New Releases by Joseph Bottum

For over thirty years, Joseph Bottum has been writing widely acclaimed Christmas essays, columns, short stories, and carols for American magazines and newspapers. Now, for the first time, St. Augustine''s Press has gathered a selection of these classic pieces--with a vast range across the Christmas spectrum. There''s the comic: "Tinsel. No one needs tinsel. Even the word is a tinselly kind of word." There''s the sentimental: "Her hair was the same thin shade of gray as the weather-beaten pickets of the fence around her frozen garden." There''s the reminiscent: "Christmas was books, and books Christmas, in those days now mostly washed down to the cold sea." Along the way, there''s the theological, the learned, the mystical, and the musical. "Tastefulness is just small-mindedness pretending to be art," he writes in praise of mad and cluttered holidays. "Christmas will not be defined by our failures to apply its lessons and carols," he explains about Yuletide poetry. To see these essays, short stories, and carols gathered in one place--in a beautiful illustrated edition from St. Augustine''s Press--is to see the whole of the vision that Joseph Bottum has been painting for decades: a picture of Christmas as a thin place in the wall between the natural and the numinous, where a burning grace slips into a cold winter world.

The poetry of Spending the Winter is musical and structured, whimsical and piercing, begging to be read aloud when one is not laughing or arrested by an image that hooks the heart. "Poems so severely beautiful that they become unforgettable after one reading," writes one poet. "A throwback to a time when lovers of poetry...looked for poetry of depth, wit, and craft from the likes of Auden and Larkin," adds another. With sections of comedy that show his wit, translations that echo his vast reading, and formalist poetry that reveal his craft, Bottum aims, in the way few poets these days do, at memorable lines and heart-stopping images as he seeks the deep stuff of human experience: God and birth and death--the beautiful and terrifying finitude of life. "We do with words what little words can do," he writes. But in Spending the Winter, Joseph Bottum shows that words can do far more than a little. "Poems so severely beautiful that they become unforgettable after one reading. . . . If you''re a reader who loves poetry whatever mood it''s in, just open Spending the Winter anywhere to find poems that hurt, enlighten, and delight." --Rhina P. Espaillat, author of Rehearsing Absence and winner of the T.S. Eliot Prize "Joseph Bottum is a brilliant formalist, and to read him is to enter the world of the tried-and-true classics, all achieved with an amazingly contemporary ring. His Spending the Winter is a delight. Here is a poetry of elegy, humor, wit, political savvy, and vast learning." --Paul Mariani, author The Great Wheel and winner of the John Ciardi Award "Joseph Bottum''s Spending the Winter is a throwback to a time when lovers of poetry outside the literary establishment looked for poetry of depth, wit, and craft from the likes of Auden and Larkin. This is poetry from another age--an age when we expected intellectual, religious, and literary significance from our verse." --A.M. Juster, author of Wonder and Wrath and winner of the Willis Barnstone Translation Prize "Spending the Winter is a word-lover''s dream: Joseph Bottum''s poems pierce, probe, dazzle, and delight. They will open the eyes of your soul." --Karen Swallow Prior, author of On Reading Well "When reading Spending the Winter, I recalled C.S. Lewis''s description of joy as a wanting for something that is beyond this world. There''s a sense in these poems that things around us are fleeting, yet for that reason, the poems ask us to pay all the more attention." --Jessica Hooten Wilson, author of Giving the Devil his Due

The future of humanity is urban. It might seem a bad move for a magazine named after a farm tool to bring out an issue on cities. Especially if that magazine is published by an Anabaptist community that originated in a back-to-the-land movement and still has the whiff of hayfield and woodlot to it. Why not stick to what you''re good at? Why jump lanes? Because the future of humanity, pretty clearly, is urban. Urbanization is arguably the biggest change of habitat our species has ever undergone. For anyone who cares about the common good of humanity, then, cities need to matter. The modern city is an electrifying concentration of creativity, energy, and cultural dynamism. It''s also still the "cauldron of unholy loves" that Saint Augustine discovered in Carthage one and a half millennia ago. It''s the place where the cruelties of mammon, the hubris of power, and the perversions of lust manifest themselves most crassly. But cities have also given birth to culture and community and to remarkable movements of revival and renewal. In this issue, visit: - Belfast with Jenny McCartney - New York City with James Macklin - Medellín with Adriano Cirino - Pittsburgh with Brandon McGinley - Guatemala City with José Corpas - Philadelphia with Clare Coffey - Chicago with John Thornton Jr. - Paris with Jason Landsel You''ll also find: - Insights on cities from Jane Jacobs, Eberhard Arnold, Augustine, and Philip Britts - reviews of books by Jonathan Foiles, Bethany McKinney Fox, J. Malcolm Garcia, Tatiana Schlossberg, Tim Gautreaux, Philip Bess, and Frederic Morton - art by Gail Brodholt, Michelangelo Buonarroti, Ben Ibebe, Brian Peterson, Chota, Raphael, Gertrude Hermes, Valentino Belloni, Tony Taj, and Aristarkh Lentulov Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus'' message into practice and find common cause with others.

"The novel has lost its purpose, Joseph Bottum argues in this fascinating new look at the history of fiction. We have not transcended our need for what novels provide, but we no longer "read novels the way we used to." In a historical tour de force--the kind of sweeping analysis almost lost to contemporary literary criticism--Bottum traces the emergence of the novel from the modern religious formation of the individual soul and the atomized self. Reading everything from Jane Austen to genre fiction, Bottum finds a lack of faith in the ability of art to respond to the deep problems of existence. "The decline of the novel''s prestige reflects and confirms a genuine cultural crisis," he writes. "The novel didn''t fail us. We failed the novel." Told in faced-paced, engaging prose, Bottum''s The Decline of the Novel is a succinct critique of classic and contemporary fiction--a must read for students of literary form, critics of contemporary art, and general readers who wish to learn, finally, what we all used to know: the deep moral purpose of reading novels." --back cover of book

The World Is Awake, A celebration of everyday blessings, written by Good Morning America News correspondent Linsey Davis with Joseph Bottum, is a joyous romp through an ordinary day in a young child''s life--a day filled with the love and magnificent world of our Creator.

We live in a profoundly spiritual age, but not in any good way. Huge swaths of American culture are driven by manic spiritual anxiety and relentless supernatural worry. Radicals and traditionalists, liberals and conservatives, together with politicians, artists, environmentalists, followers of food fads, and the chattering classes of television commentators: America is filled with people frantically seeking confirmation of their own essential goodness. We are a nation desperate to stand of the side of morality--to know that we are righteous and dwell in the light. In An Anxious Age, Joseph Bottum offers an account of modern America, presented as a morality tale formed by a collision of spiritual disturbances. And the cause, he claims, is the most significant and least noticed historical fact of the last fifty years: the collapse of the mainline Protestant churches that were the source of social consensus and cultural unity. Our dangerous spiritual anxieties, broken loose from the churches that once contained them, now madden everything in American life. Updating The Protestant Ethic and the Sprit of Capitalism, Max Weber''s sociological classic, An Anxious Age undertakes two case studies of contemporary social classes adrift in a nation without the religious understandings that gave them meaning. Looking at the college-educated elite he calls "the Poster Children," Bottum sees the post-Protestant heirs of the old mainline Protestant domination of culture: dutiful descendants who claim the high social position of their Christian ancestors even while they reject their ancestors'' Christianity. Turning to the Swallows of Capistrano, the Catholics formed by the pontificate of John Paul II, Bottum evaluates the early victories--and later defeats--of the attempt to substitute Catholicism for the dying mainline voice in public life. Sweeping across American intellectual and cultural history, An Anxious Age traces the course of national religion and warns about the strange angels and even stranger demons with which we now wrestle. Insightful and contrarian, wise and unexpected, An Anxious Age ranks among the great modern accounts of American culture.

A well-respected writer and editor''s memoir of childhood Christmases set in the sometimes harsh but always captivating landscape of South Dakota. Wreaths and holly, fruitcakes and mistletoe, ornaments and snowflakes, St. Nick and Scrooge''s humbug, Joseph and Mary, a young child in a manger and magi from the East. These words automatically stir up the season of Christmas and invoke memories of family and friends and hope and faith. By turns sweet and comic, sentimental and serious, the former editor of First Things magazine shares his reflections of the mad joys and wild emotions of the season while growing up on the South Dakota plains.

Joseph Bottum, editor of First Things, writes on the importance of Catholicism in America in two articles previously appearing in "The Public Square," in First Things: "The Papal Difference," and "Life Support."