Best Selling Books by Jim Harrison

From her home on the California coast, Dalva hears the broad silence of the Nebraska prairie where she was born and longs for the son she gave up for adoption years before. Beautiful, fearless, tormented, at forty-five she has lived a life of lovers and adventures. Now, Dalva begins a journey that will take her back to the bosom of her family, to the half-Sioux lover of her youth, and to a pioneering great-grandfather whose journals recount the bloody annihilation of the Plains Indians. On the way, she discovers a story that stretches from East to West, from the Civil War to Wounded Knee and Vietnam -- and finds the balm to heal her wild and wounded soul.

A road trip novel of three desperate souls fueled by drugs, alcohol, and delusions—from the New York Times–bestselling author of Legends of the Fall. The author of thirty-nine books of fiction, non-fiction, and poetry, Jim Harrison was one of our most beloved and acclaimed writers, adored by both readers and critics. His novel, A Good Day to Die, centers on an unlikely trio: a poet with a tendency to lapse into beatific reveries of superb fishing in cold, fast streams; a Vietnam vet consumed by uppers, downers, and violence; and a girl who loved only one of them—at first. With plans conceived during the madness of one long drunken night, the three of them leave Florida, driving west to buy a case of dynamite, determined to save the Grand Canyon from a dam they believe is about to be built. A Good Day to Die is an unrelenting tour de force, and a dark exploration of what it means to live beyond the pale in contemporary America. “Mr. Harrison’s perceptions are jagged and cutting . . . A remarkably well-plotted story.” —Christopher Lehmann-Haupt, The New York Times

"Harrison''s poems succeed on the basis of an open heart and a still-ravenous appetite for life."—The Texas Observer The title Dead Man''s Float is inspired by a technique used by swimmers to conserve energy when exhausted, to rest up for the long swim to shore. In his fourteenth volume of poetry, Jim Harrison presents keen awareness of physical pains, delights in the natural world, and reflects on humanity''s tentative place in a universe filled with ninety billion galaxies. By turns mournful and celebratory, these fearless and exuberant poems accomplish what Harrison''s poems always do: wake us up to the possibilities of being fully alive. "Forthright and unaffected, even brash, Harrison always scoops us straight into the world whether writing fiction or nonfiction. This new collection [Dead Man''s Float] takes its cue from a technique swimmers use to conserve energy in deep water, and Harrison goes in deep, acknowledging our frailness even as he seamlessly connects with a world that moves from water to air to the sky beyond."—Library Journal “Harrison pours himself into everything he writes… in poems, you do meet Harrison head-on. As he navigates his seventies, he continues to marvel with succinct awe and earthy lyricism over the wonders of birds, dogs, and stars as he pays haunting homage to his dead and contends with age’s assaults. The sagely mischievous poet of the North Woods and the Arizona desert laughs at himself as he tries to relax by imagining that he’s doing the dead man’s float only to sink into troubling memories…Bracingly candid, gracefully elegiac, tough, and passionate, Harrison travels the deep river of the spirit, from the wailing precincts of a hospital to a “green glade of soft marsh grass near a pool in a creek” to the moon-bright sea.”—Donna Seaman, Booklist "Harrison doesn''t write like anyone else, relying entirely on the toughness of his vision and intensity of feeling."—Publishers Weekly Warbler This year we have two gorgeous yellow warblers nesting in the honeysuckle bush. The other day I stuck my head in the bush. The nestlings weigh one twentieth of an ounce, about the size of a honeybee. We stared at each other, startled by our existence. In a month or so, when they reach the size of bumblebees they''ll fly to Costa Rica without a map. Jim Harrison, one of America''s most versatile and celebrated writers, is the author of over thirty books of poetry, fiction, and nonfiction—including Legends of the Fall, the acclaimed trilogy of novellas. With a fondness for open space and anonymous thickets, he divides his time between Montana and southern Arizona.

Starred Review from Booklist: "This robust volume is a testament to the fortitude of a great American poet''s work... [a] landmark collection." From the Introduction by Terry Tempest Williams: "Jim Harrison...was among the great ones—an elevated soul in all his unruliness who favored his senses and courted the wild on the page and in the world. His was a storied life that loomed large, and we are the beneficiaries. ''Such a powerful wounded poet—wrote as if he had to sing with a cut throat . . . and he did have to sing,'' said Jorie Graham." Jim Harrison: Complete Poems is the definitive collection from one of America’s iconic writers. Introduced by activist and naturalist writer Terry Tempest Williams, this tour de force contains every poem Harrison published over his fifty-year career, as well as a section of previously unpublished "Last Poems." Here are the nature-based lyrics of his early work, the high-velocity ghazals, a harrowing prose-poem “correspondence” with a Russian suicide, the riverine suites, fearless meditations inspired by the Zen monk Crazy Cloud, and a joyous conversation in haiku-like gems with friend and fellow poet Ted Kooser. Weaving throughout these 1000 pages are Harrison’s legendary passions and appetites, his love songs and lamentations, and a clarion call to pay attention to the life you are actually living. Jim Harrison: Complete Poems confirms that Jim Harrison is a talented storyteller with a penetrating eye for details, or as Publishers Weeklycalled him, “an untrammeled renegade genius... a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language.” NOTE:Jim Harrison: Complete Poems also appears as a three-volume box set. Print run limited to 750 copies. Each volume is introduced by a different writer: Colum McCann, Joy Williams, and John Freeman. The box set retails for $85 and ISBN is 9781556596414.

Three classic novellas from “one of our master chroniclers of human hungers, flaws, and frustrations.” (The Kansas City Star). Jim Harrison’s vivid, tender, and deeply felt fictions have won him acclaim as an American master of the novella. His highly acclaimed volume of novellas, The Summer He Didn’t Die, is a sparkling and exuberant collection about love, the senses, and family, no matter how untraditional. In the title novella, Brown Dog, a hapless Michigan Indian, is trying to parent his two stepchildren and take care of his family’s health on meager resources. (It helps a bit that his charms are irresistible to the new dentist in town.) Republican Wives is a wicked satire on the sexual neuroses of the right, the emptiness of a life lived for the status quo, and the irrational power of love that, when thwarted, can turn so easily into an urge to murder. And Tracking is a meditation on Harrison’s fascination with place, telling his own familiar mythology through the places his life has seen and the intellectual loves he has known. With wit as sharp and prose as lush as any Harrison has yet written, The Summer He Didn’t Die is a resonant, warm, and joyful ode to our journey on this earth. “Harrison has proved to be one of our finest storytellers. These novellas are urgent and contemporary, displaying his marvelous gifts for compression and idiosyncratic language.” —Los Angeles Times

Two outstanding late novellas from one of America’s most beloved and critically acclaimed authors. A brilliant rendering of two men striving to find their way in the world, written with freshness, abundant wit, and profound humanity, The River Swimmer is Jim Harrison at his most memorable. In The Land of Unlikeness, sixty-year-old art history academic Clive a failed artist, divorced and grappling with the vagaries of his declining years reluctantly returns to his family’s Michigan farmhouse to visit his aging mother. The return to familiar territory triggers a jolt of renewal—of ardor for his high school love, of his relationship with his estranged daughter, and of his own lost love of painting. In Water Baby, Harrison ventures into the magical as an Upper Peninsula farm boy is irresistibly drawn to the water as an escape, and sees otherworldly creatures there. Faced with the injustice and pressure of coming of age, he takes to the river and follows its siren song all the way across Lake Michigan. The River Swimmer is a striking portrait of two richly-drawn, profoundly human characters, and an exceptional reminder of why Jim Harrison remains one of America’s most cherished and important writers, on a par with such literary greats as Richard Ford, Anne Tyler, Robert Stone, Russell Banks, and Ann Beattie. “Trenchant and visionary . . . Harrison is a writer of the body, which he celebrates as the ordinary, essential and wondrous instrument by which we measure the world. Without it, there is no philosophy. And with it, of course, philosophy can be a rocky test. . . . I could feel Jim Harrison grinning . . . in his glorious novella The River Swimmer.” —The New York Times Book Review

An anthology of all of the Brown Dog novellas includes a previously unpublished story and follows the down-on-his-luck Michigan Native American''s misadventures with an overindulgent lifestyle, his two adopted children and an ersatz activist who steals his bearskin. 35,000 first printing.

“The longtime chronicler of Michigan’s Upper Peninsula . . . gives eloquent expression to death and the grieving process.” —Booklist Hailed by The New York Times Book Review as “a master . . . who makes the ordinary extraordinary, the unnamable unforgettable,” beloved author Jim Harrison returns with a masterpiece—a tender, profound, and magnificent novel about life, death, and finding redemption in unlikely places. Donald is a middle-aged Chippewa-Finnish man slowly dying of Lou Gehrig’s Disease. His condition deteriorating, he realizes no one will be able to pass on to his children their family history once he is gone. He begins dictating to his wife, Cynthia, stories he has never shared with anyone as around him, his family struggles to lay him to rest with the same dignity with which he has lived. Over the course of the year following Donald’s death, his daughter begins studying Chippewa ideas of death for clues about her father’s religion, while Cynthia, bereft of the family she created to escape the malevolent influence of her own father, finds that redeeming the past is not a lost cause. Returning to Earth is a deeply moving book about origins and endings, making sense of loss, and living with honor for the dead. It is among the finest novels of Harrison’s long, storied career, and confirms his standing as one of the most important American writers. “A deeply felt meditation on life and death, nature and God, this is one of Harrison’s finest works.” —Library Journal

“A sensitive, powerful love story about a man on the cutting edge of life.” —Richard Brautigan In Farmer, Jim Harrison tells the story of Joseph, a forty-three-year-old farmer-schoolteacher who suddenly finds himself at a crossroads. Forced to choose between two lovers one a tantalizing young student, the other his beautiful childhood friend he must also decide whether or not to stay on the farm or finally seek the wider, more worldly horizons he has avoided all his life. Farmer is a wondrous blend of insight, storytelling, and the author’s uncanny ability to evoke the mysteries and beauties of the natural world. “A beautiful novel”, Farmer serves as the perfect introduction to Harrison’s remarkable insight, storytelling, and evocation of the natural world (The Boston Globe). “A quiet triumph . . . Yes, it is the old story again. Taking it and making it new, as Harrison has done, is a miracle on the order of the loaves and fishes. But then so are all good novels.” —The Washington Post

From the New York Times–bestselling author of Legends of the Fall: “Harrison spins the common chaff of a road trip into gold” (Tim McNulty, The Seattle Times). “It used to be Cliff and Vivian and now it isn’t.” With these words, Jim Harrison begins a riotous, moving novel that sends a sixty-something man, divorced and robbed of his farm by a late-blooming real estate shark of an ex-wife, on a road trip across America. Cliff is armed with a childhood puzzle of the United States and a mission to rename all the states and state birds, the latter of which have been unjustly saddled with white men’s banal monikers up until now. His adventures take him through a whirlwind affair with a former student from his high-school-teacher days twenty-some years before, to a “snake farm” in Arizona owned by an old classmate, and to the high-octane existence of his son, a big-time movie producer who has just bought an apartment over the Presidio in San Francisco. Jim Harrison’s riotous and moving cross-country novel, The English Major, is the map of a man’s journey into, and out of, himself. It is vintage Harrison—reflective, big-picture American, and replete with wicked wit. “The English Major is to midlife crisis what The Catcher in the Rye is to adolescence.” —Susan Salter Reynolds, Los Angeles Times

In three novellas, Jim Harrison takes us on an American journey as he leads us through the wondrous landscape of the human heart. In this “richly allusive and wickedly funny” collection, Jim Harrison offers “three delightful studies of unique individuals battling inventively against society’s demands for conformity” (Library Journal). Julip follows a bright and resourceful young woman as she tries to spring her brother from a Florida jail—he shot three of her former lovers below the belt. The Seven-Ounce Man continues the picaresque adventures of Brown Dog, a Michigan scoundrel who loves to eat, drink, and chase women, all while sailing along in the bottom 10 percent. The Beige Dolorosa is the haunting tale of an academic who, recovering from the repercussions of a sexual harassment scandal, turns to the natural world for solace. In each of these stories, the irresistible pull of nature becomes a magnificent backdrop for exploring the toughest questions about life and love.

Jim Harrison’s first novel—a walk on the wild side from “a force of nature in American letters” (The Seattle Times). The New York Times–bestselling author of thirty-nine books of fiction, nonfiction, and poetry—including Legends of the Fall, Dalva, and Returning to Earth—Jim Harrison was one of our most beloved and acclaimed writers, adored by both readers and critics. Praised as “a raunchy, funny, swaggering, angry, cocksure book,” Wolf tells the story of a man who abandons Manhattan after too many nameless women and drunken nights, to roam the wilderness of northern Michigan, hoping to catch a glimpse of one of the rare wolves that prowl that territory (The New York Times Book Review). “When you turn the last page and Swanson’s voice stops, you want to flip back and keep listening.” —The Examiner

“A wild ride . . . [and] a thoroughly enjoyable tale of religion, sex and money . . . this is not your grandfather’s detective novel.” —Tim McNulty, The Seattle Times New York Times–bestselling author Jim Harrison has won international acclaim for his masterful body of work, including Returning to Earth, Legends of the Fall, and over thirty books of fiction, nonfiction, and poetry. In this enthralling, witty, and expertly crafted novel, he follows one man on a hunt for an elusive cult founder, dubbed “The Great Leader.” On the verge of retirement, Detective Sunderson begins to investigate a hedonistic cult, which has set up camp near his home in Michigan’s Upper Peninsula. At first, the self-declared Great Leader seems merely a harmless oddball, but as Sunderson and his sixteen-year-old sidekick dig deeper, they find him more intelligent and sinister than they realized. Recently divorced and frequently pickled in alcohol, Sunderson tracks his quarry from the woods of Michigan to a town in Arizona, filled with criminal border-crossers, and on to Nebraska, where the Great Leader’s most recent recruits have gathered to glorify his questionable religion. But Sunderson’s demons are also in pursuit of him. “Jim Harrison is unsurpassed at chronicling man’s relationship with wilderness . . . The Great Leader is hugely enjoyable.” —Tom Bissell, Outside Magazine

Jim Harrison''s essays and articles have been selected from twenty-five years of work, from venues as diverse as PLAYBOY, THE NATION, OUTSIDE, and the AMERICAN POETRY REVIEW. They explore the passions and concerns of a classic American writer: ice fishing and bar pool, nouvelle cuisine and night walks.

The first-ever collection of interviews with this well-known, prolific writer whose books include twenty-two volumes of poetry, fiction, and nonfiction published over a period of thirty-six years

An authoritative, best-selling edition of poetry by acclaimed novelist--now available in paper.

The story of how a summer job spawned a long and rewarding career as an artist Coca-Cola is a true American original and one of the world''s most recognized and popular American products. In The Coca-Cola Art of Jim Harrison, the artist traces his lifelong love affair with the Coca-Cola trademark that began during his childhood in rural South Carolina. Harrison enjoyed drinking the sweet and effervescent beverage, but he also was attracted to the Coca-Cola trademark that was blazoned on buildings and signs in his home town. After years of marveling at the work of local sign painter J. J. Cornforth, Harrison approached the seventy-year-old for a summer job. During several summers Cornforth taught Harrison the craft. When the young artist climbed atop the scaffold in the summer of 1952 to paint his first Coca-Cola sign, little did he know that he was launching a career as one of America''s foremost landscape artists. In 1975 Harrison created a painting of a country store that featured a fading Coca-Cola sign he and Cornforth had painted twenty years earlier. The painting, titled "Disappearing America," was offered as one of the first limited-edition Coca-Cola collector prints for $40 by Frame House Gallery. All 1,500 copies sold out quickly, propelling him into the national spotlight through the publisher''s network of 600 dealers. Harrison soon became the undisputed leader in rural Americana art, with this and many of his other prints appreciating up to 3,000 percent of their original value. Since entering into a licensee relationship with the Coca-Cola Company in 1995, Harrison has continued developing limited-edition prints, including his popular annual Coca-Cola calendar. Not surprisingly, Harrison has become an avid collector of old Coca-Cola signs. His studio is lined with a vast array of this collection, which serves as inspiration for new works of art.

One of America''s leading novelists and poets, "Jim Harrison is a writer with immortality in him."-The Sunday Times

The Etiquette of Freedom is an all–encompassing companion to the film The Practice of the Wild Gary Snyder joined his old friend, novelist Jim Harrison, to discuss their loves and lives and what has become of them throughout the years. Set amidst the natural beauty of the Santa Lucia Mountains, their conversations—harnessing their ideas of all that is wild, sacred and intimate in this world—move from the admission that Snyder''s mother was a devout atheist to his personal accounts of his initiation into Zen Buddhist culture, being literally dangled by the ankles over a cliff. After years of living in Japan, Snyder returns to the States to build a farmhouse in the remote foothills of the Sierras, a homestead he calls Kitkitdizze. For all of the depth in these conversations, Jim Harrison and Gary Snyder are humorous and friendly, and with the artfully interspersed dialogue from old friends and loves like Scott Slovic, Michael McClure, Jack Shoemaker, and Joanne Kyger, the discussion reaches a level of not only the personal, but the global, redefining our idea of the Beat Generation and challenging the future directions of the environmental movement and its association with "Deep Ecology."

"Jim Harrison is a writer with immortality in him." --The Times (London)

An essay collection from “the Henry Miller of food writing” and New York Times–bestselling author of The Raw and the Cooked (The Wall Street Journal). Jim Harrison was beloved for his untamed prose and larger-than-life appetite. Collecting many of his most entertaining and inspired food pieces for the first time, A Really Big Lunch “brings him roaring to the page again in all his unapologetic immoderacy, with spicy bon mots and salty language augmented by family photographs” (NPR). From the titular New Yorker article about a French lunch that went to thirty-seven courses, to essays on the relationship between hunter and prey, or the obscure language of wine reviews, A Really Big Lunch is shot through with Harrison’s aperçus and delight in the pleasures of the senses. Between the lines the pieces give glimpses of Harrison’s life over the last three decades. Including articles that first appeared in Brick, Playboy, Kermit Lynch Wine Merchant, and more, as well as an introduction by Mario Batali, A Really Big Lunch offers “sage and succulent essays” for the literary gourmand (Shelf Awareness, starred review).

A cornucopia of culinary essays from “the Henry Miller of food writing. His passion is infectious” (Jeffrey A. Trachtenberg, The Wall Street Journal). Jim Harrison was one of this country’s most beloved writers, a muscular, brilliantly economic stylist with a salty wisdom. For more than twenty years, he also wrote some of the best essays on food around, now collected in a volume that caused the Santa Fe New Mexican to exclaim: “To read this book is to come away convinced that Harrison is a flat-out genius—one who devours life with intensity, living it roughly and full-scale, then distills his experiences into passionate, opinionated prose. Food, in this context, is more than food: It is a metaphor for life.” From Harrison’s legendary Smart and Esquire columns, to current works including a correspondence with French gourmet Gerard Oberle, fabulous pieces on food in France and America for Men’s Journal, and a paean to the humble meatball, The Raw and the Cooked is a nine-course meal that will satisfy every appetite. “[A] culinary combo plate of Hunter S. Thompson, Ernest Hemingway, Julian Schnabel, and Sam Peckinpah.” —Jane and Michael Stern, The New York Times Book Review

From the New York Times–bestselling author of The Great Leader and Legends of the Fall: a retired detective confronts the sins of man in rural Michigan. In The Great Leader, Mark Twain Award–winning author Jim Harrison introduced readers to the hard-drinking, nearly-retired Detective Sunderson. In this darkly comic follow-up, Sunderson takes stock of his past, while his outlaw neighbors bring new havoc to his doorstep. To flee his troubles, Detective Sunderson buys a hunting cabin in a remote area of Michigan’s Upper Peninsula. But with neighbors like the Ames family, there is no peace to be found. Armed to the teeth, the Ameses have local law enforcement too intimidated to take them on. Then Sunderson’s cleaning lady, a comely young Ames woman, is murdered, and black sheep brother Lemuel Ames seeks Sunderson’s advice on a crime novel he’s writing which may not be fiction. In a story shot through with wit, bedlam, and Sunderson’s contemplation of the seven deadly sins, The Big Seven is a superb reminder of why Jim Harrison is “one of the finest writers of the past half-century” (The Washington Times).

Three novellas by the author of Legends of the Fall. “A brilliant tour de force . . . Jim Harrison at his peak: comic, erotic, and insightful” (San Francisco Chronicle). Across the odd contours of the American landscape, people are searching for the things that aren’t irretrievably lost, for the incandescent beneath the ordinary. An ex-Bible student with raucously asocial tendencies rescues the preserved body of an Indian chief from the frigid depths of Lake Superior in a caper that nets a wildly unexpected bounty. A band of sixties radicals, now approaching middle age, reunite to free an old comrade from a Mexican jail. A fifty-year-old suburban housewife flees quietly from her abusive businessman husband at a highway rest stop, climbs a fence, and explores the bittersweet pageant of the preceding years within the sanctuary of an Iowa cornfield. The Woman Lit by Fireflies is the work of a classic writer at the very top of his form—a hard-living, hard-writing hero of American letters whose novellas comprise a sweeping tribute to the nation’s heartland and the colorful, courageous characters who inhabit it. “Funny, wild, sexy, and bizarre . . . Along with Richard Ford . . . Harrison has cornered the market in the tough-but-tender style that characterized Hemingway’s early work.” —Nick Hornby

A collection of novellas from the New York Times–bestselling author—“arguably America’s foremost master of the novella . . . A force of nature on the page” (The Washington Post). The Mark Twain Award–winning author of Legends of the Fall delivers three novellas that highlight his phenomenal range as a writer, shot through with his trademark wit and keen insight into the human condition. Harrison has fun with his own reputation in the title novella, about an aging writer in Montana who weathers the slings and arrows of literary success and tries to cope with the sow he buys on a whim and the unplanned litter of piglets that follows soon after. In Eggs, a Montana woman reminisces about collecting eggs at her grandparents’ country house. Years later, having never had a child, she attempts to do so. And in The Case of the Howling Buddhas, retired Detective Sunderson—a recurring character from Harrison’s New York Times bestseller The Great Leader and The Big Seven—is hired to investigate a bizarre cult that achieves satori by howling along with howler monkeys at the zoo. “Still independent, fierce and feral,” The Ancient Minstrel confirms Jim Harrison as one of the most cherished and important writers in modern America (David Gates, The New York Times).

A New York Times Notable Book: A memoir of the writing life of Jim Harrison, from hardscrabble years to high-profile Hollywood friendships, “as engaging as it is eccentric” (The Washington Post Book World). In this “sprawling, impressionistic memoir”, which was selected as a New York Times Notable Book of the Year, Jim Harrison chronicles his coming-of-age, from a boy drunk with books to a young man making his way among fellow writers he deeply admires—including Peter Matthiessen, Robert Lowell, W.H. Auden, Truman Capote, Tennessee Williams, and Allen Ginsberg (The New York Times Book Review). Harrison discusses forthrightly the life-changing experience of becoming a father, and the minor cognitive dissonance that ensued when this boy from the heartland somehow ended up a highly paid Hollywood screenwriter. He gives free rein to his seven obsessions—alcohol, food, stripping, hunting and fishing (and the dogs who have accompanied him in both), religion, the road, and our place in the natural world—which he elucidates with earthy wisdom and an elegant sense of connectedness. Off to the Side is a work of great beauty and importance, a triumphant achievement that captures the writing life and brings all of us clues for living. A true masterpiece of memoir from an author whose “writing bears earthy whiffs of wild morels and morals and of booze and botany, as well as hints of William Faulkner, Louise Erdrich, Herman Melville, and Norman Maclean.” (San Francisco Chronicle) “This fine memoir is a worthy capstone to a fascinating career.” —Publishers Weekly

In one of Jim Harrison’s greatest works, five members of the Northridge family narrate the tangled epic of their history on the Nebraska plains. The Road Home continues the story of the captivating heroine Dalva and her peculiar and remarkable family. It encompasses the voices of Dalva’s grandfather John Northridge, the austere, hard-living half-Sioux patriarch; Naomi, the widow of his favorite son and namesake; Paul, the first Northridge son, who lived in the shadow of his brother; and Nelse, the son taken from Dalva at birth, who now has returned to find her. It is haunted by the hovering spirits of the father and the lover Dalva lost to this country’s wars. It is a family history drenched in suffering and joy, imbued with fierce independence and love, rooted in the Nebraska soil, and intertwined with the destiny of whites and native Americans in the American West. Epic in scope, stretching from the close of the nineteenth century to the present day, The Road Home is a stunning and trenchant novel, written with the humor, humanity, and inimitable evocation of the American spirit that have delighted Jim Harrison’s legion of fans. “A graceful novel . . . To read this book is to feel the luminosity of nature in one’s own being.” —The New York Times Book Review “The Road Home confirms what his longtime fans already know: Harrison is on the short list of American literary masters.” —The Denver Post “Demonstrates why [Harrison] is considered one of the best storytellers around.” —The Washington Post “The Road Home is Harrison at the peak of his powers, a splendid combined prequel and sequel . . . very much alive and probably his best novel.” —Boston Sunday Herald

Harrison, one of America''s most celebrated writers, is considered "a renegade genius" for his poetry.

One of American literature’s most significant authors delivers “a coming-of-age story, a familial saga of estrangement . . . A slow-burning revenge tragedy” (The New York Times Book Review). An epic tale that pits a son against the legacy of his family’s desecration of the earth, and his own father’s more personal violations, Jim Harrison’s True North is a beautiful and moving novel that speaks to the territory in our hearts that calls us back to our roots. The scion of a family of wealthy timber barons, David Burkett has grown up with a father who is a malevolent force and a mother made vague and numb by alcohol and pills. He and his sister Cynthia, a firecracker who scandalizes the family at fourteen by taking up with the son of their Finnish-Native American gardener, are mostly left to make their own way. As David comes to adulthood—often guided and enlightened by the unforgettable, intractable, courageous women he loves—he realizes he must come to terms with his forefathers’ rapacious destruction of the woods of Michigan’s Upper Peninsula, as well as the working people who made their wealth possible. Jim Harrison has given us a family tragedy of betrayal, amends, and justice for the worst sins. True North is a bravura performance from one of our finest writers, accomplished with deep humanity, humor, and redemptive soul. “A provocative tale that explores the roots of wealth and privilege in America . . . Harrison’s writing is superb, as always, rippling with thematic leaps and poetic insights.” —The Oregonian

Three novellas explore the theme of revenge and the actions to which people resort when they feel threatened

A spirited collection of poems inspired by the Zen practice of one of America''s most celebrated authors, Jim Harrison, a New York Times best-selling author. The popular novels of Jim Harrison (1937–2016) represent only part of his literary output—he was also widely acclaimed for the “renegade genius” of his powerful, expressive poems. After Ikkyū is the first collection of Harrison’s poetry directly inspired by his many years of Zen practice. The writing here is at once thought-provoking and passionate, immortalizing a celebrated American writer’s relationship to Zen in beautiful verse. These short, spirited poems will inspire you to look at life differently with a newfound sense of wonder and gratitude for everyday moments.

"The way Harrison has embedded his entire vision of our predicament implicitly in the particulars of two poetic lives, his own and Yesenin''s, is what makes the poem not only his best but one of the best in the past twenty-five years of American writing."--Hayden Carruth, Sulfur "Harrison inhabits the problems of our age as if they were beasts into which he had crawled, and Letters to Yesenin is a kind of imaginative taxidermy that refuses to stay in place up on the trophy room wall, but insists on walking into the dining room."--The American Poetry Review Jim Harrison''s gorgeous, desperate, and harrowing "correspondence" with Sergei Yesenin--a Russian poet who committed suicide after writing his final poem in his own blood--is considered an American masterwork. In the early 1970s, Harrison was living in poverty on a hardscrabble farm, suffering from depression and suicidal tendencies. In response he began to write daily prose-poem letters to Yesenin. Through this one-sided correspondence, Harrison unloads to this unlikely hero, ranting and raving about politics, drinking problems, family concerns, farm life, and a full range of daily occurrences. The rope remains ever present. Yet sometime through these letters there is a significant shift. Rather than feeling inextricably linked to Yesenin''s inevitable path, Harrison becomes furious, arguing about their imagined relationship: "I''m beginning to doubt whether we ever would have been friends." In the end, Harrison listened to his own poems: "My year-old daughter''s red robe hangs from the doorknob shouting Stop."

John Lundgren, a.k.a. Warlock, is an unemployment foundation executive whose life is about to become unhinged. After surviving a midlife crisis, Warlock finally decides to get a job. He soon discovers, however, that his new boss, Dr. Rabun, is no less evil to Professor Moriarty. Hired to troubleshoot for the doctor, Warlock himself battling poachers in the haunted wilderness of northern Michigan while also spying on his employer''s wife and son in the seamy underside of Key West. A comedy with one foot in the abyss, Warlock is the singular literary entertainment from an American master.

Presents brief poems originally exchanged by the longtime friends in their letters to each other, exploring such topics as the natural world, aging, and the nature of poetry.

From Library Journal: The long title sequence of Harrison''s seventh poetry collection is a journey upward from tragedy and unconsciousness, a fitful amalgam of memory and myth, meditation and nightmare, lucidity and delirium. It''s the life-passing-before-one''s-eyes at the precipice of death rendered in tranquility. In "trying to become alert enough to live, '''' the narrator sinks and surfaces, clutching at vivid bits of psychic debris that collectively define "the longest journey taken in a split second.'''' Harrison combines the rustic, the portentous, and the wry ("I had forgotten what it was I liked/ about life. I hear if you own a chimpanzee/ they cease at a point to be funny'''') with mixed but often penetrating results.

With its fanlike evergreen fronds, soft trunk, and strong root system, the palmetto is a wind-adapted palm that can bend with strong sea breezes without breaking or being uprooted. Emblematic of survival against opposition, the palmetto tree has captured the imaginations of South Carolinians for generations, appearing on the state seal since the American Revolution and on the state flag since 1861. The palmetto was named South Carolina''s official state tree by Governor Burnet R. Maybank in 1939, and in 1974 Governor John C. West commissioned acclaimed South Carolina artist Jim Harrison to paint the official palmetto tree portrait for the State of South Carolina, an image that adorns the State House to this day. The Palmetto and Its South Carolina Home showcases the timeless, natural beauty of the state tree in marshland and coastal landscapes in the popular Harrison style. Appearing on glassware, stationery, jewelry, and many other decorative and functional objects, the palmetto tree is an omnipresent symbol in South Carolina culture. For Harrison, the palmetto remains foremost an icon of the wondrous Carolina coastal habitats. Sweeping images of the coast have been part of Harrison''s art since the beginning of his career, and he continues to illustrate his love of the South Carolina coast by capturing the beauty of the state tree amid the many stunning and enchanting scenes included here. The Palmetto and Its South Carolina Home also explores the historical background of the tree and its many ties to South Carolina''s heritage as a symbol of strength and beauty worthy of this artistic celebration.

A “feisty, passionate novel” (Newsday) from a writer whose “storytelling instincts are nearly flawless” (The New York Times). The New York Times–bestselling author of thirty-nine books of fiction, non-fiction, and poetry including Legends of the Fall, Dalva, and Returning to Earth, Jim Harrison was one of our most beloved and acclaimed writers, adored by both readers and critics. Sundog is a powerful novel about the life and loves of a foreman named Robert Corvus Strang, who worked on giant dam projects around the world until he was crippled in a fall down a three-hundred-foot dam. Now as he tries to regain use of his legs, he has a chance to reassess his life, and a blasé journalist who has heard of Strang’s reputation in the field arrives to draw him out about his various incarnations. Strang, who has the violently heightened sensibilities of a man who has gone to the limits and back, recounts his monumental life moving from Michigan to Africa and the Amazon, including his several marriages and children, and dozens of lovers, Sundog is a story as true and gripping as real life, and ultimately as victorious.

An unforgettable collection of novellas from the author of Legends of the Fall explores the line between civilization and the “wild men.” Jim Harrison is an American master. The Beast God Forgot to Invent offers stories of culture and wildness, of men and beasts and where they overlap. A wealthy man retired to the Michigan woods narrates the tale of a younger man decivilized by brain damage. A Michigan Indian wanders Los Angeles, hobnobbing with starlets and screenwriters while he tracks an ersatz Native-American activist who stole his bearskin. An aging alpha canine, the author of three dozen throwaway biographies, eats dinner with the ex-wife of his overheated youth, and must confront the man he used to be. “Harrison’s intricate symbolism and scathing observations of urban foibles, his sly humor and vibrant language remind readers that he is one of our most talented chroniclers of the masculine psyche, intellectual or not.” —Publishers Weekly