Best Selling Books by Jon Stewart

A hilarious, mega-bestseller from the Emmy-winning, Oscar-hosting, Daily Show-anchoring Jon Stewart that finally answers the question -- what is American democracy? Jon Stewart, host of the Emmy and Peabody Award-winning The Daily Show, and his coterie of patriots deliver a hilarious look at American government . . . Termed a "political king-maker" by Newsweek, and "the Dan Rather of infotainment" by Vanity Fair, Jon Stewart, along with the writers of The Daily Show, combines his riotous wit and razor-sharp insight in this hilarious book. American-style democracy is the world''s most beloved form of government, which explains why so many other nations are eager for us to impose it on them, but what is it exactly? In America (The Book), Jon Stewart and The Daily Show writing staff offer their insights into our unique system of government, dissecting its institutions, explaining its history and processes, and exploring the reasons why concepts like "One man, one vote," "Government by the people," and "Every vote counts" have become such popular urban myths.

Jon Stewart and the writers of The Daily Show embark on a mission to write a book that sums up the human race: What we looked like; what we accomplished; our achievements in society, government, religion, science and culture. Here is the definitive guide to our species - completely unburdened by objectivity, journalistic integrity, or even accuracy

Where do we come from? Who created us? Why are we here? These questions have puzzled us since the dawn of time, but when it became apparent to Jon Stewart and the writers of The Daily Show that the world was about to end, they embarked on a massive mission to write a book that summed up the human race: What we looked like; what we accomplished; our achievements in society, government, religion, science and culture -- all in a tome of 238 pages with lots of color photos, graphs and charts. After two weeks of hard work, they had their book. EARTH (The Book) is the definitive guide to our species. With their trademark wit, irreverence, and intelligence, Stewart and his team posthumously answer all of life''s most hard-hitting questions, completely unburdened by objectivity, journalistic integrity, or even accuracy.

Jon Stewart, host of the Daily Show, and his coterie of patriots deliver a hilarious, razor-sharp look at American government.

In these nineteen whip-smart essays, Jon Stewart takes on politics, religion, and celebrity with a seethingly irreverent wit, a brilliantsense of timming, and a palate for the obsurd -- and these one-of-a-kind forays into his hilarious world will expose you to all its wickedly naked truths. He''s the MTV generation''s master of modern humor, a star of film, TV, and the comedy stage. This sultan of savvy serves up a whip-smart, utterly original collection of comic essays in Naked Pictures of Famous People. And as of January 11, 1999, you can enjoy the intelligence and self-deprecating charm he brings to contemporary comedy on Comedy Central''s "The Daily Show." In his first book, he translates that unique talent to the page, with humorous forays into a vast array of subjects: fashion, urban life, fast cars, cocktail culture, modern Jewishness, politics, and dating. A seethingly irreverent wit, Stewart has a genius for language and brilliant timing that makes his up-to-the-minute collection a must-have for humor lovers in search of a Woody Allen for the 90s.He''s the MTV generation''s master of modern humor, a star of film, TV, and the comedy stage. This sultan of savvy serves up a whip-smart, utterly original collection of comic essays in Naked Pictures of Famous People. And as of January 11, 1999, you can enjoy the intelligence and self-deprecating charm he brings to contemporary comedy on Comedy Central''s "The Daily Show." In his first book, he translates that unique talent to the page, with humorous forays into a vast array of subjects: fashion, urban life, fast cars, cocktail culture, modern Jewishness, politics, and dating. A seethingly irreverent wit, Stewart has a genius for language and brilliant timing that makes his up-to-the-minute collection a must-have for humor lovers in search of a Woody Allen for the 90s.

This text on econometric method builds up from the classical regression model to cover large sample theory, disturbance problems, generalized least squares, dynamic models, distributed lags, simultaneous equation models, time series models and limited dependent variable models.

By examining at the microlevel the particulars of each dialectical movement, and by analyzing at the macrolevel the role of the argument in question in the context of the work as a whole, Stewart provides a detailed analysis of the Phenomenology and a significant scholarly demonstration of Hegel''s own conception of the Phenomenology as a part of a systematic philosophy.

This volume presents a philosophical analysis of the development of Western civilization from antiquity to the Middle Ages by tracing the various self-conceptions of different cultures as they developed historically, reflecting different views of what it is to be human and the rise of the concept of subjectivity.

Søren Kierkegaard: Subjectivity, Irony, and the Crisis of Modernity examines the thought of Søren Kierkegaard, a unique figure, who has freeired, provoked, fascinated, and irritated people ever since he walked the streets of Copenhagen. At the end of his life, Kierkegaard said that the only model he had for his work was the Greek philosopher Socrates. This work takes this statement as its point of departure. Jon Stewart explores what Kierkegaard meant by this and to show how different aspects of his writing and argumentative strategy can be traced back to Socrates. The main focus is The Concept of Irony, which is a key text at the beginning of Kierkegaard''s literary career. Although it was an early work, it nevertheless played a determining role in his later development and writings. Indeed, it can be said that it laid the groundwork for much of what would appear in his later famous books such as Either/Or and Fear and Trembling.

Jon Stewart''s study is a major re-evaluation of the complex relations between the philosophies of Kierkegaard and Hegel. The standard view on the subject is that Kierkegaard defined himself as explicitly anti-Hegelian, indeed that he viewed Hegel''s philosophy with disdain. Jon Stewart shows convincingly that Kierkegaard''s criticism was not of Hegel but of a number of contemporary Danish Hegelians. Kierkegaard''s own view of Hegel was in fact much more positive to the point where he was directly influenced by some of Hegel''s work. Any scholar working in the tradition of Continental philosophy will find this an insightful and provocative book with implications for the subsequent history of philosophy in the twentieth century. The book will also appeal to scholars in religious studies and the history of ideas.

An Introduction to Hegel''s Lectures on the Philosophy of Religion examines Hegel''s religious thinking by seeing it against the backdrop of the main religious trends in his own day, specifically the Enlightenment and Romanticism. A basic introduction to Hegel''s lectures, it provides an account of the criticism of religion by key Enlightenment thinkers such as Voltaire, Lessing, Hume, and Kant. This is followed by an analysis of how the Romantic thinkers, such as Rousseau, Jacobi and Schleiermacher, responded to these challenges. For Hegel, the views of these thinkers from both the Enlightenment and Romanticism tended to empty religion of its content. The goal that he sets for his own philosophy of religion is to restore this lost content. The book provides a detailed account of Hegel''s Lectures on the Philosophy of Religion and argues that the basic ideas of the Enlightenment and Romanticism are still present today, and remain an important issue for both academics and non-academics, regardless of their religious orientation.

While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. Kierkegaard readers are generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome I covering figures and motifs from Agamemnon to Guadalquivir.

A rich, expansive book reaching beyond philosophy to literature and the history of ideas with strong appeal to diverse readers.

Cover -- Half Title -- Title -- Copyright -- Contents -- Preface -- Acknowledgements -- Overview of Kierkegaard Research: Sources, Reception and Resources -- Index of Names, A-K

Originally published in 1976 and with second edition published in 1984. This book established itself as the first genuinely introductory text on econometric methods, assuming no formal background on the part of the reader. The second edition maintains this distinctive feature. Fundamental concepts are carefully explained and, where possible, techniques are developed by verbal reasoning rather than formal proof. It provides all the material for a basic course. and is also ideal for a student working alone. Very little knowledge of maths and statistics is assumed, and the logic of statistical method is carefully stated. There are numerous exercises, designed to help the student assess individual progress. Methods are described with computer solutions in mind and the author shows how a variety of different calculations can be performed with relatively simple programs. This new edition also includes much new material - statistical tables are now included and their use carefully explained.

The remarkable lectures that Hegel gave in Berlin in the 1820s generated an exciting intellectual atmosphere which lasted for decades. From the 1830s, many students flocked to Berlin to study with people who had studied with Hegel, and both his original students, such as Feuerbach and Bauer, and later arrivals including Kierkegaard, Engels, Bakunin, and Marx, evolved into leading nineteenth-century thinkers. Jon Stewart''s panoramic study of Hegel''s deep influence upon the nineteenth century in turn reveals what that century contributed to the wider history of philosophy. It shows how Hegel''s notions of ''alienation'' and ''recognition'' became the central motifs for the era''s thinking; how these concepts spilled over into other fields – like religion, politics, literature, and drama; and how they created a cultural phenomenon so rich and pervasive that it can truly be called ''Hegel''s century.'' This book is required reading for historians of ideas as well as of philosophy.

This is the first of a three-volume work dedicated to exploring the influence of G.W.F. Hegel’s philosophical thinking in Golden Age Denmark. The work demonstrates that the largely overlooked tradition of Danish Hegelianism played a profound and indeed constitutive role in many spheres of Golden Age culture. This initial tome covers the period from the beginning of the Hegel reception in the Danish Kingdom in the 1820s until the end of 1836. The dominant figure from this period is the poet and critic Johan Ludvig Heiberg, who attended Hegel’s lectures in Berlin in 1824 and then launched a campaign to popularize Hegel’s philosophy among his fellow countrymen. Using his journal Kjøbenhavns flyvende Post as a platform, Heiberg published numerous articles containing ideas that he had borrowed from Hegel. Several readers felt provoked by Heiberg’s Hegelianism and wrote critical responses to him, many of which appeared in Kjøbenhavnsposten, the rival of Heiberg’s journal. Through these debates Hegel’s philosophy became an important part of Danish cultural life.

The history of Continental philosophy is often conceived as being represented by two major schools: German idealism and phenomenology/existentialism. These two schools are frequently juxtaposed so as to highlight their purported radical differences. There is a commonly held view that an abrupt break occurred in the nineteenth century, resulting in a disdainful rejection of idealism in all its forms. This break is often located in the transition from Hegel to Kierkegaard. The history of philosophy in the first half of the nineteenth century has thus been read as a grand confrontation between the overambitious rationalistic system of Hegel and the devastating criticisms of it by Kierkegaard''s philosophy of existence. This work aims to undermine this popular view of the radical break between idealism and existentialism by means of a series of detailed studies in specific episodes of European thought. As a whole, this book represents an important attempt to demonstrate the long shadow cast by Kant and Hegel over the subsequent history of European philosophy.

While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. Kierkegaard readers are generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome II covering figures and motifs from Gulliver to Zerlina.

In his Lectures on the Philosophy of Religion, Hegel treats the religions of the world under the rubric "the determinate religion." This is a part of his corpus that has traditionally been neglected since scholars have struggled to understand what philosophical work it is supposed to do. In Hegel''s Interpretation of the Religions of the World, Jon Stewart argues that Hegel''s rich analyses of Buddhism, Hinduism, Zoroastrianism, Judaism, Egyptian and Greek polytheism, and the Roman religion are not simply irrelevant historical material, as is often thought. Instead, they play a central role in Hegel''s argument for what he regards as the truth of Christianity. Hegel believes that the different conceptions of the gods in the world religions are reflections of individual peoples at specific periods in history. These conceptions might at first glance appear random and chaotic, but there is, Hegel claims, a discernible logic in them. Simultaneously, a theory of mythology, history, and philosophical anthropology, Hegel''s account of the world religions goes far beyond the field of philosophy of religion. The controversial issues surrounding his treatment of the non-European religions are still very much with us today and make his account of religion an issue of continued topicality in the academic landscape of the twenty-first century.

One of the elements that many readers admire in Kierkegaard’s skill as a writer is his ability to create different voices and perspectives in his works. Instead of unilaterally presenting clear-cut doctrines and theses, he confronts the reader with a range of personalities and figures who all espouse different views. One important aspect of this play of perspectives is Kierkegaard’s controversial use of pseudonyms. The present volume is dedicated to exploring the different pseudonyms and authorial voices in Kierkegaard’s writing. The articles featured here try to explore each pseudonymous author as a literary figure and to explain what kind of a person is at issue in each of the pseudonymous works. The hope is that by taking seriously each of these figures as individuals, we will be able to gain new insights into the texts which they are ostensibly responsible for.

In The Unity of Content and Form in Philosophical Writing, Jon Stewart argues that there is a close relation between content and form in philosophical writing. While this might seem obvious at first glance, it is overlooked in the current climate of Anglophone academic philosophy, which, Stewart contends, accepts only a single genre as proper for philosophical expression. Stewart demonstrates the uniformity of today''s philosophical writing by contrasting it with that of the past. Taking specific texts from the history of philosophy and literature as case studies, Stewart shows how the use of genres like dialogues, plays and short stories were an entirely suitable and effective means of presenting and arguing for philosophical positions given the concrete historical and cultural contexts in which they appeared. Now, Stewart argues, the prevailing intolerance means that the same texts are dismissed as unphilosophical merely due to their form, although their content is, in fact, profoundly philosophical. The book''s challenge to current conventions of philosophical is provocative and timely, and will be of great interest to students and scholars of philosophy, literature and history.

In recent years interest in the thought of Kierkegaard has grown dramatically, and with it the body of secondary literature has expanded so quickly that it has become impossible for even the most conscientious scholar to keep pace. The problem of the explosion of secondary literature is made more acute by the fact that much of what is written about Kierkegaard appears in languages that most Kierkegaard scholars do not know. Kierkegaard has become a global phenomenon, and new research traditions have emerged in different languages, countries and regions. The present volume is dedicated to trying to help to resolve these two problems in Kierkegaard studies. Its purpose is, first, to provide book reviews of some of the leading monographic studies in the Kierkegaard secondary literature so as to assist the community of scholars to become familiar with the works that they have not read for themselves. The aim is thus to offer students and scholars of Kierkegaard a comprehensive survey of works that have played a more or less significant role in the research. Second, the present volume also tries to make accessible many works in the Kierkegaard secondary literature that are written in different languages and thus to give a glimpse into various and lesser-known research traditions. The six tomes of the present volume present reviews of works written in Catalan, Chinese, Czech, Danish, Dutch, English, Finnish, French, Galician, German, Greek, Hebrew, Hungarian, Italian, Japanese, Norwegian, Polish, Portuguese, Romanian, Russian, Slovak, Spanish, and Swedish.

In recent years interest in the thought of Kierkegaard has grown dramatically, and with it the body of secondary literature has expanded so quickly that it has become impossible for even the most conscientious scholar to keep pace. The problem of the explosion of secondary literature is made more acute by the fact that much of what is written about Kierkegaard appears in languages that most Kierkegaard scholars do not know. Kierkegaard has become a global phenomenon, and new research traditions have emerged in different languages, countries and regions. The present volume is dedicated to trying to help to resolve these two problems in Kierkegaard studies. Its purpose is, first, to provide book reviews of some of the leading monographic studies in the Kierkegaard secondary literature so as to assist the community of scholars to become familiar with the works that they have not read for themselves. The aim is thus to offer students and scholars of Kierkegaard a comprehensive survey of works that have played a more or less significant role in the research. Second, the present volume also tries to make accessible many works in the Kierkegaard secondary literature that are written in different languages and thus to give a glimpse into various and lesser-known research traditions. The six tomes of the present volume present reviews of works written in Catalan, Chinese, Czech, Danish, Dutch, English, Finnish, French, Galician, German, Greek, Hebrew, Hungarian, Italian, Japanese, Norwegian, Polish, Portuguese, Romanian, Russian, Slovak, Spanish, and Swedish.

Exploring Kierkegaard''s complex use of the Bible, the essays in this volume use source-critical research and tools ranging from literary criticism to theology and biblical studies, to situate Kierkegaard''s appropriation of the biblical material in his cultural and intellectual context. The contributors seek to identify the possible sources that may have influenced Kierkegaard''s understanding and employment of Scripture, and to describe the debates about the Bible that may have shaped, perhaps indirectly, his attitudes toward Scripture. They also pay close attention to Kierkegaard''s actual hermeneutic practice, analyzing the implicit interpretive moves that he makes as well as his more explicit statements about the significance of various biblical passages. This close reading of Kierkegaard''s texts elucidates the unique and sometimes odd features of his frequent appeals to Scripture. This volume in the series devotes one tome to the Old Testament and a second tome to the New Testament. Tome I considers the canonically disputed literature of the Apocrypha. Although Kierkegaard certainly cited the Old Testament much less frequently than he did the New, passages and themes from the Old Testament do occupy a position of startling importance in his writings. Old Testament characters such as Abraham and Job often play crucial and even decisive roles in his texts. Snatches of Old Testament wisdom figure prominently in his edifying literature. The vocabulary and cadences of the Psalms saturate his expression of the range of human passions from joy to despair. The essays in this first tome seek to elucidate the crucial rhetorical uses to which he put key passages from the Old Testament, the sources that influenced him to do this, and his reasons for doing so.

In recent years interest in the thought of Kierkegaard has grown dramatically, and with it the body of secondary literature has expanded so quickly that it has become impossible for even the most conscientious scholar to keep pace. The problem of the explosion of secondary literature is made more acute by the fact that much of what is written about Kierkegaard appears in languages that most Kierkegaard scholars do not know. Kierkegaard has become a global phenomenon, and new research traditions have emerged in different languages, countries and regions. The present volume is dedicated to trying to help to resolve these two problems in Kierkegaard studies. Its purpose is, first, to provide book reviews of some of the leading monographic studies in the Kierkegaard secondary literature so as to assist the community of scholars to become familiar with the works that they have not read for themselves. The aim is thus to offer students and scholars of Kierkegaard a comprehensive survey of works that have played a more or less significant role in the research. Second, the present volume also tries to make accessible many works in the Kierkegaard secondary literature that are written in different languages and thus to give a glimpse into various and lesser-known research traditions. The six tomes of the present volume present reviews of works written in Catalan, Chinese, Czech, Danish, Dutch, English, Finnish, French, Galician, German, Greek, Hebrew, Hungarian, Italian, Japanese, Norwegian, Polish, Portuguese, Romanian, Russian, Slovak, Spanish, and Swedish.

This is the second volume in a three-volume work dedicated to exploring the influence of G.W.F. Hegel’s philosophical thinking in Golden Age Denmark. The work demonstrates that the largely overlooked tradition of Danish Hegelianism played a profound and indeed constitutive role in many spheres of the Golden Age culture. This second tome treats the most intensive period in the history of the Danish Hegel reception, namely, the years from 1837 to 1841. The main figure in this period is the theologian Hans Martensen who made Hegel’s philosophy a sensation among the students at the University of Copenhagen in the late 1830s. This period also includes the publication of Johan Ludvig Heiberg’s Hegelian journal, Perseus, and Frederik Christian Sibbern’s monumental review of it, which represented the most extensive treatment of Hegel’s philosophy in the Danish language at the time. During this period Hegel’s philosophy flourished in unlikely genres such as drama and lyric poetry. During these years Hegelianism enjoyed an unprecedented success in Denmark until it gradually began to be perceived as a dangerous trend.

While Kierkegaard is primarily known as a philosopher or religious thinker, his writings have also been used extensively by literary writers, critics and artists worldwide who have been attracted to his creative mixing of genres, his complex use of pseudonyms, his rhetoric and literary style, and his rich images, parables, and allegories. The goal of the present volume is to document this influence in different language groups and traditions. Tome II is dedicated to the use of Kierkegaard by later Danish writers. Almost from the beginning Kierkegaard’s works were standard reading for these authors. Danish novelists and critics from the Modern Breakthrough movement in the 1870s were among the first to make extensive use of his writings. These included the theoretical leader of the movement, the critic Georg Brandes, who wrote an entire book on Kierkegaard, and the novelists Jens Peter Jacobsen and Henrik Pontoppidan. The next generation of writers from the turn of the century and through the First World War also saw in Kierkegaard important points of inspiration. These included Ernesto Dalgas and Harald Kidde, who used elements of Kierkegaard’s thought in their novels. Modern Danish writers such as Karen Blixen, Martin A. Hansen, and Villy Sørensen have continued to incorporate Kierkegaard into their works. There can be no doubt that Kierkegaard has indelibly stamped his name on Danish literature.

Provides recipes for cold, fish, cheese, egg, bean, grain, vegetable, meat, and special occasion soups

The Danish Golden Age of the first half of the nineteenth century endured in the midst of a number of different kinds of crisis — political, economic, and cultural. The many changes of the period made it a dynamic time, one in which artists, poets, philosophers, and religious thinkers were constantly reassessing their place in society. This book traces the different aspects of the cultural crisis of the period through a series of case studies of key figures, including Johan Ludvig Heiberg, Hans Lassen Martensen, and Søren Kierkegaard. Far from just a historical analysis, however, the book shows that many of the key questions that Danish society wrestled with during the Golden Age remain strikingly familiar today. Jon Stewart is associate professor at the Søren Kierkegaard Research Centre at the University of Copenhagen.

Kierkegaard has long been known as a philosopher and theologian, but his contributions to psychology, anthropology and sociology have also made an important impact on these fields. In many of the works of his complex authorship, Kierkegaard presents his intriguing and unique vision of the nature and mental life of human beings individually and collectively. The articles featured in the present volume explore the reception of Kierkegaard''s thought in the social sciences. Of these fields Kierkegaard is perhaps best known in psychology, where The Concept of Anxiety and The Sickness unto Death have been the two most influential texts. With regard to the field of sociology, social criticism, or social theory, Kierkegaard''s Literary Review of Two Ages has also been regarded as offering valuable insights about some important dynamics of modern society..

While Kierkegaard is primarily known as a philosopher or religious thinker, his writings have also been used extensively by literary writers, critics and artists. This use can be traced in the work of major cultural figures not just in Denmark and Scandinavia but also in the wider world. They have been attracted to his creative mixing of genres, his complex use of pseudonyms, his rhetoric and literary style, and his rich images, parables, and allegories. The present volume documents this influence in the different language groups and traditions. Tome IV examines Kierkegaard’s surprisingly extensive influence in the Anglophone world of literature and art, particularly in the United States. His thought appears in the work of the novelists Walker Percy, James Baldwin, Flannery O’Connor, William Styron, Don Delillo, and Louise Erdrich. He has also been used by the famous American literary critics, George Steiner and Harold Bloom. The American composer Samuel Barber made use of Kierkegaard in his musical works. Kierkegaard has also exercised an influence on British and Irish letters. W.H. Auden sought in Kierkegaard ideas for his poetic works, and the contemporary English novelist David Lodge has written a novel Therapy, in which Kierkegaard plays an important role. Cryptic traces of Kierkegaard can also be found in the work of the famous Irish writer James Joyce.

Bob Dylan and John Lennon are two of the most iconic names in popular music. Dylan is arguably the twentieth century''s most important singer-songwriter. Lennon was founder and leader of the Beatles who remain, by some margin, the most covered songwriters in history. While Dylan erased the boundaries between pop and poetry, Lennon and his band transformed the genre''s creative potential. The parallels between the two men are striking but underexplored. This book addresses that lack. Jon Stewart discusses Dylan''s and Lennon''s relationship; their politics; their understanding of history; and their deeply held spiritual beliefs. In revealing how each artist challenged the restrictive social norms of their day, the author shows how his subjects asked profound moral questions about what it means to be human and how we should live. His book is a potent meditation and exploration of two emblematic figures whose brilliance changed Western music for a generation.

This volume explores in detail Kierkegaard''s various relations to his German contemporaries. Kierkegaard read German fluently and made extensive use of the writings of German-speaking authors. Apart from his contemporary Danish sources, the German sources were probably the most important in the development of his thought generally. This volume represents source-work research dedicated to tracing Kierkegaard''s readings and use of the various German-speaking authors in the different fields in a way that is as clearly documented as possible. The volume has been divided into three tomes reflecting Kierkegaard''s main areas of interest with regard to the German-speaking sources, namely, philosophy, theology and a more loosely conceived category, which has here been designated "literature and aesthetics." This second tome of the present volume is dedicated to Kierkegaard''s main theological influences. In theology the German and the Danish traditions had long been closely connected via their common source: Luther. In Kierkegaard''s time the main influence on theology was probably German philosophy and specifically Hegelianism. Most of the German theologians were in some way in a critical dialogue with this movement. Another important influence was Schleiermacher, who visited Copenhagen in 1833 and was important for several Golden Age thinkers. From his student days Kierkegaard kept abreast of the German theological literature, from which he drew much inspiration.

Timed to coincide with the height of the 2004 presidential election campaign, this book offers insights into America''s unique system of government, dissecting its institutions, explaining its history and processes, and exploring modern urban myths. Full-color illustrations, photos, & charts.