Most Popular Books by Milton Glaser

"Examples of well-known projects abound - ranging from newspapers and magazines to toys, textiles, interiors, posters, and CD covers. If you''ve ever seen the menu at Windows on the World, used a bottle of ketchup from Grand Union, or read the playbill for Tony Kushner''s Angels in America, you''ve been privy to the conceptual thinking of a powerful force in design."--BOOK JACKET.

This essential volume by the godfather of modern graphic design explores his process and showcases his highly influential early-career work. This gorgeously illustrated volume delves into the early decades of America’s pre-eminent graphic artist. Milton Glaser’s work ranges from the iconic I Love New York logo to the famous psychedelic Bob Dylan poster and numerous book and record covers; it encompasses everything from store and restaurant design to toy creations as well as magazine formats and logotypes, including New York magazine. In short, his work has helped define the look of our time. Here Glaser undertakes a remarkably wide-ranging representation of his oeuvre. In a new introduction, he speaks of the influences on his work, the responsibilities of the artist, the hierarchies of the traditional art world, and the role of graphic design in the area of his creative growth. First published in 1973, Milton Glaser: Graphic Design is an extraordinary achievement and an indisputable classic.

For more than fifty years, Walter Bernard and Milton Glaser have revolutionized the look of magazine journalism. In Mag Men, Bernard and Glaser recount their storied careers, offering insiders’ perspective on some of the most iconic design work of the twentieth century. The authors look back on and analyze some of their most important and compelling projects, from the creation of New York magazine to redesigns of such publications as Time, Fortune, Paris Match, and The Nation, explaining how their designs complemented a story and shaped the visual identity of a magazine. Richly illustrated with the covers and interiors that defined their careers, Mag Men is bursting with vivid examples of Bernard and Glaser’s work, designed to encapsulate their distinctive approach to visual storytelling and capture the major events and trends of the past half century. Highlighting the importance of collaboration in magazine journalism, Bernard and Glaser detail their relationships with a variety of writers, editors, and artists, including Nora Ephron, Tom Wolfe, Gail Sheehy, David Levine, Seymour Chwast, Katherine Graham, Clay Felker, and Katrina vanden Heuvel. The book features a foreword by Gloria Steinem, who reflects on her work in magazines and her collaborations with Bernard and Glaser. At a time when uncertainty continues to cloud the future of print journalism, Mag Men offers not only a personal history from two of its most innovative figures but also a reminder and celebration of the visual impact and sense of style that only magazines can offer.

Chosen by the Editors at Amazon.com as one of the top 50 Best Books of 2005 - Now in paperback! With the world''s economy in a slump, the Middle East''s never ending conflict, and the on-going war on terrorism, there is a heightened awareness in the world community of the many sides of the numerous issues that both directly and indirectly affect our lives. Increasingly, people are feeling powerless and underrepresented because they have no voice. Designers, however, have a voice. They are among the most influential bystanders because their skills enable them to communicate a message easily through the Web or through posters and printed pieces. A picture is worth a thousand words and designers have used this adage to their advantage for years by creating simple yet powerful designs that immediately convey the message to the viewer. The Design of Dissent focuses on graphic work that designers have made as a result of social and political concerns. The time is certainly ripe as the U.S., and world, flares in opposition on so many important issues.

"For more than fifty years, Milton Glaser has designed much of the world we live and experience every day. His posters, books, albums, restaurants, advertisements, and so much more have identified him as the preeminent force in design in America. Now, in Drawing is Thinking, Glaser draws upon an amazing vocabulary of images and techniques to create his most personal book to date. In a way, he has not only been drawing all his life, he has been thinking about art and design on that journey." "Based on his view that all art has its origin in the impulse to create, he has designed a book that powerfully delineates this position. In Drawing is Thinking, the drawings depicted are meant to be experienced sequentially, so that the viewer not only follows Glaser through these pages, but comes to inhabit his mind. The drawings represent a sweeping range of subject matter taken from the full range of a reflective master''s career. The pages suggest that drawing is not simply a way to represent reality, but, as the title implies, a better way to perceive the world. The maker and the viewer become more attentive, one by creating the work, the other by experiencing it." "Glaser''s two signature books, Graphic Design and Art is Work, are each in print decades after their first appearances. In different ways, each is a display of his work with extended descriptions of how the work came about, and how design problems were visually resolved. But in Drawing is Thinking the author is less interested in display. Glaser this time is concerned with how the mind works in its attempt to create reality."--BOOK JACKET.

The iconic graphic designer presents “a self-analysis of his creative process . . . [in] arguably his proudest accomplishment” (The Atlantic). Milton Glaser is perhaps the most celebrated graphic designer in the world. As a young man, he read a phrase that stayed with him through his life: “In Search of the Miraculous.” One could say that all human experience is a miracle—memory, color, taste, Vermeer, stars, watermelon, etc. For those like Glaser, the act of making things that move the mind is perhaps the deepest aspiration to the miraculous. In this volume, he has chosen work, largely created by him over the last five years, to demonstrate how one concept leads to another. Through fascinating juxtapositions, readers will gain insights into Glaser’s oeuvre, journeying with him as he discovers that seemingly new designs frequently come out of provocative ideas taken from the distant past. “Elegant . . . The text and the picture positively embrace and dance together.” —The New York Times “To younger graphic designers, Glaser has the stature of Marlon Brando in Hollywood . . . He appears to have thought more deeply about what he makes than many lionized by the contemporary art world and its market.” —San Francisco Chronicle “In Search of the Miraculous aptly captures the tension involved in reconciling the artist’s aspirations to do great work and the client’s objectives. This book eloquently, articulately, and with great panache, and provocation, illuminates the extraordinary outcomes that emerge when the artistic process miraculously works.” —New York Journal of Books

Milton Glaser''s first children''s book--a book about language, play, and the relationship between words and images--is back in print for the first time in 40 years. Language and thought come to life as counterfactuals and possibilities are conjured and proposed. Full color.

Chaper 1 documents The Centennial Exhibition of 1876 held in Philadelphia (May 10, 1876-Nov. 10, 1876) and includes first-hand accounts and numerous illustrations, photos, and a map. Illustrations include Michael Thonet''s bentwood furniture on p. 29.

"Dissent is an essential part of keeping democratic societies healthy, and our ability as citizens to voice our opinions is not only our privilege, it is our responsibility. Most importantly, it is a human right, one which must be fervently fought for, protected, and defended. Many of the issues and conflicts visited in the first edition of this book remain vividly present today. They are reminders of how democracy and social change are often incremental, requiring patience, diligence, hope, and the continuing brave voices of designers whose skillful imagery emboldens in the face of struggle. The 160-plus new works in this edition document the Arab Spring, the Obama presidency, Occupy Wall Street, Black Lives Matter, the election of Donald Trump, Vladimir Putin’s continuing influence, the Women’s March, the ongoing refugee crises, the environment, and much more. This powerful collection, totaling well over 550 images, stands not only as a testament to the power of imagery, but also as an urgent call to action. This edition includes the original Foreword by Tony Kushner as well as Steven Heller''s interview of Milton Glaser entitled, "Dissenting Conditions.""--provided by Amazon.com.

An extraordinary literary journey, 100 Years celebrates every age from birth to 100 with quotations from the world’s greatest writers. This literary tapestry of the human experience will delight readers of all backgrounds. Moving year by year through the words of our most beloved authors, the great sequence of life reveals itself—the wonders and confinements of childhood, the emancipations and frustrations of adolescence, the empowerments and millstones of adulthood, the recognitions and resignations of old age. This trove of wisdom—featuring immortal passages from Arthur Rimbaud, Sylvia Plath, Virginia Woolf, David Foster Wallace, William Shakespeare, Herman Melville, Jane Austen, and Maya Angelou, among many others—reminds us that the patterns of life transcend continents, cultures, and generations. As Thomas Mann wrote of our most shared human experience: "It will happen to me as to them." Designed by the legendary Milton Glaser, who created the I ♥ NY logo, 100 Years brings together color, type, and text to illuminate the ebb and flow of an entire life.

Este libro recoge tres conversaciones entre el diseñador Milton Glaser y el editor Peter Mayer que fueron publicadas originalmente en inglés en tres libros distintos dedicados a la obra del diseñador. Tres momentos puntuales (1973, 2000 y 2008) a lo largo de un lapso de tiempo dilatado, en los que Glaser y Mayer reflexionan sobre toda una serie de cuestiones que tienen que ver con el diseño y el arte, como trabajo y como parte de la vida. Se habla de temas generales como el papel del diseño en su contexto social, el código deontológico (no escrito) del diseñador, de lo que constituye su dignidad, y de la relación entre creatividad y trabajo; se habla de la relación y la distancia entre diseño y arte y de la relación entre arte y vida, de la importancia o no de tener un estilo, de las relaciones con los clientes Y se habla, por supuesto, de la obra de Glaser, de los trabajos más icónicos del diseñador, y de la centralidad del dibujo en su práctica y el profundo peso en sus referentes de pintores clásicos como Piero della Francesca. Un diálogo que enfrentará a cualquier diseñador, artista o creador con las mismas preguntas e inquietudes que le habrán asaltado una y otra vez a lo largo de su carrera y que ofrece las respuestas, siempre lúcidas, y la rica perspectiva de uno de los grandes maestros.