Best Selling Books by Margaret MACMILLAN

Is peace an aberration? The New York Times bestselling author of Paris 1919 offers a provocative view of war as an essential component of humanity. NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW “Margaret MacMillan has produced another seminal work. . . . She is right that we must, more than ever, think about war. And she has shown us how in this brilliant, elegantly written book.”—H.R. McMaster, author of Dereliction of Duty and Battlegrounds: The Fight to Defend the Free World The instinct to fight may be innate in human nature, but war—organized violence—comes with organized society. War has shaped humanity’s history, its social and political institutions, its values and ideas. Our very language, our public spaces, our private memories, and some of our greatest cultural treasures reflect the glory and the misery of war. War is an uncomfortable and challenging subject not least because it brings out both the vilest and the noblest aspects of humanity. Margaret MacMillan looks at the ways in which war has influenced human society and how, in turn, changes in political organization, technology, or ideologies have affected how and why we fight. War: How Conflict Shaped Us explores such much-debated and controversial questions as: When did war first start? Does human nature doom us to fight one another? Why has war been described as the most organized of all human activities? Why are warriors almost always men? Is war ever within our control? Drawing on lessons from wars throughout the past, from classical history to the present day, MacMillan reveals the many faces of war—the way it has determined our past, our future, our views of the world, and our very conception of ourselves.

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • The Economist • The Christian Science Monitor • Bloomberg Businessweek • The Globe and Mail From the bestselling and award-winning author of Paris 1919 comes a masterpiece of narrative nonfiction, a fascinating portrait of Europe from 1900 up to the outbreak of World War I. The century since the end of the Napoleonic wars had been the most peaceful era Europe had known since the fall of the Roman Empire. In the first years of the twentieth century, Europe believed it was marching to a golden, happy, and prosperous future. But instead, complex personalities and rivalries, colonialism and ethnic nationalisms, and shifting alliances helped to bring about the failure of the long peace and the outbreak of a war that transformed Europe and the world. The War That Ended Peace brings vividly to life the military leaders, politicians, diplomats, bankers, and the extended, interrelated family of crowned heads across Europe who failed to stop the descent into war: in Germany, the mercurial Kaiser Wilhelm II and the chief of the German general staff, Von Moltke the Younger; in Austria-Hungary, Emperor Franz Joseph, a man who tried, through sheer hard work, to stave off the coming chaos in his empire; in Russia, Tsar Nicholas II and his wife; in Britain, King Edward VII, Prime Minister Herbert Asquith, and British admiral Jacky Fisher, the fierce advocate of naval reform who entered into the arms race with Germany that pushed the continent toward confrontation on land and sea. There are the would-be peacemakers as well, among them prophets of the horrors of future wars whose warnings went unheeded: Alfred Nobel, who donated his fortune to the cause of international understanding, and Bertha von Suttner, a writer and activist who was the first woman awarded Nobel’s new Peace Prize. Here too we meet the urbane and cosmopolitan Count Harry Kessler, who noticed many of the early signs that something was stirring in Europe; the young Winston Churchill, then First Lord of the Admiralty and a rising figure in British politics; Madame Caillaux, who shot a man who might have been a force for peace; and more. With indelible portraits, MacMillan shows how the fateful decisions of a few powerful people changed the course of history. Taut, suspenseful, and impossible to put down, The War That Ended Peace is also a wise cautionary reminder of how wars happen in spite of the near-universal desire to keep the peace. Destined to become a classic in the tradition of Barbara Tuchman’s The Guns of August, The War That Ended Peace enriches our understanding of one of the defining periods and events of the twentieth century. Praise for The War That Ended Peace “Magnificent . . . The War That Ended Peace will certainly rank among the best books of the centennial crop.”—The Economist “Superb.”—The New York Times Book Review “Masterly . . . marvelous . . . Those looking to understand why World War I happened will have a hard time finding a better place to start.”—The Christian Science Monitor “The debate over the war’s origins has raged for years. Ms. MacMillan’s explanation goes straight to the heart of political fallibility. . . . Elegantly written, with wonderful character sketches of the key players, this is a book to be treasured.”—The Wall Street Journal “A magisterial 600-page panorama.”—Christopher Clark, London Review of Books

A landmark work of narrative history, Paris 1919 is the first full-scale treatment of the Peace Conference in more than twenty-five years. It offers a scintillating view of those dramatic and fateful days when much of the modern world was sketched out, when countries were created—Iraq, Yugoslavia, Israel—whose troubles haunt us still. Winner of the Samuel Johnson Prize • Winner of the PEN Hessell Tiltman Prize • Winner of the Duff Cooper Prize Between January and July 1919, after “the war to end all wars,” men and women from around the world converged on Paris to shape the peace. Center stage, for the first time in history, was an American president, Woodrow Wilson, who with his Fourteen Points seemed to promise to so many people the fulfillment of their dreams. Stern, intransigent, impatient when it came to security concerns and wildly idealistic in his dream of a League of Nations that would resolve all future conflict peacefully, Wilson is only one of the larger-than-life characters who fill the pages of this extraordinary book. David Lloyd George, the gregarious and wily British prime minister, brought Winston Churchill and John Maynard Keynes. Lawrence of Arabia joined the Arab delegation. Ho Chi Minh, a kitchen assistant at the Ritz, submitted a petition for an independent Vietnam. For six months, Paris was effectively the center of the world as the peacemakers carved up bankrupt empires and created new countries. This book brings to life the personalities, ideals, and prejudices of the men who shaped the settlement. They pushed Russia to the sidelines, alienated China, and dismissed the Arabs. They struggled with the problems of Kosovo, of the Kurds, and of a homeland for the Jews. The peacemakers, so it has been said, failed dismally; above all they failed to prevent another war. Margaret MacMillan argues that they have unfairly been made the scapegoats for the mistakes of those who came later. She refutes received ideas about the path from Versailles to World War II and debunks the widely accepted notion that reparations imposed on the Germans were in large part responsible for the Second World War. Praise for Paris 1919 “It’s easy to get into a war, but ending it is a more arduous matter. It was never more so than in 1919, at the Paris Conference. . . . This is an enthralling book: detailed, fair, unfailingly lively. Professor MacMillan has that essential quality of the historian, a narrative gift.” —Allan Massie, The Daily Telegraph (London)

Acclaimed historian Margaret MacMillan explores here the many ways in which history affects us all. She shows how a deeper engagement with history, both as individuals and in the sphere of public debate, can help us understand ourselves and the world better. But she also warns that history can be misused and lead to misunderstanding. History is used to justify religious movements and political campaigns alike. Dictators may suppress history because it undermines their ideas, agendas, or claims to absolute authority. Nationalists may tell false, one-sided, or misleading stories about the past. Political leaders might mobilize their people by telling lies. It is imperative that we have an understanding of the past and avoid these and other common traps in thinking to which many fall prey. This brilliantly reasoned work, alive with incident and figures both great and infamous, will compel us to examine history anew—and skillfully illuminates why it is important to treat the past with care.

After the war to end all wars, men and women from all over the world converged on Paris for the Peace Conference. At its heart were the three great powers - Woodrow Wilson, Lloyd George and Clemenceau - but thousands of others came too, each with a different agenda. Kings, prime ministers and foreign ministers with their crowds of advisers rubbed shoulders with journalists and lobbyists for a hundred causes, from Armenian independence to women''s rights. Everyone had business that year - T.E. Lawrence, Queen Marie of Romania, Maynard Keynes, Ho Chi Minh. There had never been anything like it before, and there never has been since.;For six extraordinary months the city was effectively the centre of world government as the peacemakers wound up bankrupt empires and created new countries. This book brings to life the personalities, ideals and prejudices of the men who shaped the settlement. They pushed Russia to the sidelines, alienated China and dismissed the Arabs, struggled with the problems of Kosovo, or the Kurds, and of a homeland for the Jews. The peacemakers, it has been said, failed dismally, and above all failed to prevent another war. Margaret MacMillan argues that they have been made scapegoats for the mistakes of those who came later. They tried to be evenhanded, but their goals could never in fact be achieved by diplomacy.

Margaret MacMillan, praised as “a superb writer who can bring history to life” (The Philadelphia Inquirer), brings her extraordinary gifts to one of the most important subjects today–the relationship between the United States and China–and one of the most significant moments in modern history. In February 1972, Richard Nixon, the first American president ever to visit China, and Mao Tse-tung, the enigmatic Communist dictator, met for an hour in Beijing. Their meeting changed the course of history and ultimately laid the groundwork for the complex relationship between China and the United States that we see today. That monumental meeting in 1972–during what Nixon called “the week that changed the world”–could have been brought about only by powerful leaders: Nixon himself, a great strategist and a flawed human being, and Mao, willful and ruthless. They were assisted by two brilliant and complex statesmen, Henry Kissinger and Chou En-lai. Surrounding them were fascinating people with unusual roles to play, including the enormously disciplined and unhappy Pat Nixon and a small-time Shanghai actress turned monstrous empress, Jiang Qing. And behind all of them lay the complex history of two countries, two great and equally confident civilizations: China, ancient and contemptuous yet fearful of barbarians beyond the Middle Kingdom, and the United States, forward-looking and confident, seeing itself as the beacon for the world. Nixon thought China could help him get out of Vietnam. Mao needed American technology and expertise to repair the damage of the Cultural Revolution. Both men wanted an ally against an aggressive Soviet Union. Did they get what they wanted? Did Mao betray his own revolutionary ideals? How did the people of China react to this apparent change in attitude toward the imperialist Americans? Did Nixon make a mistake in coming to China as a supplicant? And what has been the impact of the visit on the United States ever since? Weaving together fascinating anecdotes and insights, an understanding of Chinese and American history, and the momentous events of an extraordinary time, this brilliantly written book looks at one of the transformative moments of the twentieth century and casts new light on a key relationship for the world of the twenty-first century.

Part of the CBC Massey Lectures Series In History’s People internationally acclaimed historian Margaret MacMillan gives her own personal selection of figures of the past, women and men, some famous and some little-known, who stand out for her. Some have changed the course of history and even directed the currents of their times. Others are memorable for being risk-takers, adventurers, or observers. She looks at the concept of leadership through Bismarck and the unification of Germany; William Lyon MacKenzie King and the preservation of the Canadian Federation; Franklin Delano Roosevelt and the bringing of a unified United States into the Second World War. She also notes how leaders can make huge and often destructive mistakes, as in the cases of Hitler, Stalin, and Thatcher. Richard Nixon and Samuel de Champlain are examples of daring risk-takers who stubbornly went their own ways, often in defiance of their own societies. Then there are the dreamers, explorers, and adventurers, individuals like Fanny Parkes and Elizabeth Simcoe who manage to defy or ignore the constraints of their own societies. Finally, there are the observers, such as Babur, the first Mughal emperor of India, and Victor Klemperer, a Holocaust survivor, who kept the notes and diaries that bring the past to life. History’s People is about the important and complex relationship between biography and history, individuals and their times.

The past is capricious enough to support every stance - no matter how questionable. In 2002, the Bush administration decided that dealing with Saddam Hussein was like appeasing Hitler or Mussolini, and promptly invaded Iraq. Were they wrong to look to history for guidance? No; their mistake was to exaggerate one of its lessons while suppressing others of equal importance. History is often hijacked through suppression, manipulation, and, sometimes, even outright deception. MacMillan''s book is packed full of examples of the abuses of history. In response, she urges us to treat the past with care and respect.

In the nineteenth century, at the height of colonialism, the British ruled India under a government known as the Raj. British men and women left their homes and traveled to this mysterious, beautiful country–where they attempted to replicate their own society. In this fascinating portrait, Margaret MacMillan examines the hidden lives of the women who supported their husbands’ conquests–and in turn supported the Raj, often behind the scenes and out of the history books. Enduring heartbreaking separations from their families, these women had no choice but to adapt to their strange new home, where they were treated with incredible deference by the natives but found little that was familiar. The women of the Raj learned to cope with the harsh Indian climate and ward off endemic diseases; they were forced to make their own entertainment–through games, balls, and theatrics–and quickly learned to abide by the deeply ingrained Anglo-Indian love of hierarchy. Weaving interviews, letters, and memoirs with a stunning selection of illustrations, MacMillan presents a vivid cultural and social history of the daughters, sisters, mothers, and wives of the men at the center of a daring imperialist experiment–and reveals India in all its richness and vitality. “A marvellous book . . . [Women of the Raj] successfully [re-creates] a vanished world that continues to hold a fascination long after the sun has set on the British empire.” –The Globe and Mail “MacMillan has that essential quality of the historian, a narrative gift.” –The Daily Telegraph “MacMillan is a superb writer who can bring history to life.” –The Philadelphia Inquirer “Well researched and thoroughly enjoyable.” –Evening Standard

As the 100th anniversary of World War I approaches, historian Margaret MacMillan compares current global tensions—rising nationalism, globalization’s economic pressures, sectarian strife, and the United States’ fading role as the world’s pre-eminent superpower—to the period preceding the Great War. In illuminating the years before 1914, MacMillan shows the many parallels between then and now, telling an urgent story for our time. THE BROOKINGS ESSAY: In the spirit of its commitment to high-quality, independent research, the Brookings Institution has commissioned works on major topics of public policy by distinguished authors, including Brookings scholars. The Brookings Essay is a multi-platform product aimed to engage readers in open dialogue and debate. The views expressed, however, are solely those of the author. Available in ebook only.

In this course, University of Toronto history professor Margaret MacMillan takes us back to Paris in 1919, when, for six months, U.S. President Woodrow Wilson, British Prime Minister David Lloyd George and French Prime Minister George Clemenceau met to discuss the peace settlements that would end World War I.

In February 1972, Nixon amazed the world with a trip to China. He was the first US President to go there - in fact officially the first American since the Communist takeover. It was like a visit to the far side of the moon, but also a brilliant stroke of policy. With China on side Nixon could get out of Vietnam; US technology could help Mao recover from his disastrous Cultural Revolution; most of all, both needed a buttress against Soviet Russia in aggressive mood. Yet the visit set a tone that still lingers. Did the Chinese see Nixon, coming to them, as a supplicant, and has the US been at a disadvantage ever since? Will the two countries cooperate, or will China challenge American dominance? Not just a great historical event, the visit is a great story too, filled with extraordinary people: Nixon himself, red-baiter, crook and shrewd statesman; Mao, frail, erratic, ruthless; the twin machiavellis Chou En-lai and Henry Kissinger; brittle Pat Nixon with her designer coat of ''prostitute''s red''; and Mao''s wife Jiang Qing, a small-time Shanghai actress now scourge of Chinese civilization. The clash of cultures was almost deafening too: China ancient and contemptuous, with nothing to learn from barbarians beyond the Middle Kingdom, the USA so different but also in its own eyes exceptional - the beacon for the world.

Stephen Leacock''s satiric masterpiece Sunshine Sketches of a Little Town captures "the Empire forever" mentality that marked Anglo-Canadian life in the early decades of the twentieth century. Historian Margaret Macmillan—whose books Women of the Raj and Paris 1919 cast fresh light on the colonial legacy—has great affection for Leacock''s gentle wit and sharp-eyed insight. The renowned historian examines Leacock''s life as a poor but ambitious student who rose to become an economist, celebrated academic, and, most importantly, the beloved humorist who taught Canadians to laugh at themselves.

In The Lion’s Cub, her 2018 Symons Medal address, eminent Canadian historian Margaret MacMillan examines the impact of the First War World on Canadian Confederation. With her characteristic flair and gift for telling detail, Margaret MacMillan shows the paradox of Canada’s experience in the First World War. On the one hand, the Great War, as it was originally known, brought Canada closer to nationhood and gave many Canadians a greater sense of identity. On the other hand, the Great War also marked a time when Confederation was shaken and very nearly came apart. Its divisive impact continued to be felt throughout the twentieth century. And can still be felt today, in Canada’s national political life, and in the relationship between Quebec and the rest of the country. Yet Canada survived, and continues to survive. And Margaret MacMillan concludes that this is the great strength of Confederation. The Lion’s Cub suggests Canada’s endurance should be recognized for the achievement it is. In a world where political boundaries are often as artificial as Canada’s, the ability of our “improbable country” to survive and prosper may be an example of hope for a wider world. The Symons Medal is one of Canada’s most prestigious honours. It is presented annually by the Confederation Centre of the Arts to honour persons who have made an exceptional contribution to Canadian life. Bilingual Edition - Historienne et écrivaine canadienne de réputation internationale, Margaret MacMmillan aborde la Première Guerre mondiale et ses répercussions paradoxales sur le Canada dans son discours prononcé en 2018 lors de la remise de la médaille Symons et intitulé Le lionceau. Avec son style caractéristique et son talent inné de narratrice, Margaret MacMillan a révélé le paradoxe saisissant de l’expérience canadienne durant la Première Guerre mondiale. En effet, si la Grande Guerre, comme on l’appelait à l’époque, a sensibilisé le Canada à l’idée de nation et a conféré à bon nombre de Canadiens un sentiment accru d’identité, elle a aussi symbolisé une époque où la Confédération canadienne fut fortement ébranlée et faillit même se désagréger. De plus, les risques de fracture résultant de la Grande Guerre perdurèrent durant tout le XXe siècle. Et aujourd’hui encore, ses effets continuent de se faire sentir dans la vie politique nationale canadienne, particulièrement dans les relations entre le Québec et le reste du pays. Pourtant, le Canada a survécu et continue de survivre. Selon Margaret MacMillan, c’est d’ailleurs la plus grande force de la Confédération canadienne. Dans son ouvrage intitulé Le lionceau, elle suggère que l’endurance et la résilience du Canada devraient être impérativement reconnues à leur juste valeur. Dans un monde où les frontières politiques sont souvent aussi artificielles que celles du Canada, la capacité à survivre et à prospérer de notre « pays improbable » est un brillant exemple d’espoir pour un monde plus vaste et plus divers. La médaille Symons est une des récompenses honorifiques les plus prestigieuses du Canada. Chaque année, elle est remise par le Centre des arts de la Confédération à une personne distinguée en reconnaissance de sa contribution exceptionnelle à la vie canadienne. Édition bilingue

Pocos como los historiadores se han preocupado tanto de forjar identidades a lo largo del planeta. El pasado podemos usarlo casi para cualquier cosa que se desee hacer en el presente. Con responsabilidad para obtener reafirmación, lecciones o consejos y para abusar de él, para crear mentiras sobre un pasado que nunca existió, alimentar el narcisismo colectivo o escribir historias desde una única perspectiva. Los usos y abusos de la historia dan para mucho. En esta obra Margaret Mead trata del modo en que se usa la Historia y en que se abusa de ella, en que se la manipula para justificar una matanza, una guerra o el poder de un tirano, en que se la sustituye por leyendas urdidas para alimentar el narcisismo colectivo, para envejecer y ennoblecer un pasado que no tuvo nada de ejemplar ni de glorioso o que sencillamente no existió. "Usamos la Historia para entendernos a nosotros mismos y deberíamos usarla para entender a los otros", escribe MacMillan, pero el catálogo de desatinos que ella misma enumera le da a uno una idea más bien pesimista de la actitud humana hacia el conocimiento de la verdad.

In this remarkable book — thoughtful, intimate and stunningly illustrated with archival and original photos — three of the best writers in their fields join with Adrienne Clarkson and John Ralston Saul to tell the story of Canada’s house in the 21st century. Opening wide the doors, Canada’s House reveals how Rideau Hall has reinvented itself into a place that mirrors the varied identity, gardens and foods of the country — immensely inspiring, alive with a vitality and distinctiveness that is Canada today. Over the last five years, Rideau Hall has been transformed into a place that vitally reflects Canada’s unique contemporary identity: its kitchens are now a hive of activity using indigenous foods and wine from across the country; and its garden has been redesigned into a true Northern Garden — a showcase for Canadian flowers, plants and trees, and organic vegetables. It has become a unique home that represents Canada and Canadians from coast-to-coast. Three of our leading writers have come together to tell the story of how Rideau Hall has come to reflect so much that is both distinctive and excellent from across Canada: Margaret MacMillan, Governor-General’s Literary Award winner, contemplates the history of “home” in Canada, and the story of the great house — the hub of the country’s public life since before Confederation — through the people who have given it life. Marjorie Harris, award-winning garden writer, writes vividly on the Canadian woodland garden, the flowers and plants, as well as the organic vegetable garden that provides the fresh herbs and an impressive proportion of the fruits and vegetables for both daily life and state dinners — essential reading for all who love gardens, as well as those who aspire to creating a Canadian garden. Anne Desjardins, award-winning Quebec food writer, shows how Rideau Hall has become synonymous with contemporary Canadian cuisine, its cross-country diversity and its riches — from the shellfish and cloudberries of the Maritimes to the cheeses of Quebec; from the oolichan of the West coast to the teas and caribou of the Far North; from the wines of the Okanagan to Niagara, recognized world-wide for their excellence. With an introduction to the country’s leading food and wine producers, as well as thirty original recipes tested for home cooks by Rideau Hall’s famous Chef Oliver Bartsch. Throughout the book, Adrienne Clarkson and John Ralston Saul share their experiences in helping to bring our national house — a place that reflects Canada as diverse, bountiful, self-confident and rich in achievement — into the 21st century.

El relato definitivo de las fuerzas políticas, culturales, militares y personales que llevaron a Europa hacia la Gran Guerra. La Primera Guerra Mundial puso fin a un largo periodo de paz sostenida en Europa: una época en la que se hablaba confiadamente de prosperidad, de progreso y de esperanza. Y sin embargo, en 1914 el continente se lanzó de cabeza a un conflicto catastrófico, que mató a millones de personas, desangró las economías nacionales, derrumbó imperios y puso fin para siempre a la hegemonía mundial europea. Fue una guerra que hubiera podido evitarse hasta el último momento. La pregunta es: ¿por qué se produjo? Empezando en el siglo xix y acabando con el asesinato del archiduque Francisco Fernando, la gran historiadora Margaret MacMillan desvela la compleja red de alianzas, cambios políticos y tecnológicos, decisiones diplomáticas y, sobre todo, personalidades y debilidades humanas que llevaron a Europa al desastre. Una narración imprescindible para conocer el mundo de hoy entendiendo mejor el de hace un siglo.

La gran historiadora canadiense Margaret MacMillan, autora del bestseller internacional 1914. De la paz a la guerra, nos presenta aquí su propia selección personal de las figuras del pasado, hombres y mujeres, algunos famosos y otros menos conocidos, que en su opinión destacan como "personas que hicieron historia". MacMillan examina el concepto de liderazgo a través de Bismarck y su papel en la unificación de Alemania, Willam Lyon Mackenzie King en la defensa de la unidad canadiense, y Franklin D. Roosevelt en la política estadounidense durante la Segunda Guerra Mundial, y señala los grandes errores o decisiones destructivas de dirigentes totalitarios Hitler, o democráticos como Nixon o Thatcher. También hay espacio para soñadores y aventureros y personalidades únicas menos conocidas pero cruciales en su época. Este libro trata de la relación importante y compleja que establecen la biografía y la historia, los individuos y su tiempo.

Entre enero y julio de 1919, tras la primera guerra mundial –ese devastador conflicto cuyas consecuencias se extendieron hasta Oriente Próximo y zonas de Asia y África–, dirigentes de todo el mundo llegaron a París para tratar de organizar una paz duradera. En esa Conferencia de Paz, los «tres grandes» –el presidente estadounidense Woodrow Wilson, más los primeros ministros de Inglaterra y Francia, David Lloyd George y Georges Clemenceau– se enfrentaban a una tarea gigantesca: volver a poner en pie una Europa en ruinas, detener el avance de la reciente Revolución rusa y gestionar el inestable equilibrio de poderes tras la desaparición de viejos imperios y la aparición de nuevas entidades políticas, como Iraq, Yugoslavia o Palestina.El apasionante y pormenorizado relato de unas negociaciones en que se ventilaba sin compasión el destino de los más variados pueblos y naciones hace de París, 1919 un libro fundamental para entender los conflictos del último siglo y descubrir la cara oculta y poco amable de la diplomacia internacional; aunque no menos fascinante es la galería de retratos de personajes como Lawrence de Arabia, Winston Churchill o Ho Chi Minh, que años después acabarían adquiriendo un papel preponderante.

„Un tur extraordinar de bine ghidat printr-o relatare dramatică, profund revelatoare, despre acei oameni care fie din întâmplare, fie cu premeditare au creat lumea noastră de astăzi." – National Post „Margaret MacMillan, profesor la Oxford, evită cronologiile seci și ne oferă în schimb întâlniri intime cu personaje reale. Se pare că îi place să aducă la lumină detaliile revelatoare.«Vreau să bârfesc», mărturisește ea – și același lucru îl vrem și noi." – New York Times Book Review Margaret MacMillan propune o selecție inedită de personalități, unele faimoase, altele mai puțin cunoscute, care și-au lăsat amprenta asupra trecutului. Unele au schimbat cursul istoriei și chiar au dat tonul epocilor în care au trăit. MacMillan analizează conceptul de leadership, așa cum este acesta reprezentat de personaje precum Otto von Bismarck, William Mackenzie King sau Franklin Delano Roosevelt. Observă, de asemenea, cum pot comite unii conducători greșeli enorme, cu consecințe devastatoare, așa cum s-a întâmplat cu Hitler, Stalin sau Thatcher. Richard Nixon și Samuel de Champlain sunt înfățișați ca exponenți ai caracterelor temerare, care și-au asumat riscuri, urmandu și cu încăpățânare propriul drum și sfidând adesea societățile din care proveneau. Apoi sunt descriși visătorii, exploratorii și aventurierii, oameni ca Fanny Parkes și Elizabeth Simcoe, care au înfruntat sau ignorat limitările impuse de societățile lor. În cele din urmă, sunt trecuți în revistă observatorii, personaje asemeni lui Babur, fondatorul dinastiei indiene a mogulilor, sau Victor Klemperer, un supraviețuitor al Holocaustului, care a ținut jurnale și memorii ce readuc la viață trecutul.Oamenii istoriei prezintă relația complexă și deosebit de importantă dintre biografie și istorie, indivizi și epocile în care au trăit.

Von den Stammeskämpfen der Frühgeschichteüber die Feldzüge Alexanders, Cäsars und Napoleons, den desaströsen Zweiten Weltkrieg bis zu den blutigen Konflikten unserer Gegenwart: Kaum etwas hat die Geschichte der Menschheit, ihre Institutionen, Werte und Ideen so geprägt wie die gewalttätigen Auseinandersetzungen zwischen Staaten und Völkern. Wann und wie begann der erste Krieg? Ist es von der Natur vorgegeben, dass Menschen gegeneinander kämpfen? Wieso sind Kriegsmaschinerien perfekt organisiert und fast alle Soldaten Männer? Margaret MacMillan schildert anhand der militärischen Konflikte von der Antike bis zur Gegenwart, wie diese unsere Vergangenheit, unsere Entwicklung, unsere Sicht auf die Welt und unser Selbstverständnis bestimmt haben. Unsere Sprache, unser öffentlicher Raum, unsere privaten Erinnerungen, selbst große kulturelle Schätze spiegeln Ruhm und Elend des Krieges wider. SeineAmbivalenz liegt darin, dass er nicht nur zerstört, sondern auch zum technischen, organisatorischen, politischen und sogar künstlerischen Fortschritt beiträgt. All dies zeigt Margaret MacMillans große Kulturgeschichte.

Rivalités de tous ordres, course aux armements, impérialisme_: quelle est la part de responsabilité de chaque pays dans le déclenchement de la Grande Guerre ?En Europe, une poignée de dirigeants, diplomates et responsables parfois inconnus ont aussi, à un moment précis, fait le choix de la guerre. Quelle a été la part humaine, donc émotionnelle et irrationnelle, dans ce choix ? De tempérament faible, le tsar Nicolas II pouvait-il résister aux généraux russes ? Si le chancelier allemand n’avait pas perdu sa femme au début de l’été 1914, aurait-il été moins fataliste ? Le chef d’état-major des armées austro-hongroises voulait la gloire pour son propre pays, mais peut-être aussi pour la femme qu’il voulait épouser ? La fresque de Margaret MacMillan décrit magnifiquement les mécanismes politiques, technologiques, stratégiques, mais aussi humains, qui ont mené à ce moment de l’été 1914 où la guerre est devenue plus probable que la paix. Vers la Grande Guerre est le récit virtuose de cette résistible descente aux enfers d’un continent en paix.« Magistral, riche, vivant et sophistiqué. » Christopher Clark« Une extraordinaire clarté de pensée. » Antony Beevor« Un sens aigu du suspense. » Alistair HorneTraduit de l''anglais par Laurent Bury.

MacMillan makes history come to life in one of the most important subjects today: the relationship between the United States and China and the historic meeting of Richard Nixon and Mao Tse-tung in 1972 that ultimately laid the groundwork for the relationship between the two nations.

Em uma época em que o estudo da História — não somente aquele feito por historiadores profissionais — torna-se cada vez mais popular e relevante nos debates públicos, a premiada historiadora canadense Margaret MacMillan nos mostra como sua utilização pode se revelar uma faca de dois gumes. Na década de 1980, o passado parecia muito mais simples do que é hoje. A Guerra Fria foi, entre outras coisas, uma pausa entre duas filosofias rivais da História que serviu para manter o mundo nos trilhos. Então, com a queda do Muro de Berlim, veio o arrefecimento. De forma sinistra, narrativas pouco lembradas, identidades há muito esquecidas e ódios veneráveis emergiram. Uma região após outra descobriu que o povo, como Churchill uma vez dissera sobre as tribos dos Bálcãs, tinha mais história do que podia consumir. Neste brilhante ensaio, fruto de uma série de palestras conduzidas pela autora na University of Western Ontario, MacMillan examina os valores e perigos da História, e como ela afeta nossas vidas. Ao mesmo tempo em que é extremamente útil quando usada com propriedade, visando ao entendimento do modo como pensamos e reagimos, a História como forma de compreender o mundo é suscetível a manipulação e distorção, para atender a diferentes propósitos. Os nacionalistas contam histórias falsas ou unilaterias sobre o passado, enquanto os ditadores omitem as que ameaçam suas pretensões de onisciência e autoridade. Os líderes políticos arregimentam seus públicos contando-lhes bravatas: Hitler mentiu sobre a derrota da Alemanha na Primeira Guerra Mundial e sobre o papel dos judeus. Tirar lições do passado pode também se tornar problemático — pois elas oferecem interpretações que podem servir a muitos fins. Margaret MacMillan preocupa-se com a possibilidade de a profissão de historiador estar se voltando para dentro de si mesma, abandonando as grandes questões num momento em que há urgência em aumentar nosso conhecimento sobre o passado, e prova que a História pode se transformar em uma perigosa arma dependendo de quem a use. USOS E ABUSOS DA HISTÓRIA é um argumento vital e poderoso sobre a importância da História e dos historiadores.

Juegos peligrosos trata de la Historia en sí: del modo en que se la usa y en que se abusa de ella, en que se la manipula para justificar una matanza o una guerra o el poder de un tirano, en que se la sustituye por leyendas urdidas para alimentar el narcisismo colectivo, para envejecer y ennoblecer un pasado que no tuvo nada de ejemplar ni de glorioso o que sencillamente no existió. %13Usamos la Historia para entendernos a nosotros mismos y deberíamos usarla para entender a otros%13, escribe MacMillan, pero el catálogo de desatinos que ella misma enumera le da a uno una idea más bien pesimista de la actitud humana hacia el conocimiento de la verdad. Organizaciones de veteranos de las fuerzas aéreas canadienses lograron que se clausurara una exposición en la que se ponía en duda la eficacia, por no hablar de la legitimidad, de los bombardeos que arrasaban las ciudades alemanas en la Segunda Guerra Mundial sin más objetivo que aterrorizar a la población civil. En la Unión Soviética los libros de Historia se modificaban de un día para otro para ajustarlos a los cambios en la ortodoxia o a la caída en desgracia de los cortesanos del Kremlin. Hitler se veía a sí mismo como un heredero del emperador medieval Federico I Barbarroja. Stalin se medía con Iván el Terrible y con Pedro el Grande, y los relatos históricos se ajustaban adecuadamente al capricho de su megalomanía. A otra escala, George W. Bush quería modelar su figura pública sobre la de Winston Churchill, del mismo modo que identificaba a Sadam Husein con Hitler, y a los que ponían en duda la conveniencia de atacar Irak con los apaciguadores que en los años treinta creían posible un compromiso con la Alemania nazi.