New Releases by Leo Damrosch

A fast-paced narrative about the world-famous libertine Giacomo Casanova, from celebrated biographer Leo Damrosch “A nuanced, deftly contextualized biography of an adventurer, an opportunist, and a man of voracious appetites . . . another top-notch work from Damrosch.”—Kirkus Reviews (starred review) “An eye-opening and well-informed study of an ‘extraordinary character’ in all his darkness and brilliance.”—Publishers Weekly The life of the iconic libertine Giacomo Casanova (1725–1798) has never been told in the depth it deserves. An alluring representative of the Enlightenment’s shadowy underside, Casanova was an aspiring priest, an army officer, a fortune teller, a con man, a magus, a violinist, a mathematician, a Masonic master, an entrepreneur, a diplomat, a gambler, a spy—and the first to tell his own story. In his vivid autobiography Histoire de Ma Vie, he recorded at least a hundred and twenty love affairs, as well as dramatic sagas of duels, swindles, arrests, and escapes. He knew kings and an empress, Catherine the Great, and most of the famous writers of the time, including Voltaire and Benjamin Franklin. Drawing on seldom used materials, including the original French and Italian primary sources, and probing deeply into the psychology, self-conceptions, and self-deceptions of one of the world’s most famous con men and seducers, Leo Damrosch offers a gripping, mature, and devastating account of an Enlightenment man, freed from the bounds of moral convictions.

Prize-winning biographer Leo Damrosch tells the story of “the Club,” a group of extraordinary writers, artists, and thinkers who gathered weekly at a London tavern In 1763, the painter Joshua Reynolds proposed to his friend Samuel Johnson that they invite a few friends to join them every Friday at the Turk’s Head Tavern in London to dine, drink, and talk until midnight. Eventually the group came to include among its members Edmund Burke, Adam Smith, Edward Gibbon, and James Boswell. It was known simply as “the Club.” In this captivating book, Leo Damrosch brings alive a brilliant, competitive, and eccentric cast of characters. With the friendship of the “odd couple” Samuel Johnson and James Boswell at the heart of his narrative, Damrosch conjures up the precarious, exciting, and often brutal world of late eighteenth-century Britain. This is the story of an extraordinary group of people whose ideas helped to shape their age, and our own.

William Blake, overlooked in his time, remains an enigmatic figure to contemporary readers despite his near canonical status. Out of a wounding sense of alienation and dividedness he created a profoundly original symbolic language, in which words and images unite in a unique interpretation of self and society. He was a counterculture prophet whose art still challenges us to think afresh about almost every aspect of experience—social, political, philosophical, religious, erotic, and aesthetic. He believed that we live in the midst of Eternity here and now, and that if we could open our consciousness to the fullness of being, it would be like experiencing a sunrise that never ends. Following Blake’s life from beginning to end, acclaimed biographer Leo Damrosch draws extensively on Blake’s poems, his paintings, and his etchings and engravings to offer this generously illustrated account of Blake the man and his vision of our world. The author’s goal is to inspire the reader with the passion he has for his subject, achieving the imaginative response that Blake himself sought to excite. The book is an invitation to understanding and enjoyment, an invitation to appreciate Blake’s imaginative world and, in so doing, to open the doors of our perception.

From a master biographer and leading scholar of eighteenth-century literature comes an award-winning new portrait of the greatest satirist in the English language Jonathan Swift is best remembered today as the author of Gulliver’s Travels, the satiric fantasy that quickly became a classic and has remained in print for nearly three centuries. Yet Swift also wrote many other influential works, was a major political and religious figure in his time, and became a national hero, beloved for his fierce protest against English exploitation of his native Ireland. What is really known today about the enigmatic man behind these accomplishments? Can the facts of his life be separated from the fictions? In this deeply researched biography, Leo Damrosch draws on discoveries made over the past thirty years to tell the story of Swift’s life anew. Probing holes in the existing evidence, he takes seriously some daring speculations about Swift’s parentage, love life, and various personal relationships and shows how Swift’s public version of his life—the one accepted until recently—was deliberately misleading. Swift concealed aspects of himself and his relationships, and other people in his life helped to keep his secrets. Assembling suggestive clues, Damrosch re-narrates the events of Swift’s life while making vivid the sights, sounds, and smells of his English and Irish surroundings.Through his own words and those of a wide circle of friends, a complex Swift emerges: a restless, combative, empathetic figure, a man of biting wit and powerful mind, and a major figure in the history of world letters.

Een rusteloos genie Verschijnt voor het begin van het Rousseau-jaar. Look and feel van Filosofie Magazine. Leest als een roman. Toont enorme invloed van het genie Rousseau op politiek en opvoeding. Turbulent. Dat was het leven van Jean Jacques Rousseau (1712-1778) zonder meer. Hij groeide zonder moeder op, werd op zijn tiende door zijn vader in de steek gelaten, had liefdesrelaties met een oudere vrouw uit hogere kringen en een analfabete wasvrouw, met wie hij vijf kinderen kreeg die hij allemaal naar het weeshuis bracht. Biograaf Leo Damrosch slaagt erin de samenhang tussen dit turbulente leven en de genialiteit van de filosoof en pedagoog te laten zien. De autodidact Rousseau schreef een aantal meesterwerken die van blijvende invloed zijn op ons politieke denken en opvoedingsidealen, onder andere Het maatschappelijk verdrag en Emile. Het laatste boek was zo baanbrekend was dat het vrijwel onmiddellijk verboden werd in Frankrijk. Zijn Bekentenissen behoren tot de hoogtepunten van de autobiografische wereldliteratuur. Ook in zijn tijd was Rousseau een buitenbeentje. Hij stond in nauw contact met de verlichtingsfilosofen van zijn tijd - Immanuel Kant had diepe bewondering voor hem - maar moest niets van hun vooruitgangsgeloof hebben. Rousseau was een exponent van de Romantiek: De mens van nature goed, maar wordt gecorrumpeerd door de maatschappij. Leo Damrosch is hoogleraar letterkunde aan Harvard Univesity. Hij schreef veel over achttiende-eeuwse auteurs, onder meer over de Franse politiek filosoof De Tocqueville.

Alexis de Tocqueville is more quoted than read; commentators across the political spectrum invoke him as an oracle who defined America and its democracy for all times. But in fact his masterpiece, Democracy in America, was the product of a young man's open-minded experience of America at a time of rapid change. In Tocqueville's Discovery of America, the prizewinning biographer Leo Damrosch retraces Tocqueville's nine-month journey through the young nation in 1831–1832, illuminating how his enduring ideas were born of imaginative interchange with America and Americans, and painting a vivid picture of Jacksonian America. Damrosch shows that Tocqueville found much to admire in the dynamism of American society and in its egalitarian ideals. But he was offended by the ethos of grasping materialism and was convinced that the institution of slavery was bound to give rise to a tragic civil war. Drawing on documents and letters that have never before appeared in English, as well as on a wide range of scholarship, Tocqueville's Discovery of America brings the man, his ideas, and his world to startling life.

In October 1656 James Nayler, a prominent Quaker leader--second only to George Fox in the nascent movement--rode into Bristol surrounded by followers singing hosannas in deliberate imitation of Jesus' entry into Jerusalem. In Leo Damrosch's trenchant reading this incident and the extraordinary outrage it ignited shed new light on Cromwell's England and on religious thought and spirituality in a turbulent period. Damrosch gives a clear picture of the origins and early development of the Quaker movement, elucidating the intellectual foundations of Quaker theology. A number of central issues come into sharp relief, including gender symbolism and the role of women, belief in miraculous cures, and--particularly in relation to the meaning of the entry into Bristol--"signs of the in-dwelling spirit." Damrosch's account of the trial and savage punishment of Nayler for blasphemy exposes the politics of the Puritan response, the limits to Cromwellian religious liberalism. The Sorrows of the Quaker Jesus is at once a study of antinomian religious thought, of an exemplary individualist movement that suddenly found itself obliged to impose order, and of the ways in which religious and political ideas become intertwined in a period of crisis. It is also a vivid portrait of a fascinating man.