New Releases by Mary Wollstonecraft

A FEMINIST CLASSIC This classic 1792 political treatise by British writer Mary Wollstonecraft argues that women should be treated with equal dignity and respect to men, especially regarding education. It was instrumental in laying the foundation for the women''s suffrage and feminist movements. Her trailblazing work posits that the educational system deliberately trained women to be frivolous and incapable. Wollstonecraft''s goal was not to undermine the role of women in the home as she pointed out that if girls were allowed the same advantages as boys, women would not only be exceptional wives and mothers, but they would also be capable workers. She encouraged society to see them as a valuable resource and called for women and men to be educated equally for without an education, women are merely men''s "slaves" and "playthings"--not the intelligent, rational companions of a just and equal society. "...Effect a revolution in female manners...restore to them their lost dignity...as a part of the human species...reforming themselves to reform the world." Tackling many of the punitive patriarchal attitudes that dominated eighteenth-century society, she launched a broad attack against sexual double standards, urging women to prioritize reason over emotion to break free from male notions of female fragility and foolishness. This, her signature, classic work of early feminism remains as relevant today as it was when first released and an essential text in feminist literature. ,MARY WOLLSTONECRAFT died in 1797 at age 38, eleven days after giving birth to her second daughter, Mary Wollstonecraft Shelley, who would become a noted writer herself, as the author of Frankenstein.

Frankenstein is a Gothic novel written by Mary Shelley. It tells the story of Victor Frankenstein, a young scientist who creates a grotesque creature through an unconventional scientific experiment. As Frankenstein s creation grapples with his own identity and existence, he seeks revenge on his creator for abandoning him. The novel explores themes of ambition, responsibility, and the consequences of playing god. Shelley s timeless tale challenges the boundaries of humanity and the ethical implications of scientific discovery, making it a cornerstone of both Gothic literature and science fiction.

A Vindication of the Rights of Woman: with Strictures on Political and Moral Subjects, written by the 18th-century British proto-feminist Mary Wollstonecraft, is one of the earliest works of feminist philosophy.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

Writing in an age when the call for the rights of man had brought revolution to America and France, Mary Wollstonecraft produced her own declaration of female independence in 1792. Passionate and forthright, A Vindication of the Rights of Woman attacked the prevailing view of docile, decorative femininity, and instead laid out the principles of emancipation: an equal education for girls and boys, an end to prejudice, and for women to become defined by their profession, not their partner. Mary Wollstonecraft''s work was received with a mixture of admiration and outrage - Walpole called her ''a hyena in petticoats'' - yet it established her as the mother of modern feminism.

200 years after it was first published, Mary Shelley''s Frankenstein has stood the test of time as a gothic masterpiece--a classic work of humanity and horror that blurs the line between man and monster... The story of Victor Frankenstein and the monstrous creature he created has held readers spellbound ever since it was published two centuries ago. On the surface, it is a novel of tense and steadily mounting horror; but on a more profound level, it offers searching illumination of the human condition in its portrayal of a scientist who oversteps the bounds of conscience, and of a monster brought to life in an alien world, ever more desperately attempting to escape the torture of his solitude. A novel of hallucinatory intensity, Frankenstein represents one of the most striking flowerings of the Romantic imagination. Original Complete Unabridged Illustrated with book-end doodles about reading

200 years after it was first published, Mary Shelley''s Frankenstein has stood the test of time as a gothic masterpiece--a classic work of humanity and horror that blurs the line between man and monster... The story of Victor Frankenstein and the monstrous creature he created has held readers spellbound ever since it was published two centuries ago. On the surface, it is a novel of tense and steadily mounting horror; but on a more profound level, it offers searching illumination of the human condition in its portrayal of a scientist who oversteps the bounds of conscience, and of a monster brought to life in an alien world, ever more desperately attempting to escape the torture of his solitude. A novel of hallucinatory intensity, Frankenstein represents one of the most striking flowerings of the Romantic imagination. Complete Original Unabridged Illustrated with book-end doodles about reading

200 years after it was first published, Mary Shelley''s Frankenstein has stood the test of time as a gothic masterpiece--a classic work of humanity and horror that blurs the line between man and monster... The story of Victor Frankenstein and the monstrous creature he created has held readers spellbound ever since it was published two centuries ago. On the surface, it is a novel of tense and steadily mounting horror; but on a more profound level, it offers searching illumination of the human condition in its portrayal of a scientist who oversteps the bounds of conscience, and of a monster brought to life in an alien world, ever more desperately attempting to escape the torture of his solitude. A novel of hallucinatory intensity, Frankenstein represents one of the most striking flowerings of the Romantic imagination. Complete Original Unabridged Illustrated with book-end doodles about reading

200 years after it was first published, Mary Shelley''s Frankenstein has stood the test of time as a gothic masterpiece--a classic work of humanity and horror that blurs the line between man and monster... The story of Victor Frankenstein and the monstrous creature he created has held readers spellbound ever since it was published two centuries ago. On the surface, it is a novel of tense and steadily mounting horror; but on a more profound level, it offers searching illumination of the human condition in its portrayal of a scientist who oversteps the bounds of conscience, and of a monster brought to life in an alien world, ever more desperately attempting to escape the torture of his solitude. A novel of hallucinatory intensity, Frankenstein represents one of the most striking flowerings of the Romantic imagination. Complete Original Unabridged Illustrated with book-end doodles about reading Beautifully laid out 6 x 9 paperback (15.24 x 22.86 cm) - reader friendly ebook version World Literature Classics is a home-based miniscule self-publisher, publishing the masterpieces of the written world. We don''t share money for advertisement, because we trust our readers'' support, and, we donate most of our income to stray animals.

Shelley''s suspenseful and intellectually rich gothic tale confronts some of the most important and enduring themes in all of literature―the power of human imagination, the potential hubris of science, the gulf between appearance and essence, the effects of human cruelty, the desire for revenge and the need for forgiveness, and much more. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. Simon & Schuster Classics are bringing Frankenstein back to life with a stunning but terrifying new cover. Through letters sent by Robert Walton to his wife, a wandering figure emerges named Victor Frankenstein. Frail and nearing his death, Victor recounts a fantastical story of how he assembled old body parts to create a human-like being, a creature so utterly monstrous and hideous that he regretted being its creator. Frankenstein''s rejection of his creation turns the ''creature'' into a true monster, resulting in murder and havoc and a treacherous voyage to find and kill it once and for all. Frankenstein is a true classic of modern literature and is often considered to be a pioneering work of science fiction. Through Mary Shelley''s extraordinary tale, we see the true reflection of the human condition, which demands wonder, fear and empathy.

A Vindication of the Rights of Woman: with Strictures on Political and Moral Subjects (1792), written by the 18th-century British proto-feminist Mary Wollstonecraft, is one of the earliest works of feminist philosophy. In it, Wollstonecraft responds to those educational and political theorists of the 18th century who did not believe women should receive a rational education. She argues that women ought to have an education commensurate with their position in society, claiming that women are essential to the nation because they educate its children and because they could be "companions" to their husbands, rather than mere wives. Instead of viewing women as ornaments to society or property to be traded in marriage, Wollstonecraft maintains that they are human beings deserving of the same fundamental rights as men.Mary Wollstonecraft (27 April 1759 - 10 September 1797) was an English writer, philosopher, and advocate of women''s rights. Until the late 20th century, Wollstonecraft''s life, which encompassed several unconventional personal relationships, received more attention than her writing. Today, Wollstonecraft is regarded as one of the founding feminist philosophers, and feminists often cite both her life and work as important influences.

A Vindication of the Rights of Woman: with Strictures on Political and Moral Subjects (1792), written by the 18th-century British proto-feminist Mary Wollstonecraft, is one of the earliest works of feminist philosophy. In it, Wollstonecraft responds to those educational and political theorists of the 18th century who did not believe women should receive a rational education.

Mary Wollstonecraft was born on 27th April 1759 in Spitalfields, London. Although her family had a comfortable income much was squandered by her father leading the family to become financially diminished. Wollstonecraft struck out on her own in 1778 and accepted a job as a lady''s companion. Frustrated by the limited career options open to respectable yet poor women, she nonetheless decided to embark upon a career as an author. At the time, few women could support themselves by writing. She learned French and German and translated texts. She also wrote reviews, primarily of novels, for Johnson''s periodical, the Analytical Review. Wollstonecraft also pursued a relationship with the artist Henry Fuseli. Boldly she proposed a platonic living arrangement with Fuseli and his wife. Fuseli''s wife was shocked and the relationship was severed. In December 1792 she left for France to view first hand the revolutionary events that she had just celebrated in her recent ''Vindication of the Rights of Men'' (1790) and that had brought her immediate fame. France declared war on Britain in February 1793 and Wollstonecraft tried to leave for Switzerland but was denied permission. Despite her sympathy for the revolution, life for Wollstonecraft was very uncomfortable. Having just written the ''Rights of Woman'', Wollstonecraft determined to put her ideas to the test. She alighted on and fell passionately in love with Gilbert Imlay, an American diplomat and adventurer. By now she was disillusioned by the Revolution''s path. She thought the republic behaved slavishly to those in power while the government was ''venal'' and ''brutal''. To protect Wollstonecraft from the prospect of arrest, Imlay made a false statement to the U.S. embassy in Paris that he had married her, automatically making her an American citizen. Wollstonecraft, now pregnant by Imlay, gave birth to her first child, Fanny, on 14th May 1794. She was overjoyed. The winter of 1794-95 was the coldest winter in over a century. Wollstonecraft and Fanny were reduced to desperate circumstances. Wollstonecraft now had to risk leaving France and did so on 7th April 1795. She sought Imlay out but he was impassive to her pleas. In May 1795 she attempted to commit suicide, but it is thought Imlay saved her life. But it was now certain that her relationship with Imlay was over. She attempted suicide for a second time but a passing stranger witnessed her jump into the Thames and rescued her. Gradually, Wollstonecraft returned to literary life, and to a relationship with William Godwin. Once Wollstonecraft became pregnant by him, they decided to marry so that the child would be legitimate. On 30th August 1797, Wollstonecraft gave birth to her second daughter, Mary. During the delivery the placenta broke apart and became infected. After several days of agony, Mary Wollstonecraft died of septicemia on 10th September 1797.

Mary Shelley (1797/08/30 - 1851/02/01) Mary Shelley British writer Works: Frankenstein; The last man... Genre: Science fiction Parents: William Godwin and Mary Wollstonecraft Genre: Science fiction Spouse: Percy Bysshe Shelley Son: Percy Florence Shelley Name: Mary Wollstonecraft Shelley He was born on August 30, 1797 in London. Daughter of the philosopher William Godwin and the writer and feminist Mary Wollstonecraft. A few days after her birth her mother, who had written Vindication of Women Rights, died of a fever leaving her husband in the care of Mary and her three and a half year old sister Fanny Imlay. Married Godwin later with a widow who already had two daughters with whom the philosopher would light a new scion.

Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley that tells the story of Victor Frankenstein, a young scientist who creates a hideous sapient creature in an unorthodox scientific experiment.

Frankenstein; Or, The Modern Prometheus by Mary Wollstonecraft Shelley

A Vindication of the Rights of Woman, Mary Wollstonecraft''s passionate work supporting women''s rights, is considered to be among the very first examples of feminist philosophy. When it appeared in 1792, Wollstonecraft''s treatise sets out a range of what were at the time radical beliefs; she thought all women should have a formal education, so that they may raise their children to be keener in mind as well as prove able conversationalists with their husbands. Wollestonecraft by no means unreservedly supports marriage: she states that women should not be thought of merely as items to be bandied about and wed, but as human beings capable of great intellect. Wollstonecraft also lambastes the prevailing social picture of women; that they have a number of fixed, narrow and often domestic duties. She also singles out how women are expected to behave, criticizing in particular the notion that the highest aspiration of a woman is to be a sentimental heroine in a popular romance novel.

Title: Frankenstein or The Modern PrometheusAuthor: Mary Wollstonecraft (Godwin) ShelleyLanguage: English

Why buy our paperbacks? Expedited shipping High Quality Paper Made in USA Standard Font size of 10 for all books 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don''t buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated Maria, or the Wrongs of Woman by Mary Wollstonecraft Shelley Maria, or the Wrongs of Woman is the 18th-century British feminist Mary Wollstonecraft''s unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work. Wollstonecraft''s philosophical and gothic novel revolves around the story of a woman imprisoned in an insane asylum by her husband. It focuses on the societal rather than the individual "wrongs of woman" and criticizes what Wollstonecraft viewed as the patriarchal institution of marriage in eighteenth-century Britain and the legal system that protected it. However, the heroine''s inability to relinquish her romantic fantasies also reveals women''s collusion in their oppression through false and damaging sentimentalism. The novel pioneered the celebration of female sexuality and cross-class identification between women. Such themes, coupled with the publication of Godwin''s scandalous Memoirs of Wollstonecraft''s life, made the novel unpopular at the time it was published. Twentieth-century feminist critics embraced the work, integrating it into the history of the novel and feminist discourse. It is most often viewed as a fictionalized popularization of the Rights of Woman, as an extension of Wollstonecraft''s feminist arguments in Rights of Woman, and as autobiographical.

Why buy our paperbacks? Expedited shipping High Quality Paper Made in USA Standard Font size of 10 for all books 30 Days Money Back Guarantee BEWARE of Low-quality sellers Don''t buy cheap paperbacks just to save a few dollars. Most of them use low-quality papers & binding. Their pages fall off easily. Some of them even use very small font size of 6 or less to increase their profit margin. It makes their books completely unreadable. How is this book unique? Unabridged (100% Original content) Font adjustments & biography included Illustrated Mathilda by Mary Wollstonecraft Shelley Mathilda, or Matilda, is the second long work of fiction of Mary Shelley, written between August 1819 and February 1820. It deals with common Romantic themes of incest and suicide. The act of writing this novella distracted Mary Shelley from her grief after the deaths of her one-year-old daughter Clara at Venice in September 1818 and her three-year-old son William in June 1819 in Rome. These losses plunged Mary Shelley into a depression that distanced her emotionally and sexually from Percy Shelley and left her, as he put it, "on the hearth of pale despair". Narrating from her deathbed, Matilda tells the story of her unnamed father''s confession of incestuous love for her, followed by his suicide by drowning; her relationship with a gifted young poet called Woodville fails to reverse Matilda''s emotional withdrawal or prevent her lonely death. Commentators have often read the text as autobiographical, the three central characters standing for William Godwin, Mary Shelley, and Percy Shelley. There is no firm evidence, however, that the storyline itself is autobiographical. Analysis of Matilda''s first draft, titled "The Fields of Fancy", reveals that Mary Shelley took as her starting point Mary Wollstonecraft''s unfinished "The Cave of Fancy", in which a small girl''s mother dies in a shipwreck. Like Mary Shelley herself, Matilda idealises her lost mother. According to editor Janet Todd, the absence of the mother from the last pages of the novella suggests that Matilda''s death renders her one with her mother, enabling a union with the dead father. Critic Pamela Clemit resists a purely autobiographical reading and argues that Mathilda is an artfully crafted novella, deploying confessional and unreliable narrations in the style of her father, as well as the device of the pursuit used by Godwin in his Caleb Williams and by Mary Shelley in Frankenstein. The novella''s 1959 editor, Elizabeth Nitchie, noted the novella''s faults of "verbosity, loose plotting, somewhat stereotyped and extravagant characterization" but praised a "feeling for character and situation and phrasing that is often vigorous and precise". The story may be seen as a metaphor for what happens when a woman, ignorant of all consequences, follows her own heart while dependent on her male benefactor.

Writing in an age when the call for the rights of man had brought revolution to America and France, Mary Wollstonecraft produced her own declaration of female independence in 1792. Passionate and forthright, A Vindication of the Rights of Woman attacked the prevailing view of docile, decorative femininity, and instead laid out the principles of emancipation: an equal education for girls and boys, an end to prejudice, and for women to become defined by their profession, not their partner. Mary Wollstonecraft''s work was received with a mixture of admiration and outrage - Walpole called her ''a hyena in petticoats'' - yet it established her as the mother of modern feminism.

The Last Man is a post-apocalyptic science fiction novel by Mary Shelley, which was first published in 1826. The book tells of a future world that has been ravaged by a plague. The novel was harshly reviewed at the time, and was virtually unknown until a scholarly revival beginning in the 1960s. It is notable in part for its semi-biographical portraits of Romantic figures in Shelley''s circle, particularly Shelley''s late husband Percy Bysshe Shelley and Lord Byron.

Few creatures of horror have seized readers'' imaginations and held them for so long as the anguished monster of Mary Shelley''s Frankenstein. The story of Victor Frankenstein''s terrible creation and the havoc it caused has enthralled generations of readers and inspired countless writers of horror and suspense. Considering the novel''s enduring success, it is remarkable that it began merely as a whim of Lord Byron''s."We will each write a story," Byron announced to his next-door neighbors, Mary Wollstonecraft Godwin and her lover Percy Bysshe Shelley. The friends were summering on the shores of Lake Geneva in Switzerland in 1816, Shelley still unknown as a poet and Byron writing the third canto of Childe Harold. When continued rains kept them confined indoors, all agreed to Byron''s proposal.The illustrious poets failed to complete their ghost stories, but Mary Shelley rose supremely to the challenge. With Frankenstein, she succeeded admirably in the task she set for herself: to create a story that, in her own words, "would speak to the mysterious fears of our nature and awaken thrilling horror - one to make the reader dread to look round, to curdle the blood, and quicken the beatings of the heart."

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Written during a time of great political turmoil, social anxiety, and against the backdrop of the French Revolution, Wollstonecraft''s argument continues to challenge and inspire. One of the earliest contributions to feminist philosophy, Wollstonecraft''s powerful treatise on the value of women in society tackles many of the patriarchal attitudes prevalent in the eighteenth century. In addition to championing the notion that women enjoy all the same fundamental rights as men, Wollstonecraft argues that men benefit from treating their wives as companions rather than commodities. Touching upon many themes in women''s education, A Vindications of the Rights of Woman remains a bold and powerful read.

You will smile at an observation that has just occurred to me:--I consider those minds as the most strong and original, whose imagination acts as the stimulus to their senses, Mary Wollstonecraft wrote in a letter contemplating the role of the imagination in human relationships. Enlightenment feminist and famed author of The Vindication of the Rights of Woman, Wollstonecraft was also one of the most distinctive letter writers of the eighteenth century. This volume contains all of her known correspondence. Wollstonecraft talked and thought on paper; her letters were a large part of the drama of her life. In them she grows from an awkward child of fourteen to the woman of thirty-eight facing death in childbirth. Where the letters of "bluestocking" writers such as Elizabeth Carter and Catherine Talbot have a public quality, Wollstonecraft''s letters--whether written in haste or carefully composed, opinionated, or vulnerable--stand out among those of other contemporary writers for their candor and lack of sentimentality. They create a palpable world, a sense of inner vitality, revealing a woman of consistent character who nonetheless struggled to reconcile disparate aspects of her life: integrity and sexual longing; the needs and duties of a woman; motherhood and intellectual life; fame and domesticity; reason and passion. Written in cramped lodgings and swaying boats, in the wilds of Scandinavia and the chill of Paris in winter, these letters record not a finished, ordered life viewed retrospectively but the dynamic process of living. Collectively, they form a remarkable work of autobiography that reveals the many dimensions of Wollstonecraft''s genius.

The letters of Mary Wollstonecraft Shelley reveal a remarkable woman living in a remarkable age. They date from October 1814 - shortly after her elopement with Percy Bysshe Shelley - through September 1850, five months before her death. Her correspondents'' names are familiar - Shelley himself, Byron, Bulwer-Lytton, Disraeli, General Lafayette, Sir Walter Scott - and the letters abound with anecdotes about such eminent figures as her parents (William Godwin and Mary Wollstonecraft), Keats, Washington Irving, and Charles and Mary Lamb. Publication of the widely acclaimed three-volume edition of Mary Shelley''s letters was completed in 1988, containing all 1,276 of her known extant letters. Now Betty T. Bennett has selected 230 of those letters to give an overview of Mary Shelley''s life as she was seeing it, living it, and recording it. Bennett also includes an introductory essay that sketches a portrait of Mary Shelley, her world, and her place in the history of literature and letters.

The Last Man ends in 2100, "the last year of the world." A devastating plague has wiped out humanity, except for one man. This novel of horror, originally published in 1826, was rejected in its time and out of print from 1833 to 1963, when the first Bison Books edition appeared. Some critics now rate The Last Man more highly than Frankenstein, by the same author. This Bison Books edition offers aønew introduction by Anne K. Mellor, who writes, "In our era of AIDS and biological warfare, Shelley''s apocalyptic vision of an incurable plague that gradually destroys the entire human species resonates with mythic power."

The definitive, annotated edition of Mary Shelley''s classic novel.

"James Rieger''s Frankenstein is relatively special among editions: it is the definitive scholarly text, and it is also the most readable copy for the classroom and the general reader. . . .The Rieger Frankenstein is very simply the best edition of this tremendously important and popular novel."--William Veeder, University of Chicago