Best Selling Books by Robert Alter

Acclaimed for its masterful new translation and insightful commentary, "The David Story" is a fresh, vivid rendition of one of the great works in Western literature. Alter''s translation paints not only the heroic picture of David in his fight with Goliath, but also portrays David as an ambitious, calculating man with a flawed vision.

A translation of Genesis, which attempts to recover the meanings of the ancient Hebrew and convey them in modern English prose. It is accompanied by a commentary and annotations, and aims to illuminate the original work without any touch of the fake antique.

"You think you know these texts... until you read Alter, who reignites their beauty in bracing and unexpected ways." --Malcolm Jones, Newsweek. A cornerstone of the scriptural canon, The Book of Psalms has been a source of solace and joy for countless readers over millennia. This timeless poetry is beautifully wrought by a scholar whose translation of The Five Books of Moses was hailed as a "godsend" by Seamus Heaney and a "masterpiece" by Robert Fagles. Alter''s The Book of Psalms captures the simplicity, the physicality, and the coiled rhythmic power of the Hebrew, restoring the remarkable eloquence of these ancient poems. His learned and insightful commentary illuminates the obscurities of the text.

"A modern classic....Thrilling and constantly illuminating."—Michael Dirda, Washington Post Book World Through a distinguished career of critical scholarship and translation, Robert Alter has equipped us to read the Hebrew Bible as a powerful, cohesive work of literature. In this landmark work, Alter''s masterly translation and probing commentary combine to give contemporary readers the definitive edition of The Five Books. Winner of the PEN Center USA Literary Award for Translation and the Koret Jewish Book Award for Translation, a Newsweek Top 15 Book, Los Angeles Times Favorite Book, and San Francisco Chronicle Best Book.

From celebrated translator of the Hebrew Bible Robert Alter, the "groundbreaking" (Los Angeles Times) book that explores the Bible as literature, a winner of the National Jewish Book Award. Renowned critic and translator Robert Alter''s The Art of Biblical Narrative has radically expanded our view of the Bible by recasting it as a work of literary art deserving studied criticism. In this seminal work, Alter describes how the Hebrew Bible''s many authors used innovative literary styles and devices such as parallelism, contrastive dialogue, and narrative tempo to tell one of the most revolutionary stories of all time: the revelation of a single God. In so doing, Alter shows, these writers reshaped not only history, but also the art of storytelling itself.

From the recipient of the National Jewish Book Award for Lifetime Achievement, a "hugely entertaining and irreverent" (Adam Gopnik, New Yorker) account of the art of translating the Hebrew Bible into English In this brief book, award-winning biblical translator and acclaimed literary critic Robert Alter offers a personal and passionate account of what he learned about the art of Bible translation over the two decades he spent completing his own English version of the Hebrew Bible. Alter’s literary training gave him the advantage of seeing that a translation of the Bible can convey the text’s meaning only by trying to capture the powerful and subtle literary style of the biblical Hebrew, something the modern English versions don’t do justice to. The Bible’s style, Alter writes, “is not some sort of aesthetic embellishment of the ‘message’ of Scripture but the vital medium through which the biblical vision of God, human nature, history, politics, society, and moral value is conveyed.” And, as the translators of the King James Version knew, the authority of the Bible is inseparable from its literary authority. For these reasons, the Bible can be brought to life in English only by re-creating its literary virtuosity, and Alter discusses the principal aspects of style in the Hebrew Bible that any translator should try to reproduce: word choice, syntax, word play and sound play, rhythm, and dialogue. In the process, he provides an illuminating and accessible introduction to biblical style that also offers insights about the art of translation far beyond the Bible.

Three decades ago, renowned literary expert Robert Alter radically expanded the horizons of biblical scholarship by recasting the Bible as not only a human creation but a work of literary art deserving studied criticism. In The Art of Biblical Poetry, his companion to the seminal The Art of Biblical Narrative, Alter takes his analysis beyond narrative craft to investigate the use of Hebrew poetry in the Bible. Updated with a new preface, myriad revisions, and passages from Alter''s own critically acclaimed biblical translations, The Art of Biblical Poetry is an indispensable tool for understanding the Bible and its poetry.

A landmark event: the complete Hebrew Bible in the award-winning translation that delivers the stunning literary power of the original. A masterpiece of deep learning and fine sensibility, Robert Alter’s translation of the Hebrew Bible, now complete, reanimates one of the formative works of our culture. Capturing its brilliantly compact poetry and finely wrought, purposeful prose, Alter renews the Old Testament as a source of literary power and spiritual inspiration. From the family frictions of Genesis and King David’s flawed humanity to the serene wisdom of Psalms and Job’s incendiary questioning of God’s ways, these magnificent works of world literature resonate with a startling immediacy. Featuring Alter’s generous commentary, which quietly alerts readers to the literary and historical dimensions of the text, this is the definitive edition of the Hebrew Bible.

How the King James Bible has influenced the style of the American novel from Melville to Cormac McCarthy The simple yet grand language of the King James Bible has pervaded American culture from the beginning—and its powerful eloquence continues to be felt even today. In this book, acclaimed biblical translator and literary critic Robert Alter traces some of the fascinating ways that American novelists—from Melville, Hemingway, and Faulkner to Bellow, Marilynne Robinson, and Cormac McCarthy—have drawn on the rich stylistic resources of the canonical English Bible to fashion their own strongly resonant styles and distinctive visions of reality. Showing the radically different manners in which the words, idioms, syntax, and cadences of this Bible are woven into Moby-Dick, Absalom, Absalom!, The Sun Also Rises, Seize the Day, Gilead, and The Road, Alter reveals the wide variety of stylistic and imaginative possibilities that American novelists have found in Scripture. At the same time, Alter demonstrates the importance of looking closely at the style of literary works, making the case that style is not merely an aesthetic phenomenon but is the very medium through which writers conceive their worlds.

"An award-winning author and professor adds a new volume to his series of translations and commentary on the Hebrew Bible, focusing on the rational moral order described in Job, Proverbs and Ecclesiastes. "

Chronicles the ancient history of Israel and its prophets, from Samson to Elijah.

In Imagined Cities, Robert Alter traces the arc of literary development triggered by the runaway growth of urban centers from the early nineteenth century through the first two decades of the twentieth. As new technologies and arrangements of public and private space changed the ways people experienced time and space, the urban panorama became less coherent—a metropolis defying traditional representation and definition, a vast jumble of shifting fragments and glimpses—and writers were compelled to create new methods for conveying the experience of the city.In a series of subtle and convincing interpretations of novels by Flaubert, Dickens, Bely, Woolf, Joyce, and Kafka, Alter reveals the ways the city entered the literary imagination. He shows how writers of diverse imaginative temperaments developed innovative techniques to represent shifts in modern consciousness. Writers sought more than a journalistic representation of city living, he argues, and to convey meaningfully the reality of the metropolis, the city had to be re-created or reimagined. His book probes the literary response to changing realities of the period and contributes significantly to our understanding of the history of the Western imagination.

A pioneer in the burgeoning movement to understand the Bible as literature assesses the spate of new developments in this area. Robert Alter reflects on the paradoxes inherent in considering this great religious work as literature.

A distinguished critic rescues literature from the ivory tower and reestablishes reading as a personal source of complex pleasure and insight.

“A pleasure to read. . . . Alter has given fresh life to some of the most beloved . . . books in our heritage.”—Philadelphia Inquirer The Song of Songs; Ruth; Esther; Jonah; and Daniel offer readers a range of pleasures not usually associated with the Bible. As distant in time from the Five Books of Moses as Updike is from Shakespeare, these Late Biblical books are innovative, entertaining literary works. Women often stand center stage. The Song of Songs is a celebration of young love, frankly sensuous, with no reference to God or covenant. It offers some of the most beautiful love poems of the ancient world. The story of Queen Esther’s shrewd triumph is also a secular entertainment, with clear traces of farce and sly sexual comedy. The character of Ruth embodies the virtues of loyalty, love, and charity in a harmonious world. Enigma replaces harmony in Daniel’s feverish night dreams. The apocalyptic strangeness of Daniel echoes in works from the New Testament’s Book of Revelations to the lyrics of Bob Dylan. And Jonah, the tale of a giant fish who, on God’s command, swallows the prophet and imprisons him in his dark wet innards for three days, ends with a question that lingers, unanswered, leaving the reader to ponder the many limitations of humankind.

"For many serious readers," Robert Alter writes in his preface, "the novel still matters, and I have tried here to suggest some reasons why that should be so." In his wide-ranging discussion, Alter examines the imitation of reality in fiction to find out why mimesis has become problematic yet continues to engage us deeply as readers. Alter explores very different sorts of novels, from the self-conscious artifices of Sterne and Nabokov to what seem to be more realistic texts, such as those of Dickens, Flaubert, John Fowles, and the early Norman Mailer. Attention is also given to such individual critics as Edmund Wilson and Alfred Kazin and to current critical schools. In Alter''s essays, a particular book or movement or juxtaposition of writers provides the occasion for the exploration of a general intellectual issue. The scrutiny of well-chosen passages, the joining of images or themes or ideas, the associative and intuitive processes that lead to the right phrase and the right loop of syntax for the matter at hand-all these come together unexpectedly to illuminate both the text in question and the general issue. Recent discussions of mimesis in fiction generally proceed from a single thesis. By contrast, Motives for Fiction offers an empirical approach, attempting to define mimesis in its various guises by careful critical readings of a heterogeneous sampling of literary texts. Intelligent and good-humored, the book is also old-fashioned enough to wonder whether mimesis might not be a task or responsibility to which much contemporary fiction has not proved entirely adequate.

Traces the life of the nineteenth century French novelist, attempts to portray his complex personality, and analyzes his major works.

An intimate portrait illuminating the life and work of Amos Oz, the award-winning Israeli writer and activist Amos Oz (1939–2018) was one of Israel’s most prolific and prominent writers, as well as a regular contender for the Nobel Prize for Literature. He was the author of dozens of novels, essay collections, and novellas written between 1965 and shortly before his death. In this first published biography of Oz, the celebrated translator, literary critic, and biblical scholar Robert Alter explores Oz’s relationship with his family, beginning with the suicide of his mother, Fania Klausner, when he was twelve years old, and goes on to review his time in Kibbutz Hulda, which he entered at fourteen following his separation from his father, Arieh Klausner; his family’s right-wing Zionism; his writing career; his activism in support of a pluralistic Israel; and his work as an international lecturer. In examining Oz’s life and work, Alter brings together testimony from Oz and his circle, as well as close readings of his central works, to present the inner world and public persona of Amos Oz.

Alter explores the ways in which a range of iconoclastic 20th century authors have put to use the stories, language, and imagery found in the Hebrew Bible. Includes attention on Franz Kafka''s "Amerika" and James Joyce''s "Ulysses".

"This book collects book includes eleven pieces about Vladimir Nabokov. A common thread connects the articles, which is an underlying sense that Nabokov''s fiction resonantly addresses the realm beyond literature that we call, perhaps for want of a better term-and it is a word toward which he himself was dismissive-reality. . . . Nabokov was an existentially serious writer in the midst of being a playful one. He cared deeply about human relationships and their potential distortions, about love and the pain it often entails, and about what was happening in the larger historical theater. He firmly resisted attachment to political parties and trends. Yet he was acutely sensitive to the ways in which political ideologies could pervert or destroy human values and powerfully registered this awareness in several of his novels. His fiction poignantly conveys the burden of loss with which many must live-the loss of loved ones, of moral certainties, of homeland, of language and familiar cultural setting. In what the author has written on Nabokov, he has sought to give this large dimension of Nabokov''s novels and stories more attention than it has often received"--

In four elegant chapters, Robert Alter explains the prismlike radiance created by the association of three modern masters, Franz Kafka, Walter Benjamin, and Gershom Scholem. The volume pinpoints the intersections of these divergent witnesses to the modern condition of doubt, the no-man''s-land between traditional religion and modern secular culture. Scholem, the devoted Zionist and master historian of Jewish mysticism, and Benjamin, the Marxist cultural critic, dedicated much of their thought and correspondence to Kafka, the explorer in fiction of radical alienation. Kafka''s sense of spiritual complexities was an inspiration to both thinkers in their resistance to the murderous simplification of totalitarian ideology. In Necessary Angels Alter uncovers a moment when the future of modernism is revealed in its preoccupation with the past. The angel of the title is first Kafka''s: on June 25, 1914, the writer recorded in his diary a dream vision of an angel that turned into the painted wooden figurehead of a ship. In 1940, at the end of his life, Walter Benjamin devoted the ninth of his Theses on the Philosophy of History to a meditation on an angel by the artist Paul Klee, first quoting a poem he had written on that painting. In Benjamin''s vision, the figure from Klee becomes an angel of history, sucked into the future by the storm of progress, his face looking back to Eden. Benjamin bequeathed the Klee oil painting to Scholem; it hung in the living room of Scholem''s home on Abarbanel Street in Jerusalem until 1989, when his widow placed it in the Israel Museum. Alter''s focus on the epiphanic force of memory on these three great modernists shows with sometimes startling, sometimes prophetic clarity that a complete break with tradition is not essential to modernism. Necessary Angels itself continues the necessary discovery of the future in the past.

A selection of the Best Writing in Israel Today Edited by Joel Blocker, introduction by Robert Alter The present volume of Israeli stories reassuringly illustrates the other half of a frequently asserted half-truth. Modern Hebrew literature, it is claimed, liked Yiddish literature, does not really share the large concerns of serious literary activity in the West. The Hebrew writer ordinarily does not address himself to the human situation with all of its far-reaching possibilities of tragedy of comedy, but to the Jewish situation, which is quite another thing. Consequently, Hebrew and Yiddish writers—so goes the claim—develop a system of typology rather than methods of characterization, for they are most essentially interested in the Jewish people, its particular qualities and its present fate or ultimate destiny, while the individual, who is central in other modern literatures, stands at the periphery of their vision.

Amid a conflict between gods and demons, Mulan is faced with a destiny- altering decision: will she allow the world to toil under eternal tyranny, or can she right the universe���s wrongs by making the ultimate sacrifice?

Acclaimed for its masterful new translation and insightful commentary, The David Story is a fresh, vivid rendition of one of the great works in Western literature. Robert Alter''s brilliant translation gives us David, the beautiful, musical hero who slays Goliath and, through his struggles with Saul, advances to the kingship of Israel. But this David is also fully human: an ambitious, calculating man who navigates his life''s course with a flawed moral vision. The consequences for him, his family, and his nation are tragic and bloody. Historical personage and full-blooded imagining, David is the creation of a literary artist comparable to the Shakespeare of the history plays.