Best Selling Books by Michael Crummey

#1 NATIONAL BESTSELLER From the award-winning, bestselling author of The Innocents, a dark, enthralling novel about love and its limitations, the corruption of power and the power of corruption. “A FLAWLESSLY CRAFTED NARRATIVE” —Wall Street Journal “CEASELESSLY ENTERTAINING” —Kirkus (Starred Review) “A MASTERPIECE, PLAIN AND SINPLE” —Toronto Star “ONE OF OUR BEST WRITERS” —Booklist (Starred Review) In an isolated outport on Newfoundland''s northern coastline, Abe Strapp is about to marry the daughter of a rival merchant to cement his hold on the shore when the Widow Caines arrives to throw the wedding and Abe''s plans into chaos. That ruthless act of sabotage is the opening salvo in a battle between the man and woman who own Mockbeggar''s largest mercantile firms, each fighting for the scarce resources of the north Atlantic fishery, each seeking a measure of revenge on the person they despise most in the world. As their unshakeable animosity spirals further each year into vendettas and violence, the community is increasingly divided and even the innocents in Mockbeggar find themselves forced to take sides, with devastating consequences. Through merciless seasons of uncertainty and want, through predatory storms and pandemics and marauding privateers, it is the human heart that reveals itself to be the most formidable and unpredictable adversary for each person drawn, inevitably and helplessly, into that endless feud. Compulsively readable and uncompromising, The Adversary is a pitch-perfect evocation of a lost time, and a shadowed mirror to our modern politics of grievance and retribution. It is Michael Crummey''s finest novel to date.

Winner of the CBC Bookie Award for Fiction Winner of the Newfoundland & Labrador Book Award Finalist for the the BMO Winterset Award Longlisted for the Dublin Literary Award Shortlisted for the Governor General’s Literary Award An Audie Awards Finalist The epic tale of an endangered Newfoundland community and the struggles of one man determined to resist its extinction. The scarcely populated town of Sweetland clings to the shore of a remote Canadian island. Its slow decline has finally reached a head, with the mainland government offering each islander a generous resettlement package— the only stipulation being that everyone must leave. Fierce and enigmatic Moses Sweetland, whose ancestors founded the island, is determined to refuse. As one by one his neighbors relent, he recalls the town’s rugged history and its eccentric cast of characters. For fans of The Shipping News, Michael Crummey’s prose conjures up the mythical, sublime world of Sweetland’s past amid a storm-battered landscape haunted by local lore. In a spare style that belies “huge emotional depth and heart” (Celeste Ng, author of Everything I Never Told You), Crummey masterfully weaves together the past and present, creating in Sweetland a spectacular portrait of one man’s battle to survive as his world vanishes around him.

Sprawling and intimate, stark and fantastical, Galore is a novel about the power of stories to shape and sustain us. This is Michael Crummey’s most ambitious and accomplished work to date. An intricate family saga and love story spanning two centuries, Galore is a portrait of the improbable medieval world that was rural Newfoundland, a place almost too harrowing and extravagant to be real. Remote and isolated, exposed to savage extremes of climate and fate, the people of Paradise Deep persist in a realm where the line between the everyday and the otherworldly is impossible to distinguish. Propelled by the disputes and alliances, grievances and trade-offs that bind the Sellers and Devine families through generations, Galore is alive with singular characters, and an uncommon insight into the complexities of human nature.

People Magazine Book of the Week "Extraordinary."--Wall Street Journal "Gripping."--Emma Donoghue, author of Room "Dazzling."--Smith Henderson, author of Fourth of July Creek "Fantastic."--Kevin Powers, author of Yellow Birds and A Shout in the Ruins "Brilliant."--Ron Rash, author of Serena From prizewinning author Michael Crummey comes a spellbinding story of survival in which a brother and sister confront the limits of human endurance and their own capacity for loyalty and forgiveness. A brother and sister are orphaned in an isolated cove on Newfoundland''s northern coastline. Their home is a stretch of rocky shore governed by the feral ocean, by a relentless pendulum of abundance and murderous scarcity. Still children with only the barest notion of the outside world, they have nothing but the family''s boat and the little knowledge passed on haphazardly by their mother and father to keep them. Muddling though the severe round of the seasons, through years of meagre catches and storms and ravaging illness, it is their fierce loyalty to each other that motivates and sustains them. But as seasons pass and they wade deeper into the mystery of their own natures, even that loyalty will be tested. The Innocents is richly imagined and compulsively readable, a riveting story of hardship and survival, and an unflinching exploration of the bond between brother and sister. By turns electrifying and heartbreaking, it is a testament to the bounty and barbarity of the world, to the wonders and strangeness of our individual selves.

In elegant, sensual prose, Michael Crummey crafts a haunting tale set in Newfoundland at the turn of the 19th century. A richly imagined story about love, loss and the heartbreaking compromises—both personal and political—that undermine lives, River Thieves is a masterful debut novel. Published in Canada and the United States, it joins a wave of classic literature from eastern Canada, including the works of Alistair MacLeod, Wayne Johnston and David Adams Richards, while resonating at times with the spirit of Charles Frazier’s Cold Mountain and Cormac McCarthy’s Border Trilogy. An enthralling story of passion and suspense, River Thieves captures both the vast sweep of history and the intimate lives of a deeply emotional and complex cast of characters caught in its wake.

The prizewinning author of The Innocents examines the relationships among fact, fiction, fictionalization, and appropriation in this thought-provoking work. “In all creative writing, the question of what is true and what is real are two very different considerations. Figuring out how to dance between them is a murky business.” In Most of What Follows Is True, Michael Crummey examines the complex relationship between fact and fiction, between the “real world” and the stories we tell to explain it. Drawing on his own experience appropriating historical characters to fictional ends, he brings forward important questions about how writers use history and real-life figures to animate fictional stories. Is there a limit to the liberties a writer can take? Is there a point at which a fictionalized history becomes a false history? What responsibilities do writers have to their readers, and to the historical and cultural materials they exploit as sources? Crummey offers thoughtful, witty views on the deep and timely conversation around appropriation.

Having achieved considerable success with his first novel, River Thieves, Michael Crummey has written a book that is equally stunning and compelling. The Wreckage is a truly epic, yet twisted, romance that unfolds over decades and continents. It engages readers on the austere shores of Newfoundland’s fishing villages and drags them across to Japanese POW camps during some of the worst events of the Second World War. Haunting, lyrical, and deeply intimate, Crummey’s language fully exposes his characters’ vulnerabilities as they struggle to come to terms with their guilt and regret over decisions made during their impulsive youths. It is a testament to Crummey’s gifts as a novelist that he can flow quite easily through time, across landscapes, and between vastly different characters. He vividly captures the mental and physical anguish experienced in prison camps, and with calm lucidity explores the motives of a Japanese soldier whose actions seem inhumanly cold and calculating. Crummey toys with the readers’ sympathies, suggesting there are few distinctions between the enemy and us. He incorporates heartbreaking tragedy–the dropping of the atom bomb, lynchings in America, murderous revenge–to underscore the darker side of humanity. Crummey shows that we are capable of violence, but in the end he proves we are also capable of redemption, forgiveness, and can be led, unashamed, back to the ones we love.

The sixth and, on the surface, most innovative poetry collection from Scotiabank Giller Prize finalist Michael Crummey. Eclectic, unpredictable, and strange, Passengers follows Swedish poet Tomas Tranströmer on an imagined circumnavigation of Newfoundland; traces the island escapades of Lucifer from the time of his arrival as a stowaway in the Middle Ages; and wanders the pre-pandemic cities of Europe, touching down in Stockholm’s ABBA museum, the Belfast Public Library, Austria’s plague cemeteries, and the Czech Republic’s Punkva Caves. Widely considered “one of Canada''s finest writers” (Globe and Mail), Crummey is noted for the immediacy and emotional impact of his poetry and fiction and for his ability to raise the vernacular to planes of “exquisite beauty.” Part travelogue, part archeological dig, Passengers is an eccentric guide to the wild geography, folklore, and misbegotten history of the human heart.

From the author of the best-selling, Giller-nominated River Thieves comes a heartbreaking and masterful collection of short fiction. With uncommon elegance and compassion, Michael Crummey has created a community of exiles, characters estranged from their home, from their families or, just as often, from themselves. Set largely in the small Newfoundland mining town of Black Rock, but straying as far west as Vancouver and as far east as China, these stories are subtle, stark portrayals of people alternately looking for or trying desperately to escape their place in the world. A young boy confuses love and allegiance, then stumbles into the complexities of adulthood; a brother and sister fall in love with the same woman; a frustrated wife protests her husband’s neglect by going on strike with the miners’ union; a lover’s drug habit reunites a woman with the sister she has lost. Anchor Books is proud to publish an expanded edition of Michael Crummey’s brilliant collection Flesh and Blood, which includes three original stories written just for this edition. Graceful, affecting, and generous of spirit, these stories are unforgettable.

Twenty years after the publication of his debut, Little Dogs: New and Selected Poems brings together selections from Michael Crummey’s first four books of poetry with a significant offering of new work. In this collection, Crummey emerges not only as the master storyteller we know him to be, but also as one of our great poets of connection. Whether reporting from a solitary room or a shared bed, recalling the barbed delirium of adolescence, the subtler negotiations of mature love, or the generational echoes between fathers and sons, these poems are deeply engaged in the business of living with others. Of living with the absence of those who have shaped and sometimes scarred us. Unafraid of confronting the darker corners of desire or of digging into the past to make sense of the present, Crummey has already given us a tremendous body of work. Little Dogs showcases the evolution of one the most distinct and celebrated Canadian writers of his generation.

"In Hard Light Michael Crummey retells and reinvents his father''s stories of outport Newfoundland and the Labrador fishery of a half century ago. Speaking through generations of storytellers, he conjures a world of hard toil and heavy weather, shot through with stoicism, grim humour, endurance, and love."--publisher''s website.

Salvage is a beautifully crafted new book of poems. It opens with a signpost alerting the reader to “Poems about Loss/ Next 100 Pages,” poems about loved ones, relationships, innocence, faith – all gone. But paradoxically people and events in Michael Crummey’s embrace are too vivid to fade away. Summer and winter visits to a Finnish cemetery in Northern Ontario, the aftermath of a mysterious act of arson in Kingston, Ontario, a run around fogged-in Quidi Vidi Lake, St. John’s, Newfoundland – these experiences and others are rendered indelible in spare, luminous poems infused with conscience and heightened attention. Michael Crummey will break your heart and mend it too.

Originally published by Douglas & McIntyre and the Art Gallery of Ontario to accompany a major exhibition of Blackwood''s work in 2012, Black Ice is now being made available once again, after having sold out less than a year following its first publication.Canadian artist David Blackwood has been telling stories about Newfoundland in the form of epic visual narratives for the past 30 years. His stories draw on childhood memories, dreams, superstitions, the oral tradition, and the political realities of the community on Bonavista Bay, where he was born and raised. His collection of works has created an iconography of Newfoudnland that is as universal as it is personal, as mythic as it is rooted in reality, and as timeless as it is linked to specific events.This comprehensive and sumptuously illustrated retrospective features over 70 prints. The book also features essays by Blackwood himself, Michael Crummey, Sean Cadigan, and Katherarine Lochnan as well as an essay on the environment by Martin Feely and Derek Wilton and another on mumming by Caoimhe Ni Shuilleabhain.This new edition of Black Ice is co-published with the Art Gallery of Ontario and Douglas & McIntyre. Customers should note that Goose Lane''s territory includes Quebec, New Brunswick, Nova Scotia, Prince Edward Island, and Newfoundland and Labrador as well as Chapters/Indigo nationwide. Customers in other parts of Canada may obtain copies from Douglas & McIntyre and its distributor.

The brilliant new collection from Michael Crummey, bestselling author of Galore. Michael Crummey’s first collection in a decade has something for everyone: Love and marriage and airport grief; how not to get laid in a Newfoundland mining town; total immersion baptism; the grand machinery of decay; migrant music and invisible crowns and mortifying engagements with babysitters; the transcendent properties of home brew. Whether charting the merciless complications of childhood, or the unpredictable consolations of middle age, these are poems of magic and ruin. Under the Keel affirms Crummey’s place as one of our necessary writers.

Der elfjährige Evered und seine zwei Jahre jüngere Schwester Ada wachsen unter kargen Bedingungen auf. Sie sind die Kinder von Fischern, die allein inmitten der kanadischen Wildnis leben. Als ihre Eltern sterben, sind die Geschwister auf sich allein gestellt; sie wissen nur das von der Welt, was sie von Mutter und Vater gelernt haben. Also führen sie deren hartes Leben nach Kräften weiter. Bis die Loyalität der Geschwister auf die Probe gestellt wird und sie für ihre Zukunft kämpfen müssen.

"A retrospective look at the career of NL artist Gerald Squires, fully illustrated, with essays by the renowned critic Stan Dragland and creative writer Michael Crummey."--

Greg Locke had been away from Newfoundland for years, working as a photojournalist in Canada, the United States, and in many of the world’s most troubled regions, when he decided to go home – and stay. The photographs inNewfoundlandwere taken over a period of more than a decade. They chronicle the passage of Canada’s easternmost province from a time when cod were still plentiful and the fishery shaped the lives of most of the island’s inhabitants, to the present, when a vibrant economy, propelled by oil and mineral development, is recasting the island’s identity in a new mould. What Locke’s photographs reveal is at once forward-looking and nostalgic, beautiful and harsh. Above all, his Newfoundland ispopulated by survivors: a people who are resourceful, funny, resilient, and strong. Poet and novelist Michael Crummey draws upon deep-seated memories of his own and of his father’s experience to evoke passing traditions and a disappearing way of life. But, just as Locke’s photographs reveal the emergence of a new, more urban and cosmopolitan Newfoundland, so does Crummey’s writing emphasize the continuing sense of belonging and the determination to persevere that are characteristic of his compatriots. He writes admiringly of a “culture deep enough to accommodate a world of influences without surrendering what makes it unmistakably of this place. Something alive and leaning towards the future.” This book embodies both a vision and a voice of rare power.

Dans le village de Mockbeggar, sur l''île de Terre-Neuve, la vie est rude, et cette rudesse se reflète dans le cœur des hommes. Au sein de cette petite communauté qui subsiste au rythme des saisons de pêche, un frère et une sœur se disputent le commerce de la région. D''un côté, Abe Strapp, rustre, stupide et brutal ; de l''autre, la Veuve Caines, imprévisible, froide et manipulatrice. Les deux sont prêts à tout pour l''emporter, quitte à mettre Mockbeggar à feu et à sang. Alors qu''année après année leur animosité s''accentue, nul n''échappe à la spirale de la violence. Et dans cette fresque au vitriol, où les tempêtes, les pénuries, les flibustiers et les maladies n''épargnent personne, c''est finalement le cœur humain qui se révèle être l''adversaire le plus redoutable. Un roman noir magistral, tour à tour paillard, comique ou effroyable, qui scrute les ténèbres de l''âme avec un indéniable panache. "Crummey impressionne par la dextérité avec laquelle il utilise la langue pour rendre compte de l''époque. Ce page-turner captivant est son chef-d’œuvre." Publishers Weekly