New Releases by Larry McMurtry

From dusty flea markets in Texas to parties in Washington, DC, crawling with political hacks, Cadillac Jack is a classic American novel, timelier than ever. Larry McMurtry’s “big hearted” fiction has been lauded for “taking us places we hadn’t known existed” (Joyce Carol Oates, New York Review of Books). Cadillac Jack does exactly that, inviting readers into the passenger seat of a pearl-colored Caddy with peach velour–covered seats, joining a rodeo-bulldogger-turned-antique- scout at the wheel. “Superbly comic” (Newsday), this rollicking tale echoes the cultural climate of America today, with the cagey yet charming Jack grappling with the capitol’s pretentious elite. As he cruises through relationships with distinctively appealing women—including socialite boutique owner Cindy and discreet mother-of-two Jean—Jack realizes home for him will always be simply barreling down freeways in his Cadillac, wandering the country in search of another obscure treasure. Bolstered with its cast of unforgettable characters, Cadillac Jack entices with the prospect of undiscovered riches around that next bend in the road.

The personal and professional struggles of McMurtry’s lively protagonist Jill Peel, a director in 1970s Hollywood, takes on new resonance in the twenty-first century. Forty years ago, Larry McMurtry journeyed from the sprawling ranches of his early work to the provocative Sunset Strip, creating a Hollywood fable that is both immediate and relevant in today’s dynamic cultural climate. One would never guess that Jill Peel is still on the verge of stardom. Jill won an Oscar shortly after her fresh-faced arrival in 1950s Hollywood, then for the next twenty years batted away every Tinseltown producer who tried to hire her and get her into bed. Now middle-aged, she’s determined to create more movie magic by directing a cast of raunchy eccentrics, including Joe Percy, an aging womanizing screenwriter, and ex-football player Owen Oarson, eager to sleep his way to leading-man stardom. Teeming with biting humor and intriguing characters that mirror the scandals of modern-day Hollywood, Somebody’s Darling is a timeless story about a fiercely capable woman who dares to challenge the realities of a deceptively seductive Babel.

A young writer hits the dusty Texas highway for the California coast in this “brilliant . . . funny and dangerously tender” (Time) tale of art and sacrifice. Hailed as one of “the best novels ever set in America’s fourth largest city” (Douglas Brinkley, New York Times Book Review), All My Friends Are Going to Be Strangers is a powerful demonstration of Larry McMurtry’s “comic genius, his ability to render a sense of landscape, and interior intellection tension” (Jim Harrison, New York Times Book Review). Desperate to break from the “mundane happiness” of Houston, budding writer Danny Deck hops in his car, “El Chevy,” bound for the West Coast on a road trip filled with broken hearts and bleak realities of the artistic life. A cast of unforgettable characters joins the naïve troubadour’s pilgrimage to California and back to Texas, including a cruel, long-legged beauty; an appealing screenwriter; a randy college professor; and a genuine if painfully “normal” friend. Since the novel’s publication in 1972, Danny Deck has “been far more successful at getting loved by readers than he ever was at getting loved by the women in his life” (McMurtry), a testament to the author’s incomparable talent for capturing the essential tragicomedy of the human experience.

This landmark collection, brimming with his signature wit and incomparable sensibility, is Larry McMurtry’s classic tribute to his home and his people. Before embarking on what would become one of the most prominent writing careers in American literature, spanning decades and indelibly shaping the nation’s perception of the West, Larry McMurtry knew what it meant to come from Texas. Originally published in 1968, In a Narrow Grave is the Pulitzer Prize–winning author’s homage to the past and present of the Lone Star State, where he grew up a precociously observant hand on his father’s ranch. From literature to rodeos, small-town folk to big city intellectuals, McMurtry explores all the singular elements that define his land and community, revealing the surprising and particular challenges in the “dying . . . rural, pastoral way of life.” “The gold standard for understanding Houston’s brash rootlessness and civic insecurities” (Douglas Brinkley, New York Times Book Review), In a Narrow Grave offers a timeless portrait of the vividly human, complex, full-blooded Texan.

“If Chaucer were a Texan writing today . . . this is how he would have written and this is how he would have felt.”— New York Times In Leaving Cheyenne (1963), which anticipates Lonesome Dove more than any other early novel, the stark realities of the American West play out in a mesmerizing love triangle. Stubborn rancher Gideon Fry, resilient Molly Taylor, and awkward ranch hand Johnny McCloud struggle with love and jealousy as the years pass.

“Every line is poetry down and dirty in the mud, right where it belongs.” — Publishers Weekly A stunning literary debut, Horseman, Pass By (1961) exhibits the “full-blooded Western genius” (Publishers Weekly) that would come to define McMurtry’s incomparable sensibility. In the dusty north Texas town of Thalia, young Lonnie Bannon quietly endures the pangs of maturity as a persistent rivalry between his grandfather and step-uncle, Hud, festers, and a deadly disease spreads among their cattle like wildfire.

From the Pulitzer Prize-winning author On the wild Texas frontier where barbarism and civilization come in many forms, Rangers Gus McCrae and Woodrow Call are pitched into the long, bitter, bloody fighting under the command of Captain Inish Scull. When Scull''s favourite horse is stolen by the Comanches, he decides to track him down, leaving Gus and Call in charge. However, on their return to Austin, Gus is greeted by the news that his sweetheart is to marry another man and Call finds that the town''s most notorious woman is desperate to settle down with him and become respectable. When Scull''s wealthy wife demands that her errant husband be brought home, with feelings akin to relief the two men set off once more into the vast, untamed plains . . . Comanche Moon, which follows on from Dead Man''s Walk and prequels Lonesome Dove, follows Gus and Call in their bitter struggle to protect the advancing West frontier against the defiant Comanches, courageously determined to defend their territory and their way of life, and showcases McMurtry''s strong affinity for the landscape and its inhabitants with a deeply felt lyrical intensity.

Wyatt Earp and Doc Holliday move across the frontier from Long Grass, Texas, to Buffalo Bill''s Wild West Show in Denver.

In this lavishly illustrated volume, Larry McMurtry, the greatest chronicler of the American West, tackles for the first time one of the paramount figures of Western and American history--George Armstrong Custer. McMurtry also argues that Custer''s last stand at the Little Bighorn should be seen as a monumental event in our nation''s history. Like all great battles, its true meaning can be found in its impact on our politics and policy, and the epic defeat clearly signaled the end of the Indian Wars--and brought to a close the great narrative of western expansion.

Larry McMurtry, the preeminent chronicler of the American West, celebrates the best of contemporary Western short fiction, introducing a stellar collection of twenty stories that represent, in various ways, the coming-of-age of the legendary American frontier. Featuring a veritable Who''s Who of the century''s most distinctive writers, this collection effectively departs from the standard superstars of the Western genre. McMurtry has chosen a refreshing range of work that, when taken as a whole, depicts the evolution and maturation of Western writing over several decades. The featured tales are not so concerned with the American West of history and geography as they are with the American West of the imagination—one that is alternately comic, gritty, individual, searing, and complex. Including authors such as Jack Kerouac, Wallace Stegner, Raymond Carver, Annie Proulx, and Diana Ossana, this collection captures the real Western canon like no other.

La première partie de Lonesome Dove nous a entraînés à la suite d’Augustus McCrae et Woodrox Call, illustres ex-Texas Rangers, sur la route dangereuse du Montana, là où, dit-on, les terres sont encore à qui les prend. De nombreuses épreuves attendent le convoi lors de cet extraordinaire périple à travers l’Ouest. Les hommes devront tour à tour affronter des éléments déchaînés, des pillards et leurs propres démons. Au bout de cette piste longue et périlleuse, beaucoup manqueront à l’appel.

"One thing I’ve always liked about Hollywood is its zip, or speed. The whole industry depends to some extent on talent spotting. The hundreds of agents, studio executives, and producers who roam the streets of the city of Los Angeles let very little in the way of talent slip by." In this final installment of the memoir trilogy that includes Books and Literary Life, Larry McMurtry, "the master of the show-stopping anecdote" (O, The Oprah Magazine) turns his own keenly observing eye to his rollercoaster romance with Hollywood. As both the creator of numerous works successfully adapted by others for film and television (Terms of Endearment, Lonesome Dove, and the Emmy-nominated The Murder of Mary Phagan) and the author of screenplays including The Last Picture Show (with Peter Bogdanovich), Streets of Laredo, and the Oscar-winning Brokeback Mountain (both with longtime writing partner Diana Ossana), McMurtry has seen all the triumphs and frustrations that Hollywood has to offer a writer, and he recounts them in a voice unfettered by sentiment and yet tinged with his characteristic wry humor. Beginning with his sudden entrée into the world of film as the author of Horseman, Pass By—adapted into the Paul Newman–starring Hud in 1963—McMurtry regales readers with anecdotes that find him holding hands with Cybill Shepherd, watching Jennifer Garner’s audition tape, and taking lunch at Chasen’s again and again. McMurtry fans and Hollywood hopefuls alike will find much to cherish in these pages, as McMurtry illuminates life behind the scenes in America’s dream factory.

With a riotously colorful cast of highbrows, cowpokes, and rodeo queens, in its wry humor, tenderness, and epic panorama, Moving On is a celebration of our land by Larry McMurtry, one of America’s best-loved authors. Moving On is a big, powerful novel about men and women in the American West. Set in the 1960s against the backdrop of the honky-tonk glamour of the rodeo and the desperation of suburban Houston, it is the story of the restless and lovable Patsy Carpenter, one of Larry McMurtry’s most unforgettable characters. Patsy—young, beautiful, with a sharp tongue and an irresistible charm—and her shiftless husband, Jim, are adrift in the West. Patsy moves through affairs of the heart like small towns—there’s Pete, the rodeo clown, and Hank, the graduate student, and others—always in search of the life that seems ever receding around the next bend. Moving On is vintage McMurtry.

From the Pulitzer Prize–winning author Larry McMurtry comes the sequel and final book in the Lonesome Dove tetralogy. An exhilarating tale of legend and heroism, Streets of Laredo is classic Texas and Western literature at its finest. Captain Woodrow Call, August McCrae''s old partner, is now a bounty hunter hired to track down a brutal young Mexican bandit. Riding with Call are an Eastern city slicker, a witless deputy, and one of the last members of the Hat Creek outfit, Pea Eye Parker, now married to Lorena—once Gus McCrae''s sweetheart. This long chase leads them across the last wild streches of the West into a hellhole known as Crow Town and, finally, into the vast, relentless plains of the Texas frontier.

Nominated as one of America’s best-loved novels by PBS’s The Great American Read. A love story, an adventure, and an epic of the frontier, Larry McMurtry’s Pulitzer Prize–winning classic, Lonesome Dove, the third book in the Lonesome Dove tetralogy, is the grandest novel ever written about the last defiant wilderness of America. Journey to the dusty little Texas town of Lonesome Dove and meet an unforgettable assortment of heroes and outlaws, whores and ladies, Indians and settlers. Richly authentic, beautifully written, always dramatic, Lonesome Dove is a book to make us laugh, weep, dream, and remember.

From the Pulitzer Prize–winning author of Lonesome Dove comes the novel that became the basis for the film Hud, starring Paul Newman. In classic Western style Larry McMurtry illustrates the timeless conflict between the modernity and the Old West through the eyes of Texas cattlemen. Horseman, Pass By tells the story of Homer Bannon, an old-time cattleman who epitomizes the frontier values of honesty and decency, and Hud, his unscrupulous stepson. Caught in the middle is the narrator, Homer''s young grandson Lonnie, who is as much drawn to his grandfather’s strength of character as he is to Hud''s hedonism and materialism. When first published in 1961, Horseman, Pass By caused a sensation in Texas literary circles for its stark, realistic portrayal of the struggles of a changing West in the years following World War II. Never before had a writer managed to encapsulate its environment with such unsentimental realism. Today, memorable characters, powerful themes, and illuminating detail make Horseman, Pass By vintage McMurtry.

Pulitzer Prize–winner Larry McMurtry follows up his memoir Books with this engrossing and deeply personal reflection on the life of a writer. Larry McMurtry is that rarest of artists, a prolific and genre-transcending writer who has delighted generations with his witty and elegant prose. In Literary Life, the sequel to Books, he expounds on the private trials and triumphs of being a writer. From his earliest inkling of his future career while at Rice University, to his tenure as a Wallace Stegner fellow at Stanford with Ken Kesey in 1960, to his incredible triumphs as a bestselling author, this intimate and charming autobiography is replete with literary anecdotes and packed with memorable observations about writing, writers, and the author himself. It is a work to be cherished not only by McMurtry’s admirers, but by the innumerable aspiring writers who seek to make their own mark on American literature.

Dead Man''s Walk is the first, extraordinary book in the epic Lonesome Dove tetralogy, in which Larry McMurtry breathed new life into the vanished American West and created two of the most memorable heroes in contemporary fiction: Augustus McCrae and Woodrow Call. As young Texas Rangers, Gus and Call have much to learn about survival in a land fraught with perils: not only the blazing heat and raging tornadoes, roiling rivers and merciless Indians but also the deadly whims of soldiers. On their first expeditions--led by incompetent officers and accompanied by the robust, dauntless whore known as the Great Western--they will face death at the hands of the cunning Comanche war chief Buffalo Hump and the silent Apache Gomez. They will be astonished by the Mexican army. And Gus will meet the love of his life.

McMurtry''s follow-up to All My Friends Are Going to Be Strangers will capture a whole new audience, opening up the world of the now-millionaire Danny Deck and his strong and passionate daughter T.R.. "Mr. Deck, are you my stinkin'' Daddy?" In a furious phone call from T.R., the daughter he''s never met, Danny Deck gets the jolt of his life. A TV writer who''s retired to his Texas mansion, Danny spends his days talking to the answering machines of his ex-lovers from New York to Paris and dreaming of the characters in the sitcom he''s created. But suddenly, a hurricane called T.R. is storming into his life... In his most moving and richly comic contemporary novel since Texasville, Larry McMurtry returns to the modern West he created so masterfully in The Last Picture Show and Terms of Endearment. Some Can Whistle spins a tale of Hollywood glitz and Texas grit; of an extraordinary young woman and a murderous young man; and of a middle-aged millionaire running head-on into the longings, joys, and pathos of real life.

The earthy humor and the powerful emotional impact that set McMurtry''s Terms of Endearment apart from other novels now rise to brilliant new heights with The Evening Star. McMurtry takes us deep into the heart of Texas, and deep into the heart of one of the most memorable characters of our time, Aurora Greenway—along with her family, friends, and lovers—in a tale of affectionate wit, bittersweet tenderness, and the unexpected turns that life can take. This is Larry McMurtry at his very best: warm, compassionate, full of comic invention, an author so attuned to the feelings, needs, and desires of his characters that they possess a reality unique in American fiction.

In this tale of high-spirited and terrifying adventure, set against the background of the West that Larry McMurtry has made his own, By Sorrow’s River is an epic in its own right with the return of the formidable, young Tasmin Berrybender. At the heart of this third volume of his Western saga remains the beautiful and determined Tasmin Berrybender, now married to the “Sin Killer” and mother to their young son, Monty. By Sorrow’s River continues the Berrybender party’s trail across the endless Great Plains of the West toward Santa Fe, where they intend, those who are lucky enough to survive the journey, to spend the winter. They meet up with a vast array of characters from the history of the West: Kit Carson, the famous scout; Le Partezon, the fearsome Sioux war chief; two aristocratic Frenchmen, whose eccentric aim is to cross the Great Plains by hot air balloon; a party of slavers; a band of raiding Pawnee; and many other astonishing characters who prove, once again, that the rolling, grassy plains are not, in fact, nearly as empty of life as they look. Most of what is there is dangerous and hostile, even when faced with Tasmin’s remarkable, frosty sangfroid. She is one of the strongest and most interesting of Larry McMurtry’s characters, and she stands at the center of this powerful and ambitious novel of the West.

Pulitzer Prize–winner Larry McMurtry writes novels set in the American heartland, but his real territory is the heart itself. His gift for writing about women—their love for reckless, hopeless men; their ability to see the good in losers; and their peculiar combination of emotional strength and sudden weakness—makes The Desert Rose the bittersweet, funny, and touching book that it is. Harmony is a Las Vegas showgirl with the best legs in town. At night she''s a lead dancer in a gambling casino; during the day she raises peacocks. She throws her love away on second-rate men, but wakes up in the morning full of hope. She''s one of a dying breed of dancers, faced with fewer and fewer jobs and an even bleaker future. Yet, she maintains a calm cheerfulness in that arid neon landscape of supermarkets, drive-in wedding chapels, and all-night casinos. While Harmony''s star is fading, her beautiful, cynical daughter Pepper''s is on the rise. But Harmony remains wistful and optimistic through it all. She is the unexpected blossom in the wasteland, the tough and tender desert rose. Hers is a loving portrait that only Larry McMurtry could render.

In a lucid, brilliant work of nonfiction, Larry McMurtry has written a family portrait that also serves as a larger portrait of Texas itself, as it was and as it has become. Using an essay by the German literary critic Walter Benjamin that he first read in Archer City''s Dairy Queen, McMurtry examines the small town way of life that big oil and big ranching have nearly destroyed. He praises the virtues of everything from a lime Dr. Pepper to the lost art of oral storytelling, and describes the brutal effect of the sheer vastness and emptiness of the Texas landscape on Texans, the decline of the cowboy, and the reality and the myth of the frontier.u200b McMurtry writes frankly and with deep feeling about his own experiences as a writer, a parent, and a heart patient, and he deftly lays bare the raw material that helped shape his life''s work: the creation of a vast, ambitious, fictional panorama of Texas in the past and the present. Throughout, McMurtry leaves his readers with constant reminders of his all-encompassing, boundless love of literature and books.

Boone''s Lick is Pulitzer Prize-winning author Larry McMurtry''s return to the kind of story that made him famous -- an enthralling tale of the nineteenth-century west. Like his bestsellers Lonesome Dove, Streets of Laredo, Comanche Moon, and Dead Man''s Walk, Boone''s Lick transports the reader to the era about which McMurtry writes better and more shrewdly than anyone else. Told with McMurtry''s unique blend of historical fact and sheer storytelling genius, the novel follows the Cecil family''s arduous journey by riverboat and wagon from Boone''s Lick, Missouri, to Fort Phil Kearny in Wyoming. Fifteen-year-old Shay narrates, describing the journey that begins when his Ma, Mary Margaret, decides to hunt down her elusive husband, Dick, to tell him she''s leaving him. Without knowing precisely where he is, they set out across the plains in search of him, encountering grizzly bears, stormy weather, and hostile Indians as they go. With them are Shay''s siblings, G.T., Neva, and baby Marcy; Shay''s uncle, Seth; his Granpa Crackenthorpe; and Mary Margaret''s beautiful half-sister, Rose. During their journey they pick up a barefooted priest named Father Villy, and a Snake Indian named Charlie Seven Days, and persuade them to join in their travels. At the heart of the novel, and the adventure, is Mary Margaret, whom we first meet shooting a sheriff''s horse out from underneath him in order to feed her family. Forceful, interesting, and determined, she is written with McMurtry''s trademark deftness and sympathy for women, and is in every way a match for the worst the west can muster. Boone''s Lick abounds with the incidents, the excitements, and the dangers of life on the plains. Its huge cast of characters includes such historical figures as Wild Bill Hickok and the unfortunate Colonel Fetterman (whose arrogance and ineptitude led to one of the U.S. Army''s worst and bloodiest defeats at the hands of the Cheyenne and Sioux) as well as the Cecil family (itself based on a real family of nineteenth-century traders and haulers). The story of their trek in pursuit of Dick, and the discovery of his second and third families, is told with brilliance, humor, and overwhelming joie de vivre in a novel that is at once high adventure, a perfect western tale, and a moving love story -- it is, in short, vintage McMurtry, combining his brilliant character portraits, his unerring sense of the west, and his unrivaled eye for the telling detail. Boone''s Lick is one of McMurtry''s richest works of fiction to date.

The second volume in Larry McMurtry''s four-part historical epic featuring the Berrybender family as they continue their journey through the West during the 1830s. In The Wandering Hill, Larry McMurtry continues the story of Tasmin Berrybender and her eccentric family in the still unexplored Wild West of the 1830s. Their journey is one of exploration, beset by difficulties, tragedies, the desertion of trusted servants, and the increasing hardships of day-to-day survival in a land where nothing can be taken for granted. By now, Tasmin is married to the elusive young mountain man Jim Snow (the "Sin Killer"). On his part, Jim is about to discover that in taking the outspoken, tough-minded, stubbornly practical young aristocratic woman into his teepee he has bitten off more than he can chew. Still, theirs is a great love affair and dominates this volume of Larry McMurtry''s The Berrybender Narratives, in which Tasmin gradually takes center stage as her father loses his strength and powers of concentration, and her family goes to pieces stranded in the hostile wilderness. The Wandering Hill (which refers to a powerful and threatening legend in local Indian folklore) is at once literature on a grand scale and riveting entertainment by a master storyteller.

The time is 1925. The place, St. Louis, Missouri. Charley Floyd, a good-looking, sweet-smiling country boy from Oklahoma, is about to rob his first armored car. Written by Pulitzer Prize–winner Larry McMurtry and his writing partner, Diana Ossana, Pretty Boy Floyd traces the wild career of the legendary American folk hero Charley Floyd, a young man so charming that it''s hard not to like him, even as he''s robbing you at gunpoint. From the bank heists and shootings that make him Public Enemy Number One to the women who love him, from the glamour-hungry nation that worships him to the G-men who track Charley down, Pretty Boy Floyd is both a richly comic masterpiece and an American tragedy about the price of fame and the corruption of innocence.

u200bIn his signature his elegiac proseu200b, Rhino Ranch finds Larry McMurtry bidding a final farewell to his multi-book hero, Duane Moore, and the rapidly changing town of Thalia, Texas. The town of Thalia, Texas has changed forever. By the end of When the Light Goes, Duane was already realizing how different his dusty old oil patch was becoming. Now, coming back from a near-fatal heart attack, it is nearly unrecognizable to him. Returning home to recover, Duane finds a new neighbor, K.K. Slater, a stubborn, tough, quirky billionairess, who also happens to have opened the Rhino Ranch—a preserve to save the black Rhino—on her property. In the midst of a world to which he no longer belongs, in a town in which the land that used to reap oil now serves as a nature preserve, he watches the world change around him and begins to reflect on love affairs past and the missed opportunities he now regrets. Rhino Ranch is a bittersweet and fitting end to this iconic series, a tribute to all of the emotion, hilarity, whimsy, and poignancy that readers have followed across decades.

A brilliant and riveting history of the famous and infamous massacres that marked the settling of the American West in the nineteenth century. In Oh What a Slaughter, Larry McMurtry has written a unique, brilliant, and searing history of the bloody massacres that marked—and marred—the settling of the American West in the nineteenth century, and which still provoke immense controversy today. Here are the true stories of the West''s most terrible massacres—Sacramento River, Mountain Meadows, Sand Creek, Marias River, Camp Grant, and Wounded Knee, among others. These massacres involved Americans killing Indians, but also Indians killing Americans, and, in the case of the hugely controversial Mountain Meadows Massacre in 1857, Mormons slaughtering a party of American settlers, including women and children. McMurtry''s evocative descriptions of these events recall their full horror, and the deep, constant apprehension and dread endured by both pioneers and Indians. By modern standards the death tolls were often small—Custer''s famous defeat at Little Big Horn in 1876 was the only encounter to involve more than two hundred dead—yet in the thinly populated West of that time, the violent extinction of a hundred people had a colossal impact on all sides. Though the perpetrators often went unpunished, many guilty and traumatized men felt compelled to tell and retell the horrors they had committed. From letters and diaries, McMurtry has created a moving and swiftly paced narrative, as memorable in its way as such classics as Evan S. Connell''s Son of the Morning Star and Dee Brown''s Bury My Heart at Wounded Knee. In Larry McMurtry''s own words: "I have visited all but one of these famous massacre sites—the Sacramento River massacre of 1846 is so forgotten that its site near the northern California village of Vina can only be approximated. It is no surprise to report that none of the sites are exactly pleasant places to be, though the Camp Grant site north of Tucson does have a pretty community college nearby. In general, the taint that followed the terror still lingers and is still powerful enough to affect locals who happen to live nearby. None of the massacres were effectively covered up, though the Sacramento River massacre was overlooked for a very long time. "But the lesson, if it is a lesson, is that blood—in time, and, often, not that much time—will out. In case after case the dead have managed to assert a surprising potency. "The deep, constant apprehension, which neither the pioneers nor the Indians escaped, has, it seems to me, been too seldom factored in by historians of the settlement era, though certainly it saturates the diary-literature of the pioneers, particularly the diary-literature produced by frontier women, who were, of course, the likeliest candidates for rapine and kidnap."

In this masterful and often surprising sequel to the acclaimed Duane''s Depressed, the Pulitzer Prize–winning author of Lonesome Dove has written a haunting, elegiac, and occasionally erotic novel about one of his most beloved characters. Back from a two-week trip to Egypt, Duane finds he cannot readjust to life in Thalia, the small, dusty West Texas hometown in which he has spent all of his life. In the short time he was away, it seems that everything has changed alarmingly. His office barely has a reason to exist now that his son Dickie is running the company from Wichita Falls, his lifelong friends seem to have suddenly grown old, his familiar hangout—once a good old-fashioned convenience store—has been transformed into an "Asian Wonder Deli," his daughters seem to have taken leave of their senses and moved on to new and strange lives, and his own health is at serious risk. It''s as if Duane cannot find any solace or familiarity in Thalia and cannot even bring himself to revisit the house he shared for decades with his late wife, Karla, and their children and grandchildren. He spends his days aimlessly riding his bicycle (already a sign of serious eccentricity in West Texas) and living in his cabin outside town. The more he tries to get back to the rhythm of his old life, the more he realizes that he should have left Thalia long ago—indeed everybody he cared for seems to have moved on without him, to new lives or to death. The only consolation is meeting the young, attractive geologist, Annie Cameron, whom Dickie has hired to work out of the Thalia office. Annie is brazenly seductive, yet oddly cold, young enough to be Duane''s daughter, or worse, and Duane hasn''t a clue how to handle her. He''s also in love with his psychiatrist, Honor Carmichael, who after years of rebuffing him, has decided to undertake what she feels is Duane''s very necessary sex reeducation, opening him up to some major, life-changing surprises. When the Light Goes reminds everyone that where there''s life, there is indeed hope. At once realistic and life-loving, often hilariously funny, and always moving, Larry McMurtry has written one of his finest and most compelling novels to date, doing for Duane what he did so triumphantly for Aurora in Terms of Endearment.