New Releases by Peter Carey

Over the course of his stellar writing life, Peter Carey has explored his homeland of Australia in such highly acclaimed novels as Oscar and Lucinda, True History of the Kelly Gang and Amnesia. Writing at the peak of his powers, Carey takes us on an unforgettable journey that maps his homeland''s secrets in this extraordinary new novel. Wildly inventive, funny and profoundly moving, A Long Way from Home opens in 1953 with the arrival of the tiny, handsome Titch Bobs, his beautiful doll of a wife, Irene, and their two children in the small town of Bacchus Marsh. Titch is the best car salesman in southeastern Australia. Irene loves her husband, and loves to drive fast. Together they enter the Redex Trial, a brutal endurance race around the ancient continent, over roads no car is designed to survive. With them is their neighbour and navigator, Willie Bachhuber, a quiz show champion and failed school teacher who calls the turns and creek crossings on a map that will lead them, without warning, away from the white Australia they all know so well. Just like the novel, Peter Carey''s new masterpiece, begins in one way and takes you somewhere you never thought you''d be. Often funny, the book is also and always a page-turner, surprising you with history these characters never even knew themselves. Its profound reckoning with Australia''s brutal treatment of the continent''s aboriginal people will also resonate strongly with Canadian readers.

From Granny Catchprice, who runs her family business -- and her family -- with senility, cunning, and a handbag full of explosives to sixteen-year-old Benny, who dreams of transforming a failing automobile franchise into an empire -- and himself into an angel -- the Catchprices may be the most spectacularly contentious family since Dostoevsky''s Karamozovs. But when a beautiful and very pregnant agent of the Australian Taxation Office enters their lives, the resulting collision becomes, in Carey''s hands, masterpiece of coal-black humour and compassionate horror.

The two-time Booker Prize winner now gives us an exceedingly timely, exhilarating novel—at once dark, suspenseful, and seriously funny—that journeys to the place where the cyber underworld collides with international power politics. When Gaby Baillieux releases the Angel Worm into Australia’s prison computer system, hundreds of asylum-seekers walk free. And because the Americans run the prisons (let’s be honest: as they do in so many parts of her country) the doors of some five thousand jails in the United States also open. Is this a mistake, or a declaration of cyber war? And does it have anything to do with the largely forgotten Battle of Brisbane between American and Australian forces in 1942? Or with the CIA-influenced coup in Australia in 1975? Felix Moore, known to himself as “our sole remaining left-wing journalist,” is determined to write Gaby’s biography in order to find the answers—to save her, his own career, and, perhaps, his country. But how to get Gaby—on the run, scared, confused, and angry—to cooperate? Bringing together the world of hackers and radicals with the “special relationship” between the United States and Australia, and Australia and the CIA, Amnesia is a novel that speaks powerfully about the often hidden past—but most urgently about the more and more hidden present.

Previous winner of two Booker Prizes, Peter Carey expands his extraordinary achievement with each new novel — but now gives us something entirely different. When famously shy Charley Carey becomes obsessed with Japanese manga and anime, Peter is not only delighted for his son, but entranced himself. Thus, with a father sharing his twelve-year-old’s exotic comic books, begins a journey that will lead them both to Tokyo, where a strange Japanese boy will become both their guide and judge. The visitors quickly plunge deep into the lanes of Shitimachi — into the “weird stuff” of modern Japan — meeting manga artists and anime directors, “visualists” who painstakingly impersonate cartoons, and solitary “otakus” who lead a computerized existence. What emerges from these encounters is a pithy, far-ranging study of history and culture both high and low — from samurai to salaryman, from kabuki theatre to the post-war robot craze. Peter Carey’s observations are provocative, even though his hosts often point out, politely, that he is wrong about Japan. In adventures that are comic, surprising, and ultimately moving, father and son cope with and learn from each other in a place far from home. “No Real Japan,” said Charley. “You’ve got to promise. No temples. No museums.” “What could we do?” “We could buy cool manga.” “There’ll be no English translations.” “I don’t care. I’d eat raw fish.” —excerpt from Wrong About Japan

An automaton, a man and a woman who can never meet, two stories of love—all are brought to incandescent life in this hauntingly moving novel from one of the finest writers of our time. London 2010: Catherine Gehrig, conservator at the Swinburne museum, learns of the sudden death of her colleague and lover of thirteen years. As the mistress of a married man, she must struggle to keep the depth of her anguish to herself. The one other person who knows Catherine’s secret—her boss—arranges for her to be given a special project away from prying eyes in the museum’s Annexe. Usually controlled and rational, but now mad with grief, Catherine reluctantly unpacks an extraordinary, eerie automaton that she has been charged with bringing back to life. As she begins to piece together the clockwork puzzle, she also uncovers a series of notebooks written by the mechanical creature’s original owner: a nineteenth-century Englishman, Henry Brandling, who traveled to Germany to commission it as a magical amusement for his consumptive son. But it is Catherine, nearly two hundred years later, who will find comfort and wonder in Henry’s story. And it is the automaton, in its beautiful, uncanny imitation of life, that will link two strangers confronted with the mysteries of creation, the miracle and catastrophe of human invention, and the body’s astonishing chemistry of love and feeling.

''I lost my own father at 12 yr. of age and know what it is to be raised on lies and silence...'' To the authorities in pursuit of him, outlaw Ned Kelly is a horse thief, bank robber and police-killer. But to his fellow ordinary Australians, Kelly is their own Robin Hood. In a dazzling act of ventriloquism, Peter Carey brings the famous bushranger wildly and passionately to life.

Peter Carey''s novel of the undeclared love between clergyman Oscar Hopkins and the heiress Lucinda Leplastrier is both a moving and beautiful love story and a historical tour de force set in Victorian times. Made for each other, the two are gamblers - one obsessive, the other compulsive - incapable of winning at the game of love. Oscar and Lucinda is now available as a Faber Modern Classics edition.

Melbourne, the late 1940s. A young conservative Australian poet named Christopher Chubb decides to teach his country a lesson about pretension and authenticity. Choosing as his target the most avant-garde of the literary magazines, he submits for publication the entire oeuvre of one Bob McCorkle, a working-class poet of raw power and sexual frankness, conveniently dead at twenty-four and entirely the product of Chubb''s imagination. Not only does the magazine fall for the hoax, but the local authorities also sue its editor for publishing obscenity. At the trial someone uncannily resembling the faked photograph of the invented McCorkle, leaps to his feet. At this moment a horrified Chubb is confronted by the malevolent being he has himself manufactured...

Two-time Booker Prize-winner Peter Carey’s His Illegal Self crackles with passionate, electrifying prose and characters that leap off the page and into your psyche. Utterly captivating. It is 1972 and Ché, a precocious seven-almost-eight-year-old boy, leads a rather bourgeois life on Park Avenue with his eccentric grandmother. His parents are young radicals in hiding from the FBI – he has never even met his father and he last saw his mother at the age of two. Ché is ecstatic when a woman called Dial – who he believes is his mother – appears at his front door to take him out for lunch. They skip the meal and Dial whisks Ché off on a serpentine adventure, luring him with the promise of a big “surprise” and the idea that he has finally found someone to love. Eventually they find themselves stranded on a turbulent hippie commune in Australia, a lonely boy and a reluctant kidnapper with no one to rely on but each other. His Illegal Self is a love story like no other. Simultaneously sinister and endearing, the incomparable perspectives and vividness of the characters’ voices are mesmerizing. It is impossible not to be moved by the openness and innocence of this young boy, and by his willingness and inherent need to love and to trust anyone and everyone as he seeks out his parents.

In Australian slang, an illywhacker is a country fair con man, an unprincipled seller of fake diamonds and dubious tonics. And Herbert Badgery, the 139-year-old narrator of Peter Carey''s uproarious novel, may be the king of them all. Vagabond and charlatan, aviator and car salesman, seducer and patriarch, Badgery is a walking embodiment of the Australian national character—espcially of its proclivity for tall stories and barefaced lies. As Carey follows this charming scoundrel across a continent and a century, he creates a crazy quilt of outlandish encounters, with characters that include a genteel dowager who fends off madness with an electric belt and a ravishing young girl with a dangerous fondness for rooftop trysts. Boldly inventive, irresistibly odd, Illywhacker is further proof that Peter Carey is one of the most enchanting writers at work in any hemisphere.

The Booker Prize-winning author of Oscar and Lucinda and The Tax Inspector now gives readers a hero, the malformed but ferociously wilful Tristan Smith, who becomes the object of the world''s byzantine political intrigues, even as he attains stardom in a bizarre Sirkus that is part passion play and part Mortal Kombat.

After living abroad for years, novelist Peter Carey returns home to Sydney and attempts to capture its character with the help of his old friends, drawing the reader into a wild and wonderful journey of discovery and rediscovery as bracing as the southerly buster that sometimes batters Sydney''s shores. Famous sights such as Bondi Beach, the Opera House, the Harbour Bridge and the Blue Mountains all take on a strange new intensity when exposed to the penetrating gaze of the author and his friends.

Ferocious and funny, penetrating and exuberant, Theft is two-time Booker Prize-winner Peter Carey’s master class on the things people will do for art, for love . . . and for money. “I don’t know if my story is grand enough to be a tragedy, although a lot of shitty stuff did happen. It is certainly a love story but that did not begin until midway through the shitty stuff, by which time I had not only lost my eight-year-old son, but also my house and studio in Sydney where I had once been famous as a painter could expect in his own backyard. . .” So begins Peter Carey’s highly charged and lewdly funny new novel. Told by the twin voices of the artist, Butcher Bones, and his “damaged two-hundred-and-twenty-pound brother” Hugh, it recounts their adventures and troubles after Butcher’s plummeting prices and spiralling drink problem force them to retreat to New South Wales. Here the formerly famous artist is reduced to being a caretaker for his biggest collector, as well as nurse to his erratic brother. Then the mysterious Marlene turns up in Manolo Blahniks one stormy night. Claiming that the brothers’ friend and neighbour owns an original Jacques Liebovitz, she soon sets in motion a chain of events that could be the making or ruin of them all. Displaying Carey’s extraordinary flare for language, Theft is a love poem of a very different kind. Ranging from the rural wilds of Australia to Manhattan via Tokyo – and exploring themes of art, fraud, responsibility and redemption – this great novel will make you laugh out loud.

Olivier is an aristocrat, the traumatized child of survivors of the French Revolution. Parrot the son of an itinerant printer who always wanted to be an artist but has ended up a servant. Born on different sides of history, their lives will be brought together by their travels in America. When Olivier sets sail for America, ostensibly to study its prisons but in reality to save his neck from one more revolution - Parrot is sent with him, as spy, protector, foe and foil. As the narrative shifts between the perspectives of Parrot and Olivier, and their picaresque travels together and apart - in love and politics, prisons and the world of art - Peter Carey explores the adventure of American democracy, in theory and in practice, with dazzling wit and inventiveness.

Now in its third edition, this invaluable handbook offers practical solutions to issues arising in relation to data protection law. It is fully updated and expanded to include coverage of all of the significant developments in the practice of data protection, and takes account of the wealth of guidance published by the Information Commissioner since the last edition. The third edition includes new material on the changes to the Commissioner''s powers and new guidance from the Commissioner''s office, coverage of new cases on peripheral aspects of data protection compliance and examples of enforcement, the new code on CCTV processing, the new employment code, clarification on the definition of "personal data", the binding corporate rules on the exemption to the export data ban and the new ICT set of model contractual provisions for data exports, and the proposed action by the EU against the UK for failing to implement the Data Protection Directive appropriately. There are new chapters on terminology and data security.

Antarctica is Earth''s most unusual and inspiring travel destination. Whether you''ve booked your ticket or are just dreaming of the ultimate journey, this beautiful field guide will lead you into a magic, untouched world. This is the only definitive field guide to Antarctica for visitors travelling by cruise ship or adventure boat. The authors are world-recognised experts in Antarctic travel, wildlife and conservation; the book is illustrated with their outstanding photographs. Antarctica is becoming a favourite travel destination for New Zealanders and Australians. Last year almost 46,000 tourists travelled to Antarctica by cruise ship - many came from this part of the world.

The Booker Prize-winning author of Oscar and Lucinda returns to the nineteenth century in an utterly captivating mystery. The year is 1837 and a stranger is prowling London. He is Jack Maggs, an illegal returnee from the prison island of Australia. He has the demeanor of a savage and the skills of a hardened criminal, and he is risking his life on seeking vengeance and reconciliation. Installing himself within the household of the genteel grocer Percy Buckle, Maggs soon attracts the attention of a cross section of London society. Saucy Mercy Larkin wants him for a mate. The writer Tobias Oates wants to possess his soul through hypnosis. But Maggs is obsessed with a plan of his own. And as all the various schemes converge, Maggs rises into the center, a dark looming figure, at once frightening, mysterious, and compelling. Not since Caleb Carr''s The Alienist have the shadowy city streets of the nineteenth century lit up with such mystery and romance.

When his family runs low on funds while on a trip to Toronto, nine-year-old Sam allows himself to be "borrowed" and entered in a contest to find the Perfecto Kiddo, hoping to win $10,000.

In a rapidly changing post-Cost War world, where many age-old conflicts and injustices are at last being put to rights, East Timor stands out as a still unresolved tragedy. In the past twenty years (1975–95), this former Portuguese colony has been under Indonesian military occupation, an occupation responsible for the death of over 200,000 of its inhabitants (a third of its pre-1975 population) and the destruction of much of its indigenous society. Yet, despite enormous odds, the people of East Timor continue to fight for the independence which was denied them in the mid-1970s. Twenty years on, there is now a very real chance for a new beginning in East Timor. This book, which brings together contributions by both East Timorese and Western specialists of East Timor, provides a compelling account of the process by which a once isolated and traditional society has been forged into a nation with a deep sense of its own identity rooted it its unique religious, cultural, linguistic, and historical heritage. Indonesia is at last beginning to realize the cost of Third World colonialism, and its Western allies are becoming less tolerant of its ‘security state’ methods. The last section of this book considers the new diplomatic initiatives which are currently in train, under the auspices of the UN, to bring about a resolution to the Timor problem without jeopardizing the integrity of the Indonesian Republic. An extensive bibliography of titles on East Timor published between 1970 and 1994 will prove especially useful for scholars.

The best of Carey''s short fiction features here, drawn from work published previously in his two anthologies "The Fat Man in History" and "War Crimes".

Peter Carey''s astonishing first novel is a fast-moving extravaganza, both funny and gripping, about a man who, recovering from death, is convinced that he is in hell. ''Carey is one of the great story-tellers of our time, the kind who make you take the phone off the hook, forget the television and ignore the doorbell.'' Evening Standard