New Releases by Peter Watts

Terre. 2096. Une intelligence extraterrestre s’est manifestée au genre humain. Un premier contact sans suite : si le Thésée a été envoyé dans les tréfonds obscurs du nuage d’Oort en quête de réponses, les communications avec le vaisseau sont depuis perdues. Sur Terre, la situation tient du désastre : réchauffement climatique et effondrement de la biodiversité ont mis l’humanité à genoux. Mais quelle humanité ? Certains ont fui dans des paradis numériques, d’autres explorent de nouveaux états de conscience. Et puis il y a Daniel Brüks, humain non augmenté, vrai fossile vivant, exilé dans le désert d’Oregon pour en étudier la faune et la flore altérées. Brüks, embarqué malgré lui dans une équipée folle aux côtés d’un militaire inconsolable, d’une pilote vindicative, de moines bicaméraux et d’une vampire, monstruosité ramenée du fond des âges par le génie génétique. C’est le début d’une fuite éperdue jusqu’au cœur brûlant du Système solaire, là où ce qu’il reste de cette humanité fracturée pourrait bien faire face à l’impensable...

This ebundle includes: Blindsight, Echopraxia, and The Colonel. From Hugo, Nebula, and John W. Campbell award-nominated author Peter Watts, Firefall is a far-future, science fiction saga of first contact with an alien species at the edge of the solar system–and of the evolution of humanity into a myriad of subspecies. Blindsight: Two months since the stars fell. Now some half-derelict space probe, sparking fitfully past Neptune''s orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever''s out there isn''t talking to us. So who do you send to force introductions with unknown and unknowable alien intellect that doesn''t wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won''t be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they''ve been sent to find. Echopraxia: Daniel Bruks is a living fossil: a field biologist in a world where biology has turned computational, a cat''s-paw used by terrorists to kill thousands. Taking refuge in the Oregon desert, he''s turned his back on a humanity that shatters into strange new subspecies with every heartbeat. But he awakens one night to find himself trapped on a ship bound for the center of the solar system. Their pilgrimage brings Dan Bruks, the fossil man, face-to-face with the biggest evolutionary breakpoint since the origin of thought itself. The Colonel: Colonel Keaton is in trouble. His wife has retreated into a virtual heaven and his son remains missing after joining an extrasolar mission to track down an alien race. He is presently tasked by his superiors with the threat assessment of hived human intelligences, one of which successfully attacks a compound under his watch. Now, one of the strongest hive minds in the world approaches Keaton with an offer that could completely change his world. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

The European Astrobiology Institute presents 54 SF Stories and Science Essays on life, from microbial to macro, from automatic to sagacious. Each story is followed by an essay illuminating the scientific underpinnings of the story.

Animae Mundi - Dialogues With Earth is a memoir of sorts complete with poetry, dreams, visions, metaphysical experiences, science, and ways to live more lightly on our shared planet. The original art, which is considered ''automatic'' is pen drawn and a few are colourised using pencils. The technique starts with a random shape and lines evolve from there creating intricate layers of imagery. This book does not fit neatly into any genre but illustrates how the author lives a life that treats our planet with love and respect. There are infinite ways to connect with Anima Mundi, Earth''s Soul, and every small act adds up. Change happens one mind at a time so whether you will be inspired to create a rain garden, start a compost pile for the first time, or spend more time outside singing and talking and dancing with Earth, She is begging us to begin that change. If you cannot seem to find the means of expressing deep reverence for the Soul of the World perhaps, you''ll find something that resonates on these pages and begin the process of integrating your own story. Anima Mundi has captivated imaginations for millennia though modern ''civilised'' humans seem to be in a state of natural unconsciousness. Soul Consciousness, like the colours of the visible light spectrum, is much more than ROYGBIV. Like the spectrum, our journey of discovery is gradual, consisting of infinite transitions to the next frequency. This book also uncovers the lifelong journey of healing through personal experiences of ritual, journaling, Dream Work, and Shadow Work. And there''s always more work to do. None of us are perfect yet that shouldn''t stop us from trying to better every day. Like all Souls, the beautiful Anima Mundi is immortal and whether humans can re-evolve into a species that has meaningful dialogue with Her remains to be seen. This book is written from a mystical Pagan perspective of Animism which is a spiritual knowing that natural phenomena and ''inanimate'' objects like rocks are alive and possess characteristics of consciousness such as intention, desire, and feeling. As all things are connected, the Universe is also alive and conscious. It''s ALL alive.

Ma dernière nuit d’enfant commença par une visite. Les sœurs de T’Gatoi nous avaient attribué deux œufs stériles. Le premier, T’Gatoi le donna à ma mère, mon frère et mes sœurs ; l’autre, elle tenait à ce que je le mange en entier. Peu importait. Il y en avait assez pour que tout le monde se sente bien à la ?n. Presque tout le monde. Ma mère ne voulait pas y toucher. Elle restait assise là, à nous regarder planer et rêver sans elle. La plupart du temps, elle me regardait, moi. Couché contre le long ventre velouté de T’Gatoi, je sirotais mon œuf en me demandant pourquoi ma mère se refusait un plaisir aussi inoffensif. Elle aurait eu moins de cheveux gris si elle se l’était accordé de temps en temps. Les œufs prolongeaient la vie et la force. Mon père, qui n’avait jamais dit non à aucun, était parvenu à un âge au moins deux fois plus avancé que la normale. Et, sur le tard, quand il aurait dû se trouver ralenti, il avait épousé ma mère et lui avait fait quatre enfants... Octavia E. Butler Enfants de sang

Six jours avant qu’il n’y ait plus d’argent, Méduse se prit un bon coup de pied au cul d’Encelade. Les thermistances embarquées enregistrèrent un pic soudain — 80°, 90°, 120° —, que suivirent un soubresaut du fond marin et un violent choc latéral sur la sonde. Il y eut un flash lumineux. Un océan incroyablement bouillant. Un fond marin rocheux basculant comme une table renversée par un géant furieux. Le canal se tut. La télémétrie se propagea dans l’obscur océan alcalin. Des relais amarrés à la sous-croûte captèrent ces chuchotements, qu’ils amplifièrent et transmirent. Cent quatre-vingts kilomètres plus loin à l’horizon, Euryale — accrochée par en dessous à la glace comme une énorme balane métallique — sépara le signal du bruit et le fit remonter à Stheno par un câble qui traversait six kilomètres de croûte regelée. Les mains orientées en porte-voix vers l’horizon fracturé, Stheno cria en direction de la Terre. Peter Watts Test d’écho

An unabridged collection spotlighting the best hard science fiction stories published in 2020 by current and emerging masters of the genre, edited by Allan Kaster. Aliens, who believe that observing the stars causes dark energy, freeze intelligent beings to prevent the end of the universe in "Salvage," by Andy Dudak. In "You and Whose Army?," by Greg Egan, a hive mind is disturbed when one of four neurally linked brothers unexpectedly breaks his connection. Creatures that feed on time threaten Earth in "Time''s Own Gravity," by Alexander Glass. In "Brother Rifle," by Daryl Gregory, a Marine receives a brain implant to help him deal with a brain injury that has left him void of feelings and unable to make decisions. A married couple discover that their adopted daughter had been genetically modified before birth in "Invisible People," by Nancy Kress. "Tool Use by the Humans of Danzhai County," by Derek Künsken, is an epic story of a man and his illegitimate daughter separately trying to revolutionize AI and bioengineering from rural China. In "How Quini the Squid Misplaced His Klobučar," by Rich Larson, a high-tech gene art heist in a future Spain is undertaken by a professional thief more interested in revenge than money. The obituary for an AI provides a list of advice for other advanced AIs in "50 Things Every AI Working with Humans Should Know," by Ken Liu. In "A Mastery of German," by Marian Denise Moore, a biotech company is concerned with the ethics of passing memories between people as it develops this capability. Human explorers struggle to survive in the deadly, primeval forest of an alien planet in "Eyes of the Forest," by Ray Nayler. In "Beyond the Tattered Veil of Stars," by Mercurio D. Rivera, a scientist creates a virtual world so other species can evolve and solve humankind''s problems in the real world. An ancient polymorph constructed being, fleeing a failed utopia, returns to a familiar world to find an old friend in "Bereft, I Come to a Nameless World," by Benjamin Rosenbaum. In "When God Sits in Your Lap," by Ian Tregillis, a fallen angel in a noir-like Los Angeles is hired by a man to persuade his wealthy mother to leave her new husband and keep his aerospace empire inheritance intact. An AI helps a family cope with the death of its father in "Mediation," by Cadwell Turnbull. In "Test 4 Echo," by Peter Watts, a damaged, semi-independent component on an autonomous undersea drone on Enceladus shows signs of emerging consciousness.

Prodigal Father Devotional Journal is the 12-week companion to Peter Watts, Jr.''s memoir, Prodigal Father, the story of finding his biological father on Skid Row, an impoverished community in Downtown Los Angeles. In this book, Peter draws on the deepest parts of his life to show those who have experienced fatherlessness how to offer forgiveness.

This collection highlights 20 stellar space operas published over the past 20 years by top-notch authors of the science fiction genre. A soldier fights for survival behind enemy lines, on an alien vessel, thousands of light-years from Earth in "On the Orion Line," by Stephen Baxter. A man aboard a ship in deep space wakes up from biostasis at the wrong time in "The Days Between," by Allen M. Steele. An astronaut in a damaged balloon struggles to survive 800 meters above the surface of a sea on Titan in "Slow Life" by Michael Swanwick. Two rival space-faring cultures vie for influence over the people of a forgotten human world in "The Third Party," by David Moles. One thousand people, aboard five generation starships, leave the Sol system to flee an enemy that threatens to destroy their way of life in "Mayflower II," by Stephen Baxter. Modified combat troops must deal with recalcitrant settlers on a planet being attacked by hostile aliens in "Bright Red Star," by Bud Sparhawk. Programmed military doppelgängers continue to carry out their missions long after the Quiet War''s end in "Dead Men Walking," by Paul McAuley. Mathematicians seek to learn more from a civilization, on another planet, that spent three million years doing math in "Glory," by Greg Egan. Human diplomats must deal their own cultural biases while dealing with two representatives from warring factions on a newly discovered planet in "Saving Tiamaat," by Gwyneth Jones. Space pirates haul in booty aboard a living spaceship that doesn''t quite smell right in "Boojum," by Elizabeth Bear & Sarah Monette. The constable in a settlement on a planet full of the tombs of a long-vanished alien race befriends a woman who researches dangerous hive rats in "City of the Dead," by Paul McAuley. A dying young man on a treasure hunt tries to save a world that''s devoid of gravity and lit by artificial suns in "The Hero," by Karl Schroeder. An eternal, aboard a slower than light ship, is woken to investigate an unexplained signal emanating from the area of the ship''s next stargate construction site in "The Island," by Peter Watts. An alienated teenager, in a domed iron city on a planet where a fundamentalist revolt is brewing, seeks to uncover her enigmatic tutor''s long-held secret in "The Ice Owl," by Carolyn Ives Gilman. A woman recalls a childhood train journey, on a planet with a permanent dayside and a nightside of eternal darkness, to see a captured specimen of the Nightmare race in "Weep for Day," by Indrapramit Das. Peculiar mating rituals and divergent evolution have developed on a lost colony that has been out of contact with the rest of humanity in "Someday," by James Patrick Kelly. An aristocrat''s trip to Venus, in search of her disgraced brother, is memorialized by papercuts of flora native to the planet in "Botanica Veneris: Thirteen Papercuts by Ida Countess Rathagan," by Ian McDonald. An enemy of the revolution, on a colonized planet, uploads a digital copy of himself into the body of a braindead boy in an attempt to escape off-world in "Jonas and the Fox" by Rich Larson. Set in the author''s Machineries of Empire universe, an undercover agent infiltrates a space station to recover the crew of a lost ship in "Extracurricular Activities," by Yoon Ha Lee. And finally, the captain of a dustship musters her crew to escape from a trap set by Hunter-Killers in a game of cat and mouse amid the rings of a giant planet in "By the Warmth of Their Calculus," by Tobias S. Buckell.

Ils sont trente mille. Ils voyagent depuis soixante millions d’années. Leur mission : déverrouiller la porte des étoiles... Avez-vous jamais pensé à eux ? Aux Progéniteurs, aux Précurseurs — qu’importe le nom que vous leur avez choisi cette semaine —, ces dieux anciens disparus qui ont laissé derrière eux leurs portails et leurs autoroutes galactiques pour votre plaisir ? Avez-vous jamais cessé de vous demander ce qu’ils ont vécu ? Pas d’hyperespace de seconde main pour eux. Pas d’épaules de géant sur lesquelles se dresser. Ils rampent à travers la galaxie, pareils à des fourmis, en sommeil pendant des millénaires, se réveillant juste assez longtemps pour lancer un chantier d’un système solaire à l’autre. Ils vivent au fil d’instants répartis le long des millions d’années, au service d’ancêtres morts depuis une éternité, pour des descendants n’ayant plus rien de commun avec eux. À vrai dire, ce ne sont pas des dieux mais des ouvriers, des hommes des cavernes vivant dans des astéroïdes évidés, lancés dans une mission sans fin pour étendre un empire posthumain qui ne répond même plus à leurs appels...

With over fifty unpredictable, scathing, hilarious, and more-than-occasionally moving essays about science, politics, family, pop culture, religion and more, Peter Watts — Hugo Award-winning author, former marine biologist, and “angry sentient tumor” (via Annalee Newitz, author of Autonomous) — shows why he is the savage dystopian optimist whom you can’t look away from ... even when you probably should. [STARRED REVIEW] “Irreverent, self-depreciating, profane, and funny, showcasing a Hunter S. Thompson–esque studied rage and dissatisfaction with the status quo combined with the readability and humor of John Scalzi.” —Booklist Which of the following is true? Peter Watts is banned from the U.S. Watts almost died from flesh-eating bacteria. A schizophrenic man living in Watts’s backyard almost set the house on fire. Watts was raised by Baptists who really sucked at giving presents. Peter Watts said to read this book. Or else. With Watts''s infamous penchant for blunt, honest, and deep reflection, these retrospective essays provide a view inside his head and even into his heart.

Asante part en hurlant. L’enfer est une chambre de réverbération pleine de cris, d’eau de mer et de chocs métalliques. Des ombres monstrueuses passent sur les cloisons, de la lumière verte ondule et s’entrecroise sur la moindre surface. Telles des créatures qui surgissent d’un lagon brillant, les Sahilites émergent du puits central en ouvrant le feu : le milieu du corps de Rashida explose en une brume sombre, sa moitié supérieure tombe sur le pont. Kito est toujours en train de se traîner vers le fusil à harpon sur le séchoir... comme si un vieil outil de pêche pouvait repousser ces monstres avec leurs flingues, leur air comprimé et leurs petites cartouches qui s’enfoncent loin dans votre chair avant de vous montrer l’effet sur vos intestins de la libération de cinq cents atmosphères. Asante a moins que ça. Il n’a que ses poings... Peter Watts ZeroS

The multi-award winning Infinity Project undertakes its seventh and final voyage in the imagination of the finest science fiction authors alive… Infinity’s End Humanity has made the universe home. On the outskirts of the solar system, beyond the asteroid fields, deep in space, under the surface of planets, in the ruins of fallen civilisations, in the flush of new creation: life finds a way. From intelligent velociraptors to digital ghosts; from a crèche on an asteroid to an artist using a star system as a canvas, this is a future where Earth’s children have adapted to every nook and cranny of existence. This is life on the edge of the possible. Featuring astonishing tales from Stephen Baxter, Alastair Reynolds, Naomi Kritzer, Paul McAuley, Seanan McGuire, Linda Nagata, Hannu Rajaniemi, Justina Robson, Kelly Robson, Kristine Kathryn Rusch, Lavie Tidhar, Peter Watts, Fran Wilde and Nick Wolven.

“This—THIS—is the cutting edge of science fiction.” —Richard K. Morgan, author of Altered Carbon How do you stage a mutiny when you''re only awake one day in a million? How do you conspire when your tiny handful of potential allies changes with each job shift? How do you engage an enemy that never sleeps, that sees through your eyes and hears through your ears, and relentlessly, honestly, only wants what''s best for you? Trapped aboard the starship Eriophora, Sunday Ahzmundin is about to discover the components of any successful revolution: conspiracy, code—and unavoidable casualties. Note from the publisher: The red letters in the print edition (highlighted letters in the e-book) indicate special bonus content.

Nous sommes les hommes des cavernes. Nous sommes les Anciens, les Progéniteurs, les singes qui érigent vos charpentes d’acier. Nous tissons vos toiles, construisons vos portails magiques, enfilons le chas de l’aiguille à soixante mille kilomètres/seconde. Pas question d’arrêter, ni même d’oser ralentir, de peur que la lumière de votre venue ne nous réduise en plasma. Tout cela pour que vous puissiez sauter d’une étoile à la suivante sans vous salir les pieds dans ces interstices de néant infinis...

Per il presentimento dei beni di cui godrà l’anima dopo la morte, gli antichi credevano che il cigno, muto per natura, in prossimità del trapasso emettesse un canto dolcissimo. Ed è su questo canto che il dottor Russ Wescott decide di condurre i suoi studi su animali in fin di vita con lo scopo di carpire nuove rivelazioni su quegli attimi. Questi studi però nascondono un interesse personale con cui Lynne, la sua fidanzata, dovrà fare i conti. In questo racconto d’amore, poetico e struggente, il canadese Peter Watts mescola temi scottanti e di attualità come l’intelligenza artificiale, l’eutanasia e la pre-morte, ambendo a diventare una delle voci più autorevoli e affascinanti della letteratura di fantascienza e non solo.

An unabridged audio collection of the “best of the best” science fiction stories published in 2014 by current and emerging masters of the genre, edited by Allan Kaster. In “Marielena,” by Nina Allan, an immigrant is haunted by his past, as well as his present and future, in a disturbingly mean-spirited near-future England. A convicted serial killer is sentenced to “rightminding” to cure his neurological disorder that resulted in the sociopathic murdering of thirteen women in “Covenant,” by Elizabeth Bear. “The Magician and LaPlace’s Demon” by Tom Crosshill, follows a powerful AI that discovers the existence of magic and then prosecutes a vendetta against the magicians who grow more powerful as their numbers dwindle. In “Sadness,” by Timons Esaias, a man strikes back, as best he can, against the powerful aliens who conquered Earth long ago. In “Amicae Aeternum,” by Ellen Klages, a young girl shares her last morning on Earth with her girlfriend before boarding a generation starship. “Red Lights, and Rain,” by Gareth L. Powell, is a blend of sci-fi and vampire-hunting lore in which the vampires are made, not born. In “The Sarcophagus,” by Robert Reed, the maintenance cyborgs of the Great Ship encounter a stranded spacer in a derelict lifesuit from a long ago ship. “In Babelsberg,” by Alastair Reynolds, showcases a robot whose account of the dead colonists recently found on Titan are challenged by another AI. In “Passage of Earth,” by Michael Swanwick, a coroner gets a taste of the Earth invaders’ superior intelligence while dissecting a giant worm-like alien. Finally, in “The Colonel,” by Peter Watts, Colonel Moore tries to assess the capabilities of the hived human intelligences that have attacked a compound under his command.

Ich denke, also bin ich. Eines Tages werden rätselhafte Signale aus den Tiefen des Alls aufgefangen. Ein Erkundungsschiff wird losgeschickt, um der Sache auf den Grund zu gehen. Man hofft auf eine friedliche Begegnung mit den Außerirdischen, ist aber auch für andere Eventualitäten gerüstet. Doch dann stehen die Astronauten plötzlich einem Wesen gegenüber, so fremdartig, dass es mit menschlichen Maßstäben nicht zu fassen ist ...

Fantascienza - racconto lungo (46 pagine) - Un essere vivente grande come un sistema solare e con la massa di un piccolo pianeta. E intelligente. Premio Hugo 2010 Quella strana intermittenza nella luce della stella li aveva portati a una scoperta sconvolgente: c''era un essere vivente, lì nello spazio. Attorno al sole. Un sottile strato, non più di qualche millimetro, che circondava come una sfera tutta la stella, a 1,4 unità astronomiche di distanza. Un''essere vivente grande come un sistema solare e con la massa di un piccolo pianeta. E intelligente. Ma quando poteva essere intelligente un essere con una quantità di cellule cerebrali equivalente a quella di dieci miliardi di cervelli umani? Canadese, classe 1958, Peter Watts ha vinto il premio Hugo nel 2010 col racconto L’isola, ma c''era già arrivato vicino nel 2006 col romanzo Blindsight. Biologo specializzato nei mammiferi marini, Watts ha sfruttato le sue conoscenze scientifiche nel romanzo con cui ha esordito, Starfish, al quale ha dato finora tre seguiti.

Prepare for a different kind of singularity in Peter Watts'' Echopraxia, the follow-up to the Hugo-nominated novel Blindsight It''s the eve of the twenty-second century: a world where the dearly departed send postcards back from Heaven and evangelicals make scientific breakthroughs by speaking in tongues; where genetically engineered vampires solve problems intractable to baseline humans and soldiers come with zombie switches that shut off self-awareness during combat. And it''s all under surveillance by an alien presence that refuses to show itself. Daniel Bruks is a living fossil: a field biologist in a world where biology has turned computational, a cat''s-paw used by terrorists to kill thousands. Taking refuge in the Oregon desert, he''s turned his back on a humanity that shatters into strange new subspecies with every heartbeat. But he awakens one night to find himself at the center of a storm that will turn all of history inside-out. Now he''s trapped on a ship bound for the center of the solar system. To his left is a grief-stricken soldier, obsessed by whispered messages from a dead son. To his right is a pilot who hasn''t yet found the man she''s sworn to kill on sight. A vampire and its entourage of zombie bodyguards lurk in the shadows behind. And dead ahead, a handful of rapture-stricken monks takes them all to a meeting with something they will only call "The Angels of the Asteroids." Their pilgrimage brings Dan Bruks, the fossil man, face-to-face with the biggest evolutionary breakpoint since the origin of thought itself. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Lenie Clarke--amphibious cyborg, Meltdown Madonna, agent of the Apocalypse--has grown sick to death of her own cowardice. For five years (since the events recounted in Maelstrom), she and her bionic brethren (modified to work in the rift valleys of the ocean floor) have hidden in the mountains of the deep Atlantic. The facility they commandeered was more than a secret station on the ocean floor. Atlantis was an exit strategy for the corporate elite, a place where the world''s Movers and Shakers had hidden from the doomsday microbe ßehemoth--and from the hordes of the moved and the shaken left behind. For five years "rifters" and "corpses" have lived in a state of uneasy truce, united by fear of the outside world. But now that world closes in. An unknown enemy hunts them through the crushing darkness of the Mid-Atlantic Ridge. ßehemoth--twisted, mutated, more virulent than ever--has found them already. The fragile armistice between the rifters and their one-time masters has exploded into all-out war, and not even the legendary Lenie Clarke can take back the body count. Billions have died since she loosed ßehemoth upon the world. Billions more are bound to. The whole biosphere came apart at the seams while Lenie Clarke hid at the bottom of the sea and did nothing. But now there is no place left to hide. The consequences of past acts reach inexorably to the very floor of the world, and Lenie Clarke must return to confront the mess she made. Redemption doesn''t come easy with the blood of a world on your hands. But even after five years in pitch-black purgatory, Lenie Clarke is still Lenie Clarke. There will be consequences for anyone who gets in her way-and worse ones, perhaps, if she succeeds... Behemoth: Seppuku concludes the final act (begun in ßehemoth: ß-Max) of Peter Watts''s chilling and powerful Rifters series. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Starfish lit the fuse. Maelstrom was the explosion. But five years into the aftermath, things aren''t quite so simple as they once seemed... Lenie Clarke--rifter, avenger, amphibious deep-sea cyborg--has destroyed the world. Once exploited for her psychological addiction to dangerous environments, she emerged in the wake of a nuclear blast to serve up vendetta from the ocean floor. The horror she unleashed--an ancient, apocalyptic microbe called ßehemoth--has been free in the world for half a decade now, devouring the biosphere from the bottom up. North America lies in ruins beneath the thumb of an omnipotent psychopath. Digital monsters have taken Clarke''s name, wreaking havoc throughout the decimated remnants of something that was once called Internet. Governments have fallen across the globe; warlords and suicide cults rise from the ashes, pledging fealty to the Meltdown Madonna. All because five years ago, Lenie Clarke had a score to settle. But she has learned something in the meantime: she destroyed the world for a fallacy. Now, cowering at the bottom of the Atlantic Ocean, rifters and the technoindustrial "corpses" who created them hide from a world in its death throes. But they cannot hide forever: something is tracking them, down amongst the lightless cliffs and trenches of the Midatlantic Ridge. The consequences of past acts reach inexorably towards the very bottom of the world, and Lenie Clarke must finally confront the mess she made. Redemption doesn''t come easy with the blood of a world on your hands. But even after five years in purgatory, Lenie Clarke is still Lenie Clarke. There will be consequences for anyone who gets in her way-and worse ones, perhaps, if she succeeds. . . . Behemoth: ß-Max is the first of two volumes. The story will conclude in ßehemoth: Seppuku. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

February 13, 2082, First Contact. Sixty-two thousand objects of unknown origin plunge into Earth''s atmosphere – a perfect grid of falling stars screaming across the radio spectrum as they burn. Not even ashes reach the ground. Three hundred and sixty degrees of global surveillance: something just took a snapshot. And then... nothing. But from deep space, whispers. Something out there talks – but not to us. Two ships, Theseus and the Crown of Thorns, are launched to discover the origin of Earth''s visitation, one bound for the outer dark of the Kuiper Belt, the other for the heart of the Solar System. Their crews can barely be called human, what they will face certainly can''t. ''A tour de force, redefining the First Contact story for good.'' Charles Stross. ''If you only read one science fiction novel this year, make it this one!... it puts the whole of the rest of the genre in the shade... It deserves to walk away with the Clarke, the Hugo, the Nebula, the BSFA, and pretty much any other genre award for which it''s eligible. It''s off the scale... F**king awesome!'' Richard Morgan. ''State-of-the-art science fiction: smart, dark and it grabs you by the throat from page one'' Neal Ascher.

From the author of Blindsight comes Peter Watts''s sci-fi adventure story "The Colonel," an action-packed Tor.com Original Colonel Keaton is in trouble. His wife has retreated into a virtual heaven and his son remains missing after joining an extrasolar mission to track down an alien race. He is presently tasked by his superiors with the threat assessment of hived human intelligences, one of which successfully attacks a compound under his watch. Now, one of the strongest hive minds in the world approaches Keaton with an offer that could completely change his world. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.