Best Selling Books by Robert Alter

A translation of Genesis, which attempts to recover the meanings of the ancient Hebrew and convey them in modern English prose. It is accompanied by a commentary and annotations, and aims to illuminate the original work without any touch of the fake antique.

The story of David, forceful slayer of Goliath, is plucked from the Bible and molded into a piece of literature that stands on its own--a narrative representation of a human life shaped by the pressures of political life and family, the impulses of body and spirit, and the eventual sad decay of the flesh.

Robert Alter''s ''The Book of Psalms'' captures the simplicity, the physicality and rhythmic power of the Hebrew, while shedding light on the obscurities of the text.

The brilliant biblical scholar offers a masterly new translation of the Hebrew Bible that gives readers the definitive editions of the Pentateuch. Alter''s translation is combined with probing commentary that illuminates the text in a lyrical, lucid English.

From celebrated translator of the Hebrew Bible Robert Alter, the "groundbreaking" (Los Angeles Times) book that explores the Bible as literature, a winner of the National Jewish Book Award. Renowned critic and translator Robert Alter''s The Art of Biblical Narrative has radically expanded our view of the Bible by recasting it as a work of literary art deserving studied criticism. In this seminal work, Alter describes how the Hebrew Bible''s many authors used innovative literary styles and devices such as parallelism, contrastive dialogue, and narrative tempo to tell one of the most revolutionary stories of all time: the revelation of a single God. In so doing, Alter shows, these writers reshaped not only history, but also the art of storytelling itself.

From the recipient of the National Jewish Book Award for Lifetime Achievement, a "hugely entertaining and irreverent" (Adam Gopnik, New Yorker) account of the art of translating the Hebrew Bible into English In this brief book, award-winning biblical translator and acclaimed literary critic Robert Alter offers a personal and passionate account of what he learned about the art of Bible translation over the two decades he spent completing his own English version of the Hebrew Bible. Alter’s literary training gave him the advantage of seeing that a translation of the Bible can convey the text’s meaning only by trying to capture the powerful and subtle literary style of the biblical Hebrew, something the modern English versions don’t do justice to. The Bible’s style, Alter writes, “is not some sort of aesthetic embellishment of the ‘message’ of Scripture but the vital medium through which the biblical vision of God, human nature, history, politics, society, and moral value is conveyed.” And, as the translators of the King James Version knew, the authority of the Bible is inseparable from its literary authority. For these reasons, the Bible can be brought to life in English only by re-creating its literary virtuosity, and Alter discusses the principal aspects of style in the Hebrew Bible that any translator should try to reproduce: word choice, syntax, word play and sound play, rhythm, and dialogue. In the process, he provides an illuminating and accessible introduction to biblical style that also offers insights about the art of translation far beyond the Bible.

Three decades ago, renowned literary expert Robert Alter radically expanded the horizons of biblical scholarship by recasting the Bible as not only a human creation but a work of literary art deserving studied criticism. In The Art of Biblical Poetry, his companion to the seminal The Art of Biblical Narrative, Alter takes his analysis beyond narrative craft to investigate the use of Hebrew poetry in the Bible. Updated with a new preface, myriad revisions, and passages from Alter''s own critically acclaimed biblical translations, The Art of Biblical Poetry is an indispensable tool for understanding the Bible and its poetry.

A landmark event: the complete Hebrew Bible in the award-winning translation that delivers the stunning literary power of the original. A masterpiece of deep learning and fine sensibility, Robert Alter’s translation of the Hebrew Bible, now complete, reanimates one of the formative works of our culture. Capturing its brilliantly compact poetry and finely wrought, purposeful prose, Alter renews the Old Testament as a source of literary power and spiritual inspiration. From the family frictions of Genesis and King David’s flawed humanity to the serene wisdom of Psalms and Job’s incendiary questioning of God’s ways, these magnificent works of world literature resonate with a startling immediacy. Featuring Alter’s generous commentary, which quietly alerts readers to the literary and historical dimensions of the text, this is the definitive edition of the Hebrew Bible.

In Imagined Cities, Robert Alter traces the arc of literary development triggered by the runaway growth of urban centers from the early nineteenth century through the first two decades of the twentieth. As new technologies and arrangements of public and private space changed the ways people experienced time and space, the urban panorama became less coherent—a metropolis defying traditional representation and definition, a vast jumble of shifting fragments and glimpses—and writers were compelled to create new methods for conveying the experience of the city.In a series of subtle and convincing interpretations of novels by Flaubert, Dickens, Bely, Woolf, Joyce, and Kafka, Alter reveals the ways the city entered the literary imagination. He shows how writers of diverse imaginative temperaments developed innovative techniques to represent shifts in modern consciousness. Writers sought more than a journalistic representation of city living, he argues, and to convey meaningfully the reality of the metropolis, the city had to be re-created or reimagined. His book probes the literary response to changing realities of the period and contributes significantly to our understanding of the history of the Western imagination.

In this book, biblical translator and literary critic Robert Alter traces some of the fascinating ways that American novelists--from Melville, Hemingway, and Faulkner to Bellow, Marilynne Robinson, and Cormac McCarthy--have drawn on the rich stylistic resources of the canonical English Bible to fashion their own strongly resonant styles and distinctive visions of reality. --from publisher description.

A distinguished critic rescues literature from the ivory tower and reestablishes reading as a personal source of complex pleasure and insight.

A pioneer in the burgeoning movement to understand the Bible as literature assesses the spate of new developments in this area. Robert Alter reflects on the paradoxes inherent in considering this great religious work as literature.

Robert Alter’s award-winning translation of the Hebrew Bible continues with the stirring narrative of Israel’s ancient history. To read the books of the Former Prophets in this riveting Robert Alter translation is to discover an entertaining amalgam of hair-raising action and high literary achievement. Samson, the vigilante superhero of Judges, slaughters thousands of Philistines with the jawbone of a donkey. David, the Machiavellian prince of Samuel and Kings, is one of the great literary figures of antiquity. A ruthless monarch, David embodies a life in full dimension as it moves from brilliant youth through vigorous prime to failing old age. Samson and David play emblematic roles in the rise and fall of ancient Israel, a nation beset by internal divisions and external threats. A scattering of contentious desert tribes joined by faith in a special covenant with God, Israel emerges through the bloody massacres of Canaanite populations recounted in Joshua and the anarchic violence of Judges. The resourceful David consolidates national power, but it is power rooted in conspiracy, and David dies bitterly isolated in his court, surrounded by enemies. His successor, Solomon, maintains national unity through his legendary wisdom, wealth, and grand public vision, but after his death Israel succumbs to internal discord and foreign conquest. Near its end, the saga of ancient Israel returns to the supernatural. In Elijah’s fiery ascent to heaven many would find the harbinger of a messiah coming to save his people in their time of need.

"An award-winning author and professor adds a new volume to his series of translations and commentary on the Hebrew Bible, focusing on the rational moral order described in Job, Proverbs and Ecclesiastes. "

"For many serious readers," Robert Alter writes in his preface, "the novel still matters, and I have tried here to suggest some reasons why that should be so." In his wide-ranging discussion, Alter examines the imitation of reality in fiction to find out why mimesis has become problematic yet continues to engage us deeply as readers. Alter explores very different sorts of novels, from the self-conscious artifices of Sterne and Nabokov to what seem to be more realistic texts, such as those of Dickens, Flaubert, John Fowles, and the early Norman Mailer. Attention is also given to such individual critics as Edmund Wilson and Alfred Kazin and to current critical schools. In Alter''s essays, a particular book or movement or juxtaposition of writers provides the occasion for the exploration of a general intellectual issue. The scrutiny of well-chosen passages, the joining of images or themes or ideas, the associative and intuitive processes that lead to the right phrase and the right loop of syntax for the matter at hand-all these come together unexpectedly to illuminate both the text in question and the general issue. Recent discussions of mimesis in fiction generally proceed from a single thesis. By contrast, Motives for Fiction offers an empirical approach, attempting to define mimesis in its various guises by careful critical readings of a heterogeneous sampling of literary texts. Intelligent and good-humored, the book is also old-fashioned enough to wonder whether mimesis might not be a task or responsibility to which much contemporary fiction has not proved entirely adequate.

“A pleasure to read. . . . Alter has given fresh life to some of the most beloved . . . books in our heritage.”—Philadelphia Inquirer The Song of Songs; Ruth; Esther; Jonah; and Daniel offer readers a range of pleasures not usually associated with the Bible. As distant in time from the Five Books of Moses as Updike is from Shakespeare, these Late Biblical books are innovative, entertaining literary works. Women often stand center stage. The Song of Songs is a celebration of young love, frankly sensuous, with no reference to God or covenant. It offers some of the most beautiful love poems of the ancient world. The story of Queen Esther’s shrewd triumph is also a secular entertainment, with clear traces of farce and sly sexual comedy. The character of Ruth embodies the virtues of loyalty, love, and charity in a harmonious world. Enigma replaces harmony in Daniel’s feverish night dreams. The apocalyptic strangeness of Daniel echoes in works from the New Testament’s Book of Revelations to the lyrics of Bob Dylan. And Jonah, the tale of a giant fish who, on God’s command, swallows the prophet and imprisons him in his dark wet innards for three days, ends with a question that lingers, unanswered, leaving the reader to ponder the many limitations of humankind.

From award-winning literary scholar Robert Alter, a masterful exploration of how Nabokov used artifice to evoke the dilemmas, pain, and exaltation of the human condition Admirers and detractors of Vladimir Nabokov have viewed him as an ingenious contriver of literary games, teasing and even outsmarting his readers through his self-reflexive artifice and the many codes and puzzles he devises in his fiction. Nabokov himself spoke a number of times about reality as a term that always has to be put in scare quotes. Consequently, many critics and readers have thought of him as a writer uninterested in the world outside literature. Robert Alter shows how Nabokov was passionately concerned with the real world and its complexities, from love and loss to exile, freedom, and the impact of contemporary politics on our lives. In these illuminating and exquisitely written essays, Alter spans the breadth of Nabokov''s writings, from his memoir, lectures, and short stories to major novels such as Lolita. He demonstrates how the self-reflexivity of Nabokov''s fiction becomes a vehicle for expressing very real concerns. What emerges is a portrait of a brilliant stylist who is at once serious and playful, who cared deeply about human relationships and the burden of loss, and who was acutely sensitive to the ways political ideologies can distort human values. Offering timeless insights into literature’s most fabulous artificer, Nabokov and the Real World makes an elegant and compelling case for Nabokov''s relevance today.

An intimate portrait illuminating the life and work of Amos Oz, the award-winning Israeli writer and activist Amos Oz (1939–2018) was one of Israel’s most prolific and prominent writers, as well as a regular contender for the Nobel Prize for Literature. He was the author of dozens of novels, essay collections, and novellas written between 1965 and shortly before his death. In this first published biography of Oz, the celebrated translator, literary critic, and biblical scholar Robert Alter explores Oz’s relationship with his family, beginning with the suicide of his mother, Fania Klausner, when he was twelve years old, and goes on to review his time in Kibbutz Hulda, which he entered at fourteen following his separation from his father, Arieh Klausner; his family’s right-wing Zionism; his writing career; his activism in support of a pluralistic Israel; and his work as an international lecturer. In examining Oz’s life and work, Alter brings together testimony from Oz and his circle, as well as close readings of his central works, to present the inner world and public persona of Amos Oz.

Traces the life of the nineteenth century French novelist, attempts to portray his complex personality, and analyzes his major works.

Alter explores the ways in which a range of iconoclastic 20th century authors have put to use the stories, language, and imagery found in the Hebrew Bible. Includes attention on Franz Kafka''s "Amerika" and James Joyce''s "Ulysses".

In four elegant chapters, Robert Alter explains the prismlike radiance created by the association of three modern masters, Franz Kafka, Walter Benjamin, and Gershom Scholem. The volume pinpoints the intersections of these divergent witnesses to the modern condition of doubt, the no-man''s-land between traditional religion and modern secular culture. Scholem, the devoted Zionist and master historian of Jewish mysticism, and Benjamin, the Marxist cultural critic, dedicated much of their thought and correspondence to Kafka, the explorer in fiction of radical alienation. Kafka''s sense of spiritual complexities was an inspiration to both thinkers in their resistance to the murderous simplification of totalitarian ideology. In Necessary Angels Alter uncovers a moment when the future of modernism is revealed in its preoccupation with the past. The angel of the title is first Kafka''s: on June 25, 1914, the writer recorded in his diary a dream vision of an angel that turned into the painted wooden figurehead of a ship. In 1940, at the end of his life, Walter Benjamin devoted the ninth of his Theses on the Philosophy of History to a meditation on an angel by the artist Paul Klee, first quoting a poem he had written on that painting. In Benjamin''s vision, the figure from Klee becomes an angel of history, sucked into the future by the storm of progress, his face looking back to Eden. Benjamin bequeathed the Klee oil painting to Scholem; it hung in the living room of Scholem''s home on Abarbanel Street in Jerusalem until 1989, when his widow placed it in the Israel Museum. Alter''s focus on the epiphanic force of memory on these three great modernists shows with sometimes startling, sometimes prophetic clarity that a complete break with tradition is not essential to modernism. Necessary Angels itself continues the necessary discovery of the future in the past.

Amid a conflict between gods and demons, Mulan is faced with a destiny- altering decision: will she allow the world to toil under eternal tyranny, or can she right the universe���s wrongs by making the ultimate sacrifice?