Best Selling Books by Joan Didion

A RICH DISPLAY OF SOME OF THE BEST PROSE WRITTEN TODAY IN THE USA.

In this dramatic adaptation of her award-winning, bestselling memoir, Joan Didion transforms the story of the sudden and unexpected loss of her husband and their only daughter into a stunning and powerful one-woman play. “This happened on December 30, 2003. That may seem a while ago but it won’t when it happens to you....” Michiko Kakutani in The New York Times called the memoir that was the basis for the play, “an indelible portrait of loss and grief ... a haunting portrait of a four-decade-long marriage." The first theatrical production of The Year of Magical Thinking opened at the Booth Theatre on March 29, 2007, starring Vanessa Redgrave and directed by David Hare.

First published in 1979, Joan Didion''s The White Album records indelibly the upheavals and aftermaths of the 1960s. Examining key events, figures, and trends of the era—including Charles Manson, the Black Panthers, and the shopping mall—through the lens of her own spiritual confusion, Joan Didion helped to define mass culture as we now understand it. Written with a commanding sureness of tone and linguistic precision, The White Album is a central text of American reportage and a classic of American autobiography.

From the bestselling, award-winning author of The Year of Magical Thinking: In this "arresting amalgam of memoir and historical timeline” (The Baltimore Sun), Didion—a native Californian—reassesses parts of her life, her work, her history, and ours. Didion applies her scalpel-like intelligence to California''s ethic of ruthless self-sufficiency in order to examine that ethic’s often tenuous relationship to reality. Combining history and reportage, memoir and literary criticism, Where I Was From explores California’s romances with land and water; its unacknowledged debts to railroads, aerospace, and big government; the disjunction between its code of individualism and its fetish for prisons. Whether she is writing about her pioneer ancestors or privileged sexual predators, robber barons or writers (not excluding herself), Didion is an unparalleled observer, and this book is at once intellectually provocative and deeply personal.

From the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean—a gorgeously written, bitterly funny look at the relationship between politics and personal life. Moving deftly between romance, farce, and tragedy, from 1970s America to Vietnam to Jakarta, Democracy is a tour de force from a writer who can dissect an entire society with a single phrase. Inez Victor knows that the major casualty of the political life is memory. But the people around Inez have made careers out of losing track. Her senator husband wants to forget the failure of his last bid for the presidency. Her husband''s handler would like the press to forget that Inez''s father is a murderer. And, in 1975, America is doing its best to lose track of its one-time client, the lethally hemorrhaging republic of South Vietnam. As conceived by Joan Didion, these personages and events constitute the terminal fallout of democracy, a fallout that also includes fact-finding junkets, senatorial groupies, the international arms market, and the Orwellian newspeak of the political class.

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • NEW YORK TIMES BEST SELLER • From one of our most iconic and influential writers, the award-winning author of The Year of Magical Thinking: a timeless collection of mostly early pieces that reveal what would become Joan Didion''s subjects, including the press, politics, California robber barons, women, and her own self-doubt. With a forward by Hilton Als, these twelve pieces from 1968 to 2000, never before gathered together, offer an illuminating glimpse into the mind and process of a legendary figure. They showcase Joan Didion''s incisive reporting, her empathetic gaze, and her role as "an articulate witness to the most stubborn and intractable truths of our time" (The New York Times Book Review). Here, Didion touches on topics ranging from newspapers ("the problem is not so much whether one trusts the news as to whether one finds it"), to the fantasy of San Simeon, to not getting into Stanford. In "Why I Write," Didion ponders the act of writing: "I write entirely to find out what I''m thinking, what I''m looking at, what I see and what it means." From her admiration for Hemingway''s sentences to her acknowledgment that Martha Stewart''s story is one "that has historically encouraged women in this country, even as it has threatened men," these essays are acutely and brilliantly observed. Each piece is classic Didion: incisive, bemused, and stunningly prescient.

A shimmering novel of innocence and evil: the gripping story of two American women in a failing Central American nation, from the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean "[Didion''s] most ambitious project in fiction, and her most successful ... glows with a golden aura of well-wrought classical tragedy.” —Los Angeles Times Book Review Grace Strasser-Mendana controls much of Boca Grande''s wealth and knows virtually all of its secrets; Charlotte Douglas knows far too little. "Immaculate of history, innocent of politics," Charlotte has come to Boca Grande vaguely and vainly hoping to be reunited with her fugitive daughter. As imagined by Didion, her fate is at once utterly particular and fearfully emblematic of an age of conscienceless authority and unfathomable violence. A Book of Common Prayer is written with the telegraphic swiftness and microscopic sensitivity that have made Didion one of our most distinguished journalists.

NATIONAL BESTSELLER • “One of contemporary literature’s most revered essayists revives her raw records from a 1970s road trip across the American southwest ... her acute observations of the country’s culture and history feel particularly resonant today.” —Harper’s Bazaar Joan Didion, the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean, has always kept notebooks—of overheard dialogue, interviews, drafts of essays, copies of articles. Here are two extended excerpts from notebooks she kept in the 1970s; read together, they form a piercing view of the American political and cultural landscape. “Notes on the South” traces a road trip that she and her husband, John Gregory Dunne, took through Louisiana, Mississippi, and Alabama. Her acute observations about the small towns they pass through, her interviews with local figures, and their preoccupation with race, class, and heritage suggest a South largely unchanged today. “California Notes” began as an assignment from Rolling Stone on the Patty Hearst trial. Though Didion never wrote the piece, the time she spent watching the trial in San Francisco triggered thoughts about the West and her own upbringing in Sacramento. Here we not only see Didion’s signature irony and imagination in play, we’re also granted an illuminating glimpse into her mind and process.

A ruthless dissection of American life in the late 1960s, "Play It As It Lays" captures the mood of an entire generation. Joan Didion chose Hollywood to serve as her microcosm of contemporary society and exposed a culture characterized by emptiness and ennui.

NATIONAL BESTSELLER • "Didion at her finest" —USA Today • An intricate, fast-paced novel about trying to create a context for democracy and getting hands a little dirty in the process, complete with conspiracies, arms dealing, and assassinations. From the author of The Year of Magical Thinking and Let Me Tell You What I Mean The narrator introduces Elena McMahon, estranged from a life of celebrity fundraisers and from her powerful West Coast husband, Wynn Janklow, whom she has left, taking Catherine, her daughter, to become a reporter for The Washington Post. She finds herself boarding a plane for Florida to see her father. She becomes embroiled in her his business even though "she had trained herself since childhood not to have any interest in what he was doing." It is from this moment that she is caught up in something much larger than she could have imagined. Didion makes connections among Dallas, Iran-Contra, and Castro, and points out how "spectral companies with high-concept names tended to interlock." As this book builds to its terrifying finish, we see the underpinnings of a dark historical underbelly.

The iconic writer''s electrifying first novel is a story of marriage, murder and betrayal that only she could tell with such nuance, sympathy, and suspense—from the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean. Everett McClellan and his wife, Lily, are the great-grandchildren of pioneers, and what happens to them is a tragic epilogue to the pioneer experience—a haunting portrait of a marriage whose wrong turns and betrayals are at once absolutely idiosyncratic and a razor-sharp commentary on the history of California.

An astonishing account of Cuban exiles, CIA informants, and cocaine traffickers in Florida by the New York Times–bestselling author of South and West. In Miami, the National Book Award–winning author of The Year of Magical Thinking looks beyond postcard images of fluorescent waters, backlit islands, and pastel architecture to explore the murkier waters of a city on the edge. From Fidel Castro and the Bay of Pigs invasion to Lee Harvey Oswald and the Kennedy assassination to Oliver North and the Iran–Contra affair, Joan Didion uncovers political intrigues and shadowy underworld connections, and documents the US government’s “seduction and betrayal” of the Cuban exile community in Dade County. She writes of hotels that offer “guerrilla discounts,” gun shops that advertise Father’s Day deals, and a real-estate market where “Unusual Security and Ready Access to the Ocean” are perks for wealthy homeowners looking to make a quick escape. With a booming drug trade, staggering racial and class inequities, and skyrocketing murder rates, Miami in the 1980s felt more like a Third World capital than a modern American city. Didion describes the violence, passion, and paranoia of these troubled times in arresting detail and “beautifully evocative prose” (The New York Times Book Review). A vital report on an immigrant community traumatized by broken dreams and the cynicism of US foreign policy, Miami is a masterwork of literary journalism whose insights are timelier and more important than ever.

Incisive essays on Patty Hearst and Reagan, the Central Park jogger and the Santa Ana winds, from the New York Times–bestselling author of South and West. In these eleven essays covering the national scene from Washington, DC; California; and New York, the acclaimed author of Slouching Towards Bethlehem and The White Album “capture[s] the mood of America” and confirms her reputation as one of our sharpest and most trustworthy cultural observers (The New York Times). Whether dissecting the 1988 presidential campaign, exploring the commercialization of a Hollywood murder, or reporting on the “sideshows” of foreign wars, Joan Didion proves that she is one of the premier essayists of the twentieth century, “an articulate witness to the most stubborn and intractable truths of our time” (Joyce Carol Oates, The New York Times Book Review). Highlights include “In the Realm of the Fisher King,” a portrait of the White House under the stewardship of Ronald and Nancy Reagan, two “actors on location;” and “Girl of the Golden West,” a meditation on the Patty Hearst case that draws an unexpected and insightful parallel between the kidnapped heiress and the emigrants who settled California. “Sentimental Journeys” is a deeply felt study of New York media coverage of the brutal rape of a white investment banker in Central Park, a notorious crime that exposed the city’s racial and class fault lines. Dedicated to Henry Robbins, Didion’s friend and editor from 1966 until his death in 1979, After Henry is an indispensable collection of “superior reporting and criticism” from a writer on whom we have relied for more than fifty years “to get the story straight” (Los Angeles Times).

NATIONAL BESTSELLER • In these coolly observant essays, the iconic bestselling writer looks at the American political process and at "that handful of insiders who invent, year in and year out, the narrative of public life." Through the deconstruction of the sound bites and photo ops of three presidential campaigns, one presidential impeachment, and an unforgettable sex scandal, Didion reveals the mechanics of American politics. She tells us the uncomfortable truth about the way we vote, the candidates we vote for, and the people who tell us to vote for them. These pieces build, one on the other, into a disturbing portrait of the American political landscape, providing essential reading on our democracy.

"Terror is the given of the place." The place is El Salvador in 1982, at the ghastly height of its civil war. Didion "brings the country to life" (The New York Times), delivering an anatomy of a particular brand of political terror—its mechanisms, rationales, and intimate relation to United States foreign policy. As ash travels from battlefields to body dumps, Didion interviews a puppet president, and considers the distinctly Salvadoran grammar of the verb "to disappear." Here, the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean gives us a book that is germane to any country in which bloodshed has become a standard tool of politics.

NEW YORK TIMES BESTSELLER • A work of stunning frankness about losing a daughter, from the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean Richly textured with memories from her own childhood and married life with her husband, John Gregory Dunne, and daughter, Quintana Roo, this new book by Joan Didion is an intensely personal and moving account of her thoughts, fears, and doubts regarding having children, illness and growing old. As she reflects on her daughter’s life and on her role as a parent, Didion grapples with the candid questions that all parents face, and contemplates her age, something she finds hard to acknowledge, much less accept. Blue Nights—the long, light evening hours that signal the summer solstice, “the opposite of the dying of the brightness, but also its warning”—like The Year of Magical Thinking before it, is an iconic book of incisive and electric honesty, haunting and profound.

Seven books in one hardcover volume from the bestselling, award-winning author of The Year of Magical Thinking: including the full texts of Slouching Towards Bethlehem; The White Album; Salvador; Miami; After Henry; Political Fictions; and Where I Was From. As featured in the Netflix documentary Joan Didion: The Center Will Not Hold. Joan Didion’s incomparable and distinctive essays and journalism are admired for their acute, incisive observations and their spare, elegant style. Now the seven books of nonfiction that appeared between 1968 and 2003 have been brought together into one thrilling collection. Slouching Towards Bethlehem captures the counterculture of the sixties, its mood and lifestyle, as symbolized by California, Joan Baez, Haight-Ashbury. The White Album covers the revolutionary politics and the “contemporary wasteland” of the late sixties and early seventies, in pieces on the Manson family, the Black Panthers, and Hollywood. Salvador is a riveting look at the social and political landscape of civil war. Miami exposes the secret role this largely Latin city played in the Cold War, from the Bay of Pigs through Watergate. In After Henry Didion reports on the Reagans, Patty Hearst, and the Central Park jogger case. The eight essays in Political Fictions–on censorship in the media, Gingrich, Clinton, Starr, and “compassionate conservatism,” among others–show us how we got to the political scene of today. And in Where I Was From Didion shows that California was never the land of the golden dream." Everyman''s Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author''s life and times.

Novelist and essayist Joan Didion writes about the refusal of Americans to openly discuss and debate the Bush administration''s new unilateralism toward both domestic and international policies since 9/11. This provocative and persuasive essay was originally published in The New York Review of Books, and garnered a tremendous response from the magazine''s readers. In a preface commissioned for this book edition, Frank Rich, the popular op-ed columnist for The New York Times, echoes her argument with his own passionate analysis. Fixed Ideas is an incisive, timely political commentary from an American virtuoso.

A Vintage Shorts Selection • Almost three decades ago, iconic and incomparable American essayist Joan Didion’s now-classic report from the Dukakis campaign trail exposed, in no uncertain terms, the complete sham that is the modern American presidential run. Writing with bite and some humor too, Didion betrays “the process”—the way in which power is exchanged and the status quo is maintained. All insiders—politicians, journalists, spin doctors—participate in a political narrative that is “designed as it is to maintain the illusion of consensus by obscuring rather than addressing actual issues.” The optics of presidential campaigns have grown ever more farcical and remote from the needs and issues most relevant to Americans’ lives, and Didion’s elegant, shrewd, and prescient commentary has never been more urgent than it is right now. An ebook short.

The perfect introduction to one of our greatest modern writers: Joan Didion "has the instincts of an exceptional reporter and the focus of a historian, [with] a novelist’s appreciation of the surreal" (Los Angeles Times Book Review). Whether she’s writing about civil war in Central America, political scurrility in Washington, or the tightly-braided myths and realities of her native California, Joan Didion expresses an unblinking vision of the truth. Vintage Didion includes three chapters from Miami; an excerpt from Salvador; and three separate essays from After Henry that cover topics from Ronald Reagan to the Central Park jogger case. Also included is “Clinton Agonistes” from Political Fictions, and “Fixed Opinions, or the Hinge of History,” a scathing analysis of the ongoing war on terror.

An exploration of the visual corollary to Didion''s life and work and the feeling that each generates in her admirers, detractors and critics--including artists from Helen Lundeberg to Diane Arbus, Betye Saar to Maren Hassinger, Vija Celmins and Andy Warhol In Joan Didion: What She Means, the writer and curator Hilton Als creates a mosaic that explores Didion''s life and work and the feeling each generates in her admirers, detractors and critics. Arranged chronologically, the book highlights Didion''s fascination with the two coasts that made her. As a Westerner transplanted to New York, Didion was able to look at her native land, its mores and fixed rules of behavior, with the loving and critical eyes of a daughter who got out and went back. (Didion and her late husband moved from New York to Los Angeles in 1964, where they worked as highly successful screenwriters, producing scripts for 1971''s The Panic in Needle Parkand 1976''s A Star Is Born, among other works, before returning to New York 20 years later.) And from her New York perch, Didion was able to observe the political scene more closely, writing trenchant pieces about Clinton, El Salvador and most searingly the Central Park Five. The book includes 50 artists ranging from Brice Marden and Ed Ruscha to Betye Saar, Vija Clemins and many others, with works in all mediums including painting, ephemera, photography, sculpture, video and film. Also included are three previously uncollected texts by Didion: "In Praise of Unhung Wreaths and Love" (1969); a much-excerpted 1975 commencement address at UC Riverside; and "The Year of Hoping for Stage Magic" (2007).

Unas memorias conmovedoras sobre la enfermedad y la muerte a través de la experiencia personal de la periodista y escritora Joan Didion. Este libro memorable ha cautivado a millones de lectores en todo el mundo. En él, la escritora Joan Didion, una de las autoras norteamericanas más reputadas de finales del siglo XX, narra con una fascinante distancia emocional la muerte repentina de su marido, el también escritor John Gregory Dunne. Este libro tan breve como intenso es, por consiguiente, una reflexión sobre el duelo y la crónica de una supervivencia. El año del pensamiento mágico obtuvo el National Book Award en 2005. ENGLISH DESCRIPTION From one of America’s iconic writers, a stunning book of electric honesty and passion. Joan Didion explores an intensely personal yet universal experience: a portrait of a marriage–and a life, in good times and bad–that will speak to anyone who has ever loved a husband or wife or child. Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill with what seemed at first flu, then pneumonia, then complete septic shock. She was put into an induced coma and placed on life support. Days later–the night before New Year’s Eve–the Dunnes were just sitting down to dinner after visiting the hospital when John Gregory Dunne suffered a massive and fatal coronary. In a second, this close, symbiotic partnership of forty years was over. Four weeks later, their daughter pulled through. Two months after that, arriving at LAX, she collapsed and underwent six hours of brain surgery at UCLA Medical Center to relieve a massive hematoma. This powerful book is Didion’ s attempt to make sense of the “weeks and then months that cut loose any fixed idea I ever had about death, about illness . . . about marriage and children and memory . . . about the shallowness of sanity, about life itself.”

The ultimate Didion edition concludes with the brilliant and haunting works from her incomparable late phase. Library of America now completes its definitive, three-volume edition of one of the most electric writers of our time with the final seven books: Political Fictions (2001) offers a behind-the-scenes look at the American political landscape of the 1980s, 1990s, and early 2000s, its reflections on sound bites, photo ops, and an increasingly dysfunctional system still bracingly relevant. Fixed Ideas (2003), restored to print in this collection, traces the efforts of the Bush administration to “stake new ground in old domestic wars” in the wake of 9/11. Where I Was From (2003) explores the sunny myths and darker realities of Didion''s native California, her personal recollections interwoven with sketches of water wars, sexual predators, mass incarceration, and corporate corruption. The Year of Magical Thinking (2005), which brought Didion the National Book Award and legions of new readers, registers the shock of the death of her husband, John Gregory Dunne, amid her daughter Quintana’s ultimately terminal illness. Looking back on her marriage of four decades, she faces the abyss of a grief that “turns out to be a place none of us know until we reach it.” The Year of Magical Thinking: The Play (2007) is Didion''s lauded dramatic adaptation of the memoir. Blue Nights (2011) is Didion''s raw and haunting search for consolation amid despair. South and West (2017) revisits Didion''s notebooks from a happier time, recalling a roadtrip with her husband through the American South, and 1970s California. Here are the achingly beautiful memoirs and masterful collections of reportage and observation with which Joan Didion crowned the final decades of her extraordinary career.

Una recopilación de los cuadernos inéditos de Joan Didion, escritos en los setenta durante un viaje en coche por el sur de Estados Unidos, que resultan casi proféticos a la luz de la actualidad norteamericana. Joan Didion siempre ha conservado sus cuadernos de notas, con diálogos cazados al vuelo, observaciones, entrevistas y borradores de sus artículos. En el verano de 1970, la autora completó uno de estos cuadernos relatando su experiencia durante un roadtrip por Misisipi, Alabama y Luisiana junto a su marido, John Gregory Dunne. En el transcurso del mismo, pudo entrevistar a destacadas personalidades locales, cuyas preocupaciones por cuestiones de raza, clase y herencia daban cuenta de un país que se ahogaba en su propio pasado. El resultado son unas agudas y cortantes anotaciones sobre ese Sur retrógrado, notas que, a la luz de las actuales dinámicas del panorama político, social y cultural de la era Trump, cobran un sentido casi profético. Como polo opuesto a esa experiencia sureña, Sur y Oeste termina con las notas californianas de 1976, que empezaron como un encargo de Rolling Stone para cubrir el juicio contra Patty Hearst. Aunque Didion nunca llegó a escribir el artículo, sí que vivió en San Francisco y asistió al juicio, experiencia que le hizo reflexionar sobre los Hearst, sus años de formación en Sacramento y un Oeste que, al contrario del Sur, siempre ha mirado al futuro. La crítica ha dicho: «El talento visual de Joan Didion es fulminante: todos los datos reveladores de una escena saltan de la escritura como una imagen fotográfica [...]. Y el libro, con toda su perspicacia y su belleza de escritura, es de una contemporaneidad escalofriante.» Antonio Muñoz Molina, El País «Incluso estas notas escritas a toda prisa brillan con la habilidad característica de Didion para capturar el estado de ánimo y el lugar. Sur y Oeste es extrañamente profético; señala no solo el camino que tomará como escritora, sino también el destino que le esperará al país en los próximos años.» Michiko Kakutani, The New York Times «Leyendo estas notas de campo de Didion de hace cuarenta años, uno aprende más sobre el futuro de América que leyendo el periódico de mañana.» Esquire «El poder de la obra de Didion -su habilidad para articular con precisión sentimientos, atmósferas y trasfondos- se muestra de forma notable en este delgado volumen.» Booklist «¿Qué tiene exactamente Didion que no tenga nadie más que hace que despierte una fascinación casi unánime?» Aloma Rodríguez, Letras Libres

Una crònica commovedora sobre la malaltia i la mort a través de l''experiència personal de la periodista i escriptora Joan Didion. El Nadal del 2003, la Joan Didion va haver d''afrontar la sobtada mort del seu marit, el també escriptor John Gregory Dunne, i la llarga malaltia de la seva filla. L''autora va narrar amb una fascinant distància emocional la seva reacció a la tragèdia a L''any del pensament màgic, un llibre breu i intens, d''una honestedat desbordant, que s''ha convertit en un clàssic del dol. Aquesta crònica de supervivència ha captivat milions de lectors a tot el món i va guanyar, l''any 2005, el prestigiós National Book Award. Crítiques: «Plena de detalls i d''una enlluernadora honestedat [...], un retrat indeleble de la pèrdua i del dol.» Michiko Kakutani, The New York Times «El llibre és un intent de transcendir l''estupor i el sense sentit en què ens deixa sumits el dolor quan experimentem la mort d''algú molt proper.» Eduardo Lago, Babelia «Un llibre per al consol. En comparació amb els textos d''autoajuda i els repertoris tècnics de superació de l''insuperable, el llibre de la Joan Didion ens col·loca a la sala d''espera del dolor, ens en presenta el públic i els pacients.» Alejandro Gándara, El Mundo «Una escriptura directa, sense concessions sentimentals, que recorre al flashback per mantenir el lector sempre en suspens.» Bernabé Sarabia, El Cultural «No puc pensar en un llibre que necessitem més que el seu. [...] No em puc imaginar morir sense aquest llibre.» John Leonard, The New York Review of Books «Un acte consumat de valentia literària, una escriptora reconeguda per la seva claredat que ens permet entrar dins la seva ment mentre aquesta s''ennuvola pel dol.» Lev Grossman, Time

Após terem visitado sua única filha, Quintana, internada depois de sofrer de pneumonia seguida por um choque séptico, Joan Didion e seu marido, o escritor e diretor John Gregory Dunne, sentam-se para jantar. A noite é interrompida quando John sofre um ataque cardíaco fulminante, colocando fim na parceria de quarenta anos com Didion. Dois meses depois, Quintana se recupera ― apenas para sofrer um colapso no aeroporto de Los Angeles e passar por seis horas de cirurgia para remover um hematoma cerebral. Em O ano do pensamento mágico, Joan Didion explora uma experiência pessoal e, ainda assim, universal: o retrato de uma vida em comum que termina abruptamente, os bons e os maus momentos de um casamento e da maternidade,uma reflexão sobre perda e luto capaz de emocionar qualquer pessoa que já amou um cônjuge ou uma criança.

De uma das autoras mais brilhantes do mundo da literatura, um trabalho de franqueza impressionante sobre a perda de uma filha. Carregado de memórias da sua própria infância e da vida de casada com o seu marido, John Gregory Dunne, e a filha, Quintana Roo, o novo livro de Joan Didion é um relato intenso e comovente dos seus pensamentos, medos e dúvidas sobre a maternidade, a doença e o envelhecimento. Ao mesmo tempo que reflete sobre a vida da sua filha e sobre o seu papel como mãe, Didion luta com as dúvidas que todos os pais enfrentam, e contempla a sua idade, algo que para ela é difícil de admitir, e ainda de aceitar. Noites Azuis — as longas noites em que os crepúsculos se tornam longos e azuis e sinalizam o solstício do verão, "o oposto da morte da claridade, mas são também o seu alerta" — como O Ano do Pensamento Mágico, este é um livro icónico, de uma honestidade incisiva e elétrica, memorável e profundo.

Alcătuit din douăsprezece eseuri inedite din perioada 1968–2000, volumul Uite cum stă treaba urmărește subiecte diverse: presa vremii („problema nu este dacă să crezi informația, ci dacă o găsești"), fantezistul domeniu San Simeon („Odată ce un loc devine accesibil ochilor... nu mai este accesibil imaginației...") sau dacă să-ți faci sau nu studiile superioare la Stanford. În „De ce scriem", Joan Didion cântărește actul scrisului: „Scriu doar din motivul de a afla ce gândesc, la ce mă uit, ce văd și ce înseamnă". De la admirația sa pentru fraza lui Hemingway la povestea Marthei Stewart, a cărei istorie „le-a dat curaj femeilor din țara asta, chiar dacă a devenit o amenințare la adresa bărbaților", eseurile lui Joan Didion sunt rodul unei observații acute, al mirării, al incisivității și clarviziunii. „O martoră a adevărurilor inevitabile ale epocii noastre." The New York Times Book Review „Un aspect particular al marii literaturi de nonficțiune scrise de Joan Didion este că are puterea metaforică a marii ficțiuni." Hilton Als „Volumul lui Joan Didion dezvăluie o scriitoare aflată înaintea vremurilor sale." The Washington Post „Joan Didion este o cronicară a vremurilor noastre, o scriitoare care dizolvă iluziile contemporanilor săi pentru a dezvălui o realitate dură într-un stil aparte." Time „Proza lui Joan Didion rămâne unică. Poate subiectele pe care ea la abordează nu sunt noi, dar perspectiva scriitoarei este cu totul diferită de a celorlalți." The Los Angeles Magazine Joan Didion (1934-2021) este autoarea a cinci romane şi a paisprezece cărți de nonficțiune, printre care South and West şi Where I Was From. Volumul ce reuneşte toate operele sale de nonficțiune, We Tell Ourselves Stories in Order to Live, a fost publicat de Everyman’s Library în 2006. În seria Anansi. Ego au mai apărut volumele Anul gândirii magice (recompensat cu National Book Award for Nonfiction) și Nopți albastre.

Unas apasionantes memorias sobre la California natal de Joan Didion, autora de El año del pensamiento mágico, narradas con la inconfundible mirada personal y emotiva que caracteriza su obra. «Irresistible [...]. Un canto al lugar dónde su familia ha vivido durante generaciones, pero uno lleno de preguntas y dudas». The New York Times Joan Didion dedica estas memorias a su California natal, el estado al que, siglos atrás, llegaron sus antepasados y al que ella ató gran parte de su vida y de su obra. «Este libro representa una exploración de mis propias confusiones acerca del lugar y la forma en que crecí [...] unos malentendidos y malinterpretaciones que forman parte de quien soy en tanta medidaque todavía hoy solo les hago frente de refilón», decía Didion sobre un libro tan intelectualmente provocador como íntimo. Mezclando historia, crónica, memoria y crítica literaria, la autora explora los romances de California con la tierra y con el agua, sus deudas no reconocidas con los ferrocarriles, la industria aeroespacial y con el Gobierno central, así como el contraste entre su culto al individualismo y su fetiche por las cárceles. Ya sea escribiendo sobre sus antepasados, sobre depredadores sexuales, políticos corruptos o escritores (sin excluirse a sí misma), Didion vuelve a demostrar aquí su incomparable capacidad de observación. De dónde soy nos regala una mirada única al dibujar un mapa histórico y personal de la Costa Oeste de Estados Unidos, pero también al reflexionar sobre la escritura mientras revisa, a través del arte, la política, la economía y las vivencias de sus antepasados, el ideal de la «tierra prometida» a lo largo de dos siglos. La crítica ha dicho: «Nos encontramos ante la mejor Didion, una escritora que dio buena cuenta de la historia y el estado mental de su país y de California [...] Sin duda, su aproximación es original y personal, resultado de su particular forma de mirar». José Luis G. Gómez, La Opinión de Málaga «La mejor cronista de California». Vogue «Una voz sin parangón en el periodismo contemporáneo». The New York Times «Didion ha escrito un librito valiente, un buen libro que debe leerse con tanto cuidado como con el que fue escrito [...]. Es una autora de una honestidad implacable». The Washington Post «Si alguien necesita alguna prueba más de que Didion es una de las mejores ensayistas contemporáneas, este libro lo confirmará». The Seattle Times «Didion es una Walt Whitman contemporánea, cantando sobre América al cantar sobre sí misma». Slate.com «Tanto en la despedida como en la elegía, De dónde soy es un libro sacudido por la tormenta. Su historia es densa [...], su prosa aguda, directa y cincelada». The Los Angeles Times Book Review «Didion descubre el lugar exacto donde se cruzan la geografía y el viaje personal, y el resultado es una obra tan convincente y enigmática como los temas que trata». Time Out «Suprosa tenaz, hermosa y quirúrgicamente precisa no se parece a ninguna otra cosa que haya leído nunca». Donna Tartt «Uno de los estilos literarios más reconocibles y brillantes que ha surgido en Estados Unidos durante las últimas cuatro décadas [...] Didion es una de las grandes escritoras estadounidenses». The New York Times Book Review «Una amalgama fascinante de memorias y cronología histórica. [...] Elaborado con exquisitez, tan sutil como el lento despertar de un sueño agradable». The Baltimore Sun

Une soirée ordinaire, fin décembre à New York. Joan Didion s''apprête à dîner avec son mari, l''écrivain John Gregory Dunne - quand ce dernier s’écroule sur la table de la salle à manger, victime d''une crise cardiaque foudroyante. Pendant une année entière, Didion essaiera de se résoudre à la mort du compagnon de toute sa vie, tout en s''occupant de leur fille, plongée dans le coma suite à une grave pneumonie. La souffrance, l''incompréhension, l''incrédulité, la méditation obsessionnelle autour de cet événement si commun et pourtant inconcevable : dans un récit impressionnant de sobriété et d''implacable honnêteté, Didion raconte la folie du deuil et dissèque, entre sécheresse clinique et monologue intérieur, la plus indicible expérience - et sa rédemption par la littérature. « Quintessence du style, son écriture est la fusion du feu et de la glace. Laconique, tenue, sèche, cruelle et lyrique à la fois. (...) Disons que ce serait la version féminine de Samuel Beckett, en lunettes noires, qui siroterait un cocktail au bord d’une piscine californienne. Disons que s’il y avait des “premières dames” de la littérature américaine, Joan Didion serait sa Jackie Kennedy. » (Myriam Anderson, Le Figaro Magazine, 9 septembre 2006)

Un oscuro y enigmático thriller sobre los complots y conspiraciones de la Guerra Fría de la mano de Joan Didion, una de las narradoras más lúcidas de las letras norteamericanas. Elena McMahon abandona su trabajo como reportera en The Washington Post y su lujosa vida en California para adentrarse en otra: la de su padre, una existencia repleta de tratos oscuros. Sin apenas darse cuenta, acabará sustituyéndole como traficante de armas para Estados Unidos en algún punto de América Central. ¿Cómo ha podido llegar hasta ese punto? ¿Qué la ha llevado a cambiar una vida acomodada por el mundo criminal? En este thriller moral, hipnótico y provocativo, Elena se enfrentará a las consecuencias de los errores de su padre hasta verse implicada en una conspiración gubernamental que pondrá en jaque su vida y sus principios. Ambientada en los ochenta y escrita como si se tratara de una investigación sobre lo que ocurrió durante esos años de sombras políticas, complots e intentos de asesinato, Joan Didion nos presenta una novela trepidante y enigmática donde vamos descifrando poco a poco la figura de Elena hasta conseguir entender su papel en ese gran tablero que constituían los últimos años de la Guerra Fría. La crítica ha dicho... «Lúcida e irreal al mismo tiempo... el resultado es fascinante.» The New Yorker «La leí dos veces por puro placer.» The Guardian «Veloz, inteligente, original [...]. Su último deseo es un thriller compuesto con todos los recursos de alguien dotado para la mejor literatura.» The New York Review of Books «Excepcional. Didion ha creado un mundo amenazante donde el lector se convierte en su rehén.» Los Angeles Times «Una novela impresionante, rápida, dura, astuta.» Daily Mail «Conmovedora. Didion en su mejor momento.» USA Today «Lo que permanece constante en todas las novelas de Didion es la maravillosa notación del desafecto y de la desesperación, que recuerda a sus trabajos ensayísticos y periodísticos, donde los detalles oscuros, la contención y la inteligencia funcionan maravillosamente bien.» The New York Times Book Review «Las protagonistas de las novelas de Didion abandonan su vida para terminar dándose cuenta de que no tienen otro lugar al que ir.» The New York Times «Una gran obra de una de las observadoras más inteligentes de la vida política y cultural estadounidense.» Publishers Weekly