Best Selling Books by Robert Barnard

Studies the thrillers and crime novels of Agatha Christie, analyzing her masterful solutions, strategems of deception, and ability to divert the reader''s attention from the matter of real importance and revealing her racial and class prejudices.

Hiding their father’s insanity after the death of their mother in order to keep their family together, two resourceful adolescents, Matthew and Annie, find their plans thwarted when they discover a body in their backyard.

In Barnard’s smoothly skilled sixteenth mystery, Caroline and Roderick Cotterel live a quiet life in Sussex with their grown, learning-disabled daughter and Roderick’s senile, bedridden father Benedict, a once-famous and notorious novelist. But when Roderick’s half-sister Cordelia asks to visit and look through Benedict’s papers, things liven up. Their father’s illegitimate daughter, she is writing a biography of her mother, Dame Myra Mason, a renowned actress whose rancorous break-up with their father had been much publicized. The biography will be more in the line of an expose, Cordelia having been emotionally abused by her mother, and no one is surprised when Dame Myra herself shows up to put a stop to it. When she is murdered in the local pub that night a host of possible suspects, led of course by Cordelia, is revealed. After some admirable and intuitive sleuthing by Chief Inspector Meredith identifies the murderer and accomplice, a secret long harbored by Caroline and Roderick is also disclosed. Appealing and distasteful characters alike make this another highly entertaining diversion from Barnard.

From award-winning mystery writer Robert Barnard comes a classic British whodunit about a bestselling author who is murdered—and his latest unpublished manuscript has gone missing. Sir Oliver Fairleigh-Stubbs, overweight and overbearing, collapses and dies at his birthday party while indulging his taste for rare liquors. He had promised his daughter he would be polite and charitable for the entire day, but the strain of such exemplary behavior was obviously too great. He leaves a family relieved to be rid of him, and he also leaves a fortune, earned as a bestselling mystery author. But the manuscript of the unpublished volume left to Sir Oliver’s wife, a posthumous “last case” that might be worth millions, has disappeared. And Sir Oliver’s death is beginning to look less than natural.

It was midday on December 21st in the city of Tromsø when the boy was last seen: a tall, blond boy swathed in anorak and scarf against the Arctic noon. After that he wasn’t seen again, not until three months later, when Professor Mackenzie’s dog started sniffing around in the snow and uncovered a human ear, attached to a naked corpse. Nobody knew who he was, or where he had come from. And after three months it was almost impossible to track down the identity of the corpse. But Inspector Fagermo refused to give up, and as he probed deeper into the Arctic city he began to discover a dangerous conspiracy of blackmail, espionage, and cold-blooded murder.

Opera singers are often described as being larger than life, and certainly this is true of Gaylene Ffrench. Her appetites for men, for food, for attention are gargantuan, and her ability to irritate is similarly outsized. So when someone electrocutes the bombastic Australian contralto, few tears are shed at the Northern Opera Company. In fact, most of the company members are dancing a jig, and it falls on Superintendent Nichols to determine which of them might have helped Gaylene along to her just reward. With so many potential suspects, Nichols has his hands full.

Lill Hodsden was a monster. She rode roughshod over her daughter, wiped her feet on her husband, blackmailed her lovers, and smothered her sons with a mother’s love that left them screaming out for freedom. Lill set the hackles rising all over Todmarsh, the little South Coast town she queened over. She was just asking to be done in. When Lill was found garrotted on Thursday, on the way home from one of her boyfriends’, the case was wide open, and half Todmarsh would have regarded the murderer as a civic benefactor. Inspector McHale, on his first murder case, is a man who values intelligence, particularly his own. He is convinced he is going to discover the killer. But is he going to discover the right one?

In A City of Strangers, Barnard creates one of his most memorable characters ever; the dreadful Jack Phelan. Dirty, potbellied, vulgar, selfish, Jack is a man everyone loves to hate. And the rest of his family isn’t much better. The wife is slatternly, the teenaged children flirt with petty crime and prostitution, even the baby is unpleasant. Only twelve-year-old Michael Phelan seems to have escaped the family curse, and it may be just a question of time until he, too, sinks to the Phelan level.

Hilariously satirizing Britain’s education system, a mystery at the Burleigh School involves the inept leadership of its headmaster, Edward Crumwallis, and the evil pupil he chooses as his next headboy—sneaky sycophant Hillary Frome.

Radio Broadwich decides to do a documentary on the small village of Twytching for international broadcast, and the townspeople divide between those who seek the patronage of Mrs. Deborah Withins, arbiter of taste and morals, and those determined to displace her in the cutthroat contest for media recognition. When a rash of poison-pen letters and a murder coincide, quiet inspector George Parrish begins to uncover secrets the leading citizens of Twytching had thought, and fervently hoped, were buried.

In the Soho studio of Bodies magazine are found four corpses: a photographer, his assistant, an actress-student and a young bodybuilder. Perry Trethowan of London’s C.I.D. can’t discern a motive for the murders and soon finds himself involved in the seedy world of competitive body-building and a sinister operation behind Bodies magazine.

Inspector Perry Trethowan reads in the obituaries that his estranged father has died under peculiar circumstances: he was fooling around with a form of self-torture called strappado. At the request of his supervisor, Peter returns to his ancestral home to determine if any of his cousins or siblings might have helped the old man to his bizarre end.

Lill Hodsden was a monster. She rode roughshod over her daughter, wiped her feet on her husband, blackmailed her lovers and smothered her sons with a mother love that left them screaming out for freedom. Lill set the hackles rising all over Todmarsh, the little South Coast town she queened it over. She was just asking to be done in. And her sons were very ready to oblige. In fact, they had it all worked out, for Saturday night. But when Lill was found garrotted on Thursday, on the way home from one of her boy-friends’, the case was wide open, and half Todmarsh would have regarded the murderer as a civic benefactor. Inspector McHale, on his first murder case, is a man who values intelligence, particularly his own. He is convinced he is going to discover the killer. But is he going to discover the right one? In the claustrophobic relationships around the appalling Lill, Robert Barnard has used his gift for creating murderable monsters to set up a murder everybody can sympathize with.

When the body of a Member of Parliament is found floating in the Thames, everyone assumes it is suicide, except for Superintendent Sutcliffe, whose investigation of the case reveals some nasty and ruthless politics. Three-time Edgar Award nominee Robert Barnard takes on the cunning and ruthless world of politics in this suspenseful tale centering upon the mysterious death of a member of Parliament.

A celebrity scholar in a small village tears her nephews from their immediate family and raises them in an atmosphere of cruelty. As old Lydia Perceval plans to destroy yet another group of impressionable young children’s love for their parents, the list of those who would have her die grows longer.

Death returns to a Yorkshire village when a museum opens on the site of an unexplained murder/suicide where a renowned author killed his sister with an ax and shot himself.

Assigned as British Princess Helena’s personal bodyguard, Scotland Yard Detective Perry Trethowan struggles to defend his own virtue against the lascivious princess while tracking down the methodical killer who is murdering her numerous lovers.

Professor Belville-Smith had bored university audiences in England with the same lecture for fifty years. Now he was crossing the Australian continent, doing precisely the same. Never before had the reaction been so extreme, however, for shortly after an undistinguished appearance at Drummondale University, the doddering old professor is found brutally murdered. As Police Inspector Royle (who had never actually had to solve a crime before) probes the possible motives of the motley crew of academics who drink their way through the dreary days at Drummondale and as he investigates the bizarre behavior of some worthy locals, a hilarious, highly satirical portrait of life down under emerges.

A complex story dealing with forgeries, people turning up alive who are supposed to be dead, and literary hoaxes.

Award-winning author Robert Barnard, hailed by critics for his brilliant novels of suspense, proves himself equally master of the short story with this delightful first collection. 16 tantalizing stories show ingenious killers at work in cozy English villages, sophisticated London neighborhoods, and the darkly paneled walls of academe.

Taking a job as a governess for a family with an unpopular opinion against the war, Sara and the Hallam family begin to be on the receiving end of nasty and threatening crimes in this thrilling novel from Edgar Award nominee Robert Barnard. Sara Causseley could not be more delighted by her new job as governess to the aristocratic Hallam clan. The children are adorable, the gardens are a dream, and the conversation is stimulating. But ominous political clouds are gathering over Europe, and as England slips inexorably toward World War II, the Hallams’ political views make the family increasingly unpopular. No one, though, suspects the extent of the malice that is percolating in the surrounding countryside until a human skeleton, and then a human corpse, are found on the Hallam grounds, sending some kind of ugly message.

Fifteen-year-old Katy Bourne and sixteen-year-old Alan Coughlan are missing. Though they are students at the same school, they hardly know each other, so it''s strange that they should disappear together. Katy''s mother, self-centered and unloving, doesn''t mind if her daughter never comes home. Alan''s solid working-class parents are pained and puzzled by their son''s departure. There''s not much the police can do about runaway teenagers, but Detective Constable Charlie Peace goes through the motions. He interviews the families, he visits the school. Alan had friends and had aspired to a good education. Katy had nothing, least of all self-esteem. The two teens could be anywhere, even living dangerously on the streets of Leeds, so it''s with relief that Charlie discovers them in a hostel for homeless young people. But are they safe? And who is Ben Marchant, the man who runs the shelter? Whoever he is, he seems to be doing well. Young people beg or work as street musicians during the day, then eat and sleep at the hostel at night. They can remain there two weeks and then must leave for two weeks before beginning the cycle again. Only Katy and Alan stay longer. Only they have a special, mysterious understanding with Ben. But all is not well at the shelter. Neighbors complain about strange goings-on. Residents too often display feelings of jealousy and suspicion. A young woman flees from a violent family member, perhaps bringing danger with her. Emotions run high, ranging from love and gratitude to fear and hate. One person may even hate enough to murder. One person''s hate may destroy this place that some regard as a haven of peace and safety and others fear as something more complex and diabolical. No Place of Safety combines brilliant social commentary with a mesmerizing mystery plot that will once again enthrall Robert Barnard''s legion of fans. Recognized as one of the best of all contemporary crime writers, Barnard is in top form.

A mysterious envelope arrives on Eve McNabb''s doorstep soon after she has buried her mother, a woman who kept many secrets. The puzzling letter inside this envelope hints at an illicit passion between the letter writer and Eve''s mother, May McNabb. Even when she was a child, Eve sensed that there were parts of May''s life she would never understand. She would never know the details of her parents'' marriage or why her father suddenly disappeared from her life. While Eve has always believed that her father was dead, she begins to wonder whether her mother''s life as a widow had been a ruse. Will she have to question everything her mother has told her? Could her father be alive and well? The letter writer may have some answers, but how can Eve find him or her? With only a blurred postmark for a clue, Eve sets out to locate the writer and journey into her own past. What she never suspected was that questions can be dangerous, perhaps even deadly... Filled with piercing wit and illuminating insight into the human condition, Robert Barnard''s Last Post proves yet again that he is one of the great masters of mystery.

From Robert Barnard, the internationally acclaimed Diamond Dagger-winning crime writer . . . Some memories are better left buried in the past. Well-known author Graham Broadbent has managed to repress one particularly dangerous memory for many years, but a trip home to a school reunion brings back the shocking reality of a desperate youthful passion. It all begins with a knock on Graham''s hotel door. His visitor is nineteen-year-old Christa, who read in the newspaper that he would be in town. She introduces herself as his long-lost daughter. His daughter? It''s true that many years ago Graham had a fling with Christa''s mother, an exquisitely alluring school actress named Peggy Somers. The dates don''t work, though. Graham maintains he was out of the country when Christa was conceived. He couldn''t be her father. He''s almost sorry that he can''t claim Christa, a lively young woman who intrigues him in a strange way. And what about Christa''s mother, the formidable Peggy, who made such an impression when she portrayed Saint Joan in the school play all those years ago? Why would she have lied to Christa about her paternity? Why name Graham as the girl''s father? Separated from his wife, at loose ends in his writing, Graham takes the fateful step of searching out Peggy. It''s a big mistake. Peggy''s life, which started with such promise, has been a major disappointment. Now it''s about to become a disaster. Peggy lies. She fabricates. She fantasizes. She is the kind of person who will destroy Graham if he lets her. As Graham finds himself drawn increasingly into the turmoil surrounding this woman and her children, he must deal with deception and, ultimately, with murder. The sins of the past return to haunt the living, and the lives of those who survive will never be the same. Writing with the piercing insight and wit for which he is renowned, Robert Barnard creates a poignant masterpiece of mystery, as thoughtful as it is entertaining.

A man’s home is his castle, but for Percy Spender that motto has been taken just a bit too literally. After the sudden death of first one distant relative and then another, the amiable Perce has become the 12th Earl of Ellesmere. And his home, no longer a cozy council flat, is now the drafty, imposing Chetton Hall, complete with more bedrooms than Perce can count and an army of servants. Frankly, all these fancy trappings make Perce itch. He’d just as soon sell up, buy a comfy cottage, and put a bundle on the ponies. However, some of his mates and family members have other ideas. And the sad fact is that an Unfortunate Accident can happen to anyone, even a lord of the realm.

Hexton-upon-Weir was ruled by its women: they set the tone, they made the decisions, they called the tune. When they decided to band together to block the appointment of a new vicar who was not only unacceptably High Church but - of all ugly things - celibate to boot, they managed to create merry hell. As the town was riven by faction and counter-faction, Helen Kitterage tried to remain aloof, but before long she was drawn into the maelstrom, as, during the down''s fête, ill-will and conspiracy degenerated into murder. Helen was convinced that somewhere among the secrets of this murderous Cranford there must be found some key shame that someone had thought it worth killing to keep unknown. In this tart and witty updating of the traditional English village mystery, ''the chameleon talent of Mr Barnard'' (Sunday Times) is demonstrated once again through that sharp ear and eye that led the Washington Post to exclaim: ''One of the funniest men writing mysteries today has to be Robert Barnard.''

The Burleigh school was dying. It would be called a mercy killing were it not for the little band of inept, eccentric, or otherwise unemployable teachers who depended on this absolutely awful English boys’ academy for their meagre livelihoods. A lack of funds, facilities, and foresight had brought Burleigh to the very edge of extinction. Now someone planned to give it one final, deadly push. Malice was afoot behind the ivied walls, trailing hard on the heels of Hilary Frome, Headmaster Crumwallis’s unfortunate choice for the next headboy. For when something sinister popped up in the punch on Parents’ Evening, when nasty pranks became no joke, the next event at bloody Burleigh was bound to be . . . simply murder. ‘Crackerjack entertainment . . . deserves the kind of raves heaped up on his other prize whodunits.’ Publishers Weekly ‘There is no one quite like Robert Barnard in his ability to combine chills and chuckles and to sprinkle the whole with delicious irony.’ San Diego Union ‘The wryest wit and most scathing satire in today’s mystery.’ Chicago Sun-Times

From Robert Barnard, the internationally acclaimed Diamond Dagger-winning crime writer . . . With A Fall from Grace, Robert Barnard triumphs once again with a witty tale of family discord and murder. Detective Inspector Charlie Peace and his wife, Felicity, are shocked when Felicity''s difficult dad, Rupert Coggenhoe, suddenly announces that he''s moving north to their Yorkshire village. Felicity has never much liked her father, and to have him as a near-neighbor fills her with foreboding. The boorish old man has always loved to impress the ladies, young and old, by exaggerating his modest success as a novelist. True to form, soon after his move to Slepton Edge he surrounds himself with adoring females, including a precocious, theatrical teenager named Anne Michaels. Rupert and Anne could make a lethal combination. Rumors fly, but Felicity convinces herself that Rupert would do nothing seriously wrong. He can be annoying and outrageous but he''s not a criminal. She relies on a friend, a doctor who seems to be strangely aware of everything that''s happening in the community, to warn her if he hears of anything really troubling. She doesn''t have long to wait, but the news is not what she expects. It''s worse. A body has been found and it looks like murder. Stunned by a difficult reality, Felicity is even more shocked to discover that she, herself, may be a suspect. This is one criminal investigation that''s much too close to home for Charlie Peace. He''s not officially on the case, but he uses his copper''s instincts and a husband''s heart to find a killer and to discover anew the meaning of family. Praised for his "perfect pitch, exquisite pacing, and meticulous plotting" (Marilyn Stasio, The New York Times), Robert Barnard proves yet again that he is one of the great masters of mystery.

Scotland Yard Superintendent Perry Trethowan is enjoying a vacation evening at a cozy Yorkshire pub when an old woman shows him an original, unpublished Bronte manuscript. Trethowan agrees to engage in a little literary detective work, but he doesn’t realize that for a criminal the manuscript is motive for theft, torture—and murder.

From Robert Barnard, the internationally acclaimed Diamond Dagger–winning crime writer . . . Kit Philipson has always felt like something of a stranger in his family. Growing up as the only child of professional parents in Glasgow, Scotland, he had every advantage. His mother was a teacher; his father, a journalist, escaped from Nazi Germany at the age of three on one of the 1939 Kindertransports. But on her deathbed, Kit’s mother tells him he was adopted and that his birth name was Novello. Soon, vague memories of his early life begin to surface: his nursery, pictures on the wall, the smell of his birth mother when she’d been cooking. And, sometimes, there are more disturbing memories—of strangers taking him by the hand and leading him away from the only family he had ever known. A search of old newspaper files reveals that a three-year-old boy named Peter Novello was abducted from his parents’ holiday hotel in Sicily in 1989. Now the young man who has known himself only as Kit sets out to rediscover his past, the story of two three-year-old boys torn from their mothers in very different circumstances. Kit’s probing inquiries are sure to bring surprises. They may also unearth dangerous secrets that dare never be revealed. With sharp wit and deep insight, Robert Barnard sweeps away all preconceptions in this powerful study of maternal love and the danger of obsession.

Norway in cherry blossom time seemed exactly the right place to hold a conference of the World Association of Romantic Novelists (WARN for short). Superintendent Perry Trethowan wondered at times how he had allowed his sister to ''con'' him into accompanying her to the conference but he finally decided that his role was to be one of amused detachment and observation, most especially of the two Queens of the Conference - frothy, gushy, lethal Amanda Fairchild, the British challenger, and the vast, malevolent Lorelei Zuckerman from America. What Perry had not been prepared for was a body - one clothed in billowing pink, with a bough of cherry blossom carefully placed on the corpse. It was a most unusual murder, in a most unusual place. ''Mr Barnard disports himself with reliable zest, humour and cunning'' "Sunday Times" ''Immaculately plotted, written with a touch as light as thistledown, and infused with gentle malice, this is a delicious souffle of a whodunnit and the secret, which is worth waiting for, is kept to the end. Brilliant, Mr Barnard'' "Irish Times" ''The sort of exhilarating and satisfactory performance readers have come to expect from the virtuoso barnard'' "Financial Times"

At the Ketterick Arts Festival no one relishes the dubious art of innuendo more than Des Capper, a font of dubious gossip and unwanted advice. To the horror of the actors and singers performing at the Festival, Des has been promoted to landlord of the Saracen’s Head, the Elizabethan inn that is at the Festival’s heart. And when Des toddles off to meet his maker, courtesy of someone’s helpful shove, only his wretched wife can summon up a tear. Readers, meanwhile, will have trouble containing their snickers at the wickedly witty characterizations.

England''s celebrated, multiple-award-winning master crime novelist returns with a witty and poignant chiller about the evil of gossip and the sin of indifference. Father Christopher Pardoe is a good priest. He cares about his parishioners. He is also a human being -- and is thus saddled with man''s inherent weaknesses. Is it a bit odd, then, how much time the good Father has been spending at the house of a certain young, single mother called Julie Norris? And why, during each of his visits, are Julie''s bedroom curtains always closed? Julie looks to be pregnant again. Just who could the father be? As nasty rumors begin to scorch the parish phone lines, Father Pardoe is suspended from St. Catherine''s, and Cosmo Horrocks, the West Yorkshire Chronicle''s shameless, muckraking journalist, exploits the story in a big way. Nothing goes over better than a juicy sex-and-the-church scandal, except, perhaps, murder. Do Father Pardoe and Julie protest too much? Why did Julie''s parents throw her out and disown her? Is she really as bad as they say? And what, exactly, does Cosmo Horrocks hear in that London-to-Leeds dining car that makes him tingle with excitement? A tale of chastity besmirched? This story could make his year. But will it lead to tragedy? And, if so, whose? When Inspector Mike Oddie and Sergeant Charlie Peace are called in to investigate a murder, they are saddened and surprised by the raw emotions -- the hate, the fear -- they find in the outwardly peaceful town of Shipley. There may be only one killer, but there are many others who must share the town''s guilt and, perhaps, one day start the process of healing. Rich with eccentric characters, crisp dialogue, stylish prose, and perceptive insights into human nature, Unholy Dying is vintage Barnard, acknowledged master of suspense.

Old church meets new with a vengeance when a monk is brutally murdered at St. Botolph’s.

Prize-winning author Robert Barnard presents seventeen witty mystery stories featuring everyday characters who discover their potential for murder, including a young woman who weds a string of old men and develops a penchant for widowhood.

Thoroughly updated to include writers such as Caryl Churchill, Brian Friel, Martin Amis and Graham Swift, this book remains the best overall survey of English literature available. Robert Barnard looks selectively at the most important writers within each period from the time of Chaucer, and focuses on one or two of their works in detail. He deals briefly with the earlier periods and more fully with the last two centuries, moving right to the present with a detailed coverage of the post-war novel and theatre. In the best sense eclectic, his book draws together history, criticism, established ideas and fresh views.