New Releases by Northrop Frye

Os mitos e metáforas da literatura moldam e refletem o mundo em que se desenrola a vida humana. Este não é apenas o simples mundo natural, partilhado com os demais seres vivos. É antes um universo sutil e profundo, feito dos medos e esperanças dos homens, o mundo "mitológico", mas tão real que é compartilhado tanto por povos primitivos quanto por intelectuais refinados. Ao dar-se conta da existência dessa realidade, o renomado crítico literário Northrop Frye buscou responder a seguinte pergunta: não seria a literatura mais do que simples fruto da mentalidade de uma época, um fenômeno sociológico, político ou de origens psicológicas e inconscientes? Em Spiritus Mundi, Frye nos apresenta a sua grande descoberta: a literatura como continuação da mitologia, fruto do "hábito mitológico da mente". Nesta reunião de doze ensaios perpassando temas que vão desde as humanidades na vida universitária às ilustrações de William Blake para o livro de Jó, passando pelo papel do livro na sociedade, Northrop Frye revisita sua trajetória pessoal de maneira que o leitor pode acompanhar a origem de seu pensamento e encontrar uma síntese de suas ideias. O fio condutor da obra é o estudo do universo mitológico em que a literatura se desenvolve, sem o qual a liberdade humana não pode florescer.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Originalmente publicadas sob o título Educated Imagination e dirigidas a todos os «consumidores de literatura», o conjunto de palestras que formam este volume explora o valor e usos da literatura no nosso tempo. Neste livro intemporal, Frye argumenta que a imaginação deve ser cultivada não só para podermos fruir as grandes obras de arte, mas para podermos reivindicar as mais básicas capacidades humanas em todo o seu esplendor. No entanto, a imaginação, tal como a liberdade, só é operacional se for treinada: só temos liberdade de expressão se tivermos aprendido a usar a linguagem; só temos liberdade de movimentos se tivermos aprendido a andar. Da mesma forma, só podemos valer-nos da imaginação se a tivermos treinado. O grande ginásio da imaginação é a literatura. As propostas de Frye para o ensino da literatura incluem uma ênfase precoce na poesia, a «forma literária central e original», o estudo intensivo da Bíblia e dos clássicos gregos e latinos, uma vez que estes incorporam todos os grandes temas duradouros do homem ocidental, e o estudo das grandes formas literárias: tragédia e comédia, romance e ironia.

Em O Codigo dos Codigos, o critico literario Northrop Frye examina a Biblia como a mais importante influencia na tradic?o artistica e literaria ocidental. Neste estudo classico, Frye rejeita as interpretac?es dogmaticas e literais, preferindo celebrar a singularidade da Biblia como uma obra distinta dos restantes textos epicos e sagrados. A sua analise original apresenta a Biblia como historia redentora com uma perspetiva poetica visionaria que complementa a ciencia na compreens?o da natureza humana. Neste texto inexcedivel, Frye mostra que a Biblia pode e deve ser lida como uma das obras literarias mais elevadas da Humanidade. The Times Literary Supplement New York Times Book Review

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

A landmark work of literary criticism Northrop Frye''s Anatomy of Criticism is the magnum opus of one of the most important and influential literary theorists of the twentieth century. Breaking with the practice of close reading of individual texts, Frye seeks to describe a common basis for understanding the full range of literary forms by examining archetypes, genres, poetic language, and the relations among the text, the reader, and society. Using a dazzling array of examples, he argues that understanding "the structure of literature as a total form" also allows us to see the profoundly liberating effect literature can have.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Northrop Frye’s Uncollected Prose, which features twenty-one pieces in the form of notes, prefaces, reviews, and talks, is the latest addition to the impressive body of writing by and about Frye. Among the highlights of the collection are Frye’s “Notes on Romance,” written in preparation for the lectures that eventually became The Secular Scripture; a newly discovered early notebook, parts of which may date from his second year as an undergraduate at Victoria College; and a pair of previously unavailable interviews. Expertly introduced by Robert D. Denham, one of the leading editors of Frye’s papers, Northrop Frye’s Uncollected Prose offers valuable insight into Frye’s early life, his research methodology, and thought process, and is further proof of the remarkable depth and range of his work.

Here is a specialized dictionary of quotations based on the thoughts and writings of a single person. It is evidence that there is a Canadian writer of whom it may be said that we as his readers can grow up inside his work "without ever being aware of a circumference."

This brilliant outline of Blake''s thought and commentary on his poetry comes on the crest of the current interest in Blake, and carries us further towards an understanding of his work than any previous study. Here is a dear and complete solution to the riddles of the longer poems, the so-called "Prophecies," and a demonstration of Blake''s insight that will amaze the modern reader. The first section of the book shows how Blake arrived at a theory of knowledge that was also, for him, a theory of religion, of human life and of art, and how this rigorously defined system of ideas found expression in the complicated but consistent symbolism of his poetry. The second and third parts, after indicating the relation of Blake to English literature and the intellectual atmosphere of his own time, explain the meaning of Blake''s poems and the significance of their characters.

First published in 1970, this collection is made up of a selection of essays composed between 1962 and 1968, written by distinguished humanist and literary critic Northrop Frye. The book is divided into two parts: one deals largely with the contexts of literary criticism; the other offers more specific studies of literary works in roughly historical sequence. One of the essays is Fryee(tm)s own elucidation of the development of his critical premises out of his early concern with the poetry of William Blake. Taken together, the essays offer a continuous and coherent argument, making a whole that is entirely equal to the sum of its parts.

First published in 1970, this collection is made up of a selection of essays composed between 1962 and 1968, written by distinguished humanist and literary critic Northrop Frye. The book is divided into two parts: one deals largely with the contexts of literary criticism; the other offers more specific studies of literary works in roughly historical sequence. One of the essays is Frye’s own elucidation of the development of his critical premises out of his early concern with the poetry of William Blake. Taken together, the essays offer a continuous and coherent argument, making a whole that is entirely equal to the sum of its parts.

This collection of writings brings together Northrop Frye''s large body of work on Shakespeare and other Renaissance writers (with the exception of Milton, who is featured in other volumes), and includes major articles, introductions, public lectures, and four previously published books. Spanning forty years of Frye''s career as a university professor and literary critic, these insightful analyses not only reveal the author''s formidable intellect but also offer the reader a transformative experience of creative imagination. With extensive annotation and an in-depth critical introduction, the volume demonstrates Frye''s wide-ranging knowledge of Renaissance culture and its pivotal significance in his work, his impact on Renaissance criticism and the Stratford Shakespeare Festival, and his continuing importance as a literary theorist. Troni V. Grande is an associate professor in the Department of English at the University of Regina. Garry Sherbert is an associate professor in the Department of English at the University of Regina.

This volume, which collects Northrop Frye''s writings on the theory of literary criticism from the middle period of his career, includes one of Frye''s own favourites, The Critical Path (1971). A highly important marker of Frye''s career, The Critical Path openly addresses topics that he had previously been reluctant to discuss as fully, including the importance of literature to society, the responsibilities of critics, and the deeper rationales for studying literature. Filled with insightful texts that indicate his transition from literary critic to a theorist of language, myth, and human culture, this edition helps to illuminate many of the ideas and arguments that would appear later in The Great Code and Words with Power. Accompanied by the rigorous scholarship for which the series is renowned, this is another valuable contribution to literary criticism and theory.

Words with Power is the crowning achievement of the latter half of Northrop Frye''s career. Portions of the work can be found in Frye''s notebooks as far back as the mid-1960s when he had just finished Anatomy of Criticism, and he completed the book shortly before his death in 1991. Beyond summing up his ideas about the relation of the Bible to Western culture, Words with Power boldly confronts a host of questions ranging from the relationship between literature and ideology to the real meaning of words like ''spirit'' and ''faith.'' The first half of the ''double mirror'' structure looks at the language in which the Bible is written, arguing that it is identical to that of myth and metaphor. Frye suggests, therefore, that given this characteristic, the Bible should be read imaginatively rather than historically or doctrinally. However, he is also careful to point out the ways in which the Bible is more than a conventional work of fiction. The second half is an astonishing tour de force in which Frye demonstrates how both the Bible and literature revolve around four primary concerns of human life. This edition goes beyond the original in its documentation of Frye''s dazzlingly encyclopedic range of reference. Profound and searching, Words with Power is perhaps the most daring book of Frye''s career and one of the most exciting.

"Although Northrop Frye''s first book, Fearful Symmetry (1947), elevated the reputation of William Blake from the status of a minor eccentric to that of a major Romantic poet, Frye in fact saw Blake as a poet (and, consequently, himself as a critic) not of the Romantic period, but of the Renaissance. As such, Frye''s meditations on the Renaissance are particularly valuable. This volume collects six of Frye''s notebooks and five sets of his typed notes on subjects related to Renaissance literature." "Michael Dolzani divides these notes into three categories: those on Spenser and the epic tradition; those on Shakespearean drama and, more widely, the dramatic tradition from Old Comedy to the masque; and those on lyric poetry and non-fiction prose. The organization of this volume reflects the comprehensive study of Renaissance symbolism in three volumes that Frye proposed to the Guggenheim Foundation in 1949. Frye received a Guggenheim fellowship, but never completed this work; nevertheless, his application, part of which is also included here, is an important document. It not only reveals the outlines of Frye''s thinking about literature, it also uncovers his plans for his future creative life during the crucial period between his completion of Fearful Symmetry and his absorption in the writing of Anatomy of Criticism." "In addition to providing insight into Frye''s thinking process, the material collected here is of unique importance because much of it touches on topics not fully explored in his other published works."--Jacket.

Northrop Frye''s Anatomy of Criticism (1957) is widely regarded as a masterpiece of literary theory. The product of years of reading and reflection, the book''s value extends far beyond its impact on criticism as a whole; ultimately, it must be viewed as a synoptic defense of liberal learning by one of the twentieth century''s most distinguished critics. In this, the twenty-third volume of the Collected Works, editor Robert D. Denham presents the notebooks to the Anatomy, blue-prints, as it were, for Frye''s comprehensive account of literary conventions. Composed from the late 1940s to 1956, the notebooks document the struggle Frye underwent to provide a structure for his work. This involved incorporating previously published essays and developing new material that would maintain the continuity of his argument. This fully annotated volume contains seventeen holograph notebooks, each illuminating some aspect of the grand structure that eventually emerged. Altogether, the notebooks offer an intimate picture of Frye''s working process and a renewed appreciation for his magisterial accomplishment.

Northrop Frye''s status as one of the most influential critics and intellectuals of the twentieth century makes it difficult to gauge the personal qualities of the man behind the work. However, an intimate picture is revealed through the correspondence Frye exchanged with his first wife, Helen Kemp, and which he bequeathed to Victoria College at the time of his death. In A Glorious and Terrible Life with You, Margaret Burgess presents the essential narrative at the heart of the correspondence, focusing on the thoughts, feelings, and formative experiences of the two central protagonists as they chronicle both their own intertwined voyages of growth and discovery and the central events of their time. Bringing to life their interactions with families and friends, their educational milieu, and the significant cultural and historical currents of the 1930s, these letters show both Frye and Kemp engaging with and contributing to the unique cultural climate of the period. Rich and compelling, they exemplify the wonderful eloquence and vitality of spirit that is evident throughout all of the correspondence. A Glorious and Terrible Life with You is a touching and highly revealing account of the relationship between two kindred spirits and remarkable minds. Lavishly illustrated, this new edition includes family photographs and original graphics by both Helen Kemp and her father, S.H.F. Kemp, mostly dating from his own student days at the University of Toronto.