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Kierkegaard’s Concepts is a comprehensive, multi-volume survey of the key concepts and categories that inform Kierkegaard’s writings. Each article is a substantial, original piece of scholarship, which discusses the etymology and lexical meaning of the relevant Danish term, traces the development of the concept over the course of the authorship, and explains how it functions in the wider context of Kierkegaard’s thought. Concepts have been selected on the basis of their importance for Kierkegaard’s contributions to philosophy, theology, the social sciences, literature and aesthetics, thereby making this volume an ideal reference work for students and scholars in a wide range of disciplines.

While Kierkegaard is primarily known as a philosopher or religious thinker, his writings have also been used extensively by literary writers, critics and artists. This use can be traced in the work of major cultural figures not just in Denmark and Scandinavia but also in the wider world. They have been attracted to his creative mixing of genres, his complex use of pseudonyms, his rhetoric and literary style, and his rich images, parables and allegories. The present volume documents this influence in the different language groups and traditions. Tome III investigates the works of Swedish and Norwegian writers and artists inspired by Kierkegaard. In Sweden the novelist Victoria Benedictsson made use of Kierkegaard during the period of the so-called Modern Breakthrough, as did the playwright August Strindberg. Later Swedish writers have continued to draw on his thought, such as Selma Lagerlof, Lars Ahlin, Lars Gyllensten, and Carl-Henning Wijkmark. The Norwegian reception of Kierkegaard also began remarkably early and was shaped by the leading names in Norwegian cultural life. Despite his coy responses to questions about his relation to Kierkegaard, Henrik Ibsen clearly seems to have been inspired by the Dane in works such as Brand. Norwegian writer and poet Bjornstjerne Bjornson, who was influenced by the Modern Breakthrough movement, was also deeply inspired by Kierkegaard. Finally, the celebrated Norwegian artist Edvard Munch (1863-1944) closely studied key Kierkegaardian concepts such as anxiety, and his influence is notable in his iconic paintings such as The Scream.

While Kierkegaard is primarily known as a philosopher or religious thinker, his writings have also been used extensively by literary writers, critics and artists. This use can be traced in the work of major cultural figures not just in Denmark and Scandinavia but also in the wider world. They have been attracted to his creative mixing of genres, his complex use of pseudonyms, his rhetoric and literary style, and his rich images, parables, and allegories. The present volume documents this influence in the different language groups and traditions. Tome V treats the work of a heterogeneous group of writers from the Romance languages and from Central and Eastern Europe. Kierkegaard has been particularly important for Spanish literature: the Argentine writers Jorge Luis Borges, Leonardo Castellani, and Ernesto Sábato, the Mexican writer Carlos Fuentes, and the Spanish essayist and philosopher María Zambrano were all inspired to varying degrees by him. The Dane also appears in the work of Romanian writer Max Blecher, while the Portuguese author Fernando Pessoa was almost certainly inspired by Kierkegaard’s use of pseudonyms. Kierkegaard has also influenced diverse literary figures from Central and Eastern Europe. His influence appears in the novels of the contemporary Hungarian authors Péter Nadas and Péter Esterházy, the work of the Russian writer and literary critic, Mikhail Bakhtin, the Polish writer Witold Gombrowicz and the Czech novelist Ivan Klíma. Tome V also examines how Kierkegaard’s treatment of the story of Abraham and Isaac in Fear and Trembling interested the Polish-born Israeli novelist Pinhas Sadeh.

Addressing policy related issues, providing up-to-date scientific background information and laying out pressing land management questions, this interdisciplinary volume identifies and discusses key directions of environmental change in uplands, as well as providing an outlook into future management and conservation options responding to these changes.

The first book that focuses on and tells the full story (as known so far) about the second Roswell crash, reported on July 5, 1947 in the town of Magdalena, NM. Author Jon Stewart has tracked original sources, conflicting contemporary accounts, and modern analyses by experts and experienced professionals in UFOlogy to weave together a fascinating account of the second Roswell crash.

While Kierkegaard is primarily known as a philosopher or religious thinker, his writings have also been used extensively by literary writers, critics and artists worldwide who have been attracted to his creative mixing of genres, his complex use of pseudonyms, his rhetoric and literary style, and his rich images, parables, and allegories. The goal of the present volume is to document this influence in different language groups and traditions. Tome I explores Kierkegaard''s influence on literature and art in the Germanophone world. He was an important source of inspiration for German writers such as Theodor Fontane, Thomas Mann, Rainer Maria Rilke, Alfred Andersch, and Martin Walser. Kierkegaard''s influence was particularly strong in Austria during the generation of modernist authors such as Rudolf Kassner, Karl Kraus, Robert Musil, and Hermann Broch. Due presumably in part to the German translations of Kierkegaard in the Austrian cultural journal Der Brenner, Kierkegaard continued to be used by later figures such as the novelist and playwright, Thomas Bernhard. His thought was also appropriated in Switzerland through the works of Max Frisch and Friedrich DÃ1/4rrenmatt. The famous Czech author Franz Kafka identified personally with Kierkegaard''s love story with Regine Olsen and made use of his reflections on this and other topics.

The present tome is the first of a three-volume work dedicated to exploring the profound influence of G.W.F. Hegel''s philosophical thinking in Golden Age Denmark. This initial volume covers the period from the beginning of the Hegel reception in the Danish Kingdom from the turn of the century until 1836. While Kierkegaard''s polemic with the Danish Hegelians is a well-known part of his philosophical agenda, the actual texts and ideas of these thinkers have received little attention in their own right. The present work demonstrates that this largely overlooked tradition of Hegel reception played a profound and indeed constitutive role in many aspects of Golden Age culture: philosophy, theoloy, literature, poetry, law, journalism, and the arts. Moreover, it brought into its orbit most of the main figures from the period.

Great Britain: From "Prophet of the Now" to Postmodern Ironist (and after) -- The Netherlands and Flanders: Kierkegaard''s Reception in the Dutch-Speaking World -- Germany and Austria: A Modest Head Start: The German Reception of Kierkegaard -- France: Kierkegaard as a Forerunner of Existentialism and Poststructuralism -- Index of Persons -- Index of Subjects

Flannery O''Connor: Reading Kierkegaard in the Light of Thomas Aquinas -- Walker Percy: Literary Extrapolations from Kierkegaard -- George Steiner: Playing Kierkegaard''s Theological-Philosophic-Psychological Sports -- William Styron: Styron and the Assault of Kierkegaardian Dread -- Index of Persons -- Index of Subjects

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Reinhold Niebuhr: The Logic of Paradox for a Theology of Human Nature -- Gene Outka: Kierkegaard''s Influence on Outka''s Writing on Neighbor Love, Equality, Individuality, and the Ethical -- Francis Schaeffer: How Not to Read Kierkegaard -- PART II SCANDINAVIAN THEOLOGY -- Gisle Christian Johnson: The First Kierkegaardian in Theology? -- Anders Nygren: Influence in Reverse? -- Index of Persons -- Index of Subjects

Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of Contributors -- List of Abbreviations -- Hans Christian Andersen: Andersen was Just an Excuse -- Jens Baggesen: Kierkegaard and His Master''s Voice -- Steen Steensen Blicher: The Melancholy Poet of the Jutland Heath -- August Bournonville: Kierkegaard''s Leap of Faith and the "Noble Art of Terpsichore"--Mathilde Fibiger: Kierkegaard and the Emancipation of Women -- Meïr Goldschmidt: The Cross-Eyed Hunchback -- Thomasine Gyllembourg: Kierkegaard''s Appreciation of the Everyday Stories and Two Ages

The air traffic control industry is in trouble. Aging controllers, increased workload, decreased experience level and decreased time off have created and continue to create an environment ideal for a catastrophic incident. The research project showed a link between air traffic control incidents and procedural deviations, and mismanagement by the current Federal Aviation Administration.

This work gives a basic introduction to Hegel''s religious thinking by seeing it against the backdrop of the main religious trends in his own day that he responded to.