Best Selling Books by Peter Boxall

Completely revised and updated to include the most up-to-date selections, this is a bold and bright reference book to the novels and the writers that have excited the world''s imagination. This authoritative selection of novels, reviewed by an international team of writers, critics, academics, and journalists, provides a new take on world classics and a reliable guide to what''s hot in contemporary fiction. Featuring more than 700 illustrations and photographs, presenting quotes from individual novels and authors, and completely revised for 2012, this is the ideal book for everybody who loves reading.

Strategy and Human Resource Management is concerned with examining how HR strategy impacts on an organisation''s chances of survival and its relative success, and with understanding how it varies across important organisational, industry and societal contexts. It takes an analytical approach, which examines and explains what managers do and why they do it before offering any sort of prescription for what the authors think they should do. This approach is grounded in research but is brought to life with examples, cases and vignettes to offer a practice-orientated analysis of the subject. As well as explaining important general principles in strategic HRM, critical features of the different contexts in which they are applied are examined. For this fifth edition, there is increased coverage of contemporary topics, including capital markets and increasing financialisation, Industry 4.0, the shaping of employee voice under different varieties of capitalism and the effects of austerity. Strategy and Human Resource Management retains, however, the classic sources that are fundamental to the subject while also including important theoretical advances and the best new studies of strategies in the world of work and people.

"The widespread use of electronic communication at the dawn of the twenty-first century has created a global context for our interactions, transforming the ways we relate to the world and to one another. This critical introduction reads the fiction of the past decade as a response to our contemporary predicament - one that draws on new cultural and technological developments to challenge established notions of democracy, humanity, and national and global sovereignty. Peter Boxall traces formal and thematic similarities in the novels of contemporary writers including Don DeLillo, Margaret Atwood, J. M. Coetzee, Marilynne Robinson, Cormac McCarthy, W. G. Sebald and Philip Roth, as well as David Mitchell, Chimamanda Ngozi Adichie, Dave Eggers, Ali Smith, Amy Waldman and Roberto Bolaño. In doing so, Boxall maps new territory for scholars, students and interested readers of today''s literature by exploring how these authors narrate shared cultural life in the new century"-- Provided by publisher.

Peter Boxall''s The Value of the Novel offers a reappraisal of the ethical, political and literary value of the novel as a genre at turning point in the history both of literature and of criticism. As the dominant critical concerns of the twentieth century faded, and new cultural and technological environments emerged, Boxall argues that we lost our collective sense of the purpose of the novel. This book responds to this predicament by demonstrating why and how the novel matters to us today. Ranging from Daniel Defoe to Zadie Smith, Boxall shows how the formal properties of the novel allow us to imagine the worlds in which we live. This is a vibrant, compelling and richly informed critical perspective that asks us to see anew how central fiction is to our idea of the world, and how richly the novel informs our attempts to understand our present and our future.

This book develops a new theoretical account of the historical role of the novel in fashioning our bodies and environments.

Samuel Beckett is widely regarded as ''the last modernist'', the writer in whose work the aesthetic principles which drove the modernist project dwindled and were finally exhausted. And yet despite this, it is striking that many of the most important contemporary writers, across the world, see their work as emerging from a Beckettian legacy. So whilst Beckett belongs, in one sense, to the end of the modernist period, in another sense he is the well spring from which the contemporary, in a wide array of guises, can be seen to emerge. Since Beckett looks at a number of writers, in different national and political contexts, tracing the way in which Beckett''s writing inhabits the contemporary, while at the same time reading back through Beckett to the modernist and proto-modernist forms he inherited. In reading Beckett against the contemporary in this way, Peter Boxall offers both a compelling re-reading of Beckett, and a powerful new analysis of contemporary culture.

"This is the first book to offer a reading of DeLillo''s complete oeuvre in the light of 9/11, and of the new global power relations that have come about in the wake of the attacks. In reading DeLillo''s ambivalent engagement with globalisation, and with global terrorism, Peter Boxall suggests ways in which his writing might help us to think about the possibilities of fiction in the post-9/11 global context."--Back cover.

The Possibility of Literature is an essential collection from one of the most powerful and distinctive voices in contemporary literary studies. Bringing together key compositions from the last twenty-five years, as well as several new pieces, the book demonstrates the changing fate of literary thinking over the first decades of the twenty-first century. Peter Boxall traces here the profound shifts in the global conditions that make literature possible as these have occurred in the historical passage from 9/11 to Covid 19. Exploring questions such as ''The Idea of Beauty'', the nature of ''Mere Being'', or the possibilities of Rereading, the author anatomises the myriad forces that shape the literary imagination. At the same time, he gives vivid critical expression to the imaginative possibilities of literature itself - those unique forms of communal life that literature makes possible in a dramatically changing world, and that lead us towards a new shared future.

J Curve is a humorous contemporary tale of how a high flyer in business allows greed to become his main motivation and potentially his downfall. The story opens in October 2014 in the City of London. Brett Hunter, the supposedly suave and sophisticated, Managing Director of Sobbolds Leisure; brewery owners, with an extensive portfolio of hotels, pubs, restaurants and much more, is about to embark on his biggest deal to date. The takeover of Gulbey- Barrett''s, the sleeping drinks conglomerate giant. Hunter believes that he is nearing the pinnacle of his career, with the social trappings associated with this. His parallel life though is driven by greed. In the weeks that follow Hunter''s world begins to disintegrate, but he hasn''t got to where he is without the ability to fight his corner. Max Shadpole though, the Executive Editor of The Sunday Post, a national tabloid newspaper has been on his case for a long time and whilst Hunter is distracted by the impending business deal, Max edges towards exposing the real Hunter. Throughout J Curve looks at the characters and their lives; magnifying warts and all of those involved in the impending City takeover. The glamorous, high flying bankers, Jayne Russell and Jane Morgan play prominent roles and their contrasting characters are illuminated as the story progresses. The Directors at Gulbey''s, in particular the upstanding Edward Goodyear and the eccentric Guy Gulbey, prove that tragedy and day to day humour are both fundamental to everyday life. Threaded throughout the story is how life at the top can be very lonely. J Curve avoids the technicalities of business, concentrating on how life spins in many directions for all those involved, moving at a fast pace, culminating in many revelations and an unexpected twist of fate.

If Trollope, Cooper and Christie could ever have collaborated on a novel they would probably come up with something very similar to ''Stumped Identity''. Rory Embers, a teenager in long term foster care along with his four younger siblings in urban North London, wants to find his real father and seeks retribution for the life he has given them. To find his father he gains the help of Sophie Anderson, a young Social worker who, unbeknown to Rory, has an agenda of her own. Their investigations lead them to the seemingly idyllic West Country village, Craig Dell, where the cricket club is the hub of the village. Here in the heart of middle England, villagers go about their business and pleasure. Behind the net curtains all is not quite so straight forward and an unconventional lifestyle and seedy underbelly is slowly uncovered. But which of the residents is Rory''s father? Two fit the bill precisely; Phil ''Popeye'' Embers, the village butcher and Miles Harrington, the recently arrived, secretive peddler of pornography. Not until the final pages is the ''who done it'' revealed. ''Stumped Identity'' is a fast paced yarn that has humour threaded throughout whilst addressing a serious social issue.