Best Selling Books by James Marsh

This book is about only one thing. Shortness, singletons or voids. It''s impossible to overestimate the value distribution plays in bidding accuracy. High cards are nice; anybody can bid games and slams when the high cards are falling out of their hands onto the table. But usually those results don''t get you very far. It''s usually an average or maybe just above. You don''t win bridge tournaments that way. The pairs who bid games and slams on less and who accurately stay out of bad games and slams, those are the winners. When the ''room'' is in 3NT scoring +460 or +490 and you are in six diamonds scoring +920, then come and tell me about it. I''ve tried to cover the different ways a player can ask or tell about shortness. The book is divided into chapters on offense and defense. There are different ways to do things in bridge. I''ve presented a system I''ve learned from some of the best. You may prefer something else. Whatever works, great. I want to give you some things to think about and suggest solutions. There are lots of ways to do things in bridge. This is one way. I hope you fi nd it helpful at the table. James Marsh Sternberg, MD Palm Beach Gardens, FL

SUIT PREFERENCE SIGNALS If there was ever an area in bridge that resembles walking thru a mine field this is it. No topic causes more confusion and arguments than suit preference signals. “Partner, I played a deuce. Why didn’t you switch to a club?” is heard everywhere all the time. Most signals in bridge are attitude and some are count. At the end of the line are suit preference signals. And yet, they can be found in the most unusual and useful opportunities, often overlooked. The authors here thru the use of many deals explain the do’s and don’ts of suit preference signals. The history of suit preference and it’s present methods are clearly explained. After reading this book with your partner, your defensive signaling will improve so you will be able to traverse the minefields unafraid, and put fear into your opponent’s, defeating contracts that others are making.

“Second hand low” and “third hand high” are adages we learned in Bridge 101 along with others like “cover an honor with an honor” and “always return your partner’s suit.” These so-called rules will get you by, but they won’t see you very far. Second hand must become familiar with certain basic positions to try to foil declarer’s plans, often by playing second hand high. Likewise, many contracts are decided by the play of third hand at trick one. While your play may at first seem so obvious, a little thought may help you find the right card. Being a slave to either “second hand low” or “third hand high” can only lead you down the road to many disasters. Take time to review what you know from the bidding. Think about the hand type. Does it call for passive or aggressive defense? Hopefully after reading the examples in this book you will become more attuned to the variety of options available. The hands are placed in chapters by themes, but of course there is some overlap. We’re sure you will recognize situations from your own experiences at the table. We’re sure after reading this book you will be more attuned to becoming a thinking bridge player, and less a player just following old nursery rhymes.

Just what is LOL? Yes, a common abbreviation for Laughing Out Loud, and often used to refer to a Little Old Lady, but in bridge it means a Loser-On-Loser play. At times a declarer can improve his/her situation by playing a losing card from one hand on a loser in a different suit from the hand opposite. This occurs when a player has a loser in two suits but can arrange to lose them both on one trick, thereby reducing the number of losers from two to one. Often this looks like a Ruff-and-Sluff play, but instead of ruffing, declarer or dummy discards a loser in each hand. When and why would one do this? This technique has many uses. One example is to keep the ‘Danger’ hand off lead. Often in the end game it serves as the exit in assisting the process of elimination and placing the lead in the hand of the desired opponent for an endplay. The advantage of this procedure is that declarer divests himself of two losers while simultaneously placing the lead in the desired quarter.

Becoming a good declarer starts with some basic principles. All the books tell you the same thing; before playing to Trick 1, think and form a plan. But what should you think about? Players often look at a deal and see a new mystery, a complex problem. They become overwhelmed. Of all the ways of winning tricks, cashing high cards and taking finesses are easiest. But establishing a long suit requires effort and care. To set up intermediate cards, lose tricks you cannot avoid losing. The most common type of deal is a second suit. This book will focus entirely on variations of second suit type deals. It is divided into chapters, including one on defense, but there is some overlap. I show all four hands for convenience, but try covering the hands except dummy''s and your own until you have played the deal through mentally.

Card play at bridge embraces both declarer play and defense. Hundreds of books have been written about it. Our approach here, as in our previous books, is to focus on a particular deal type. Repeated experience with a theme makes it easier to recognize deal types and employ the appropriate techniques for each. A common and important line of play is elimination play, eliminating the side suits to removes an opponent’s safe exit cards before throwing him in to make a fatal lead. More than most other deal types, endplays require planning and preparation. In this as in our previous books, we show deals as they were misplayed at rubber bridge or its sister form of contest, team play at IMPs. Usually you will see a deal in which declarer falls short of his contract by one trick. Do not concern yourself with overtricks. In the forms of contest assumed here, making and breaking contracts is the objective. Take each misplayed deal as a challenge to find a better line---usually one that works, but no guarantees. An 80% play fails 20% of the time, but is significantly better than a 60% play and much better than a 40% play.

To ruff or not to ruff. The question seems so easy. To draw trumps promptly or is there something else to do first? Declarer has so many options. Ruff in dummy, a ruffing finesse, a crossruff, a dummy reversal, even a trump coup or scoring a trump ‘en passant’. And preventing the opponents from obtaining ruffs. What about the defenders? Should they be the ones to draw trumps? Can they spin straw into gold and manufacture some trump tricks? Sometimes it’s wrong to ruff. There’s a whole lot going on, many strange wonders that befall thee in the trump suit. You will see all of these in the instructive deals presented in quiz format, first thru the eyes of the declarer, then the defenders.

The dummy comes down. Have you seen this deal before? Probably; not this exact deal but likely the same type of deal. There are only so many themes in bridge, second suits, crossruffs, squeezes, and others. Recognizing the underlying theme, either as the declarer or a defender, will guide you to the correct line of play. There are many variances and after studying the deals in this book, you will have a keener awareness of the underlying themes and how to recognize them at the table.

More often than any other calls in bridge, redoubles produce confusion. When they do, the resulting disasters are more catastrophic than any others. Many doubles originally treated as penalty have been supplanted by conventional doubles. So also many "business" redoubles, originally used to quadruple the stakes, have been diverted to other uses. In this book we shall show you how to tell the different kinds of redoubles apart, and what agreements to make with partners to avoid confusion and its tragic consequences. An understanding of the use of these redoubles should be an essential part of your bidding system to improve your contracts and your results.

A richly illustrated, beautifully designed and now updated and extended book celebrating the music and art of the legendary Talk Talk. This edition includes interviews with Paul Webb and Lee Harris as well as the full transcript of Mark Hollis''s final interview about the band.

Timing is everything. Playing a bridge hand, either as declarer or defender is often difficult enough. But in addition, knowing when to do whatever it is you are supposed to do adds another perspective to the game. Card play includes recognition of deal types that can guide you to the best plan. This book examines which of the tasks you hope to accomplish must be done when. Whether you declare or defend, you must make some useful plays promptly, but others can or must wait. After studying and absorbing the lessons in the deals in this book, you will find your timing to have improved whether playing a simple part score or defending against a complicated slam.

Descendants of Abner Raleigh who was in North Carolina in the late 1700''s.

Water Covers All Sins James Marsh Banksiadale was an idyllic timber mill town, near Dwellingup and Pinjarra, in the south-west of Western Australia. In its heyday and climaxing in the early 1960''s, it was the gem of all mill towns with its own electricity supply, piped fresh water to all houses and a peaceful, well-behaved community, not even needing a resident policeman. Today, it does not exist. Everything changed in 1963 when the mill mysteriously burnt down, all workers had to leave, and the mill houses were swallowed up and covered by the waters of a new dam, the South Dandalup dam. Other problems emerged when it was discovered some 40 years later that two local residents had been murdered and disposed of in a mill house which was submerged along with other buildings when the dam was fl ooded. Three detectives have to work painstakingly on various clues to try to track down the killers in this cold case.

This is a story spanning some of the most turbulent decades in recent world history. James Marsh was born during the first year of the Second World War and many of his infant years were spent in air-raid shelters outside his home. Bombs rained down from the German Luftwaffe as they tried to destroy the city of Southampton, which has now been James'' home for more than sixty years. The gritty determination, community spirit and, above all, the humour, with which the local community faced the difficulties of war, have stayed with James throughout his life.Moving on to describe the harsh lessons learned in 1940s and ''50s schooling and subsequently describing his teenage years in the merchant navy, this book explores how growing up in the post-war years was both a challenge and a lot of fun.

Provides information on a variety of developments in the plant world, from trees of record-breaking size to plants that eat animals.

Definitive, clearly written, and well-illustrated volume addresses all aspects of the subject, from the historical development of understanding metal fatigue to vital concepts of the cyclic stress that causes a crack to grow. Includes 7 appendixes.

Crash Course is the revision series all medical students have been waiting for! This superb new series of revision books are bright, colourful, easy to use learning tools every student will want to have. Crash Course has been written by students, for students which ensures they are ideal for today''s curriculum. Colourful, fun illustrations that simplify difficult concepts are combined with concise bulleted text to set this remarkable series apart from any other. This comprehensive group of revision books is pitched squarely at the more modern, integrated curriculum. Many of the titles are ''systems'' rather than ''discipline'' based. For example, the Gastrointestinal System covers aspects of anatomy, physiology and biochemistry of that system therefore teaching the student the basic sciences within a clinical setting. Meeting the requirements of the change in curriculum in medical schools throughout the country, Crash Course is the first review series to fully integrate the basic sciences with clinical information.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Sentenced to three years in jail after he destroyed government property as part of an anti-war protest in 1968, Daniel Berrigan fled justice but later turned himself in. In ''The Trial of the Catonsville Nine, Berrigan addresses the conflicts between conscience and conduct, power and justice, law and morality.