New Releases by Ntozake Shange

''Inspiring. Emotionally charged. Ground-breaking'' BERNARDINE EVARISTO ''A revelation. I am so thankful to Ntozake Shange for seeing us, reflecting us and showing us how beautiful we can be'' JESMYN WARD ''Encompassing, it seems, every feeling and experience a woman has ever had'' NEW YORKER The Lady in Red has adored her lover for 8 months, 2 wks, & a day, but now she is leaving. The Lady in Blue has an abortion, all alone. The Lady in Brown can read fifteen books in three weeks. The Lady in Purple has met a man, and is finally being real. The Lady in Yellow was a virgin, until she spent her graduation night driving around in a black Buick with boys. And the Lady in Orange has to dance to keep from crying and dying. Written in 1975 and immediately hailed as a masterwork, this ''choro-poem'' is made up of monologues detailing loss, betrayal, love and community. A passionate and fearless portrait of black womanhood in the twentieth century, it resonates with deep emotional power and unusual beauty. A W&N Essential

GMA’s 15 Spectacular New Books to Read in September Ms. Magazine’s September 2023 Reads for the Rest of Us The Millions “Most Anticipated” Books of 2023 LitHub’s Most Anticipated Books of 2023 Never-before-seen unpublished works by award-winning American literary icon Ntozake Shange, featuring essays, plays, and poems from the archives of the seminal Black feminist writer who stands alongside giants like Toni Morrison and Alice Walker, curated by National Book Award winner Imani Perry with a foreword by New York Times bestselling author Tarana Burke. In the late ’60s, Ntozake Shange was a student at Barnard College discovering her budding talent as a writer, publishing in her school’s literary journal, and finding her unique voice. By the time she left us in 2018, Shange had scorched blazing trails across countless pages and stages, redefining genre and form as we know them, each verse, dance, and song a love letter to Black women and girls, and the community at large. Sing a Black Girl’s Song is a new posthumous collection of Shange’s unpublished poems, essays, and plays from throughout the life of the seminal Black feminist writer. In these pages we meet young Shange, learn the moments that inspired for colored girls who have considered suicide/when the rainbow is enuf…, travel with an eclectic family of musicians, sit on “The Couch” opposite Shange’s therapist, and discover plays written after for colored girls’ international success. Sing a Black Girl’s Song houses, in their original form, the literary rebel’s politically charged verses from the Black Arts Movement era alongside her signature tender rhythm and cadence that capture the minutia and nuance of Black life. Sing a Black Girl’s Song is the continuation of a literary tradition that has bolstered generations of writers and a long-lasting gift from one of the fiercest and most highly celebrated artists of our time.

Typescript, dated February 2022. Heavily marked with colored pens throughout. Used by The New York Public Library''s Theatre on Film and Tape Archive on June 3, 2022, when videotaping the stage production at the Booth Theatre, New York, N.Y. The production opened on April 20, 2022, and was directed and choreographed by Camille A. Brown.

In her first posthumous work, the revered poet crafts a personal history of Black dance and captures the careers of legendary dancers along with her own rhythmic beginnings. Many learned of Ntozake Shange’s ability to blend movement with words when her acclaimed choreopoem for colored girls who have considered suicide/when the rainbow is enuf made its way to Broadway in 1976, eventually winning an Obie Award the following year. But before she found fame as a writer, poet, performer, dancer, and storyteller, she was an untrained student who found her footing in others’ classrooms. Dance We Do is a tribute to those who taught her and her passion for rhythm, movement, and dance. After 20 years of research, writing, and devotion, Ntozake Shange tells her history of Black dance through a series of portraits of the dancers who trained her, moved with her, and inspired her to share the power of the Black body with her audience. Shange celebrates and honors the contributions of the often unrecognized pioneers who continued the path Katherine Dunham paved through the twentieth century. Dance We Do features a stunning photo insert along with personal interviews with Mickey Davidson, Halifu Osumare, Camille Brown, and Dianne McIntyre. In what is now one of her final works, Ntozake Shange welcomes the reader into the world she loved best.

New edition available. Search ISBN 9780807021446. Acclaimed artist Ntozake Shange offers this delightfully eclectic tribute to black cuisine as a food of life that reflects the spirit and history of a people. With recipes such as "Cousin Eddie''s Shark with Breadfruit" and "Collard Greens to Bring You Money," Shange instructs us in the nuances of a cuisine born on the slave ships of the Middle Passage, spiced by the jazz of Duke Ellington, and shared by all members of the African Diaspora. Rich with personal memories and historical insight, If I Can Cook/You Know God Can is a vivid story of the migration of a people, and the cuisine that marks their living legacy and celebration of taste.

Award-winning poet Ntozake Shange and artist Rod Brown reimagine the journeys of the brave men and women who made their way to freedom on the Underground Railroad. Fleeing on the Underground Railroad meant walking long distances; swimming across streams; hiding in abandoned shanties, swamps, and ditches, always on the run from slave trackers and their dogs. ah might get hungry ah may get tired good Lawd / ah may be free The Underground Railroad operated on secrecy and trust. But who could be trusted? There were free black and white men and women helping, risking their lives, too. Because freedom was worth any risk. Celebrated collaborators Ntozake Shange and Rod Brown pay tribute to the Underground Railroad, a universal story about the human need to be free. ah am a livin bein’ & ah got to be free

A vibrant and vital collection that celebrates the three most important muses in the life and work of Ntozake Shange—language, music, and dance. In this deeply personal book, the celebrated writer reflects on what it means to be an artist, a woman, and a woman of color through a beautiful combination of memoir and essay. She describes where her love for creative forces began--in her childhood home, a place where imagination reigned and boredom wasn''t allowed. The essays tell stories ranging from the poignant origin of her celebrated play "for colored girls" to why Shange needed to deconstruct the English language to make that production work, from the intensity of the female experience and the black experience as separate entities to the difficulty of living both lives simultaneously; from the intense love of jazz bestowed on her by her father to a similar obsession with dance, which came from her mother. With deep sincerity, attention, and her legendary candor, Shange''s collection progresses from the public arena to the private, gathering along the way the passions and insights of an author who writes with “such exquisite care and beauty that anybody can relate to her message” (Clive Barnes, The New York Times).

Ntozake Shange’s classic, award-winning play encompassing the wide-ranging experiences of Black women, now with introductions by two-time National Book Award winner Jesmyn Ward and Broadway director Camille A. Brown. From its inception in California in 1974 to its Broadway revival in 2022, the Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country for nearly fifty years. Passionate and fearless, Shange’s words reveal what it meant to be a woman of color in the 20th century. First published in 1975, when it was praised by The New Yorker for “encompassing…every feeling and experience a woman has ever had,” for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Now with new introductions by Jesmyn Ward and Broadway director Camille A. Brown, and one poem not included in the original, here is the complete text of a groundbreaking dramatic prose poem that resonates with unusual beauty in its fierce message to the world.

Praised as "exuberantly engaging" by the Los Angeles Times and a "beautiful, beautiful piece of writing" by the Houston Post, acclaimed artist Ntozake Shange brings to life the story of a young girl''s awakening amidst her country''s seismic growing pains in Betsey Brown. Set in St. Louis in 1957, the year of the Little Rock Nine, Shange''s story reveals the prismatic effect of racism on an American child and her family. Seamlessly woven into this masterful portrait of an extended family is the story of Betsey''s adolescence, the rush of first romance, and the sobering responsibilities of approaching adulthood.

Ntozake Shange''s beloved Sassafrass, Cypress & Indigo is the story of three sisters and their mother from Charleston, South Carolina. "A jubilant celebration of womanhood—as moving as the moon . . . pure magic." --Kansas City Star Ntozake Shange''s beloved Sassafrass, Cypress & Indigo is the story of three sisters and their mother from Charleston, South Carolina. Sassafrass, the oldest, is a poet and a weaver like her mother before her. Having gone north to college, she is now living with other artists in Los Angeles and trying to weave a life out of her work, her man, her memories and dreams. Cypress, the dancer, leaves home to find new ways of moving in the world. Indigo, the youngest, is still a child of Charleston-"too much of the south in her"-who lives in poetry and has the supreme gift of seeing the obvious magic of the world. Shange''s rich and wondrous story of womanhood, art, and passionately-lived lives is written "with such exquisite care and beauty that anybody can relate to her message" (The New York Times).

The story of emancipated slave Elizabeth Mayfield traces her rise as the matriarch of a family of musically gifted Southern women who overcome brutal obstacles while witnessing key moments in American history.

Fotografisk billedværk. Erotiske sort/hvid portrætter af sorte mænd af den amerikanske fotograf Robert Mapplethorpe (1946-1989)

Jim Crow; Brown v. Board of Education; Bull Connor; KKK; Birmingham; the Lorraine Motel; Rosa; Martin; and Malcolm. From slavery to the separation of "colored" and "white" and from horrifying oppression to inspiring courage, there are countless stories—both forgotten and immortalized—of everyday and extraordinary people who acted for justice during the civil rights movement that changed our nation. Award-winning poet Ntozake Shange and illustrator Rod Brown give voice to all those who fought for their unalienable rights in a triumphant book about the power of the human spirit.

In a reflective tribute to the African-American community of old, noted poet Ntozake Shange recalls her childhood home and the close-knit group of innovators that often gathered there. These men of vision, brought to life in the majestic paintings of artist Kadir Nelson, lived at a time when the color of their skin dictated where they could live, what schools they could attend, and even where they could sit on a bus or in a movie theater. Yet in the face of this tremendous adversity, these dedicated souls and others like them not only demonstrated the importance of Black culture in America, but also helped issue in a movement that "changed the world." Their lives and their works inspire us to this day, and serve as a guide to how we approach the challenges of tomorrow.

Publisher Description

By putting the language used in television, the radio, the internet and press, as well as that spoken by key leaders, under the spotlight, what is ultimately revealed is the existence of a ''white'' language, both coded and overt. Taking specific examples and presenting new factual evidence, John Gabriel studies the racial politics that lie behind much of the communication in the public arena. Case studies draw on contemporary political controversies and are used to explore the relationship between racialised forms of media discourse and political and economic change.

The Beacon Best of 1999 is what I would like to remember as the year 2000 approaches, sketches of what we hold sacred and keep for those to come. . . . These stories, poems, and essays pay homage to what''s become of us, to what we bring to the next millennium-the sweet rememberings of the imagined." -Ntozake Shange, from the Introduction Continuing a commitment to presenting experiences drawn from lives lived outside the lines, Beacon Press presents The Beacon Best of 1999, a dazzling collection that includes the work of Dorothy Allison, Junot Díaz, Rita Dove, Louise Erdrich, Martín Espada, Ruth Prawer Jhabvala, Ha Jin, Jamaica Kincaid, Barbara Kingsolver, Yusef Komunyakaa, Hanif Kureishi, Marjorie Sandor, and John Edgar Wideman, as well as rising stars like Touré and Reetika Vazirani. Acclaimed playwright, poet, and novelist Ntozake Shange has chosen a treasury of poetry, short fiction, and creative nonfiction published over the past year. In The Beacon Best of 1999, women and men writing with fine grace ask us to look at the whole picture, from the street to the second story-to see, perhaps for the first time, the life of boxer Jack Johnson, or the fierceness of a love transformed into rage for a child killed by gang violence, or the complexities of a love affair in New Delhi, as lenses through which to consider questions of courage, brotherhood, and beauty. The alternative literary annual, The Beacon Best of 1999,/iu003e will introduce you to a world where tradition and convention are overturned and the unexpected is a welcome guest.

"... A young black woman growing up in North America in the ''60s and ''70s [experiences]... the last moments of legal segregation in Mississippi and the beginnings of a class war in the black community of Queens " --Back cover.

First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

''Ntozake Shange''''s best plays reissued in the new Contemporary Dramatists series. This collection spans twenty years and brings together her works ''''for colored girls who have considered suicide/when the rainbow is enuf''''. ''''Shange''''s poetry is mordantly witty, unpredictable and disciplined. It has to do with love and death and the deepest feelings of young women - in particular, black young women'''' (New Yorker) ''''spell# 7'''' ''''Shange''''s sinewy, erotic, insistent poetry snakes through this play - a powerful and passionate evocation of black culture suppressed, or just plain ignored'''' (Time Out), The Love Space Demands- ''''Focusing on the experiences of black women but drawing on an awesome range of cross-cultural references, her words ooze with earthy sensuality.a remarkable, lyrical experience of live poetry'''' (Independent).''''Shange''''s language is pure gold'''' (City Limits)''

Fifty-five poems grouped under five headings: "things i wd say," "love & other highways," "closets," " & she bleeds," and "she whispers with the unicorn."

Using the classic call-and-response structure of black music--the visual art work as the call and language as the response--this book provides a unique interchange between contemporary visual arts and poetry

Mapplethorpe presents an astonishing photographic study of black men today. In their diversity, impact, erotic appeal and deep humanity, these photographs constitute a stunning celebration of the contemporary black male. Black-and-white photos throughout.

Essays on black theater, dance and music.--

The noted poet, playwright, and novelist offers a collection of intensely personal poems intended to map out the geography of life and beauty that she would declare for her daughter