New Releases by Oliver Sacks

Oliver Sacks, a scientist and a storyteller, is beloved by readers for the extraordinary neurological case histories (Awakenings, An Anthropologist on Mars) in which he introduced and explored many now familiar disorders. The River of Consciousness is one of two books Sacks was working on up to his death.

The letters of one of the greatest observers of the human species, revealing his passion for life and work, friendship and art, medicine and society, and the richness of his relationships with friends, family, and fellow intellectuals over the decades, collected here for the first time “Here is the unedited Oliver Sacks—struggling, passionate, a furiously intelligent misfit. And also endless interesting. He was a man like no other.” —Atul Gawande, author of Being Mortal Dr. Oliver Sacks—who describes himself in these pages as a “philosophical physician” and a “neuropathological Talmudist”—wrote letters throughout his life: to his parents and his beloved Auntie Len, to friends and colleagues from London, Oxford, California, and around the world. The letters begin with his arrival in America as a young man, eager to establish himself away from the confines of postwar England, and carry us through his bumpy early career in medicine and the discovery of his writer’s voice; his weight-lifting, motorcycle-riding years and his explosive seasons of discovery with the patients who populate his book Awakenings; his growing interest in matters of sight and the musical brain; his many friendships and exchanges with writers, artists, and scientists (to say nothing of astronauts, botanists, and mathematicians), and his deep gratitude for all these relationships at the end of his life. Sensitively introduced and edited by Kate Edgar, Sacks’s longtime editor, the letters deliver a portrait of Sacks as he wrestles with the workings of the brain and mind. We see, through his eyes, the beginnings of modern neuroscience, following the thought processes of one of the great intellectuals of our time, whose words, as evidenced in these pages, were unfailingly shaped with generosity and wonder toward other people.

THE INSPIRATION FOR THE NBC SERIES BRILLIANT MINDS • In his most extraordinary book, the bestselling author of Awakenings and "poet laureate of medicine” (The New York Times) recounts the case histories of patients inhabiting the compelling world of neurological disorders, from those who are no longer able to recognize common objects to those who gain extraordinary new skills. “Oliver Sacks has become the world''s best-known neurologist. His case studies of broken minds offer brilliant insight into the mysteries of consciousness.”—The Guardian Featuring a new preface, Oliver Sacks’s The Man Who Mistook His Wife for a Hat tells the stories of individuals afflicted with perceptual and intellectual disorders: patients who have lost their memories and with them the greater part of their pasts; who are no longer able to recognize people and common objects; whose limbs seem alien to them; who lack some skills yet are gifted with uncanny artistic or mathematical talents. In Dr. Sacks’s splendid and sympathetic telling, his patients are deeply human and his tales are studies of struggles against incredible adversity. A great healer, Sacks never loses sight of medicine’s ultimate responsibility: “the suffering, afflicted, fighting human subject.”

«Dies ist Literatur, wie sie nur wenige, Freud vielleicht und C.G. Jung, schreiben konnten, und es ist zugleich sachliche Information.»«DIE ZEIT» über Oliver Sacks

Le syndrome de Gilles de la Tourette est-il héréditaire ? Qu’est-ce que la clupéophilie ? Comment appréhender les expériences de mort imminente ? Autant de questions abordées par Oliver Sacks dans Chaque chose à sa place. Qu’il parle de natation, des musées londoniens, de ses dissections de seiches, qu’il décrive des cas neurologiques ou aborde des sujets aussi variés que la vie extra-terrestre, les fougères et autres plantes de Park Avenue, c’est toujours avec le même précieux mélange d’érudition, de sensibilité et d’humour qu’il dépeint, explique ou théorise. Le lecteur découvrira l’homme derrière l’écrivain neurologue, un formidable pédagogue capable de nous passionner en toute chose.

In fascinating case studies, bestselling author Oliver Sacks seeks answers to the question of how creativity can be kindled and encouraged in a person''s life. Imbued with the passion and keen insight that made Sacks beloved to countless readers, this selection from The River of Consciousness will be of eager interest to all those with zeal for creative pursuit. An ebook short.

Un peintre perd, à la suite d''un accident, la perception des couleurs ; un chirurgien, atteint du syndrome de Gilles de la Tourette, est en proie à des tics compulsifs, sauf quand il opère ; une autiste, pour qui le monde humain est incompréhensible, se spécialise dans l''étude des animaux. Les personnes atteintes de tels troubles neurologiques ressemblent, dit Oliver Sacks, à des voyageurs traversant d''inimaginables contrées. Sept de ces voyageurs sont présentés ici. Pour les comprendre, l''auteur ne s''est pas contenté de les recevoir ; il est allé à leur rencontre, et a partagé, pendant un moment, leur vie. Les sept histoires qu''il relate sont paradoxales, car elles montrent que les troubles neurologiques ne sont pas seulement des maladies - ils ouvrent des mondes nouveaux, certes étranges pour l''expérience commune, mais où se réalisent d''autres richesses, seulement potentielles chez l''homme normal. Le peintre qui a perdu la perception des couleurs va créer un monde artistique monochrome, à la beauté insolite et profonde ; et l''autiste continuera à se heurter aux arcanes de la socialité humaine - mais en s''y sentant, nous dit-elle, "comme un anthropologue sur Mars."

From the legendary author of The Man Who Mistook His Wife for a Hat: a volume of essays on everything from primordial life and the mysteries of the brain to the ancient ginkgo and the power of the written word. "Magical . . . [Everything in Its Place] showcases the neurologist''s infinitely curious mind."—People Magazine In this volume, Oliver Sacks examines the many passions that defined his life--both as a doctor engaged with the central questions of human existence and as a polymath conversant in all the sciences. Everything in Its Place brings together writings on a rich variety of topics. Why do humans need gardens? How, and when, does a physician tell his patient she has Alzheimer''s? What is social media doing to our brains? In several of the compassionate case histories included here, we see Sacks consider the enigmas of depression, psychosis, and schizophrenia for the first time. In others, he returns to conditions that have long fascinated him: Tourette''s syndrome, aging, dementia, and hallucinations. In counterpoint to these elegant investigations of what makes us human, this volume also includes pieces that celebrate Sacks''s love of the natural world--and his final meditations on life in the twenty-first century.

D Deux semaines avant de mourir, Oliver Sacks a décrit le contenu de l''ouvrage qu''il prévoyait de publier, Le Fleuve de la conscience. Ses indications ont été scrupuleusement suivies. Sacks montre dans ce livre qu''il n''est pas seulement un neurologue exceptionnel. Son interrogation s''étend ici à presque tous les domaines du vivant, qui le passionnent et l''intriguent. Mais, fidèle à sa manière personnelle, il les aborde par ce qu''ils ont de surprenant ou d''inattendu. Comment une plante " apprend "-elle ? Les souvenirs que nous tenons pour vrais le sont-ils forcément ? La conscience est-elle un flux continu ou une succession d''instantanés ? La science elle-même se montre sous un jour nouveau : Darwin s''avère être un botaniste original, Freud un neurologue novateur. Pourquoi tant de découvertes, que l''on qualifiera de prématurées, ont-elles été négligées ? Que se serait-il passé si on les avait acceptées en leur temps ? On s''aperçoit que le rôle du hasard est essentiel, et que la science, dans son développement, est contingente... comme la vie elle-même. Oliver Sacks a créé une nouvelle façon d''exposer et d''expliquer et d''interroger les découvertes scientifiques. On trouvera ici ce mixte de développement théoriques – toujours clairs –, de récits étonnants, et d''éléments biographiques qui fait le charme de son œuvre, où s''allient avec éclat la rigueur, la curiosité d''esprit, et le goût de l''exploration. Oliver Sacks (1933-2015) Neurologue, professeur à l''université Columbia, il est l''auteur de nombreux livres, notamment L''Éveil (1987), L''homme qui prenait sa femme pour un chapeau (1988), Des yeux pour entendre (1990), Un anthropologue sur Mars (1996), Musicophilia (2009) et L''Œil de l''esprit (2012). Traduit de l''anglais par Christian Cler

From the bestselling author of The Man Who Mistook His Wife for a Hat, a collection of essays that displays Oliver Sacks''s passionate engagement with the most compelling ideas of human endeavor: evolution, creativity, memory, time, consciousness, and experience. "Curious, avid and thrillingly fluent." —The New York Times Book Review In the pieces that comprise The River of Consciousness, Dr. Sacks takes on evolution, botany, chemistry, medicine, neuroscience, and the arts, and calls upon his great scientific and creative heroes--above all, Darwin, Freud, and William James. For Sacks, these thinkers were constant companions from an early age. The questions they explored--the meaning of evolution, the roots of creativity, and the nature of consciousness--lie at the heart of science and of this book. The River of Consciousness demonstrates Sacks''s unparalleled ability to make unexpected connections, his sheer joy in knowledge, and his unceasing, timeless endeavor to understand what makes us human.

Con su pasión y curiosidad habituales, Oliver Sacks se interna en el insondable silencio de los sordos profundos, de aquellos que han nacido sin uno de los sentidos básicos para el conocimiento, para la articulación del lenguaje y, por ende, del pensamiento. Pero este viaje al país del silencio, como todos los que emprende Sacks, será una jornada llena de descubrimientos. Y el lector conocerá así la historia de los sordos, los estragos que han causado los «oralistas», los defensores del lenguaje oral frente al de señas, y sabrá de la existencia de una comunidad que existió durante más de dos siglos en Martha’s Vineyard, Massachusetts, y en la que había una forma de sordera hereditaria y todos aprendían a hablar por señas. Y así, los que podían oír eran «bilingües», y podían pensar y hablar de viva voz y también en el lenguaje de señas, y había un intercambio libre y pleno entre oyentes y sordos. Porque, para el autor, el lenguaje de señas no es una mera traducción de las lenguas habladas, sino un idioma único y alternativo, tan complejo, tan rico y tan efectivo para el pensamiento y la transmisión de la cultura como las diferentes lenguas de los oyentes. Una obra hermosa y conmovedora, un viaje fascinante al corazón de una tierra muy extraña y una provocativa meditación sobre la comunicación, la biología y la cultura.

Oliver Sacks slog igenom med boken "Uppvaknanden" som sedan blev en prisbelönt film med Robin Williams i huvudrollen. Hans bästsäljande bok "Mannen som förväxlade sin hustru med en hatt" rankades av tidningen Discover Magazine som en av de 25 bästa vetenskapsböckerna genom tiderna. Idag är forskningen om hjärnan glödhet,men Sacks såg något annat i hjärnan än bara neuroner och synpaser: han såg miraklet människan. I hans självbiografi "Alltid på väg" får vi möta människan, humanisten och yrkesmannen Oliver Sacks. Med energi och humor berättar han om barndomen, tiden som ung neurolog i 1960-talets USA och livsavgörande möten med patienter. Vi får lära känna hans familj, hans nära vänner och männen han varit förälskad i. En mästerlig självbiografi om en okonventionell neurokirurg som kom att förändra våra sätt att tänka om den mänskliga hjärnan.

I quattro scritti qui raccolti sono la lettera di congedo che Oliver Sacks ha voluto indirizzare ai suoi lettori, dapprima rendendoli partecipi delle proprie sensazioni di fronte alla soglia degli ottant''anni, e più tardi informandoli, con perfetta sobrietà, di essere affetto da un male incurabile. Ma non ci si inganni: sono pagine vibranti di contagiosa vitalità quelle che Sacks ci regala, dove più che mai si respirano freschezza, passione, urgenza espressiva. Come quando, riflettendo sulla vecchiaia, rivela di percepire «non una riduzione ma un ampliamento della vita mentale e della prospettiva»; o quando si ripromette, nel breve tempo che gli resta, di «vivere nel modo più ricco, più intenso e più produttivo possibile»; o quando racconta di aver visitato, fra una terapia e l''altra, il centro di ricerca sui lemuri della Duke University: «... mi piace pensare che, cinquanta milioni di anni fa, uno dei miei antenati fosse una piccola creatura arboricola non troppo dissimile dai lemuri odierni»; o quando, pochi giorni prima della morte, contemplando la sua vita dall''alto «quasi che fosse una sorta di paesaggio», ne rievoca i momenti essenziali: del tutto simile, in questo, a un filosofo da lui molto amato, David Hume, il quale, appreso di avere una malattia mortale, scriveva nella sua breve autobiografia: «È difficile essere più distaccati dalla vita di quanto lo sia io adesso».

Das Vermächtnis eines großartigen Autors und Menschenkenners. Oliver Sacks hat mit seinen neurologischen Fallgeschichten Millionen Leser weltweit erreicht und ihr Denken verändert: Was auf den ersten Blick als krank oder abweichend erscheint, ermöglicht oft besondere Fähigkeiten der Wahrnehmung und des Fühlens. Und das sogenannte Normale ist meist fragwürdiger, als wir es gern wahrhaben wollen. Am 30. August 2015 starb Oliver Sacks in New York. In seinen letzten Lebensmonaten hat er eine Reihe von Aufsätzen geschrieben und veröffentlicht, in denen er über das Altern, über seine Krankheit, über den nahenden Tod nachdenkt - und in denen er seine Dankbarkeit ausdrückt für alles, was er in 82 Jahren erleben durfte. Es sind anrührende, meditative Texte über die grundlegenden Fragen von Leben und Tod, Glauben und Wissen. Auch über seine jüdische Herkunft und sein Verhältnis zur Religion legt Oliver Sacks Zeugnis ab. Und er beschreibt, warum die exakten Naturwissenschaften, vor allem das Periodensystem der chemischen Elemente, ihn zeitlebens fasziniert und begeistert haben. Illustriert mit Fotos von Oliver Sacks'' Lebensgefährten Bill Hayes.

A deeply moving testimony and celebration of how to embrace life. No writer has succeeded in capturing the medical and human drama of illness as honestly and as eloquently as Oliver Sacks. During the last few months of his life, he wrote a set of essays in which he movingly explored his feelings about completing a life and coming to terms with his own death. “A series of heart-rending yet ultimately uplifting essays….A lasting gift to readers." —The Washington Post “It is the fate of every human being,” Sacks writes, “to be a unique individual, to find his own path, to live his own life, to die his own death.” Together, these four essays form an ode to the uniqueness of each human being and to gratitude for the gift of life. “My predominant feeling is one of gratitude. I have loved and been loved. I have been given much and I have given something in return. Above all, I have been a sentient being, a thinking animal, on this beautiful planet, and that in itself has been an enormous privilege and adventure.” —Oliver Sacks “Oliver Sacks was like no other clinician, or writer. He was drawn to the homes of the sick, the institutions of the most frail and disabled, the company of the unusual and the ‘abnormal.’ He wanted to see humanity in its many variants and to do so in his own, almost anachronistic way—face to face, over time, away from our burgeoning apparatus of computers and algorithms. And, through his writing, he showed us what he saw.” —Atul Gawande, author of Being Mortal

Los lectores conocen a Oliver Sacks por sus fascinantes libros sobre los misterios de la mente a partir de asombrosos casos psiquiátricos. Ahora aplica su perspicacia y su humanismo al escrutinio de su propia vida. El autor acomete un ejercicio de introspección que nos permite descubrir una peripecia vital intensa y compleja. Habla en estas páginas de su marcha de Inglaterra dejando atrás a la familia y de su llegada a Estados Unidos; del momento en que le confesó a su madre su homosexualidad y de la airada reacción de ella; de la relación con su hermano esquizofrénico; de su primera experiencia sexual, en Ámsterdam, cuando un hombre lo recogió en la calle completamente borracho y él despertó a la mañana siguiente en la cama de ese desconocido; de su última relación sexual al cumplir los cuarenta y de su posterior celibato voluntario; del sexo y del amor como motores de la vida; de sus inicios como psiquiatra en un hospital en los años sesenta del pasado siglo y de sus cruciales investigaciones sobre una enfermedad olvidada; de las intensas relaciones con sus pacientes; de su abuso de las anfetaminas; de la amistad con los poetas Auden y Thom Gunn, y de su más fugaz relación con personajes como Robert De Niro, Robin Williams y Harold Pinter; de su afición a las motos y sus viajes nocturnos en una de ellas por el desierto de California; de otras aficiones como la halterofilia, el culturismo y la natación; y sobre todo de la aventura intelectual a la que ha dedicado su existencia y que ha divulgado en sus deslumbrantes obras. El resultado: una gran autobiografía, emocionante y desgarradamente honesta.

NATIONAL BESTSELLER • A “wonderful memoir” (Los Angeles Times) about a brilliantly unconventional physician and writer, a man who has illuminated the many ways that the brain makes us human. • “Intimate.... Brim[s] with life and affection.” —The New York Times When Oliver Sacks was twelve years old, a perceptive schoolmaster wrote: “Sacks will go far, if he does not go too far.” It is now abundantly clear that Sacks has never stopped going. With unbridled honesty and humor, Sacks writes about the passions that have driven his life—from motorcycles and weight lifting to neurology and poetry. He writes about his love affairs, both romantic and intellectual; his guilt over leaving his family to come to America; his bond with his schizophrenic brother; and the writers and scientists—W. H. Auden, Gerald M. Edelman, Francis Crick—who have influenced his work.

Neurologia e letteratura hanno reso celebre Oliver Sacks, ma non sono i suoi unici amori. Le opere dei naturalisti dell''Ottou00adcento, che sapevano fondere entusiasmo scientifico, senso dell''avventura e spirito di osservazione, sono un''altra delle sue passioni: una passione – verrebbe da pensare – irrevocabilmente relegata nel passato dall''Accademia contemporanea. Invece Sacks ha saputo trovare un''isola di affinità, di au00admicizia intellettuale e di genuina e disinteressata erudizione riscoprendo il suo interesse infantile per le piante più antiche al mondo – le felci – e frequentando regolarmente le riunioni dell''associazione che se ne occupa, la American Fern Society. Non stupisce dunque che nel 2000, insieme a una trentina di altri pteridologi più o meno dilettanti, sia partito per una spedizione scientifica informale nella regione in cui sopravvive la più alta concentrazione mondiale di specie di felci – lo Stato di Oaxaca, in Messico – e che abbia tenuto un diario di quei dieci giorni di viaggio. La curiosità debordante, l''acume disinvolto e le capacità associative di Sacks hanno poi fatto il resto: lungi dal limitarsi alla tassonomia botanica, il suo sguardo spazia con levità dall''osservazione del passeggio nello zócalo di Oaxaca de Juárez alla storia del tabacco e del cacao, dalla distillazione del mezcal all''architettura antisismica degli Zapotechi, dall''astronomia precolombiana alle spirali logaritmiche presenti in natura, dalle esplorazioni gastronomiche di bevande al cocco e cavallette al legame fra arte rupestre e allucinogeni esotici. «La prima musa di Sacks è la meraviglia per la molteplicità dell''universo» scrisse Pietro Citati a proposito dell''"Uomo che scambiò sua moglie per un cappello" – e chiunque leggerà queste pagine deliziosamente divaganti non pou00adtrà che confermare il suo giudizio.

Due viaggi in Micronesia dischiudono a Sacks una prospettiva sconfinata di orrori, meraviglie e misteri: la cecità cromatica completa ed ereditaria che si manifesta a Pingelap e Pohnpei, in una terra che è un tripudio di colori; il devastante e inspiegato lytico-bodig, che colpisce con una sorta di paralisi progressiva solo certi abitanti dell’isola di Guam, e solo quelli nati in certi anni. Sacks ci racconta questi suoi viaggi passo per passo – o meglio salto per salto dei minuscoli aerei che lo trasportano come cavallette da un’isola all’altra. Ed è come se un Melville neuro-botanico ci riconducesse alle Encantadas per metterci di fronte, con partecipazione profonda e magistrale arte narrativa, all’indecifrato rapporto fra la mente e la natura che ci circonda e di cui siamo fatti.

From the distinguished neurologist who is also one of the most remarkable storytellers of our time—a riveting memoir of his youth and his love affair with science, as unexpected and fascinating as his celebrated case histories. “A rare gem…. Fresh, joyous, wistful, generous, and tough-minded.” —The New York Times Book Review Long before Oliver Sacks became the bestselling author of The Man Who Mistook His Wife for a Hat and Awakenings, he was a small English boy fascinated by metals—also by chemical reactions (the louder and smellier the better), photography, squids and cuttlefish, H.G. Wells, and the periodic table. In this endlessly charming and eloquent memoir, Sacks chronicles his love affair with science and the magnificently odd and sometimes harrowing childhood in which that love affair unfolded. In Uncle Tungsten we meet Sacks’ extraordinary family, from his surgeon mother (who introduces the fourteen-year-old Oliver to the art of human dissection) and his father, a family doctor who imbues in his son an early enthusiasm for housecalls, to his “Uncle Tungsten,” whose factory produces tungsten-filament lightbulbs. We follow the young Oliver as he is exiled at the age of six to a grim, sadistic boarding school to escape the London Blitz, and later watch as he sets about passionately reliving the exploits of his chemical heroes—in his own home laboratory. Uncle Tungsten is a crystalline view of a brilliant young mind springing to life, a story of growing up which is by turns elegiac, comic, and wistful, full of the electrifying joy of discovery.

Oliver Sacks nos adentra en los entresijos de la mente humana con la fascinante maestría a la que nos tiene acostrumbadros. No vemos con los ojos, sino con el cerebro; de ahí que muchas veces veamos cosas que no están delante de nosotros, cosas que a veces llamamos apariciones, fantasmas o visiones, conceptos, todos ellos, que obedecen al término genérico de «alucinaciones». Pero las alucinaciones no son sólo visuales. Como nos explica Oliver Sacks en su nuevo y fascinante libro, las alucinaciones también pueden ser olfativas o auditivas. Cuántas veces hemos «oído» que alguien nos llamaba y al volvernos no había nadie; o hemos experimentado un olor cuya presencia es físicamente imposible; o hemos creído que alguien nos seguía; o hemos «visto» algo que la razón nos dice que no pertenece a nuestro mundo. Asociadas en la mentalidad popular con la locura, las alucinaciones obedecen muchas veces a un simple problema neurológico con nombre y apellido, y tienen más que ver con la privación sensorial, la ebriedad, la enfermedad o algún tipo de lesión. Quienes padecen migrañas pueden ver arcos de luz o figuras liliputienses. La gente que pierde la vista puede compensar su carencia con un rico mundo visual alucinatorio, e incluso el simple hecho de dormirnos o despertarnos puede causar que el mundo onírico y el real se fusionen en una imaginería imposible. Gran parte de nuestra fantasía popular y nuestro folklore se basa en las alucinaciones, sin las cuales no podemos comprender figuras como los ángeles, las brujas y los alienígenas, ni tampoco algunas obras de autores tan conocidos como Dostoievski, Evelyn Waugh, August Strindberg o Amy Tan, víctimas todos ellos de alucinaciones en algún momento de su vida. Pero las alucinaciones no son fenómenos negativos sino positivos, y constituyen, de hecho, una de las mejores ventanas que poseemos para asomarnos a la complejidad de los circuitos cerebrales y a la forma en que éstos nos muestran la realidad o, a veces, crean la suya propia. Oliver Sacks vuelve a hacer gala de su singular talento como narrador, su sentido del humor y su inmensa cultura para plantear cuestiones que ponen en entredicho nuestra percepción del mundo y, muchas veces, nuestra propia identidad. Desde las visiones religiosas y su explicación fisiológica hasta el uso de drogas psicodélicas como puerta a una percepción interior que los sentidos nos niegan, los relatos del doctor Sacks van más allá del mero historial médico y constituyen una auténtica historia cultural de la percepción, un estudio antropológico de una supuesta anormalidad que no es, en el fondo, más que el reverso de lo que normalmente conocemos como realidad.

Con questo libro, il suo più personale sino a oggi, Oliver Sacks ci apre le porte della grande casa edoardiana di Londra in cui viveva un ragazzino timido e introverso con la passione per la chimica: di fronte al multiforme e al caotico, all’incomprensibile e al crudele, la purezza del metallo ha per il piccolo Oliver un valore simbolico – quasi la materializzazione di «idee chiare e distinte» e di un ordine stabile. Il tramite naturale verso questo mondo fantastico è Dave, zio Tungsteno, quello che fabbricava le lampadine. Guidati dai filamenti di luce, seguiamo l’evoluzione di quel ragazzino curioso e appassionato – e sarà come ricapitolare alcune tappe essenziali nella storia della scienza.

Oliver Sacks è un neurologo, ma il suo rapporto con la neurologia è simile a quello di Groddeck con la psicoanalisi. Perciò Sacks è anche molte altre cose: «Mi sento infatti medico e naturalista al tempo stesso; mi interessano in pari misura le malattie e le persone; e forse anche sono insieme, benché in modo insoddisfacente, un teorico e un drammaturgo, sono attratto dall’aspetto romanzesco non meno che da quello scientifico, e li vedo continuamente entrambi nella condizione umana, non ultima in quella che è la condizione umana per eccellenza, la malattia: gli animali si ammalano, ma solo l’uomo cade radicalmente in preda alla malattia». E anche questo va aggiunto: Sacks è uno scrittore con il quale i lettori stabiliscono un rapporto di tenace affezione, come fosse il medico che tutti hanno sognato e mai incontrato, quell’uomo che appartiene insieme alla scienza e alla malattia, che sa far parlare la malattia, che la vive ogni volta in tutta la sua pena e però la trasforma in un «intrattenimento da "Mille e una notte"». Questo libro, che si presenta come una serie di casi clinici, è un frammento di tali "Mille e una notte" – e ciò può aiutare a spiegare perché abbia raggiunto negli Stati Uniti un pubblico vastissimo. Nella maggior parte, questi casi – ma Sacks li chiama anche «storie o fiabe» – fanno parte dell’esperienza dell’autore. Così, un giorno, Sacks si è trovato dinanzi «l’uomo che scambiò sua moglie per un cappello» e «il marinaio perduto». Si presentavano come persone normali: l’uno illustre insegnante di musica, l’altro vigoroso uomo di mare. Ma in questi esseri si apriva una voragine invisibile: avevano perduto un pezzo della vita, qualcosa di costitutivo del sé. Il musicista carezza distrattamente i parchimetri credendo che siano teste di bambini. Il marinaio non può neppure essere ipnotizzato perché non ricorda le parole dette dall’ipnotizzatore un attimo prima. Che cosa vive, se non sa nulla di ciò che ha appena vissuto? Rispetto alla normalità, che è troppo complessa per essere capita, e tende a opacizzarsi nell’esperienza comune, tutti i «deficit» o gli eccessi di funzione, come li chiama la neurologia, sono squarci di luce, improvvisa trasparenza di processi che si tessono nel «telaio incantato» del cervello. Ma queste storie terribili e appassionanti tendono a rimanere imprigionate nei manuali. Sacks è il mago benefico che le riscatta, e per pura capacità di identificazione con la sofferenza, con la turba, con la perdita o l’infrenabile sovrabbondanza riesce a ristabilire un contatto, spesso labile, delicatissimo, sempre prezioso per i pazienti e per noi, con mondi remoti altrimenti muti. Questo è il libro di un nuotatore «in acque sconosciute, dove può accadere di dover capovolgere tutte le solite considerazioni, dove la malattia può essere benessere e la normalità malattia, dove l’eccitazione può essere schiavitù o liberazione e dove la realtà può trovarsi nell’ebbrezza, non nella sobrietà». "L’uomo che scambiò sua moglie per un cappello" è stato pubblicato per la prima volta a Londra nel 1985.

From the bestselling author of The Man Who Mistook His Wife for a Hat • Fascinating portraits of neurological disorder in which men, women, and one extraordinary child emerge as brilliantly adaptive personalities, whose conditions have not so much debilitated them as ushered them into another reality. Here are seven detailed narratives of neurological patients, including a surgeon consumed by the compulsive tics of Tourette''s syndrome unless he is operating; an artist who loses all sense of color in a car accident, but finds a new sensibility and creative power in black and white; and an autistic professor who cannot decipher the simplest social exchange between humans, but has built a career out of her intuitive understanding of animal behavior. Sacks combines the well honed mind of an academician with the verve of a true storyteller.

Part travelogue, part autobiography, part medical mystery, this moving book by the "poet laureate of medicine" (The New York Times) and bestselling author of Awakenings takes us to a tiny Pacific atoll and the island of Guam to explore the genesis of disease, the wonders of botany, and the complexities of being human. "Sacks''s total immersion in island life makes this luminous, beautifully written report a wonderous voyage of discovery. As a travel writer, Sacks ranks with Paul Theroux and Bruce Chatwin. As an investigator of the mind''s mysteries, he is in a class by himself." —Publishers Weekly For Oliver Sacks, islands conjure up equally the romance of Melville and Stevenson, the adventure of Magellan and Cook, and the scientific wonder of Darwin and Wallace. Drawn to the tiny Pacific atoll of Pingelap by intriguing reports of an isolated community of islanders born totally color-blind, Sacks finds himself setting up a clinic in a one-room island dispensary, where he listens to these achromatopic islanders describe their colorless world in rich terms of pattern and tone, luminance and shadow. And on Guam, where he goes to investigate the puzzling neurodegenerative paralysis endemic there for a century, he becomes, for a brief time, an island neurologist, making house calls with his colleague John Steele, amid crowing cockerels, cycad jungles, and the remains of a colonial culture. Out of this unexpected journey, Sacks has woven an unforgettable narrative which immerses us in the romance of island life, and shares his own compelling vision of the mysteries of being human.

NATIONAL BESTSELLER • The "poet laureate of medicine" (The New York Times) and author of The Man Who Mistook His Wife for a Hat weaves together stories of mind-altering experiences to reveal what they tell us about our brains, our folklore and culture, and why the potential for hallucination exists in us all. "Sacks has turned hallucinations from something bizarre and frightening into something that seems part of what it means to be a person. His book, too, is a medical and human triumph.” —The Washington Post “An absorbing plunge into a mystery of the mind.” —Entertainment Weekly To many people, hallucinations imply madness, but in fact they are a common part of the human experience. These sensory distortions range from the shimmering zigzags of a visual migraine to powerful visions brought on by fever, injuries, drugs, sensory deprivation, exhaustion, or even grief. Hallucinations doubtless lie behind many mythological traditions, literary inventions, and religious epiphanies. Drawing on his own experiences, a wealth of clinical cases from among his patients, and famous historical examples ranging from Dostoevsky to Lewis Carroll, the legendary neurologist Oliver Sacks investigates the mystery of these sensory deceptions: what they say about the working of our brains, how they have influenced our folklore and culture, and why the potential for hallucination is present in all humans.

From "the poet laureate of medicine" and national bestselling author of Awakenings comes a fascinating investigation of Southern Mexico that explores the origins of chocolate and mescal, pre-Columbian culture and hallucinogens, and the peculiar passions of botanists. "Light and fast-moving. . . . Among the botanical and anthropological observations, one catches glimpses of Sacks''s inner life: his preoccupation with dualities, his nearly Victorian sense of modesty, his fascination with the world around him." —The New Yorker Since childhood, Oliver Sacks was fascinated by ferns: an ancient class of plants able to survive and adapt in many climates. Along with a delightful group of fellow fern aficionados—mathematicians, poets, artists, and assorted botanists and birders—he embarked on an exploration of Southern Mexico, a region that is also rich in human history and culture. Combining Sacks''s enthusiasm for natural history and the richness of humanity with his sharp and observant eye for detail, Oaxaca Journal is a rare treat.

Jaký je vztah mysli a zraku? To je základní otázka, jež nás provází novými lékařskými příběhy Olivera Sackse. Jeden z příběhů knihy vypravuje sám autor, kdy deníkovým zápisem přibližuje svůj boj s rakovinou a zneschopňujícími následky částečné ztráty zraku po operaci oka. Dočteme se o jedincích, kteří mají dokonalý zrak, ale nepoznají své vlastní děti, o nevidomých, kteří se stávají hypervizuálními nebo kteří se orientují pomocí „zraku jazyka“ – ti všichni autorovi dávají podněty k zásadním otázkám, které míří ke kořenům některých velmi zvláštních paradoxů: Jak vlastně vidíme? Jak myslíme? Jak důležitá je vnitřní představivost? Jak to, že ačkoli psaní je staré pouze pět tisíc let, lidé se vyznačují univerzální, zdánlivě vrozenou schopností číst? Případové studie, podané typickým literárním a empatickým stylem, vypráví o lidech, kteří se byli nuceni po ztrátě údajně nezbytných smyslů, jako je řeč či zrak nebo schopnost rozeznávat tváře, čtení či vnímání trojrozměrného prostoru, adaptovat na radikálně nový způsob komunikace. Setkáváme se tak s koncertní pianistkou Lilian, jejíž potíže začínají ztrátou schopnosti číst noty, až je pro ni nakonec nemožné rozeznat každodenní předměty; s neurobioložkou Sue, která nikdy neviděla svět trojrozměrně a stereoskopické vidění získala až ve svých padesáti letech; s Pat, která se po dlouhých letech izolace stane vyhledávaným společenským člověkem, přestože trpí afázií a není schopna vyjádřit se celou větou, či s Howardem, úspěšným spisovatelem, před nímž leží nutnost nalézt způsob, jak nadále vykonávat svou profesi i poté, co mu mrtvice zničí schopnost číst.

Awakenings — which inspired the major motion picture — is the remarkable story of a group of patients who contracted sleeping-sickness during the great epidemic just after World War I. Frozen for decades in a trance-like state, these men and women were given up as hopeless until 1969, when Dr. Oliver Sacks gave them the then-new drug L-DOPA, which had an astonishing, explosive, "awakening" effect. Dr. Sacks recounts the moving case histories of his patients, their lives, and the extraordinary transformations which went with their reintroduction to a changed world.