New Releases by Penelope Fitzgerald

Un museo londinense expone por primera vez los tesoros de los garamantes, un antiguo pueblo del norte de África, y los visitantes aguardan en filas eternas para ver las dos piezas más célebres de la exposición: la madeja y el niño de oro. Se dice que el niño está maldito, y los rumores alzan el vuelo cuando se produce un intento de asesinato en el museo. La llegada de la policía coincide con la visita de dos prestigiosos académicos, momento en que el director del museo debe enfrentarse a una red de intrigas que se va complicando entre celos, ambiciones, rencores y secretos mal guardados. Con la Guerra Fría como telón de fondo, Penelope Fitzgerald arremete sin piedad contra las élites culturales, políticas y universitarias. Presuntas falsificaciones, sospechas de espionaje e intereses políticos se funden en una novela trepidante, con elementos de misterio y comedia costumbrista. Una carga de dinamita literaria colocada estratégicamente en los cimientos de una de las instituciones más refinadas de Londres: la de los museos --

Frühlingsanfang in Moskau, 1913. Nelly Reid, treusorgende Ehefrau und liebevolle Mutter dreier Kinder, verlässt ihren Mann Frank völlig unerwartet und kehrt nach England zurück, die Kinder bleiben bei ihrem Vater. Der sieht sich vor ungewohnte Herausforderungen gestellt: Er muss sich nicht nur um seine Firma kümmern, sondern auch um den Haushalt und den Nachwuchs ... Da tritt Lisa Iwanowna in Franks Leben, eine junge, gut aussehende Frau vom Lande. Aber ist sie wirklich so naiv, wie sie scheint? Und welche Rolle spielt Franks Buchhalter, Selwyn Crane, der sich so offensichtlich bemüht, die beiden zusammenzubringen? »Penelope Fitzgeralds Bücher bieten ein Lesevergnügen der besonderen Art: Ganz unaufgeregt, nachdenklich und wehmütig zeigen sie eine einfache Wahrheit: Das Alltägliche, das Allzumenschliche entwickelt oft famosen Witz.« Der Spiegel

Rien ne semble troubler la paix de Hardborough, aimable petite ville de l''East Anglia. Mais Florence Green, une jeune veuve, se met bientôt les notables à dos en décidant d''y ouvrir une librairie. Florence voulait créer innocemment un lieu de sociabilité inédit ; elle découvre l''enfer feutré des médisances. Puis l''ostracisme féroce d''une partie de la population. Surtout lorsqu''elle s''avise de mettre en vente Lolita, le sulfureux roman de Nabokov. Alors, la guerre est déclarée, les clans s''affrontent, les personnages révèlent leur acrimonie. Florence sera très seule pour faire face au conformisme ambiant.

Lo scrittore e saggista inglese Sebastian Faulks ha descritto in modo persuasivo l’esperienza donata da un libro della Fitzgerald: «Leggere un romanzo di Penelope Fitzgerald è come salire su un’automobile per una corsa un po’ speciale. Ogni cosa è al massimo della qualità – il motore, la carrozzeria, gli interni, tutto vi dà un senso di affidamento. Poi, dopo qualche chilometro, qualcuno scaglia il volante fuori dal finestrino». L’impressione può estendersi immediatamente ai suoi racconti. Ne scrisse pochi preferendo la forma romanzo, composti per occasioni e riviste e questa raccolta, pubblicata postuma, li riunisce quasi tutti. Spesso, come scrive Masolino D’Amico nell’Introduzione, sembrano contenere un intero romanzo compresso, tanta è la ricchezza di temi e personaggi.

Più morti, un suicidio, un falso clamoroso, traffici clandestini di beni museali, affari di spionaggio internazionale, sono gli eventi di un intreccio mistery con cui Penelope Fitzgerald costruisce una commedia «gialla» di ironia graffiante e gusto dell''assurdo.

«Penelope Fitzgerald... è brava, ironica, preziosa, capace di far divorare i suoi libri con fame leggera anche se non succede quasi nulla se non un fluire spiritoso della vita, spesso di eccentricità molto inglese» (Natalia Aspesi, La Repubblica).

Penelope Fitzgerald, the Booker Prize-winning author of ‘Offshore’ and ‘The Blue Flower’, turns her attention to the remarkable life of the Pre-Raphaelite artist Edward Burne-Jones.

La joven Chiara Ridolfi acaba de salir del colegio inglés en el que ha pasado su infancia. Al llegar a Florencia, donde viven su padre y su tía, descendientes de una antigua familia de nobles italianos ahora venida a menos, se enamora perdidamente del doctor Salvatore Rossi, un hombre recio, hecho a sí mismo y con una inmensa conciencia de clase. Pero a partir de su primer encuentro, en un concierto para violín de Brahms, el mundo parece confabularse para que sientan que todo se interpone en su camino. El carácter de ambos, insegura ella e inflexible él, ayuda a hacer de su vida algo insoportable. Hasta que alguien decide adoptar una medida sorprendente y extrema, fruto de una peculiaridad ancestral del temperamento familiar. Penelope Fitzgerald, autora de «La librería» y «El inicio de la primavera», vuelve con una novela inteligentísima y tremendamente seductora, que nos recuerda a una comedia de Shakespeare y que crea un universo real y completo, casi tangible, en el que es posible encontrar un auténtico prodigio tras cada esquina.

“A delectable comedy of manners” set in 1950s Florence, by the Man Booker Prize–winning author of The Bookshop (The Boston Globe). It’s 1955, and Italy is still struggling a decade after the end of World War II. So are the Ridolfis, a Florentine family of long and fading noble lineage. Like their decrepit villa, they’ve seen better days. Only eighteen-year-old Chiara shows anything like vitality—however impulsive and perilously naïve. Chiara has set her heart and her future on Salvatore Rossi, a brilliant, penniless young doctor and bull-headed son of a Communist, who has erased both politics and romance from his list of priorities. With her plans stymied, Chiara calls on her resourceful and meddlesome British girlfriend, Barney, to help make an impossible match. Now, out of good intentions and the most innocent of instincts, two guileless friends are going to make a series of astonishingly wrong moves in the name of love. From a winner of multiple major literary awards who was called “the best English novelist of her time” by Julian Barnes, Innocence is a novel “not just about Italians in love but of living and loving for all humans” (The Times). “As intoxicating as a shot of aged brandy.” —The Washington Post

A fascinating collection of letters from the great English novelist – and prolific correspondent – Penelope Fitzgerald

Novela finalista del Booker Prize, La librería es una delicada aventura tragicómica, una obra maestra de la entomología librera. Florence Green vive en un minúsculo pueblo costero de Suffolk que en 1959 está literalmente apartado del mundo, y que se caracteriza justamente por «lo que no tiene». Florence decide abrir una pequeña librería, que será la primera del pueblo. Adquiere así un edificio que lleva años abandonado, comido por la humedad y que incluso tiene su propio y caprichoso poltergeist. Pero pronto se topará con la resistencia muda de las fuerzas vivas del pueblo que, de un modo cortés pero implacable, empezarán a acorralarla. Florence se verá obligada entonces a contratar como ayudante a una niña de diez años, de hecho la única que no sueña con sabotear su negocio. Cuando alguien le sugiere que ponga a la venta la polémica edición de Olympia Press de Lolita de Nabokov, se desencadena en el pueblo un terremoto sutil pero devastador.

Mars 1913, la grande ville de Moscou s''ébroue et s''apprête à accueillir le printemps. Il y a du changement dans l''air. Au 22 de la rue Lipka encore plus qu''ailleurs. C''est la maison d''un imprimeur anglais, Frank Reid. Un soir, il rentre chez lui et apprend par une courte lettre que sa femme est partie. Elle a pris le train pour l''Angleterre, sans raison apparente. Il doit s''occuper de ses trois enfants et engage, sur les conseils de Selwyn Crane, son comptable, Lisa Ivanovna, une fille de la campagne, imperturbable, au point qu''on la dirait simple. Pourquoi Selwyn Crane (un drôle de disciple de Tolstoï, fervent randonneur, âme charitable) a-t-il été jusqu''à réunir ces deux-là ? Frank lui-même, en homme rationnel, s''interroge. Mais à Moscou, l''amour comme le reste - l''amitié, la politique et le pouvoir - demeure insondable.

Niché entre les marais des confins du Suffolk et la mer du Nord, Hardborough est une bourgade où, en cette année 1959, la vie suit flegmatiquement son cours. Jusqu''au jour où une veuve entre deux âges et sans histoire, Florence Green, décide d''acheter The Old House, une bâtisse désaffectée, pour en faire une librairie. Lorsque l''impétueuse se met à vendre le sulfureux roman de Nabokov Lolita, la communauté sort soudain de sa torpeur et manifeste une férocité insoupçonnée. Peinture mordante d''une société désuète engluée dans son conformisme et sa médiocrité, L''affaire Lolita s''affirme comme un roman hautement moral et un plaidoyer contre la bêtise né sous la plume ironique et finement ciselée de Penelope Fitzgerald.

WITH AN INTRODUCTION BY HERMIONE LEE The previously uncollected occasional prose of a great English writer - full of wit, feeling and illumination. Penelope Fitzgerald was a prolific letter writer. She avoided the phone if she could, never even contemplated the possibility of going online. Her warmth, humour and supreme storytelling abilities found their best forum here. Surprising, wonderfully funny, definitive, this is a major collection of Penelope Fitzgerald''s reviews, essays and autobiographical writings. This collection includes pieces on contemporary novelists Giles Foden, Anne Enright, Carol Shields, Rose Tremain, Roddy Doy≤ on classic writers Muriel Spark, A.E. Housman, Rose Macaulay, M.R. James, Stevie Smith, Dorothy L. Sayers; on remembering her grandfather E.H. Shepard; on her love of Devon and Spain and William Morris: on writers in their old a≥ and witty and poignant recollections of her schooldays, her life on a Thames barge, her childhood in Hampstead and the ghost who lived next door but one. This is a fantastically funny book - as much of an entertainment as the Kingsley Amis letters.

A posthumous collection of literary essays explores the "afterlife" of the writing community, defined as a legacy experienced in the minds and hearts of their readers; in a volume that includes introductions to major works of literature, reviews of fellow authors, and explorations of lesser-known writers. From the late novelist and biographer Penelope Fitzgerald, a collection of essays-almost all of them unknown to her countless American admirers-on books, travel, and her own life and work. A good book, wrote John Milton, is the precious life-blood of a master-spirit, embalmed and treasured up on purpose to a life beyond life. In this generous posthumous collection of her literary essays and reviews, Penelope Fitzgerald celebrates the life beyond life of dozens of master-spirits--their afterlife not only in the pages of their works but in the minds of their readers, critics, and biographers. Here are Fitzgerald''s brilliant introductions to the classics--Jane Austen''s Emma, George Eliot''s Middlemarch, the works of Mrs. Oliphant--as well as considerations of recent novels by Barbara Pym, Carol Shields, Roddy Doyle, and Amy Tan. Here too are reviews of several late-twentieth-century literary biographies, including Richard Holmes''s Coleridge, A. N. Wilson''s C. S. Lewis, and Martin Stannard''s Evelyn Waugh-reviews that together form a memorable criticism both of life and the art of life-writing.

After publishing her first novel in 1977 at the age of sixty-one, Penelope Fitzgerald (1916-2000) went on to become one of the most remarkable and highly acclaimed English writers of the last century. Each of the three novels gathered here vividly and unforgettably conjures up an entire world. The Booker Prize-winning novel Offshore limns the marginal existence of an eccentric assortment of barge dwellers on the Thames in the early 1960s, a group of misfits who are drawn to life on the muddy river in exile from the world of the landlocked. Human Voices takes us behind the scenes at the BBC during World War II, as world-weary directors and nubile young assistants attempt to save Britain’s heritage and keep Britons calm in the face of a feared German invasion. In The Beginning of Spring, a struggling English printer living in Moscow in 1913 is abandoned by his wife and left alone to care for his three young children in the face of the impending revolution. Fitzgerald is a genius of the relevant detail and the deftly sketched context, and these narrative gems are marvels of compassion, wit, and piercing insight.

Penelope Fitzgerald, who died in 2000, emerged late in life as one of the most remarkable English writers of the last century. She began her writing career in 1975 at the age of fifty-nine, and over the next two decades she published three biographies, nine novels, and a collection of short stories. Now three of her acclaimed novels are gathered here in one volume. The Bookshop is a postwar tragicomedy of manners, set in an isolated seaside town where an enterprising woman opens a bookstore only to find it beset by poltergeists, weather, and hostile townsfolk. The Gate of Angels is an Edwardian romance within a novel of ideas: a young doctor devoted to science and to his all-male Cambridge college finds his life and views disrupted by a nurse named Daisy. The Blue Flower, which won the National Book Critics Circle Award, revitalizes historical drama through the story of Novalis, an eighteenth-century German romantic poet and visionary genius, and his unlikely love affair with a simple child-woman. These three novels all display Fitzgerald’s characteristic wit, intellectual breadth, and narrative brilliance, applied to an array of traditional forms into which she breathed new life.

With the death of Penelope Fitzgerald this year, the literary world lost one of its finest, most original, and most beloved authors. Fitzgerald began her writing career at age sixty and wrote eight remarkable novels in rapid succession over the next twenty years. Completed just before her death, THE MEANS OF ESCAPE is Fitzgerald''s first new book since the best-selling THE BLUE FLOWER. Never before have her short stories been collected in book form, and none of them has ever appeared in the United States. THE MEANS OF ESCAPE showcases this incomparable author at her most intelligent, her funniest, her best. Like her novels, these brilliant stories are miniature studies of the endless absurdity of human behavior. Concise, comic, biting, and mischievous, they are vintage Fitzgerald. Roaming the globe and the ages, the stories travel from England to France to New Zealand and from today to the seventeenth century. Uniting them is a universal theme: the shifting balance between those who are in positions of power--by wealth, status, or class--and those who, deceptively, are not. THE MEANS OF ESCAPE memorializes a life and a writer guided by a generous but unwavering moral gaze.

Este segundo romance de Penelope Fitzgerald foi o primeiro a figurar entre os finalistas do Booker Prize. O cenário é uma pequena cidade costeira da East Anglia, onde Florence Green, enfrentando a cortês mas implacável oposição local, decide abrir uma livraria. Hardborough torna-se um campo de batalha, como acontece facilmente com as cidades pequenas. Florence tenta mudar a maneira como as coisas sempre foram feitas e, como resultado, tem de enfrentar não apenas as pessoas que se fazem de importantes, mas também forças naturais e até mesmo sobrenaturais. Esta é uma história para todos que se sentem tratados pela vida de uma forma menos justa que a merecida.