Best Selling Books by Neal Gabler

ONE OF THE HOLLYWOOD REPORTER''S 100 GREATEST FILM BOOKS OF ALL TIME • The definitive portrait of one of the most important cultural figures in American history: Walt Disney. Walt Disney was a true visionary whose desire for escape, iron determination and obsessive perfectionism transformed animation from a novelty to an art form, first with Mickey Mouse and then with his feature films–most notably Snow White, Fantasia, and Bambi. In his superb biography, Neal Gabler shows us how, over the course of two decades, Disney revolutionized the entertainment industry. In a way that was unprecedented and later widely imitated, he built a synergistic empire that combined film, television, theme parks, music, book publishing, and merchandise. Walt Disney is a revelation of both the work and the man–of both the remarkable accomplishment and the hidden life. Winner of the Los Angeles Times Book Prize for Biography and USA Today Biography of the Year

The story of how our bottomless appetite for novelty, gossip, and melodrama has turned everything—news, politics, religion, high culture—into one vast public entertainment. Neal Gabler calls them "lifies," those blockbusters written in the medium of life that dominate the media and the national conversation for weeks, months, even years: the death of Princess Diana, the trial of O.J. Simpson, Kenneth Starr vs. William Jefferson Clinton. Real Life as Entertainment is hardly a new phenomenon, but the movies, and now the new information technologies, have so accelerated it that it is now the reigning popular art form. How this came to pass, and just what it means for our culture and our personal lives, is the subject of this witty, concerned, and sometimes eye-opening book. "A thoughtful, in places chilling, account of the way entertainment values have hollowed out American life." --The New York Times Book Review

A provocative, original, and richly entertaining group biography of the Jewish immigrants who were the moving forces behind the creation of America''s motion picture industry. The names Harry Cohn, William Fox, Carl Laemmle, Louis B. Mayer, Jack and Harry Warner, and Adolph Zucker are giants in the history of contemporary Hollywood, outsiders who dared to invent their own vision of the American Dream. Even to this day, the American values defined largely by the movies of these émigrés endure in American cinema and culture. Who these men were, how they came to dominate Hollywood, and what they gained and lost in the process is the exhilarating story of An Empire of Their Own.

There are Jewish communal concerns about television, its Portrayel of Jewish characters and themes, and the core values the programming Transmits. To accomplish this objectives the American Jewish Committe with others convened an historic conference with leaders of the television industry. the themes discussed about are showed in this book.

Hailed as the most important and entertaining biography in recent memory, Gabler''s account of the life of fast-talking gossip columnist and radio broadcaster Walter Winchell "fuses meticulous research with a deft grasp of the cultural nuances of an era when virtually everyone who mattered paid homage to Winchell" (Time). of photos.

NEW YORK TIMES NOTABLE BOOK • “One of the truly great biographies of our time.”—Sean Wilentz, New York Times bestselling author of Bob Dylan in America and The Rise of American Democracy “A landmark study of Washington power politics in the twentieth century in the Robert Caro tradition.”—Douglas Brinkley, New York Times bestselling author of American Moonshot The epic, definitive biography of Ted Kennedy—an immersive journey through the life of a complicated man and a sweeping history of the fall of liberalism and the collapse of political morality. Catching the Wind is the first volume of Neal Gabler’s magisterial two-volume biography of Edward Kennedy. It is at once a human drama, a history of American politics in the late twentieth and early twenty-first centuries, and a study of political morality and the role it played in the tortuous course of liberalism. Though he is often portrayed as a reckless hedonist who rode his father’s fortune and his brothers’ coattails to a Senate seat at the age of thirty, the Ted Kennedy in Catching the Wind is one the public seldom saw—a man both racked by and driven by insecurity, a man so doubtful of himself that he sinned in order to be redeemed. The last and by most contemporary accounts the least of the Kennedys, a lightweight. He lived an agonizing childhood, being shuffled from school to school at his mother’s whim, suffering numerous humiliations—including self-inflicted ones—and being pressed to rise to his brothers’ level. He entered the Senate with his colleagues’ lowest expectations, a show horse, not a workhorse, but he used his “ninth-child’s talent” of deference to and comity with his Senate elders to become a promising legislator. And with the deaths of his brothers John and Robert, he was compelled to become something more: the custodian of their political mission. In Catching the Wind, Kennedy, using his late brothers’ moral authority, becomes a moving force in the great “liberal hour,” which sees the passage of the anti-poverty program and the Civil Rights and Voting Rights Acts. Then, with the election of Richard Nixon, he becomes the leading voice of liberalism itself at a time when its power is waning: a “shadow president,” challenging Nixon to keep the American promise to the marginalized, while Nixon lives in terror of a Kennedy restoration. Catching the Wind also shows how Kennedy’s moral authority is eroded by the fatal auto accident on Chappaquiddick Island in 1969, dealing a blow not just to Kennedy but to liberalism. In this sweeping biography, Gabler tells a story that is Shakespearean in its dimensions: the story of a star-crossed figure who rises above his seeming limitations and the tragedy that envelopes him to change the face of America.

Barbra Streisand has been called the “most successful...talented performer of her generation” by Vanity Fair, and her voice, said pianist Glenn Gould, is “one of the natural wonders of the age.” Streisand scaled the heights of entertainment—from a popular vocalist to a first-rank Broadway star in Funny Girl to an Oscar-winning actress to a producer and director. But she has also become a cultural icon who has transcended show business. To achieve her success, Brooklyn-born Streisand had to overcome tremendous odds, not the least of which was her Jewishness. Dismissed, insulted, even reviled when she embarked on a show business career for acting too Jewish and looking too Jewish, she brilliantly converted her Jewishness into a metaphor for outsiderness that would eventually make her the avenger for anyone who felt marginalized and powerless. Neal Gabler examines Streisand’s life and career through this prism of otherness—a Jew in a gentile world, a self-proclaimed homely girl in a world of glamour, a kooky girl in a world of convention—and shows how central it was to Streisand’s triumph as one of the voices of her age.

New York Times Book Review Editors’ Choice • From the author of Catching the Wind comes the second volume of the definitive biography of Ted Kennedy and a history of modern American liberalism. “Magisterial . . . an intricate, astute study of political power brokering comparable to Robert A. Caro’s profile of Lyndon Johnson in Master of the Senate.”—Publishers Weekly (starred review) Against the Wind completes Neal Gabler’s magisterial biography of Ted Kennedy, but it also unfolds the epic, tragic story of the fall of liberalism and the destruction of political morality in America. With Richard Nixon having stilled the liberal wind that once propelled Kennedy’s—and his fallen brothers’—political crusades, Ted Kennedy faced a lonely battle. As Republicans pressed Reaganite dogmas of individual freedom and responsibility and Democratic centrists fell into line, Kennedy was left as the most powerful voice legislating on behalf of those society would neglect or punish: the poor, the working class, and African Americans. Gabler shows how the fault lines that cracked open in the wake of the Civil Rights movement and Vietnam were intentionally widened by Kennedy’s Republican rivals to create a moral vision of America that stood in direct opposition to once broadly shared commitments to racial justice and economic equality. Yet even as he fought this shift, Ted Kennedy’s personal moral failures in this era—the endless rumors of his womanizing and public drunkenness and his bizarre behavior during the events that led to rape accusations against his nephew William Kennedy Smith—would be used again and again to weaken his voice and undercut his claims to political morality. Tracing Kennedy’s life from the wilderness of the Reagan years through the compromises of the Clinton era, from his rage against the craven cruelty of George W. Bush to his hope that Obama would deliver on a lifetime of effort on behalf of universal health care, Gabler unfolds Kennedy’s heroic legislative work against the backdrop of a nation grown lost and fractured. In this outstanding conclusion to the saga that began with Catching the Wind, Neal Gabler offers his inimitable insight into a man who fought to keep liberalism alive when so many were determined to extinguish it. Against the Wind sheds new light both on a revered figure in the American Century and on America’s current existential crisis.

Hollywood, qui a incarné les Etats-Unis au point d''être considéré aujourd''hui par certains comme le vecteur principal de l''impérialisme culturel américain, a été fondé dans les années 1920 par des immigrants de fraîche date qui, pour certains, parlaient un anglais approximatif. Les frères Warner, Cari Laemmle, William Fox, Harry Colin, Samuel Goldwyn, Louis B Mayer, Irving Thalberg, Adolph Zukor et d''autres, étaient nés dans des communautés juives d''Europe centrale marquées par la misère et les pogroms, mais habitées par une culture vivace et pleine d''humour. Sentant avant tout le monde que la société de consommation naissante devait se nourrir aussi de rêves, ils bâtirent des empires dont les noms sont devenus mythiques : Twentieth-Century Fox, Columbia, MGM, Universal... Ils eurent ainsi l''audace de forger leur propre conception du rêve américain : celui d''un pays plus accueillant, plus tolérant, plus juste et plus optimiste qu''il ne l''était vraiment. Cette vision, véhiculée par leurs films, se diffusa dans la culture américaine, contribua à la définir et finit même par l''incarner aux yeux du monde. C''est l''histoire de ces aventuriers improbables devenus des géants et parfois des monstres qui nous est contée ici.

Jeffrey Axelson woke up on a June morning in 2005 to the headline ''Chopper Down: 8 Navy SEALs Killed''. The helicopter had been attempting the rescue of four SEALs on a mission to capture or kill a Taliban commander at the Pakistani border. One of those four was Jeffrey''s brother, Matt, who was missing without a trace. Over the course of the next 12 days, Jeffrey discovered the heroic story of his brother''s final hours. This book describes the dramatic unfolding of Operation Red Wing, in which four men faced off against a 200-strong Taliban force.

O circo montado pelos meios de comunicação por ocasião da morte da princesa Diana é apenas um exemplo da tendência que, para o historiador da cultura popular americana Neal Gabler, é uma das marcas principais do século XX; a transformação da própria vida em uma forma de entretenimento. Acompanhando o avanço da indústria e do conceito de entretenimento desde seus primórdios no final do século XIX, ele mostra como a realidade acabou sendo dominada pela lógica narrativa difundida pelo cinema e pela televisão, a tal ponto que hoje vivemos em uma pós-realidade, na qual é cada vez menos possível distinguir realidade e ficção.