New Releases by John Guy

Every two years the fall issue of The Met''s quarterly Bulletin celebrates notable recent acquisitions and gifts to the collection. Highlights of Recent Acquisitions 2022–2024 include the monumental handscroll painting Streams and Mountains without End, a masterwork by the Qing-dynasty painter Wang Yuanqi; the nineteenth century painting Bélizaire and the Frey Children which offers a rare depiction of an identified Black teenager with the children of his enslaver; Helene Schjerfbeck’s The Lace Shawl, which is a layered, dramatic portrait of the artist’s friend and landlady. Meanwhile, Leopoldo Méndez’s linocut depiction of the great Mexican printmaker José Guadalupe Posada expands the already distinguished collection of twentieth-century Mexican graphic arts in the Department of Drawings and Prints. This publication also honors the many generous contributions from donors that make possible the continued growth of The Met collection.

This book investigates the norms and values of Tudor and early-Stuart politics, which are considered in the contexts of law and the Reformation, legal and administrative institutions, and classical and legal humanism. Main themes include ''imperial'' monarchy and the theory of ''counsel'', Parliament and the royal supremacy, conciliar politics and organization, the relationship of law and equity, and the jurisdictional rivalry between the courts of common law and canon law. The author argues that norms of Tudor England were sufficiently pluralist to satisfy both ''absolutist'' and ''constitutionalist'' aspirations, whereas by 1628 they proved no longer effective as a mechanism for the orderly conduct of politics. The clash between two conflicting sets of values was translated into a clash of ideologies.

Court painting, both devotional and secular, has a long history in India and has inspired artists from diverse global traditions. This Bulletin features more than fifty stunning examples of Indian court painting by Mughal, Deccani, Rajasthani, and Pahari artists all from the former collection of British painter Howard Hodgkin (1932–2017). The works featured include stunning portraits, beautifully detailed text illustrations, studies of the natural world, and devotional subjects. Authors explore Hodgkins’s interest in these works and the relationship between his collecting and artistic practice while also providing detailed discussions of individual styles of the Indian courts and the vibrant exchange across their kingdoms from the sixteenth to the nineteenth century.

“A fierce, scholarly tour-de-force. . . . Hunting the Falcon brilliantly shows how time, circumstance and politics combined to accelerate Anne’s triumph and tragedy." —Tina Brown, New York Times Book Review “A sumptuous drama of lust, intrigue, and betrayal, underpinned by the harsh reality of politics.”—Amanda Foreman, author of Georgiana: Duchess of Devonshire A groundbreaking, freshly-researched examination of one of the most dramatic and consequential marriages in history: Henry VIII’s long courtship, short union, and brutal execution of Anne Boleyn. Hunting the Falcon is the story of how Henry VIII’s obsessive desire for Anne Boleyn changed him and his country forever. John Guy and Julia Fox, two of the most acclaimed and distinguished historians of this period, have joined forces to present Anne and Henry in startlingly new ways. By closely examining the most recent archival discoveries, and peeling back layers of historical myth and misinterpretation and distortion, Guy and Fox are able to set Anne and Henry’s tragic relationship against the major international events of the time, and integrate and reinterpret sources hidden in plain sight or simply misunderstood. Among other things, they dispel lingering and latently misogynistic assumptions about Anne which anachronistically presumed that a sixteenth-century woman, even a queen, could exert little to no influence on the politics and beliefs of a patriarchal society. They reveal how, in fact, Anne was a shrewd, if ruthless, politician in her own right, a woman who steered Henry and his policies, often against the advice he received from his male advisers—and whom Henry seriously contemplated making joint sovereign. Hunting the Falcon sets the facts–and some completely new finds–into a far wider frame, providing an appreciation of this misunderstood and underestimated woman. It explores how Anne organized her “side” of the royal court on novel and (in male eyes) subversive lines compared to her queenly predecessors, adopting instead French protocol by which the sexes mingled freely in her private chambers. Men could share in the women’s often sexually charged courtly “pastimes” and had liberal access to Anne, and she to them—encounters from which she gained much of her political intelligence and extended her authority, and which also sowed the seeds of her own downfall. An exhilarating feat of historical research and analysis, Hunting the Falcon is also a thrilling and tragic story of a marriage that has proved of enduring fascination over the centuries. But in the hands of John Guy and Julia Fox, even the most knowledgeable reader will encounter this story as if for the first time.

This fascinating selection of photographs traces some of the many ways in which the castles of Kent have changed and developed over the last century.

In "Twenty Years Around the World," John Guy Vassar embarks on an extraordinary literary journey, chronicling his extensive travels across the globe with an engaging narrative style that blends personal memoir with encounters of cultural significance. The book reflects the spirit of exploration that characterized the 19th century, positioning itself within a rich tradition of travel literature, while also offering candid reflections on the social and political climates of diverse regions. Vassar''Äôs vivid descriptions and astute observations document not just his physical journeys but also his intellectual and emotional evolutions throughout two transformative decades. John Guy Vassar, a man of notable curiosity and a deep appreciation for varied cultures, was profoundly influenced by the ethos of his time, which championed exploration and the quest for knowledge. His background as a well-educated individual in a rapidly changing world, coupled with a desire to connect with the unfamiliar, propelled him to write this book. Vassar''Äôs perspectives reveal both his privilege and responsibilities toward understanding global contexts, allowing readers to grasp the essence of human experience across different landscapes. "Twenty Years Around the World" is highly recommended for readers interested in travel literature, cultural history, and personal narratives of discovery. Vassar''Äôs eloquent prose not only entertains but educates, inviting you to reflect on the interconnectedness of humanity and the nuances of the places that define us. This book is a valuable addition to any literary collection.

Thomas Gresham was arguably the first true wizard of global finance. He rose through the mercantile worlds of London and Antwerp to become the hidden power behind three out of the five Tudor monarchs. Today his name is remembered in economic doctrines, in the institutions he founded and in the City of London''s position at the economic centre of the earth. Without Gresham, England truly might have become a vassal state. His manoeuvring released Elizabeth from a crushing burden of debt and allowed for vital military preparations during the wars of religion that set Europe ablaze. Yet his deepest loyalties have remained enigmatic, until now. Drawing on vast new research and several startling discoveries, the great Tudor historian John Guy recreates Gresham''s life and singular personality with astonishing intimacy. He reveals a calculating survivor, flexible enough to do business with merchants and potentates no matter their religious or ideological convictions. Yet his personal relationships were disturbingly transactional. He was a figure of cold unsentimentality even to members of his own family. Elizabeth I found herself at odds with Gresham''s ambitions. In their collisions and wary accommodations, we see our own conflicts between national sovereignty and global capital foreshadowed. A story of adventure and jeopardy, greed and cunning, loyalties divided, mistaken or betrayed, this is a biography fit for a merchant prince.

Soon to be a major film, this is a dramatic reinterpretation of the life of Mary, Queen of Scots by one of the leading historians of this period. She was crowned Queen of Scotland at nine months of age, and Queen of France at sixteen years; at eighteen she ascended the throne and began ruling one of the most fractious courts in Europe, riven by religious conflict and personal lust for power. She rode out at the head of an army in both victory and defeat; saw her second husband assassinated, and married his murderer. At twenty-five she entered captivity at the hands of her rival queen, from which only death would release her. The life of Mary Stuart is one of unparalleled drama and conflict. From the labyrinthine plots laid by the Scottish lords to wrest power for themselves, to the efforts made by Elizabeth''s ministers to invalidate Mary''s legitimate claim to the English throne, John Guy returns to the archives to explode the myths and correct the inaccuracies that surround this most fascinating monarch. The portrait that emerges is not of a political pawn or a manipulative siren, but of a shrewd and charismatic young ruler who relished power and, for a time, managed to hold together a fatally unstable country.

Now a major film, this is a dramatic reinterpretation of the life of Mary Queen of Scots by one of the leading historians of this period. Who was the real Mary Queen of Scots? The most enigmatic ruler of England lived a life of incredible drama and turmoil: crowned Queen of Scotland at nine months old, and Queen of France at sixteen years, she grew up in the crosshairs of Europe's political battles to become Queen Elizabeth's arch rival. This book tells the story of the fraught and dangerous relationship between these two women of incredible charisma and power - a relationship that began with both seeking a political settlement, but which led them down a path of danger, from which only one could emerge victorious. Previously published as 'My Heart is My Own'.

NOW A MAJOR MOTION PICTURE starring Saoirse Ronan and Margot Robbie. A biography "as enthralling as a detective story," of the woman who reigned over sixteenth-century Scotland (New York Times Book Review). In Mary Queen of Scots, John Guy creates an intimate and absorbing portrait of one of history’s most famous women, depicting her world and her place in the sweep of history with stunning immediacy. Bringing together all surviving documents and uncovering a trove of new sources for the first time, Guy dispels the popular image of Mary Stuart as a romantic leading lady—achieving her ends through feminine wiles—and establishes her as the intellectual and political equal of Elizabeth I. Through Guy’s pioneering research and superbly readable prose, we come to see Mary as a skillful diplomat, maneuvering ingeniously among a dizzying array of factions that sought to control or dethrone her. It is an enthralling, myth-shattering look at a complex woman and ruler and her time. “The definitive biography . . . gripping . . . a pure pleasure to read.”—Washington Post Book World First published in 2004 as Queen of Scots

This beautiful reprint illustrates the V & A's unrivalled collection of South Asian sculpture, putting "Indian temple Sculpture" in its context as an instrument of worship intended to embody powerful religious experience. Author John Guy considers the origin, cosmological meaning and role of sculpture within the temple setting, and reveals the vivid rituals and traditions still in practice today. The book is also an absorbing introduction to the principal iconographic forms in the three traditional religions of the Indian subcontinent, Hinduism, Jainism and Buddhism, with the principal deities presented through their myths and manifestations. John Guy is Senior Curator of South and South-East Art in the Asian Department of the V & A.0.

COSTA AWARD FINALIST ECONOMIST BOOK OF THE YEAR FINANCIAL TIMES BOOK OF THE YEAR Film rights acquired by Gold Circle Films, the team behind My Big Fat Greek Wedding “A fresh, thrilling portrait… Guy’s Elizabeth is deliciously human.” –Stacy Schiff, The New York Times Book Review A groundbreaking reconsideration of our favorite Tudor queen, Elizabeth is an intimate and surprising biography that shows her at the height of her power. Elizabeth was crowned queen at twenty-five, but it was only when she reached fifty and all hopes of a royal marriage were behind her that she began to wield power in her own right. For twenty-five years she had struggled to assert her authority over advisers, who pressed her to marry and settle the succession; now, she was determined not only to reign but to rule. In this magisterial biography, John Guy introduces us to a woman who is refreshingly unfamiliar: at once powerful and vulnerable, willful and afraid. We see her confronting challenges at home and abroad: war against France and Spain, revolt in Ireland, an economic crisis that triggers riots in the streets of London, and a conspiracy to place her cousin Mary Queen of Scots on her throne. For a while she is smitten by a much younger man, but can she allow herself to act on that passion and still keep her throne? For the better part of a decade John Guy mined long-overlooked archives, scouring handwritten letters and court documents to sweep away myths and rumors. This prodigious historical detective work has enabled him to reveal, for the first time, the woman behind the polished veneer: determined, prone to fits of jealous rage, wracked by insecurity, often too anxious to sleep alone. At last we hear her in her own voice expressing her own distinctive and surprisingly resonant concerns. Guy writes like a dream, and this combination of groundbreaking research and propulsive narrative puts him in a class of his own. "Significant, forensic and myth-busting, John Guy inspires total confidence in a narrative which is at once pacey and rich in detail." -- Anna Whitelock, TLS “Most historians focus on the early decades, with Elizabeth’s last years acting as a postscript to the beheading of Mary Queen of Scots and the defeat of the Spanish Armada. Guy argues that this period is crucial to understanding a more human side of the smart redhead.” – The Economist, Book of the Year

Charismatic, insatiable and cruel, Henry VIII was, as John Guy shows, a king who became mesmerized by his own legend - and in the process destroyed and remade England. Said to be a ''pillager of the commonwealth'', this most instantly recognizable of kings remains a figure of extreme contradictions: magnificent and vengeful; a devout traditionalist who oversaw a cataclysmic rupture with the church in Rome; a talented, towering figure who nevertheless could not bear to meet people''s eyes when he talked to them. In this revealing new account, John Guy looks behind the mask into Henry''s mind to explore how he understood the world and his place in it - from his isolated upbringing and the blazing glory of his accession, to his desperate quest for fame and an heir and the terrifying paranoia of his last, agonising, 54-inch-waisted years.

The first publication to explore Southeast Asian history from the 5th to 9th century through the region’s sculpture, this book offers a fresh and exciting approach to an enduring subject.

Explorers.

The monarchs of the Tudor period are among some of the most well-known figures in British history. John Guy presents a compelling and fascinating exploration of the Tudors in the new edition of this Very Short Introduction. Looking at all aspects of the period, from beginning to end, he considers Tudor politics, religion, and economics, as well as issues relating to gender and minority rule, and the art, architecture, and social and material culture of the time. Introducing all of the key Tudor monarchs, Guy considers the impact the Tudor period had not only at the time, but also the historical legacy it left behind. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

The universe is empty. The stars are dead. The worlds are no more. The last humans struggle to create a god to save them from the utter end. In the shadow of this colossus Max Ocel rescues a beautiful stranger from the clutches of an insane giant, and sets in motion a chain of events that threatens to wipe out mankind itself. Invincible battleships bear down on the ancient city of Metacarpi. Assassins stalk the stone tower of his childhood. Alien creatures gather in the darkness. Max faces the realisation that he must sacrifice everything he holds dear to save humanity. Thumb - the first volume in The Book of the Colossus, a gripping fast-paced science fantasy series of incredible imagination.

Behind the façade of politics and pageantry at the Tudor court, there was a family drama. Nothing drove Henry VIII, England's wealthiest and most powerful king, more than producing a legitimate male heir and so perpetuating his dynasty. To that end, he married six wives, became the subject of the most notorious divorce case of the sixteenth century, and broke with the pope, all in an age of international competition and warfare, social unrest and growing religious intolerance and discord. Henry fathered four living children, each by a different mother. Their interrelationships were often scarred by jealously, mutual distrust, sibling rivalry, even hatred. Possessed of quick wits and strong wills, their characters were defined partly by the educations they received, and partly by events over which they had no control. Henry Fitzroy, Duke of Richmond, although recognized as the king's son, could never forget his illegitimacy. Edward died while still in his teens, desperately plotting to exclude his half-sisters from the throne. Mary's world was shattered by her mother's divorce and her own unhappy marriage. Elizabeth was the most successful, but also the luckiest. Even so, she lived with the knowledge that her father had ordered her mother's execution, was often in fear of her own life, and could never marry the one man she truly loved. Henry's children idolized their father, even if they differed radically over how to perpetuate his legacy. To tell their stories, John Guy returns to the archives, drawing on a vast array of contemporary records, personal letters, and first-hand accounts.

A revisionist new biography reintroducing readers to one of the most subversive figures in English history—the man who sought to reform a nation, dared to defy his king, and laid down his life to defend his sacred honor NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KANSAS CITY STAR AND BLOOMBERG Becket’s life story has been often told but never so incisively reexamined and vividly rendered as it is in John Guy’s hands. The son of middle-class Norman parents, Becket rose against all odds to become the second most powerful man in England. As King Henry II’s chancellor, Becket charmed potentates and popes, tamed overmighty barons, and even personally led knights into battle. After his royal patron elevated him to archbishop of Canterbury in 1162, however, Becket clashed with the King. Forced to choose between fealty to the crown and the values of his faith, he repeatedly challenged Henry’s authority to bring the church to heel. Drawing on the full panoply of medieval sources, Guy sheds new light on the relationship between the two men, separates truth from centuries of mythmaking, and casts doubt on the long-held assumption that the headstrong rivals were once close friends. He also provides the fullest accounting yet for Becket’s seemingly radical transformation from worldly bureaucrat to devout man of God. Here is a Becket seldom glimpsed in any previous biography, a man of many facets and faces: the skilled warrior as comfortable unhorsing an opponent in single combat as he was negotiating terms of surrender; the canny diplomat “with the appetite of a wolf” who unexpectedly became the spiritual paragon of the English church; and the ascetic rebel who waged a high-stakes contest of wills with one of the most volcanic monarchs of the Middle Ages. Driven into exile, derided by his enemies as an ungrateful upstart, Becket returned to Canterbury in the unlikeliest guise of all: as an avenging angel of God, wielding his power of excommunication like a sword. It is this last apparition, the one for which history remembers him best, that will lead to his martyrdom at the hands of the king’s minions—a grisly episode that Guy recounts in chilling and dramatic detail. An uncommonly intimate portrait of one of the medieval world’s most magnetic figures, Thomas Becket breathes new life into its subject—cementing for all time his place as an enduring icon of resistance to the abuse of power.

"An ingenious new presentation of an old history."—Fiberarts The dazzling cloths presented here are the visual record of one of the great untold stories of Asian design history: the trade in Indian textiles to Southeast and East Asia. The chintzes made for export to Europe in the seventeenth and eighteenth centuries are now well known; but for over a thousand years Indian cloths were traded for the spices and forest and mineral wealth of the East by Asian, Arab, and European merchants. Universally in demand, the textiles were designed to suit specific markets: attire for royalty, diplomatic gifts, displays for festive occasions, and clothing for rites of passage and other ceremonies. Outstanding among them are the patterned cottons—the famous chintzes—and the tie-dyed silk patola, reserved for rulers and nobility.

The Whitbread Award–winning author of Queen of Scots presents a “brilliantly observed” dual biography of Sir Thomas More and his daughter (The New York Times). Sir Thomas More’s life is well known: his opposition to Henry VIII’s marriage to Anne Boleyn, his arrest for treason, his execution and martyrdom. Yet a major figure in his life—his beloved daughter Margaret—has been largely airbrushed out of the story. Margaret was her father’s closest confidant and played a critical role in safeguarding his intellectual legacy. In A Daughter’s Love, John Guy restores her to her rightful place in Tudor history. Always her father’s favorite child, Margaret was such an accomplished scholar by age eighteen that her work earned praise from Erasmus of Rotterdam. She remained devoted to her father after her marriage—and paid the price in estrangement from her husband. When More was thrown into the Tower of London, Margaret collaborated with him on his most famous letters from prison, smuggled them out at great personal risk, and even rescued his head after his execution. Drawing on original sources that have been ignored by generations of historians, Guy creates a dramatic new portrait of both Thomas More and the daughter whose devotion secured his place in history.

Royalty.

John Guy (Warragul, Australia, 1949) es autor de una amplia bibliografía, en la que destacan The Public Career of Sir Thomas More (1980), Tudor England (1990), que se ha convertido en todo un clásico en la materia y ha vendido más de un cuarto de millón de copias, The Tudors: A very short introduction (1990), The Tudors and the Stuarts (1997), The Tudor Monarchy (1997), Thomas More (2000) y María Estuardo, la reina mártir, que le valió el premio Whitbread y en Estados Unidos fue finalista del Biography/Autobiography of the Year Award. Ha participado en numerosas obras colectivas sobre su especialidad (entre otras, en The Oxford History of Britain y The Oxford Ilustrated History of Tudor and Stuart Britain) y ha intervenido en numerosos documentales sobre historia en la BBC. Asimismo, ha participado y presentado diversos programas de radio y televisión y escribe regularmente crítica literaria en The Sunday Times, BBC History Magazine, The Guardian, The Economist, History Today y The Times Literary Supplement. Actualmente imparte historia en la Universidad de Cambridge.

Presents a short study of ghosts and other paranormal occurrences, and describes visions and ghost ships, parallel worlds, and more.

A dramatic reinterpretation of the life of Mary Queen of Scots, John Guy returns to the archives to explode the myths and correct the inaccuracies that surround this most fascinating monarch.

This book provides a perfect introduction to the brutal but exhilarating world of the Vikings. It explores everything from the bloodthirsty expeditions to the Vikings' rich culture, revealing what life was really like for the people of this maurading race