Best Selling Books by Kate Walbert

From the award-winning author of The Gardens of Kyoto comes this witty and incisive novel about the lives and attitudes of a group of women—once country-club housewives; today divorced, independent, and breaking the rules. In Our Kind, Kate Walbert masterfully conveys the dreams and reality of a group of women who came into the quick rush of adulthood, marriage, and child-bearing during the 1950s. Narrating from the heart of ten companions, Walbert subtly depicts all the anger, disappointment, vulnerability, and pride of her characters: "Years ago we were led down the primrose lane, then abandoned somewhere near the carp pond." Now alone, with their own daughters grown, they are finally free—and ready to take charge: from staging an intervention for the town deity to protesting the slaughter of the country club''s fairway geese, to dialing former lovers in the dead of night. Walbert''s writing is quick-witted and wry, just like her characters, but also, in its cumulative effect, moving and sad. Our Kind is a brilliant, thought-provoking novel that opens a window into the world of a generation and class of women caught in a cultural limbo.

A “tense, taut, and thrilling” (Marie Claire) novel about a teenage girl, a predatory teacher, and a school’s complicity from the highly acclaimed, bestselling National Book Award finalist and author of A Short History of Women—“riveting, terrifying, exactly the book for our times” (Ann Patchett). They were on a lark, three teenaged girls speeding across the greens at night on a “borrowed” golf cart, drunk. The cart crashes and one of the girls lands violently in the rough, killed instantly. The driver, Jo, flees the hometown that has turned against her and enrolls at a prestigious boarding school. Her past weighs on her. She is responsible for the death of her best friend. She has tipped her parents’ rocky marriage into demise. She is ready to begin again, far away from the accident. “Devastatingly relevant” (Vogue) and “fueled by gorgeous writing” (NPR), His Favorites reveals the interior life of a young woman determined to navigate the treachery in a new world. Told from her perspective many years later, the story coolly describes a series of shattering events and a school that failed to protect her. “Before things turn treacherous, there’s a moment when predation can feel dangerously like kindness…Walbert understands this…His Favorites begs to be read” (Time).

A NEW YORK TIMES 100 NOTABLE BOOKS OF 2019 SELECTION From Kate Walbert, the highly acclaimed, National Book Award nominee, comes a dazzling, career-spanning collection of new and selected stories. In these twelve deft, acutely funny and often heartbreaking stories, Kate Walbert delves into the hearts and minds of women. Her characters are searchers, uneasy in one way or another. They yearn for connection. They question the definitions assigned to them as wives, mothers, and daughters; they seek their own way within isolated, and often isolating, circumstances, reveling in small, everyday epiphanies and moments of clarity. In the riveting opening story “M&M World,” a woman is plunged into panic when she briefly loses one of her daughters at the vast and over-stimulating Times Square store. In “Slow the Heart,” a single mother tries to ease tension at the dinner table with Roses and Thorns, the game she knows the Obamas played in the White House. In “Radical Feminists,” a woman skating with her two children encounters the man who derailed her career years earlier. And in the poignant, “A Mother Is Someone Who Tells Jokes,” a mother reflects on the nursery school project that preceded her son’s autism diagnosis. This is a deeply moving, resonant collection from a writer “rightly celebrated for her ability to capture the variety and vulnerability of women’s lives with a combination of lyricism and brawn” (NPR).

“Incisive, eerie, sensual, and threatening.”—The Village Voice The linked stories in Kate Walbert’s debut collection Where She Went examine the very contemporary predicament of a family without geographic roots. The first half of the book chronicles the life of Marion Clark, a company wife who repeatedly packs the household and accompanies her husband around the globe with a “melancholy view before her of what seemed like endless houses with endless garages and endless kitchen windows.” In the stories that follow, her adult daughter Rebecca continues the family legacy of wandering, traveling farther and farther afield, seeking to fulfill her mother’s thwarted aspirations. But Rebecca’s world is one viewed with a slightly off-kilter eye, one that invokes Michelangelo in the Sistine Chapel, Mohammed’s faithful followers at Topkapi Palace, as well as the landscapes of Italy and Jamaica, Istanbul, and Paris. This mother and daughter, each uniquely of her own generation, remain locked, firmly, in longing—Marion with little free will, and Rebecca with an excess of free spirit. From a patchwork of communication that unfolds between Marion and Rebecca, Walbert creates a narrative that is both fractured and lyrical. Where She Went is an epic for out times—an odyssey that takes home on the road.

Inspired by a suffragist ancestor who starved herself to promote the integration of Cambridge University, Evie refuses to marry and Dorothy defies a ban on photographing the bodies of her dead Iraq War soldier sons, a choice that embarrasses Dorothy''s daughters.

From the highly acclaimed, bestselling National Book Award nominee, a “funny…beautiful…audacious…masterful” (J. Courtney Sullivan, The Boston Globe) novel about the way memory haunts and shapes the present. Marie and Simone, friends for decades, were once immigrants to the city, survivors of World War II in Europe. Now widows living alone in Chelsea, they remain robust, engaged, and adventurous, even as the vistas from their past interrupt their present. Helen is an art historian who takes a painting class with Marie and Simone. Sid Morris, their instructor, presides over a dusty studio in a tenement slated for condo conversion; he awakes the interest of both Simone and Marie. Elizabeth is Marie’s upstairs tenant, a woman convinced that others have a secret way of being, a confidence and certainty she lacks. She is increasingly unmoored—baffled by her teenage son, her husband, and the roles she is meant to play. In a chorus of voices, Kate Walbert, a “wickedly smart, gorgeous writer” (The New York Times Book Review), explores the growing disconnect between the world of action her characters inhabit and the longings, desires, and doubts they experience. Interweaving long narrative footnotes, Walbert paints portraits of marriage, of friendship, and of love in its many facets, always limning the inner life, the place of deepest yearning and anxiety. The Sunken Cathedral is a stunningly beautiful, profoundly wise novel about the way we live now—“fascinating, moving, and significant” (Ron Charles, The Washington Post).

Kate Walbert recalls the death of her favorite cousin on Iwo Jima and her romance six years later with a man on the eve of his departure for Korea.

I had a cousin, Randall, killed on Iwo Jima. Have I told you? So begins Kate Walbert''s beautiful and heart-breaking novel about a young woman, Ellen, coming of age in the long shadow of World War II. Forty years later she relates the events of this period, beginning with the death of her favorite cousin, Randall, with whom she had shared Easter Sundays, secrets, and, perhaps, love. In an isolated, aging Maryland farmhouse that once was a stop on the Underground Railroad, Randall had grown up among ghosts: his father, Sterling, present only in body; his mother, dead at a young age; and the apparitions of a slave family. When Ellen receives a package after Randall''s death, containing his diary and a book called The Gardens of Kyoto, her bond to him is cemented, and the mysteries of his short life start to unravel.

In 15 Kapiteln beschreibt Kate Walbert Frauen-Geschichte, beginnend im Jahre 1914 und in den frühen Jahren des 21. Jahrhunderts endend.