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Kierkegaard’s Concepts is a comprehensive, multi-volume survey of the key concepts and categories that inform Kierkegaard’s writings. Each article is a substantial, original piece of scholarship, which discusses the etymology and lexical meaning of the relevant Danish term, traces the development of the concept over the course of the authorship, and explains how it functions in the wider context of Kierkegaard’s thought. Concepts have been selected on the basis of their importance for Kierkegaard’s contributions to philosophy, theology, the social sciences, literature and aesthetics, thereby making this volume an ideal reference work for students and scholars in a wide range of disciplines.

Kierkegaard’s Concepts is a comprehensive, multi-volume survey of the key concepts and categories that inform Kierkegaard’s writings. Each article is a substantial, original piece of scholarship, which discusses the etymology and lexical meaning of the relevant Danish term, traces the development of the concept over the course of the authorship, and explains how it functions in the wider context of Kierkegaard’s thought. Concepts have been selected on the basis of their importance for Kierkegaard’s contributions to philosophy, theology, the social sciences, literature and aesthetics, thereby making this volume an ideal reference work for students and scholars in a wide range of disciplines.

While Kierkegaard is primarily known as a philosopher or religious thinker, his writings have also been used extensively by literary writers, critics and artists worldwide who have been attracted to his creative mixing of genres, his complex use of pseudonyms, his rhetoric and literary style, and his rich images, parables, and allegories. The goal of the present volume is to document this influence in different language groups and traditions. Tome I explores Kierkegaard’s influence on literature and art in the Germanophone world. He was an important source of inspiration for German writers such as Theodor Fontane, Thomas Mann, Rainer Maria Rilke, Alfred Andersch, and Martin Walser. Kierkegaard’s influence was particularly strong in Austria during the generation of modernist authors such as Rudolf Kassner, Karl Kraus, Robert Musil, and Hermann Broch. Due presumably in part to the German translations of Kierkegaard in the Austrian cultural journal Der Brenner, Kierkegaard continued to be used by later figures such as the novelist and playwright, Thomas Bernhard. His thought was also appropriated in Switzerland through the works of Max Frisch and Friedrich Dürrenmatt. The famous Czech author Franz Kafka identified personally with Kierkegaard’s love story with Regine Olsen and made use of his reflections on this and other topics.

While Kierkegaard is primarily known as a philosopher or religious thinker, his writings have also been used extensively by literary writers, critics and artists. This use can be traced in the work of major cultural figures not just in Denmark and Scandinavia but also in the wider world. They have been attracted to his creative mixing of genres, his complex use of pseudonyms, his rhetoric and literary style, and his rich images, parables and allegories. The present volume documents this influence in the different language groups and traditions. Tome III investigates the works of Swedish and Norwegian writers and artists inspired by Kierkegaard. In Sweden the novelist Victoria Benedictsson made use of Kierkegaard during the period of the so-called Modern Breakthrough, as did the playwright August Strindberg. Later Swedish writers have continued to draw on his thought, such as Selma Lagerlof, Lars Ahlin, Lars Gyllensten, and Carl-Henning Wijkmark. The Norwegian reception of Kierkegaard also began remarkably early and was shaped by the leading names in Norwegian cultural life. Despite his coy responses to questions about his relation to Kierkegaard, Henrik Ibsen clearly seems to have been inspired by the Dane in works such as Brand. Norwegian writer and poet Bjornstjerne Bjornson, who was influenced by the Modern Breakthrough movement, was also deeply inspired by Kierkegaard. Finally, the celebrated Norwegian artist Edvard Munch (1863-1944) closely studied key Kierkegaardian concepts such as anxiety, and his influence is notable in his iconic paintings such as The Scream.

Kierkegaard’s Concepts is a comprehensive, multi-volume survey of the key concepts and categories that inform Kierkegaard’s writings. Each article is a substantial, original piece of scholarship, which discusses the etymology and lexical meaning of the relevant Danish term, traces the development of the concept over the course of the authorship, and explains how it functions in the wider context of Kierkegaard’s thought. Concepts have been selected on the basis of their importance for Kierkegaard’s contributions to philosophy, theology, the social sciences, literature and aesthetics, thereby making this volume an ideal reference work for students and scholars in a wide range of disciplines.

While Kierkegaard is primarily known as a philosopher or religious thinker, his writings have also been used extensively by literary writers, critics and artists. This use can be traced in the work of major cultural figures not just in Denmark and Scandinavia but also in the wider world. They have been attracted to his creative mixing of genres, his complex use of pseudonyms, his rhetoric and literary style, and his rich images, parables, and allegories. The present volume documents this influence in the different language groups and traditions. Tome V treats the work of a heterogeneous group of writers from the Romance languages and from Central and Eastern Europe. Kierkegaard has been particularly important for Spanish literature: the Argentine writers Jorge Luis Borges, Leonardo Castellani, and Ernesto Sábato, the Mexican writer Carlos Fuentes, and the Spanish essayist and philosopher María Zambrano were all inspired to varying degrees by him. The Dane also appears in the work of Romanian writer Max Blecher, while the Portuguese author Fernando Pessoa was almost certainly inspired by Kierkegaard’s use of pseudonyms. Kierkegaard has also influenced diverse literary figures from Central and Eastern Europe. His influence appears in the novels of the contemporary Hungarian authors Péter Nadas and Péter Esterházy, the work of the Russian writer and literary critic, Mikhail Bakhtin, the Polish writer Witold Gombrowicz and the Czech novelist Ivan Klíma. Tome V also examines how Kierkegaard’s treatment of the story of Abraham and Isaac in Fear and Trembling interested the Polish-born Israeli novelist Pinhas Sadeh.

Addressing policy related issues, providing up-to-date scientific background information and laying out pressing land management questions, this interdisciplinary volume identifies and discusses key directions of environmental change in uplands, as well as providing an outlook into future management and conservation options responding to these changes.

Los cinco estudios que forman este libro, de la colección Las Lecturas de Sileno, abordan desde distintos enfoques un propósito común: la reflexión filosófica a partir de las culturas prehispánicas mesoamericanas.ufeff

The first book that focuses on and tells the full story (as known so far) about the second Roswell crash, reported on July 5, 1947 in the town of Magdalena, NM. Author Jon Stewart has tracked original sources, conflicting contemporary accounts, and modern analyses by experts and experienced professionals in UFOlogy to weave together a fascinating account of the second Roswell crash.

This is the third volume of a three-volume work that explores the influence of G.W.F. Hegel''s philosophical thinking in Golden Age Denmark. The work demonstrates that the tradition of Danish Hegelianism played a profound role in many spheres of the Golden Age culture.

The present tome is the first of a three-volume work dedicated to exploring the profound influence of G.W.F. Hegel''s philosophical thinking in Golden Age Denmark. This initial volume covers the period from the beginning of the Hegel reception in the Danish Kingdom from the turn of the century until 1836. While Kierkegaard''s polemic with the Danish Hegelians is a well-known part of his philosophical agenda, the actual texts and ideas of these thinkers have received little attention in their own right. The present work demonstrates that this largely overlooked tradition of Hegel reception played a profound and indeed constitutive role in many aspects of Golden Age culture: philosophy, theoloy, literature, poetry, law, journalism, and the arts. Moreover, it brought into its orbit most of the main figures from the period.

Great Britain: From "Prophet of the Now" to Postmodern Ironist (and after) -- The Netherlands and Flanders: Kierkegaard''s Reception in the Dutch-Speaking World -- Germany and Austria: A Modest Head Start: The German Reception of Kierkegaard -- France: Kierkegaard as a Forerunner of Existentialism and Poststructuralism -- Index of Persons -- Index of Subjects

Flannery O''Connor: Reading Kierkegaard in the Light of Thomas Aquinas -- Walker Percy: Literary Extrapolations from Kierkegaard -- George Steiner: Playing Kierkegaard''s Theological-Philosophic-Psychological Sports -- William Styron: Styron and the Assault of Kierkegaardian Dread -- Index of Persons -- Index of Subjects

The air traffic control industry is in trouble. Aging controllers, increased workload, decreased experience level and decreased time off have created and continue to create an environment ideal for a catastrophic incident. The research project showed a link between air traffic control incidents and procedural deviations, and mismanagement by the current Federal Aviation Administration.

Kierkegaard has always enjoyed a rich reception in the fields of theology and religious studies. This reception might seem obvious given that he is one of the most important Christian writers of the nineteenth century, but Kierkegaard was by no means a straightforward theologian in any traditional sense. He had no enduring interest in some of the main fields of theology such as church history or biblical studies, and he was strikingly silent on many key Christian dogmas. Moreover, he harbored a degree of animosity towards the university theologians and churchmen of his own day. Despite this, he has been a source of inspiration for numerous religious writers from different denominations and traditions. Tome II is dedicated to tracing Kierkegaard''s influence in Anglophone and Scandinavian Protestant religious thought. Kierkegaard has been a provocative force in the English-speaking world since the early twentieth century, inspiring almost contradictory receptions. In Britain, before World War I, the few literati who were familiar with his work tended to assimilate Kierkegaard to the heroic individualism of Ibsen and Nietzsche. In the United States knowledge of Kierkegaard was introduced by Scandinavian immigrants who brought with them a picture of the Dane as much more sympathetic to traditional Christianity. The interpretation of Kierkegaard in Britain and America during the early and mid-twentieth century generally reflected the sensibilities of the particular theological interpreter. Anglican theologians generally found Kierkegaard to be too one-sided in his critique of reason and culture, while theologians hailing from the Reformed tradition often saw him as an insightful harbinger of neo-orthodoxy. The second part of Tome II is dedicated to the Kierkegaard reception in Scandinavian theology, featuring articles on Norwegian and Swedish theologians influenced by Kierkegaard.

Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of Contributors -- List of Abbreviations -- Hans Christian Andersen: Andersen was Just an Excuse -- Jens Baggesen: Kierkegaard and His Master''s Voice -- Steen Steensen Blicher: The Melancholy Poet of the Jutland Heath -- August Bournonville: Kierkegaard''s Leap of Faith and the "Noble Art of Terpsichore"--Mathilde Fibiger: Kierkegaard and the Emancipation of Women -- Meïr Goldschmidt: The Cross-Eyed Hunchback -- Thomasine Gyllembourg: Kierkegaard''s Appreciation of the Everyday Stories and Two Ages

This work gives a basic introduction to Hegel''s religious thinking by seeing it against the backdrop of the main religious trends in his own day that he responded to.

The period of Kierkegaard''s life corresponds to Denmark''s "Golden Age," which is conventionally used to refer to the period covering roughly the first half of the nineteenth century, when Denmark''s most important writers, philosophers, theologians, poets, actors and artists flourished. Kierkegaard was often in dialogue with his fellow Danes on key issues of the day. His authorship would be unthinkable without reference to the Danish State Church, the Royal Theater, the University of Copenhagen or the various Danish newspapers and journals, such as The Corsair, Fædrelandet, and Kjøbenhavns flyvende Post, which played an undeniable role in shaping his development. The present volume features articles that employ source-work research in order to explore the individual Danish sources of Kierkegaard''s thought. The volume is divided into three tomes in order to cover the different fields of influence. Tome I is dedicated to exploring the sources that fall under the rubrics, "Philosophy, Politics and Social Theory." With regard to philosophy, Kierkegaard read the works of all the foremost Danish thinkers of the time and their German antecedents, in particular Kant, Schilling and Hegel. While he was sympathetic to individual ideas offered by this tradition, he was generally keen to criticize the German model of philosophy and to propose a new paradigm for philosophical thought that was more in tune with lived existence. Kierkegaard also experienced the dynamic period in history that saw the great upheavals throughout Europe in connection with the revolutions of 1848 and the First Schleswig War. While it has long been claimed that Kierkegaard was not interested in politics, recent research supports a quite different picture. To be sure, he cannot be regarded as a political scientist or social theorist in a traditional sense, but he was nonetheless engaged in the issues of his day, and in his works one can certainly find material that can be insightful for the fields of politics and social theory.