Best Selling Books by Philip Roth

The groundbreaking novel from the Pulitzer Prize–winning author of American Pastoral that originally propelled its author to literary stardom: told in a continuous monologue from patient to psychoanalyst, this masterpiece draws us into the turbulent mind of one lust-ridden young Jewish bachelor named Alexander Portnoy. One of The Atlantic’s Great American Novels of the Past 100 Years “Deliciously funny . . . absurd and exuberant, wild and uproarious . . . a brilliantly vivid reading experience”—The New York Times Book Review “Touching as well as hilariously lewd . . . Roth is vibrantly talented”—New York Review of Books Portnoy''s Complaint n. [after Alexander Portnoy (1933- )] A disorder in which strongly-felt ethical and altruistic impulses are perpetually warring with extreme sexual longings, often of a perverse nature. Spielvogel says: ''Acts of exhibitionism, voyeurism, fetishism, auto-eroticism and oral coitus are plentiful; as a consequence of the patient''s "morality," however, neither fantasy nor act issues in genuine sexual gratification, but rather in overriding feelings of shame and the dread of retribution, particularly in the form of castration.'' (Spielvogel, O. "The Puzzled Penis," Internationale Zeitschrift für Psychoanalyse, Vol. XXIV, p. 909.) It is believed by Spielvogel that many of the symptoms can be traced to the bonds obtaining in the mother-child relationship.

The unconventional autobiography of the Pulitzer Prize–winnning, bestselling author—"the most vigorous and truthful of American writers" (Newsday)—who reshaped our idea of fiction. A work of compelling candor and inventiveness, instructive particularly in its revelation of the interplay between life and art. Philip Roth concentrates on five episodes from his life: his secure city childhood in the thirties and forties; his education in American life at a conventional college; his passionate entanglement, as an ambitious young man, with the angriest person he ever met (the "girl of my dreams" Roth calls her); his clash, as a fledgling writer, with a Jewish establishment outraged by Goodbye, Columbus; and his discovery, in the excesses of the sixties, of an unmined side to his talent that led him to write Portnoy''s Complaint. The book concludes surprisingly—in true Rothian fashion—with a sustained assault by the novelist against his proficiencies as an autobiographer.

From the Pulitzer Prize–winning author of American Pastoral—"a thoughtful...elegant" (The New York Times Book Review) and often hilarous novel about the dilemma of pleasure: where we seek it; why we flee it; and how we struggle to make a truce between dignity and desire. As a student in college, David Kepesh styles himself "a rake among scholars, a scholar among rakes." Little does he realize how prophetic this motto will be—or how damning. For as Philip Roth follows Kepesh from the domesticity of childhood into the vast wilderness of erotic possibility, from a ménage à trois in London to the throes of loneliness in New York, he creates a novel that "ranks among the major achievements in the literature of our time" (Village Voice).

Philip Roth''s richly imagined satiric narrative, The Great American Novel, turns baseball''s status as national pastime and myth into an unfettered farce Featuring heroism and perfidy, lively wordplay and a cast of characters that includes the House Un-American Activities Committee. "Roth is better than he''s ever been before.... The prose is electric." (The Atlantic) Gil Gamesh is the only pitcher who ever tried to kill the umpire, and John Baal, The Babe Ruth of the Big House, never hit a home run sober. But you''ve never heard of them -- or of the Ruppert Mundys, the only homeless big-league ball team in American history -- because of the communist plot and the capitalist scandal that expunged the entire Patriot League from baseball memory.

NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • "A tough-minded, beautifully written memoir" (San Francisco Chronicle) about a son watching his elderly father battle with the brain tumor that will kill him—from the Pulitzer Prize–winning author of American Pastoral. Patrimony, a true story, touches the emotions as strongly as anything Philip Roth has ever written. Roth watches as his eighty-six-year-old father—famous for his vigor, charm, and his repertoire of Newark recollections—fights the brain tumor that will kill him. The son, full of love, anxiety, and dread, accompanies his father through each fearful stage of his final ordeal, and, as he does so, discloses the survivalist tenacity that has distinguished his father''s long, stubborn engagement with life.

From the Pulitzer Prize–winning author of American Pastoral: Like a latter-day Gregor Samsa, Professor David Kepesh wakes up one morning to find that he has been transformed—into a 155-pound breast. What follows is “terrific…inventive and sane and very funny (The New York Times Book Review). A deliriously funny yet touching exploration of the full implications of David Kepesh''s metamorphosis—a daring, heretical book that brings us face to face with the intrinsic strangeness of sex and subjectivity. "Hilarious, serious, visionary, logical, sexual-philosophical; the ending amazes—the joke takes three steps beyond savagery and satire and turns into a sublimeness of pity. One knows when one is reading something that will permanently enter the culture." —Cynthia Ozick, author of Antiquities

A dazzling novel about a man and woman married to other people—and the riveting conversations that take place before and after they make love—from the acclaimed Pulitzer Prize–winning author of American Pastoral. "This swift, elegant, disturbing novel...stands at the extreme of contemporary fiction." —The New York Times Book Review With the lover everyday life recedes," Roth writes—and exhibiting all his skill as a brilliant observer of human passion, he presents in Deception the tightly enclosed world of adulterous intimacy with a directness that has no equal in American fiction. At the center of Deception are two adulterers in their hiding place. He is a middle-aged American writer named Philip, living in London, and she is an articulate, intelligent, well-educated Englishwoman compromised by a humiliating marriage to which, in her thirties, she is already nervously half-resigned. The book''s action consists of conversation—mainly the lovers talking to each other before and after making love. That dialogue—sharp, rich, playful, inquiring, "moving," as Hermione Lee writes, "on a scale of pain from furious bafflement to stoic gaiety"—is nearly all there is to this book, and all there needs to be.

NATIONAL BESTSELLER • The chilling bestselling alternate history novel of what happens to one family when America elects a charismatic, isolationist president whose government embraces a folksy anti-Semitism—from the Pulitzer Prize–winning author of American Pastoral. “A terrific political novel.... Sinister, vivid, dreamlike...You turn the pages, astonished and frightened.” —The New York Times Book Review In an extraordinary feat of narrative invention, Philip Roth imagines an alternate history where Franklin D. Roosevelt loses the 1940 presidential election to heroic aviator and rabid isolationist Charles A. Lindbergh. Shortly thereafter, Lindbergh negotiates a cordial "understanding" with Adolf Hitler, while the new government embarks on a program of folksy anti-Semitism.

Fascinating interviews, essays, and articles spanning a quarter century on writing, baseball, American fiction, and American Jews—from the Pulitzer Prize-winning author of American Pastoral and one of the greatest writers of the 20th century. "An illuminating...glimpse of the theory and practice that have made Roth a major figure in American fiction." —Chicago Daily News Here is Philip Roth on himself and his work and the controversies it''s engendered. Here too are Roth''s writings on the Eastern European writers he has always championed, and so much more. The essential collection of nonfiction by a true American master, Reading Myself and Others features his famed long interview with the Paris Review.

NATIONAL BESTSELLER • WINNER OF THE PEN/FAULKNER AWARD • The Pulitzer Prize–winning author of American Pastoral delivers “a master novelist''s haunting parable about our troubled modern moment" (The Wall Street Journal). It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about Silk would have astonished even his most virulent accuser. Coleman Silk has a secret, one which has been kept for fifty years from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman. It is Zuckerman who stumbles upon Silk''s secret and sets out to reconstruct the unknown biography of this eminent, upright man, esteemed as an educator for nearly all his life, and to understand how this ingeniously contrived life came unraveled. And to understand also how Silk''s astonishing private history is, in the words of The Wall Street Journal, "magnificently" interwoven with "the larger public history of modern America."

Letting Go is Roth''s first full-length novel, published just after Goodbye, Columbus, when he was twenty-nine. Set in 1950s Chicago, New York, and Iowa city, Letting Go presents as brilliant a fictional portrait as we have of a mid-century America defined by social and ethical constraints and by moral compulsions conspicuously different from those of today. Newly discharged from the Korean War army, reeling from his mother''s recent death, freed from old attachments and hungrily seeking others, Gabe Wallach is drawn to Paul Herz, a fellow graduate student in literature, and to Libby, Paul''s moody, intense wife. Gabe''s desire to be connected to the ordered "world of feeling" that he finds in books is first tested vicariously by the anarchy of the Herzes'' struggles with responsible adulthood and then by his own eager love affairs. Driven by the desire to live seriously and act generously, Gabe meets an impassable test in the person of Martha Reganhart, a spirited, outspoken, divorced mother of two, a formidable woman who, according to critic James Atlas, is masterfully portrayed with "depth and resonance." The complex liason between Gabe and Martha and Gabe''s moral enthusiasm for the trials of others are at the heart of this tragically comic work.

Index.

The Ghost Writer introduces Nathan Zuckerman in the 1950s, a budding writer infatuated with the Great Books, discovering the contradictory claims of literature and experience while an overnight guest in the secluded New England farmhouse of his idol, E. I. Lonoff. At Lonoff''s, Zuckerman meets Amy Bellette, a haunting young woman of indeterminate foreign background who turns out to be a former student of Lonoff''s and who may also have been his mistress. Zuckerman, with his active, youthful imagination, wonders if she could be the paradigmatic victim of Nazi persecution. If she were, it might change his life. The first volume of the trilogy and epilogue Zuckerman Bound, The Ghost Writer is about the tensions between literature and life, artistic truthfulness and conventional decency—and about those implacable practitioners who live with the consequences of sacrificing one for the other.

Radio actor Iron Rinn (born Ira Ringold) is a big Newark roughneck blighted by a brutal personal secret from which he is perpetually in flight. An idealistic Communist, a self-educated ditchdigger turned popular performer, a six-foot six-inch Abe Lincoln look-alike, he marries the nation''s reigning radio actress and beloved silent-film star, the exquisite Eve Frame (born Chava Fromkin). Their marriage evolves from a glamorous, romantic idyll into a dispiriting soap opera of tears and treachery. And with Eve''s dramatic revelation to the gossip columnist Bryden Grant of her husband''s life of "espionage" for the Soviet Union, the relationship enlarges from private drama into national scandal. Set in the heart of the McCarthy era, the story of Iron Rinn''s denunciation and disgrace brings to harrowing life the human drama that was central to the nation''s political tribulations in the dark years of betrayal, the blacklist, and naming names. I Married a Communist is an American tragedy as only Philip Roth could write it.

NATIONAL BESTSELLER • From the Pulitzer Prize–winning author of American Pastoral comes a “mesmerizing [novel that] demands to be read in one sitting. It’s that good” (The Seattle Times). A young man begins his sophomore year far from home on the conservative campus of Ohio’s Winesburg College, where he must navigate the customs and constrictions of another America. In 1951, the second year of the Korean War, a studious, law-abiding, and intense youngster from Newark, New Jersey, Marcus Messner, begins his sophomore year on the pastoral, conservative campus of Ohio''s Winesburg College. And why is he there and not at a local college in Newark where he originally enrolled? Because his father, the sturdy, hardworking neighborhood butcher, seems to have gone mad—mad with fear and apprehension of the dangers of adult life, the dangers of the world, the dangers he sees in every corner for his beloved boy. Far from Newark, Marcus has to find his way in this other American world. Indignation, Philip Roth''s twenty-ninth book, is a startling departure from the haunted narratives of old age and experience in Roth’s recent books and a powerful exploration of a remarkable moment in American history.

From the Pulitzer Prize–winning author of American Pastoral comes the story of a leading American stage actor who’s lost his magic but finds deliverance in the form of a vibrant, ever-subversive, much younger woman. "A taut and controlled fever-dream that demands to be experienced at a single sitting” —Los Angeles Times Simon Axler, one of the leading American stage actors of his generation, is now in his sixties and has lost his magic, talent, and assurance. His Falstaff and Peer Gynt and Vanya, all his great roles, “are melted into air, into thin air.” When his wife leaves him, and after a stint at a mental hospital, he retires to his upstate New York country house and hopes for salvation, which arrives in the form of the lithe Pegeen Stapleford, the daughter of old friends and 25 years his junior. In this tight, surprising narrative told with Roth’s inimitable urgency, bravura, and gravity, we confront the terrifying fragility of all our life’s performances.

The legendary author’s essays and interviews explore how fellow writers from Milan Kundera to Edna O’Brien are influenced by time, place, and politics. Writers are often deeply influenced by the time and place in which they live and write. In Shop Talk, Philip Roth, winner of a National Book Award, a Pulitzer Prize, and numerous other literary honors, explores the intimate relationship a writer’s experience has with his or her work. In a series of essays, Roth recounts his intellectual encounters with writers, discussing with them the diverse regions from which they hail and pondering the influence of locale, politics, and history on their work. Featuring luminaries such as Milan Kundera discussing Czechoslovakia; Primo Levi talking about Auschwitz; Edna O’Brien reflecting on Ireland; Isaac Bashevis Singer tackling Warsaw; Aharon Appelfeld on Bukovina; and Ivan Klíma on Prague, Roth’s conversations touch on the conditions that inspire great art, with artists as attuned to the subtleties of their societies as they are the nuances of words. Also including a portrait of Bernard Malamud, a written exchange with Mary McCarthy about Roth’s The Counterlife, and the essay “Rereading Saul Bellow,” Shop Talk is a “fascinating [glimpse] of some of the deans of postwar literature” (Los Angeles Times Book Review).

From the Pulitzer Prize–winning author of American Pastoral comes a funny, chilling novel set in a small town in the 1940s Midwest, featuring a young woman whose moral goodness may destroy her. "High, careful tragedy, nasty as life, and Roth emerges ... as a Dreiser who can write!" —Stanley Elkin When she was still a child, Lucy Nelson had her alcoholic failure of a father thrown in jail. Ever since then she has been trying to reform the men around her, even if that ultimately means destroying herself in the process. With his unerring portraits of Lucy and her hapless, childlike husband, Roy, Roth has created an uncompromising work of fictional realism, a vision of provincial American piety, yearning, and discontent that is at once pitiless and compassionate.

NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A stunning novel about people enacting their dreams of renewal and escape, some of them going so far as to risk their lives to alter seemingly irreversible destinies. Wherever they may find themselves, the characters of The Counterlife are tempted unceasingly by the prospect of an alternative existence that can reverse their fate. Illuminating these lives in transition and guiding us through the book''s evocative landscapes, familiar and foreign, is the miind of the novelist Nathan Zuckerman. His is the skeptical, enveloping intelligence that calculates the price that''s paid in the struggle to change personal fortune and reshape history, whether in a dentist''s office in suburban New Jersey, or in a tradition-bound English Village in Gloucestershire, or in a church in London''s West End, or in a tiny desert settlement in Israel''s occupied West Bank.

From the Pulitzer Prize–winning author of American Pastoral comes a brilliantly indignant response to the phenomenon that was Richard M. Nixon. • “Disturbing, logical...and very funny.... In short, a masterpiece" —The New York Times Book Review In the character of Trick E. Dixon, Roth shows us a man who outdoes the severest cynic, a peace-loving Quaker and believer in the sanctity of human life who doesn’t have a problem with killing unarmed women and children in self-defense. A master politician with an honest sneer, he finds himself battling the Boy Scouts, declaring war on Pro-Pornography Denmark, all the time trusting in the basic indifference of the voting public.

The Pulitzer Prize–winning, internationally acclaimed author of American Pastoral delivers a fierce tragedy of sexual need and blindness. • "Roth''s best.” —Newsweek A fiction-within-a-fiction, a labyrinthine edifice of funny, mournful, and harrowing meditations on the fatal impasse between a man and a woman, My Life as a Man is Roth''s most blistering novel. At its heart lies the marriage of Peter and Maureen Tarnopol, a gifted young writer and the woman who wants to be his muse but who instead is his nemesis. Their union is based on fraud and shored up by moral blackmail, but it is so perversely durable that, long after Maureen''s death, Peter is still trying—and failing—to write his way free of it. Out of desperate inventions and cauterizing truths, acts of weakness, tenderheartedness, and shocking cruelty, Philip Roth creates a work worthy of Strindberg.

Philip Roth''s The Anatomy Lesson was a finalist for the National Book Award and the National Book Critics Circle Award. A comic masterpiece and brilliant finale to the Zuckerman trilogy. The writer Nathan Zukerman comes down with a mysterious physical affliction--pure pain, beginning in his neck and shoulders, invading his torso and taking possession of his life. Zukerman, whose work was his life, is unable to write a line. Now his work is trekking from one doctor to the next--from orthopedist to osteopath to neurologist to psychiatrist--but none can find a cause for the pain and nobody can assuage it. So begins Philip Roth''s strangely comic new novel, The Anatomy Lesson. In it, we find Nathan Zukerman beset at age forty not only by his pain but by his past. He seriously wonders if he ought to be a novelist at all. At his wit''s end, bewildered by both the obstinate pain and the isolating profession, and unconsolable by his "harem of Florence Nightingales"--Gloria, his accountant''s wildly mothering wife; Jaga, the depressed Polish refuge from the hair-treatment clinic (to add to his suffering, Zukerman is going bald); Diana, the distressingly self-possessed Finch College heiress; and the temptingly levelheaded painter Jenny--Zukerman tries to pin his catastrophe on some source he can confront. There is no shortage of candidates. Zukerman''s brother blames his acerbic bestseller Carnovsky, for ruining the lives of their late parents, and will have nothing to do with him. There''s the critic Milton Appel, once Zuckerman''s literary conscience, now his scourge--the Grand Inquisitor of Inquiry magazine, the New York Jewish cultural monthly. Searching desperately for a diagnosis that will lead to a cure, Zuckerman asks himself if the pain can have been caused by his adversaries, or by his astonishingly intractable grief for his mother, or by the disgust he has come to feel for the literary vocation he once loved. And while he is wondering, his dependence on painkillers grows into an addiction to Percodan, marijuana, and hundred-proof vodka. In the last half of The Anatomy Lesson, Zuckerman breaks out of invalid imprisonment in his Manhattan apartment and sets off on a journey to escape the pain, the adversaries, the grief, and the career--a journey into a new existence, a search for a "second life." Persuaded that a doctor''s life is everything a writer''s is not, Zuckerman flies to Chicago with the intention of applying to medical school at his alma mater. Though the pain he encounters there is worse even than what he''s fled, the startling quest for the second life provides some of the funniest scenes in all of Roth''s fiction. With the serious playfulness and extravagant insistence characteristic of his work, Roth, in his fourteenth published book, presents an astonishing antithesis to The Magic Mountain: The Anatomy Lesson is a great comedy of illness. Roth''s strength has always been the ability to depict the boisterous, the farcical, and the extreme in human behavior while revealing at the same time a world that immediately strikes the reader as real--what the English critic Hermione Lee has called, in writing of Roth''s career, "a manner at once...brash and thoughtful...lyrical and wry, which projects through comic expostulations and confessions of the speakers a knowing, humane authority." The Anatomy Lesson is one of Roth''s finest achievements in this vein.

NATIONAL BESTSELLER • Set in a close-knit Newark neighborhood during a terrifying polio outbreak in 1944, a “book [that] has the elegance of a fable and the tragic inevitability of a Greek drama” (The New Yorker)—from the Pulitzer Prize–winning author of American Pastoral. Bucky Cantor is a vigorous, dutiful twenty-three-year-old playground director during the summer of 1944. A javelin thrower and weightlifter, he is disappointed with himself because his weak eyes have excluded him from serving in the war alongside his contemporaries. As the devastating disease begins to ravage Bucky’s playground, Roth leads us through every inch of emotion such a pestilence can breed: fear, panic, anger, bewilderment, suffering, and pain. Moving between the streets of Newark and a pristine summer camp high in the Poconos, Nemesis tenderly and startlingly depicts Cantor’s passage into personal disaster, the condition of childhood, and the painful effect that the wartime polio epidemic has on a closely-knit, family-oriented Newark community and its children.

PULITZER PRIZE WINNER • NATIONAL BESTSELLER • From one of the most acclaimed writers of the twentieth century—a compulsively readable elegy for America’s promises of prosperity, civic order, and domestic bliss, and "one of Roth''s most powerful novels ever" (The New York Times). Here is Philip Roth''s masterpiece, featuring Nathan Zuckerman and the story of Swede Levov, a legendary athlete at his Newark high school, who grows up in the booming postwar years to marry a former Miss New Jersey, inherit his father''s glove factory, and move into a stone house in the idyllic hamlet of Old Rimrock. And then one day in 1968, Swede''s beautiful American luck deserts him. For Swede''s adored daughter, Merry, has grown from a loving, quick-witted girl into a sullen, fanatical teenager—a teenager capable of an outlandishly savage act of domestic terrorism. And overnight Swede is wrenched out of the longed-for American pastoral and into the indigenous American berserk. Compulsively readable, propelled by sorrow, rage, and a deep compassion for its characters, American Pastoral gives us Philip Roth at the height of his powers.

WINNER OF THE PEN/FAULKNER AWARD • NATIONAL BESTSELLER • A candidly intimate yet universal story of loss, regret, and stoicism. The Pulitzer Prize–winning author of American Pastoral and “our most accomplished novelist” (The New Yorker) turns his attention to one man''s lifelong skirmish with mortality. The fate of Roth''s everyman is traced from his first shocking confrontation with death on the idyllic beaches of his childhood summers, through the family trials and professional achievements of his vigorous adulthood, and into his old age, when he is rended by observing the deterioration of his contemporaries and stalked by his own physical woes. The terrain of this powerful novel is the human body. Its subject is the common experience that terrifies us all.

The unforgettable story of an affair between a star lecturer at a New York college and the beautiful daughter of Cuban exiles—and the quagmire of sexual jealousy and loss that ensues—from the renowned Pulitzer Prize–winning author of American Pastoral. “[A] disturbing masterpiece.” —The New York Review of Books No matter how much you know, no matter how much you think, no matter how much you plot and you connive and you plan, you’re not superior to sex. With these words our most unflaggingly energetic and morally serious novelist launches perhaps his fiercest book. The speaker is David Kepesh, white-haired and over sixty, an eminent cultural critic and star lecturer at a New York college—as well as an articulate propagandist of the sexual revolution. For years he has made a practice of sleeping with adventurous female students while maintaining an aesthete’s critical distance. But now that distance has been annihilated. The agency of Kepesh’s undoing is Consuela Castillo, the decorous and humblingly beautiful 24-year-old daughter of Cuban exiles. When he becomes involved with her, Kepesh finds himself dragged—helplessly, bitterly, furiously—into jealousy and loss. In chronicling this descent, Philip Roth performs a breathtaking set of variations on the themes of eros and mortality, license and repression, selfishness and sacrifice. The Dying Animal is a burning coal of a book, filled with intellectual heat and not a little danger.

Roth''s award-winning first book instantly established its author''s reputation as a writer of explosive wit, merciless insight, and a fierce compassion for even the most self-deluding of his characters. Goodbye, Columbus is the story of Neil Klugman and pretty, spirited Brenda Patimkin, he of poor Newark, she of suburban Short Hills, who meet one summer break and dive into an affair that is as much about social class and suspicion as it is about love. The novella is accompanied by five short stories that range in tone from the iconoclastic to the astonishingly tender and that illuminate the subterranean conflicts between parents and children and friends and neighbors in the American Jewish diaspora. Copyright © Libri GmbH. All rights reserved.

《美国牧歌》 It is an elegy for all our century''s promises of prosperity, civic order, and domestic bliss. Swede Levov, a legendary athlete at his Newark high school, who grows up in the booming postwar years to marry a former Miss New Jersey, inherit his father''s glove factory, and move into a stone house in the idyllic hamlet of Old Rimrock. And then one day in 1968, Swede''s beautiful American luck deserts him. “美国三部曲”之首的《美国牧歌》，体现了美国社会中由来已久的冲突：相信“美国梦”的人，以为只要努力和正派，就可美梦成真；然而历史的悲剧性常常和个人是否努力和正派无关。

Philip Roth''s fictional alter-ego returns in Zuckerman Unbound, "...masterful, sure in every touch." (The New York Times) The sensationalizing sixties are coming to an end, and even writing a novel can make you a star. The writer Nathan Zuckerman publishes his fourth book, an aggressive, abrasive, and comically erotic novel entitled Carnovsky, and all at once he is on the cover of Life, one of the decade''s most notorious celebrities. This is the same Nathan Zuckerman who in Philip Roth''s much praised The Ghost Writer was the dedicated young apprentice drawing sustenance from the great books and the integrity of their authors. Now in his mid-thirties, Zuckerman, a would-be recluse despite his fame, ventures out on the streets of Manhattan, and not only is he assumed to be his own fictional satyr, Gilbert Carnovsky ("Hey, you do all that stuff in that book?"), but he also finds himself the target of admirers, admonishers, advisers, and would-be literary critics. The recent murders of Robert Kennedy and Martin Luther King, Jr., lead an unsettled Nathan Zuckerman to wonder if "target" may be more than a figure of speech. Yet, streetcorner recognition and media notoriety are the least disturbing consequences of writing Carnovsky. Against his best interests, the newly renowned novelist retreats from his oldest friends, breaks his marriage to a virtuous woman, and damages, perhaps irreparably, his affectionate connection to his younger brother and his family. Even when finally he lives out the fantasies of his fans and enjoys an exhilarating night with the beautiful and worldly film star Caesara O''Shea (a rather more capable celebrity), he is dismayed the following morning by the caliber of the competition up in the erotic big leagues. In some of Zuckerman Unbound''s funniest episodes Zuckerman endures the blandishments of another New Jersey boy who has briefly achieved his own moment of stardom. He is the broken and resentful fan Alvin Pepler, in the fifties a national celebrity on the TV quiz show "Smart Money." Thrust back into obscurity when headlined scandals forced the quiz show off the air, Pepler now attaches himself to Zuckerman and won''t let go--an "Angel of Manic Delights" to the amused novelist (who momentarily sees him as his "pop self"), and yet also the likely source of a demonic threat. But the surprise that fate finally delivers is more devilish than any cooked up by Alvin Pepler, or even by Zuckerman''s imagination. In the coronary-care unit of a Miami Hospital, Nathan''s father bestows upon his older son not a blessing but what seems to be a curse. And, in an astonishingly bitter final turn, a confrontation with his brother opens the way for the novelist''s deep and painful understanding of the deathblow that Carnovsky has dealt to his own past.

NATIONAL BESTSELLER • Nathan Zuckerman returns to New York in the final installment of the renowned Zuckerman series, a novel about love, mourning, desire, and animosity by “one of the greatest living American writers” (San Francisco Chronicle), the Pulitzer Prize–winning author of American Pastoral. Alone for eleven years on his New England mountain, Zuckerman has been nothing but a writer: no media, no terrorist threats, no women, no tasks other than his work and the enduring of old age. Walking the streets of New York after so many years away, he quickly makes three connections that explode his carefully protected solitude. Now Zuckerman plays out an interior drama of vivid and poignant possibilities. Revisiting the characters from Roth''s much-heralded The Ghost Writer, Exit Ghost is an astounding leap into yet another phase in this great writer''s oeuvre.

In quest of the unpublished manuscript of a martyred Yiddish writer, the American novelist Nathan Zuckerman travels to Soviet-occupied Prague in the mid-1970s. There, in a nation straightjacketed by totalitarian Communism, he discovers a literary predicament, marked by institutionalized oppression, that is rather different from his own. He also discovers, among the oppressed writers with whom he quickly becomes embroiled in a series of bizarre and poignant adventures, an appealingly perverse kind of heroism. The Prague Orgy, consisting of entries from protagonist Nathan Zuckerman''s notebooks recording his sojourn among these outcast artists, completes the trilogy and epilogue Zuckerman bound. It provides a startling ending to Roth''s intricately designed magnum opus on the unforeseen consequences of art. This Vintage edition is the first paperback publication of the epilogue.

An anthology of selections from eight of Philip Roth''s early novels, with a definitive version of The Breast and the previously uncollected story Novotny''s Pain, alongside the essay-story Looking At Kafka.

《我嫁给了共产党人》 I Married a Communist is the story of the rise and fall of Ira Ringold, a big American roughneck who begins life as a teenage ditch-digger in 1930s Newark, becomes a big-time 1940s radio star, and is destroyed, as both a performer and a man, in the McCarthy witchhunt of the 1950s. In this story, cruelty, betrayal, and revenge spilling over into the public arena from their origins in Ira''s turbulent personal life． 这个苦涩的、略带诙谐的故事自始至终都是那么引人入胜，它唤醒了我们共有的历史中那个特定的时间和地点……立体重现了二战后的理想主义和伪善。