New Releases by Richard Doyle

Reprint of the original, first published in 1845.

Join Princess Nobody as she sets out on a whimsical adventure through the magical land of fairies. With charming illustrations and playful prose, this book will capture the imagination of children and adults alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Manners And Customs Of Ye Englyshe; Drawn From Ye Quick has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

The richness of the Treasure Valley, high in the mountains of Stiria is lost through the evil of the owners, the two elder "Black Brothers", Hans and Schwartz, who in their foolishness mistreat Southwest Wind, Esquire, who in turn floods their valley, washing away their "liquid assets", and turning their valley into a dead valley of red sand. Forced into a trade other than farming, Hans and Schwartz become goldsmiths. They cruelly melt their younger brother Gluck''s prize heirloom, a golden mug. This action releases the King of the Golden River for Gluck to pour out of the crucible as a finely dressed little golden dwarf. The dwarfish king offers a proposition to brothers: if someone were to climb up to the source of the Golden River high in the mountains and throw into it at least three drops of "holy water", it would become, for that person only, a river of gold. That person must do it on his first and only attempt or be overwhelmed by the river to become a black stone.

Richard Doyle''s book ''Manners & Cvstoms of ye Englyshe'' provides a fascinating insight into the societal norms and customs of the English people during medieval times. Written in a satirical and humorous style, Doyle offers a unique perspective on the daily lives, celebrations, and traditions of the English populace. The book is rich in detail, capturing the essence of the time period and shedding light on the intricacies of social interactions and cultural practices of the era. Doyle''s literary style is witty and engaging, making this work both informative and entertaining for readers interested in history and social customs. The book''s exploration of manners and customs sets it apart as a valuable resource for understanding the intricacies of medieval English society. Richard Doyle, a renowned illustrator and author, draws on his expertise in art and culture to provide a comprehensive and insightful account of the customs and traditions of the English people. His keen observation and detailed illustrations bring to life the world he describes in ''Manners & Cvstoms of ye Englyshe.'' I highly recommend this book to anyone interested in delving into the cultural nuances and societal behaviors of medieval England.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Why do Christians view the world differently than do secularists? Is a conclusion valid if the first step of evaluation to reach that conclusion is to reject significant factors upon which the conclusion must rest? Consider!

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"An Old Fairy Tale - The Sleeping Beauty" is a 1865 poem by J. R. Planché and illustrated by The Brothers Dalziel. Based on the classic fairytale, it involves a beautiful princess, a sleeping enchantment, and a handsome prince. James Robinson Planché (1796 - 1880) was a British antiquary, dramatist, and officer of arms. Over a sixty-year period he produced, collaborated on, or adapted 176 plays over a variety of genres farce, extravaganza, comedy, burletta, opera, and melodrama. The Brothers Dalziel were a prolific firm of Victorian engravers founded by Edward Dalziel and his brother George Dalziel in 1839. Their other two brothers, John Dalziel and Thomas Dalziel also joined the firm later; all four were the sons of Alexander Dalziel of Wooler. Together, they produced a large amount of illustrations with a variety of significant Victorian artists, including Arthur Boyd Houghton, John Gilbert, John Everett Millais, and john Tenniel. Some notable works they contributed to include Edward Lear''s "Book of Nonsense" (1862) and Lewis Carroll''s "Alice in Wonderland" and "Through the Looking-Glass". Pook Press celebrates the great ''Golden Age of Illustration'' in children''s literature - a period of unparalleled excellence in book illustration from the 1880s to the 1930s. The collection showcases classic fairy tales, children''s stories, and the work of some of the most celebrated artists, illustrators and authors.

Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing''s books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing''s titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Before he joined the staff of Punch and designed its iconic front cover, illustrator Richard “Dicky” Doyle was a young man whose father (political caricaturist John Doyle) charged him with sending a weekly letter, even though they lived under the same roof. This volume collects the fifty-three illustrated missives in their entirety for the first time and provides an uncommon peek into the intimate but expansive observations of a precocious social commentator and artist. In a series of vivid manuscript canvases, Doyle observes Victorian customs and society. He visits operas, plays, and parades. He watches the queen visiting the House of Commons and witnesses the state funeral of the Duke of Sussex. He is caught up in the Chartist riots of August 1842 and is robbed during one of the melees. And he provides countless illustrations of ordinary people strolling in the streets and swarming the parks and picture galleries of the metropolis. The sketches offer a fresh perspective on major social and cultural events of London during the early 1840s by a keen observer not yet twenty years old. Doyle’s epistles anticipate the modern comic strip and the graphic novel, especially in their experimentation with sequential narrative and their ingenious use of space. The letters are accompanied by a full biographical and critical introduction with new material about Doyle’s life.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

At once extraordinarily wide-ranging and sharply focused, Into the Stillness offers several deceptively simple and informal conversations about life, existence, and identity in one book. This is an important book. Don’t be misled by the casually graceful repartee and lightness of touch. Without dogma, without heavy shoulds and should nots, authors Gary Weber and Richard Doyle point toward something eternal, framed in our twenty-first-century understanding of neuroscience, spirituality, and something that arises from, and returns to, the Stillness and the Silence. In Into the Stillness, Weber and Doyle offer a practical investigation and guidance toward “the sweetest, fullest, most loving, caring, and manifesting experience that anyone could ever wish for.” Chapter headings include “Using dialogue for awakening,” “Can you ‘do nothing’ and awaken?”, “Why do we fear emptiness, silence, and stillness?”, and “Functioning without thoughts: sex, psychedelics, and non-duality.” As a journey, this collection of dialogues is inspiring, shifting, and full of little moments of insight that will linger for a long time afterward.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

DIVCaptivating tale of a diminutive princess and the comical prince who saves the day and marries the royal beauty. A much-loved classic for fairy-tale lovers of all ages. /div

Looking for Love in All the Wrong Places? Here''s How to End the Search! Are you stuck in a revolving door of bad dates? Or maybe you’ve given up on finding a meaningful relationship altogether. According to dating experts David Coleman and Richard Doyle, it doesn’t have to be that way. You can have that happy, healthy relationship you’ve been looking for. With eye-opening exercises, quizzes, and other self-assessment tools, the authors show you how to pinpoint specific aspects of your personality that have caused you to pick poorly, remain in bad relationships, or sabotage good ones. Once you understand the reasons why you choose a certain type of person, you can focus on how to choose and attract the right person for you. Inside, you’ll learn how to avoid: Bad Picks ·The Girdle—strives to control you ·The Dog Catcher—flees at the first sign of commitment ·The Ferrari—requires high maintenance Bad Kissers ·The Hoover—sucks out fillings, tongue—anything ·Niagara Falls—produces enough liquid for a regatta ·The Puppy—licks you all over your face Bad Break-ups ·The Western Union—ends relationship by letter, note, or e-mail ·The Freezer—turns from warm and caring to cold and callous ·The Fade Away—lets the relationship fade by avoiding conflict “Insightful and enjoyable. You’ll never approach your relationships the same way again."—Lynn Miller (aka Meg Lacey), President of Parke Media and novelist for Harlequin Books

Jewels Of Morocco is the name of a tour of The Kingdom of Morocco in North Africa. The seven stories in this book take you everywhere from Casablanca where the Hassan II mosque stands, to places up and down busy streets shopping in exquisite shops and native markets; to see guards at the doors of grand palaces, kings and queens, an ancient city, Berbers in their flowing robes, veiled women, cedar forests and volcanic mountains, red-colored, mud-brick and straw villages that turn into cities, clusters of palm trees in valleys, climb to the top of snow-capped mountains and back down to the bottom of canyons, meet nomads, ride a camel into the Sahara desert to see the sunset, and ride a horse-driven carriage through the magical city of Marrakesh at the end of the tour.

The journals of artist Richard (Dick) Doyle written as a young man living in 1840 London.

La Palma''s Cumbre Vieja has erupted, soon ash & lava will annihilate everything, unless the locals can destroy the volcano first. 3000 miles away, across the Atlantic Ocean, the peaceful seaport of Goodwill, Maine is getting ready for its annual summer festival, Founder''s Day. But all is not right, freak swells strike the coast.

The story of Jack, the intrepid boy whose courage and ingenuity defeated a host of many-headed giants, has been told to children for hundreds of years. In 1842, when he was just 18, Richard Doyle, whose natural talent for draftsmanship was matched by imaginative invention and a passion for legend and the grotesque, created a picture-book version of Jack the Giant Killer, with hand-written text and a watercolor within a pictorial border decorating every page. It has remained one of the most beloved versions of this timeless tale.In this new Everyman''s edition, Doyle''s vivid, wonderfully engaging illustrations have been enlarged and the text has been given greater legibility. It is a book that will satisfy both the child''s delight in scariness, wonder, and magic, and the collector''s pleasure in classic Victorian illustration.