Diseases and Transplantation by Dr. Robert S. Brown Jr is written with an intended flow and structure. The early chapters are summaries on topics such as early and late liver disease, workup and diagnosis, and pre- and post-transplant problems. The chapters that follow are liver disease-specific and cover the liver diseases physicians will encounter in their patients. The in-depth chapters provide disease-specific epidemiology and outcomes, as well as diagnostic tables and more detailed algorithms and management approaches. With two decades worth of teaching liver disease both formally as well as in rounds and informal “chalk talks” with residents and fellows, Dr. Robert S. Brown Jr presents a way to think about clinical liver problems with a simple algorithmic method. Common Liver Diseases and Transplantation: An Algorithmic Approach to Work Up and Management will serve as a useful resource for gastroenterologists, fellows, medical students, internists, and internal medicine residents.

Administrative Law: A Casebook, Tenth Edition

This is an invaluable work by the famous Scottish botanist Robert Brown focusing on his observations of the "rapid oscillatory motion" of various microscopic particles. Brown described the irregular movement of minute particles suspended in a liquid. He presented the results of a series of experiments from his study on the action of pollen and compared this with the work of previous authors. The phenomenon he observed in organic and inorganic substances is called Brownian motion.

The Unicorn: A Mythological Investigation was first published in 1881. It covers some of the same ground as the more popularly oriented Lore of the Unicorn, by Odell Shepard, before it ventures into comparative mythology. The present volume was written in the late 19th century at a time when all mythological and folklore narratives were believed to be astronomical metaphors. Brown sees the Unicorn as a lunar symbol, and draws on mythology from a wide range of sources to make his case, from Northern European to Vedic and Zoroastrian.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

This guide offers current and future student affairs practitioners a new conceptual framework for identity-conscious and intersectional supervision. Presenting an original and transformative model to address day-to-day challenges, this book gives practitioners a strategic approach to engage in self-work, identity exploration, relationship building, consciousness raising, trust development, and organizational change, ultimately helping them become more adept at supervising people from a range of backgrounds and experiences. Chapters include theoretical underpinnings, practical tips, case studies, and discussion questions to explore strategies in real-life contexts. Identity-Conscious Supervision in Student Affairs is a key tool for student affairs practitioners to effectively change systems of dominance and inequity on their campuses.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

“Simply the best reference for any model maker” on the most instantly recognizable British battleships in history (Warship World). The ShipCraft series provides in-depth information about building and modifying model kits of famous warship types. Lavishly illustrated, each book takes the modeler through a brief history of the subject class, highlighting differences between sisterships and changes in their appearance over their careers. This includes paint schemes and camouflage, featuring color profiles and highly detailed line drawings and scale plans. The modeling section reviews the strengths and weaknesses of available kits, lists commercial accessory sets for super-detailing of the ships, and provides hints on modifying and improving the basic kit. This is followed by an extensive photographic survey of selected high-quality models in a variety of scales, and the book concludes with a section on research references—books, monographs, large-scale plans and relevant websites. The two ships covered in this volume were the only capital ships designed and built between the wars—a special concession of the Washington Treaty’s ban on new battleships—and they were unlike anything before them, with the superstructure three-quarters aft and all main armament turrets forward of the bridge. During the war, Nelson survived mine and torpedo damage, while Rodney played a major part in the destruction of the Bismarck, both surviving to be broken up post-war.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

GET INSIDE GRIMM. NBC’s hit television series Grimm pits modern detective Nick Burkhardt of the Portland Police against a cast of terrifying villains—lifted directly from the pages of classic fairytales. In the world of the show, the classic stories are actually a document of real events, and Nick himself is descended from a long line of guardians, or Grimms, charged with defending humanity from the mythological creatures of the world. From The Big Bad Wolf to Sleeping Beauty, The Mythology of Grimm explores the history and folkloric traditions that come into play during Nick’s incredible battles and investigations—tapping into elements of mythology that have captured our imaginations for centuries.

To paraphrase Marx, sociologists have only interpreted science; the point is to improve it. The Rational and the Social attempts both. It begins by sketching recent sociological approaches to science, notably the strong programme – Bloor’s ‘science of science’ and Barnes’s ‘finitism’ – and that of the ‘anthropologists in the lab’, Collins and Latour and Woolgar. The author argues that although sociological accounts are valuable in many respects, when morals are drawn about the structure and epistemology of science, they are badly flawed. In rejecting the sociological theory of science, it is not necessary to conclude that science develops without reference to the social. James Robert Brown argues for an alternative account. He proposes a novel way of viewing the history of science as a source of evidence for how to do good science and argues that the most important aspect of methodology is that it is comparative. Rival theories are evaluated by comparison and the contribution of the social to this process is inevitable and should be acknowledged. This is the challenge to science.

From the streets of Shanghai to the plains of Texas, a cast of characters fighting over land and identity must sift through the cracks between myth and truth, revealing relationships and plots hidden for most of a century. The key is in a strange, century-old map of the stars carried by a drifter traveling with a young bison named Bill who is more than he appears to be. In this fusion of legend and history, a narrator recalling his 12th birthday chronicles what followed the drifter s appearance a series of events from opposite ends of the earth that evolved in extraordinary ways to shape his coming of age. When the racing prowess of the bison endangers his life, he and the boy escape together on a final, desperate journey across the plains.

This study addresses a central theme in current philosophy: Platonism vs Naturalism and provides accounts of both approaches to mathematics, crucially discussing Quine, Maddy, Kitcher, Lakoff, Colyvan, and many others. Beginning with accounts of both approaches, Brown defends Platonism by arguing that only a Platonistic approach can account for concept acquisition in a number of special cases in the sciences. He also argues for a particular view of applied mathematics, a view that supports Platonism against Naturalist alternatives. Not only does this engaging book present the Platonist-Naturalist debate over mathematics in a comprehensive fashion, but it also sheds considerable light on non-mathematical aspects of a dispute that is central to contemporary philosophy.

A look into the paranormal legends, lore, mythology, and monsters featured on the hit television show Supernatural. From angels to demons, The Mythology of Supernatural explores the religious roots and the ancient folklore of the otherworldly entities that brothers Sam and Dean Winchester face on the hit television show Supernatural—and that have inhabited the shadows of human imagination across countless cultures and centuries.

Newton''s bucket, Einstein''s elevator, Schrödinger''s cat – these are some of the best-known examples of thought experiments in the natural sciences. But what function do these experiments perform? Are they really experiments at all? Can they help us gain a greater understanding of the natural world? How is it possible that we can learn new things just by thinking? In this revised and updated new edition of his classic text The Laboratory of the Mind, James Robert Brown continues to defend apriorism in the physical world. This edition features two new chapters, one on “counter thought experiments” and another on the development of inertial motion. With plenty of illustrations and updated coverage of the debate between Platonic rationalism and classic empiricism, this is a lively and engaging contribution to the field of philosophy of science.

An emotionally powerful and intimate musical about two New Yorkers in their twenties who fall in and out of love over the course of five years. The show''s unconventional structure consists of Cathy, the woman, telling her story backwards while Jamie, the man, tells his story chronologically; the two characters meet only once, at their wedding in the middle of the show. Jason Robert Brown won Drama Desk Awards for the music and the lyrics after the Off-Broadway premiere in 2002 starring Norbert Leo Butz and Sherie Rene Scott. The show has since been produced at almost every major regional theater in the U.S., and has been seen in Korea, Japan, the Philippines, Germany, Italy, Canada, Spain, and the UK.

Libretto for the musical about a young New York couple.

John Robert Brown presents an enthusiastic and authoritative account of a century of jazz. Written in a clear and engaging style by a well-known British author and jazz educator, this book offers an affectionate introduction to the people and places that are of worldwide importance in the history of this wonderful music.

In his long-awaited new edition of Philosophy of Mathematics, James Robert Brown tackles important new as well as enduring questions in the mathematical sciences. Can pictures go beyond being merely suggestive and actually prove anything? Are mathematical results certain? Are experiments of any real value? This clear and engaging book takes a unique approach, encompassing non-standard topics such as the role of visual reasoning, the importance of notation, and the place of computers in mathematics, as well as traditional topics such as formalism, Platonism, and constructivism. The combination of topics and clarity of presentation make it suitable for beginners and experts alike. The revised and updated second edition of Philosophy of Mathematics contains more examples, suggestions for further reading, and expanded material on several topics including a novel approach to the continuum hypothesis.

Shed new light on these creatures of the night With this helpful guide, The Complete Idiot''s Guide® to Werewolves, learn the about the cultural impact of werewolves, as well as the extensive history and mythology surrounding them.

What if something as seemingly academic as the so-called science wars were to determine how we live? This eye-opening book reveals how little we''ve understood about the ongoing pitched battles between the sciences and the humanities--and how much may be at stake. James Brown''s starting point is C. P. Snow''s famous book, Two Cultures and the Scientific Revolution, which set the terms for the current debates. But that little book did much more than identify two new, opposing cultures, Brown contends: It also claimed that scientists are better qualified than nonscientists to solve political and social problems. In short, the true significance of Snow''s treatise was its focus on the question of who should rule--a question that remains vexing, pressing, and politically explosive today. In Who Rules in Science? Brown takes us through the various engagements in the science wars--from the infamous "Sokal affair" to angry confrontations over the nature of evidence, the possibility of objectivity, and the methods of science--to show how the contested terrain may be science, but the prize is political: Whoever wins the science wars will have an unprecedented influence on how we are governed. Brown provides the most comprehensive and balanced assessment yet of the science wars. He separates the good arguments from the bad, and exposes the underlying message: Science and social justice are inextricably linked. His book is essential reading if we are to understand the forces making and remaking our world.

The novel based on the groundbreaking musical by Jason Robert Brown and Dan Elish, 13, a story about friendship, fitting in, and what it means to turn thirteen. Now a movie-musical streaming on Netflix! “No one said becoming a man was easy." Evan didn’t expect relevant life advice from Rabbi Weiner, who looks so old that he must have gone to yeshiva with Moses. But wondering what it means to become a man is the least of Evan’s problems. After being uprooted right before his thirteen birthday from New York City to Appleton, Indiana, he’s more focused on using this fresh start to find the right friends to invite to his bar mitzvah. Because this is his chance to get in with the popular kids—the cool football players and pretty cheerleaders. But it’s the weird kids who welcome him, like his nerdy neighbor Patrice and Archie, whose crutches and muscular dystrophy make him an easy target for bullying. Evan doesn’t want to be laughed at for being different. He can pretend to be like the cool kids; he’s sure he can. But if you spend all your time pretending to be someone else, who do you become? In this story of acceptance and friendship, Evan prepares for his bar mitzvah, grapples with his father’s affair, and learns from his rabbi, all the while presented with various images of what it means to be a man. While he struggles to fit in with the popular boys at school, he eventually learns that being cool is not as important as being a good friend—and a good person. With relatable humor and accessible language, and at a consumable length, this book is perfect for all tweens and especially boys looking for a relatable read. Netflix has announced an adaptation of the Broadway musical that inspired 13: A Novel. Jason Robert Brown will be returning to compose new music for the show, and the cast includes Rhea Perlman, Josh Peck, Debra Messing, and Peter Hermann.

"World Religions at Your Fingertips lets you pinpoint the information you want right now, with sections that are highly organized, tightly written, and easy to navigate." --Book Jacket.

Schmuel lived in a little gray house On a little gray street In a little gray town called Klimovich. And from the first minute, The first second he was born, Everyone told him to hurry up! And so begins the story of Schmuel, a boy who hurries his whole life through . . . until a magic clock gives him all the time he needs to follow his dreams. This lyrical tale by Jason Robert Brown, whose Broadway shows have garnered rave reviews and numerous awards, is paired with Mary GrandPré''s spectacular artwork to create a magical story about taking the time to appreciate the world around you.

How far should a reporter go for a story? What''s the role of the press at the scene of an emergency, or a murder? Why has journalism suddenly become so susceptible to plagiarism? Here''s a book that poses these and other urgent questions—and offers candid answers. At a time when professionals and the public alike worry that journalism has lost its way, Journalism Ethics Goes to the Movies is available to provide much-needed, accessible guidance. Its twelve chapters, written by some of the nation''s leading journalism scholars, explore issues that should concern anyone who aspires to a career in journalism, who works in the field, or who relies on news for daily information. Best of all, as the title suggests the contributors conduct their dynamic and engaging investigations at the movies, where sportswriters, war correspondents, investigative reporters, crime reporters, spin doctors, TV anchors, and harried city editors tackle these pressing issues. Journalism Ethics Goes to the Movies isn''t your typical textbook. Using popular movies from Wag the Dog to Good Night, and Good Luck to illustrate the kind of ethical dilemmas journalists encounter on the job, this student-friendly book is sure to spark interest and stimulate thinking.