New Releases by James Graham

In America''s Cold Warrior, James Graham Wilson traces Paul Nitze''s career path in national security after World War II, a time when many of his mentors and peers returned to civilian life. Serving in eight presidential administrations, Nitze commanded White House attention even when he was out of government, especially with his withering criticism of Jimmy Carter during Carter''s presidency. While Nitze is perhaps best known for leading the formulation of NSC-68, which Harry Truman signed in 1950, Wilson contends that Nitze''s most significant contribution to American peace and security came in the painstaking work done in the 1980s to negotiate successful treaties with the Soviets to reduce nuclear weapons while simultaneously deflecting skeptics surrounding Ronald Reagan. America''s Cold Warrior connects Nitze''s career and concerns about strategic vulnerability to the post-9/11 era and the challenges of the 2020s, where the United States finds itself locked in geopolitical competition with the People''s Republic of China and Russia.

Gizza job. Go on, gizzit, go ''head, giz it if you''ve got it, giz it, I can do it. Giz it then. Go ''head, gizza job. 80s'' Liverpool. Chrissie, Loggo, George, Dixie and Yosser are used to hard work and providing for their families. But there is no work and there is no money. What are they supposed to do? Work harder, work longer, buy cheaper, spend less? They just need a chance. Life is tough but the lads can play the game. Find the jobs, avoid the ''sniffers'' and see if you can have a laugh along the way. 40 years after Alan Bleasdale''s ground-breaking television series of the same name was essential viewing, this edition is published to coincide with the co-production between the Liverpool Royal Court and London''s National Theatre, in April 2024.

Reprint of the original, first published in 1883.

This book covers the history, methods, and administration of clearing-houses, which are institutions used by banks and other financial institutions to expedite the exchange of financial instruments. The author, James Graham Cannon, was an American banker who was instrumental in establishing clearing-houses in the United States. Cannon expertly explains how clearing-houses work and their role in modern finance. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

It''s time to change the game. The country that gave the world football has since delivered a painful pattern of loss. Why can''t England''s men win at their own game? The team has the worst track record for penalties in the world and manager Gareth Southgate knows he needs to open his mind and face up to the years of hurt to take team and country back to the promised land. James Graham''s ''rousing new play'' (Tatler) offers a fast-moving portrayal of Gareth Southgate''s reign as England football manager that presents a gripping examination of both nation and game. Uplifting, funny and more entertaining than a World Cup final. This edition was published to coincide with the West End transfer of Dear England in October 2023, following its world premiere at the National Theatre in June 2023.

Reprint of the original.

Winner of the 2022 Critics'' Circle Award for Best New Play Nominated for the 2022 Olivier Award for Best New Play “A man should never turn down two things. Sex, and appearing on television." 1968 – a year of protest that divided America. As two men fight to become the next President, all eyes are on the battle between two others: the cunningly conservative William F. Buckley Jr., and the iconoclastic liberal Gore Vidal. Beliefs are challenged and slurs slung as these political idols feud nightly in a new television format, debating the moral landscape of a shattered nation. Little do they know they''re about to open up a new frontier in American politics, and transform television news forever... Best of Enemies is the electric new play by James Graham (Quiz, Labour of Love), directed by Jeremy Herrin, inspired by the documentary by Morgan Neville and Robert Gordon. This revised and updated edition was published to coincide with the West End transfer to the Noel Coward Theatre in November 2022.

Updated to reflect recent archaeological discoveries and overflowing with color illustrations, this book is the definitive introduction to the art of the Viking Age. The Viking Age in Europe lasted from the time of the first major Viking expeditions in 800 CE to the widespread adoption of Christianity in Scandinavia some 300 years later. During that time, Viking art and culture spread across continental Europe and into the world beyond. Written by a leading authority on the subject, this book introduces readers to the intricate objects and beautiful art styles that developed during the Viking Age. Beginning with an introduction to the geographical and historical background of Viking culture, author James Graham-Campbell chronicles the six main styles of Viking art, examining how they emerged and interacted with one another, as well as how the religious shift from paganism to Christianity impacted Viking art and its legacy. More than 200 high-quality illustrations depict everything from delicate metalwork, elaborate wood carvings, ornate weapons, and fine jewelry to grand ships, the Gotland picture stones, and archaeological traces left by the Vikings around the Western world. Now revised and updated with recent archaeological discoveries, Viking Art is a perfect guide—including a timeline and maps—for all those interested in the arts of this vibrant and fascinating culture.

I want to tell you a story. And it''s true. That''s what makes it a good fucking story, right, ''cause all the best stories are true. Fleet Street. 1969. The Sun rises. James Graham''s ruthless, red-topped play leads with the birth of this country''s most influential newspaper – when a young and rebellious Rupert Murdoch asked the impossible and launched its first editor''s quest, against all odds, to give the people what they want. Ink premiered at the Almeida Theatre in London before transferring to the West End and later Broadway. It was nominated for both the Olivier and Tony Award for Best New Play.

1.Scotland Before the Vikings --2.Norwegian Background --3.Sources for Scandinavian Scotland --4.Regional Survey Part I: Northern Scotland --5.Regional Survey Part II: the West Highlands and Islands --6.Regional Survey Part III: South-West, Central, Eastern and Southern Scotland --7.Pagan Norse Graves Part I: Case Studies --8.Pagan Norse Graves Part II: Interpretation --9.Viking Period Settlements --10.Late Norse Settlements --11.Norse Economy --12.Silver and Gold --13.Earls and Bishops.

Charles Dickens'' London is reimagined for the 21st century. Twenty-four hours in the life of a city that has 371 people in every square kilometer, where every street and square shelters heroes and villains, emotional turmoil, violent allegiances, adventures, the remarkable and the everyday. Olivier Award-winning playwright James Graham forges a uniquely crowd-sourced play, incorporating scenes by emerging writers into his own sweeping narrative. Dickens'' panoply of London and Londoners, his big characters and fantastic stories in Sketches by Boz are updated for the modern age, incorporating the broadest range of voices from across the community in a theatrical whirligig of wonder and imagination.

I have to believe in the institutions we trust to be fair, and functional. Whether that be the judiciary, the police, the media ... That they should all be able to resist the temptations of a more entertaining lie, over a less extraordinary truth. April 2003. Army Major Charles Ingram, his wife and coughing accomplice are convicted for cheating on Who Wants to Be a Millionaire? The evidence is damning. The nation is gripped by the sheer audacity of the plot to snatch the £1,000,000 jackpot. But was he really guilty? It''s time for you to decide. Question everything you think you know in James Graham''s provocative new play. Olivier Award-nominee James Graham returns with a sharp, fictional imagination of one of the most famous quiz show controversies to date. The production premiered at Chichester Festival Theatre and this edition was published this edition was published to coincide with the West End opening at the Nöel Coward Theatre in April 2018.

January 2018, and a busy day at the offices of Hull 2017. Today is the ceremonial handover to ambassadors from the next UK City of Culture. Meanwhile, the monitoring and evaluation team have to present The Audit – a measurement of the impact ''the culture'' has had on the city. Can their logic models, outcome evaluations and statistical analyses really measure its impact on the people of Hull? The visiting Minister from the Department of Culture, Media and Sport certainly expect so. What could go wrong...? Only, perhaps, Dennis, an average citizen who arrives into the offices of Hull 2017 on lowgate to register a complaint but accidentally finds himself at the centre of events that could bring the whole thing to its knees The Culture is a satirical farce in two acts, examining the ''culture'' of culture, and the inner workings of the Hull 2017 project.

Labour MP David Lyons cares about modernisation and "electability"... his constituency agent, Jean Whittaker cares about principles and her community. Set away from the Westminster bubble in the party''s traditional northern heartlands, this is a clash of philosophy, culture and class against the backdrop of the Labour Party over 25 years, as it moves from Kinnock through Blair into Corbyn... and beyond? This razor-sharp political comedy from James Graham was produced by Michael Grandage Company and Headlong and received its world Premiere at the Noël Coward Theatre in September 2017.

A selection of papers from the 13th Viking Congress focusing on the northern, central, and eastern regions of Anglo-Saxon England colonised by invading Danish armies in the late 9th century, known as the Danelaw. This volume contributes to many of the unresolved scholarly debates surrounding the concept, and extent of the Danelaw.

Its government has declared a vicious class war. A one-sided war . . . We have started to fight back . . . with bombs. Against a backdrop of Tory cuts, high unemployment and the deregulated economy of 1970s Britain, a young urban guerrilla group mobilises: The Angry Brigade. Their targets: MPs, embassies, police, pageant queens. A world of order is shattered by anarchy and the rules have changed. An uprising has begun. No one is exempt. As a special police squad hunt the home-grown terrorists whose identities shocked the nation, James Graham''s heart-stopping thriller lures us into a frenzied world that looks much like our own. The Angry Brigade was first produced by Paines Plough in September 2014 and this edition, featuring changes to the script, has been published to coincide with the production''s transfer to the Bush Theatre, London, in May 2015.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

I just remember, even as a, as a young . . . man, not even man, just a boy . . . when nothing makes sense, and you''re not sure who you are . . . the idea of – the strength of the person that stands alone, carves their own path . . . of it not being who you are or where you''re from but what you do. Sam, a working-class northern lad, is a Tory researcher working in the office of an education minister. His colleagues know that he''s gay, but aware of his career prospects as a possible future MP, he prefers to keep it under wraps, much to the dismay of his Labour opposite number, James, who is trying to keen to have a relationship with him. Has Sam got any chance of rising through the Tory ranks if he comes out of the closet completely? Discovering that he is working in the same office in which Ted Heath originally began his career inspires Sam to research the man and the rumours about his sexuality. Through juxtaposing two careers – Ted Heath''s and that of the young, modern Tory researcher – Graham questions whether sexuality matters in today''s political world and, if it does, then why. Tory Boyz was first performed by the National Youth Theatre Company at Soho Theatre, London, on 21 July 2008. This edition contains the updated script from 2013 as well as an introduction by Anthony Banks, director and Associate Director for National Theatre Learning.

''Oh, you do look...really good, though. You know. In the face. Oh and, uh, I love you.'' Prisoners of their fear of falling things - keraunothetophobiacs - Jacqui and Robin are restricted to living indoors. When they meet online a relationship begins which forces them to confront their fear and discover what''s real in their lives and what really matters. A History of Falling Things, a new play by the acclaimed young playwright James Graham, is a gentle love story that is fearful, funny and moving. The play premiered at Clwyd Theatr Cymru, Wales, in April 2009 before transferring to the Sherman Theatre, Cardiff.

Famed for his bluebonnet landscapes, San Antonio native Julian Onderdonk may be the most well-known artist Texas has ever produced. Onderdonk spent several years outside the state, though, seeking to make a name for himself in New York City. He spent much of his time in New York as the very definition of a starving artist. In Julian Onderdonk: The Lost Years, the Lost Paintings, James Graham Baker explores the artist’s New York years, so often neglected by previous scholars. Through painstaking research, Baker reveals that Onderdonk painted hundreds of images under pseudonyms during his time in New York. These images not only reveal the means by which the artist struggled to make ends meet, but add another dimension to our understanding of the artist’s oeuvre. It is not possible to appreciate and understand Julian Onderdonk and his art without including these works. Largely composed of landscapes and marine scenes depicting the vanishing rural areas and shorelines around New York City, they show that Onderdonk was more than simply a “bluebonnet painter.”

"This is my first tax return. Thank you...erm for offering to... for helping. I realise it''s a bit weird. It''s just. This is...it''s the only way I can think to make it better. The only way I can think to do it. With other people. Like this." Tax is really, really taxing for Ben Edwards. Self-employed. And afraid... And now he must face his dreaded self assessment form, with every receipt evoking the good times and the bad - memories of things gone wrong, gone right, the journeys he''s been on, the relationships that have begun and ended and the people he has lost. As Ben begins to stitch together the patchwork quilt that was the Tax Year 2009/2010, he relives a year that was both hilarious and tragic, all mixed up in one shoe box of receipts. Award-winning playwright James Graham presents an affectionate and funny portrait of one man''s year-long experience, pieced together from receipts, shopping and commercial transactions. With a web of narratives, the play''s structure is innovative and flexible. In performance, each receipt triggers a unique story and the actor plucks the receipts from the audience''s hands at random.

The Whisky Taster is a contemporary, subtle and witty exploration of feeling and perception in the modern world of advertising. Moving from monochrome to technicolour, James Graham''s latest play is about seeing things too clearly in a city that never stands still. Barney and Nicola are advertising wonder kids. They win accounts with wit, charm and a secret weapon: Barney''s ability to feel, smell and taste colours, and to translate these sensations into words. Lately Barney has been finding things far too colourful and wishes his full throttle London life was more black and white, but Nicola is hell bent on winning accounts at all costs. When the two hire an old Scottish Whisky Taster to help them with a new campaign, the enigmatic and mysterious figure slows the Londoners to a stop with his strange wisdom, just as the deadline looms. This play explores perception, sensitivity and feeling through the neurological condition synesthesia. Whilst the characters thrive on the surface with witty banter and accomplished advertising pitches, their real lives threaten to intrude with a deeper, darker vein of seriousness and potential despair. When every sensation can be turned into a marketable, profitable brand, they start to lose sight of the real value of experience.

Blackly humorous drama of Einstein''s tortured conscience Why do you think I''ve been locked in this room? I''ve been grieving for a wife, a sister, three hundred thousand Japanese civilians, the presence of a universe gone mad, and the absence of a theory to explain it. Albert Einstein is not feeling too good. His house is empty, his cat is missing, he can''t remember where he put his violin - and he is slowly driving himself insane as he struggles to solve the unanswerable question - "Did I do the right thing?" When a family friend, newly released from a Chinese POW camp, comes to visit, a warm reunion soon becomes an explosive collision of opposing beliefs on the subjects of evil, the winning of wars, and the construction of the world''s first weapon of mass destruction - the atomic bomb. Albert''s Boy commemorates the World Year of Physics, the 60th anniversary of the bombing of Hiroshima and Nagasaki, and the 50th anniversary of Einsteins death. This is the second play by 22 year old James Graham. His first play, Coal not Dole played at the Edinburgh Festival in 2002 and subsequently toured the North of England. He is writer in residence at the Finborough Theatre. Publication ties in with the world premiere at the Finborough Theatre, London, 19 July 2005 "Promising new playwright James Graham succeeds in producing a Ken Loach style comedy drama" Scotsman (on Coal not Dole)

This country doesn''t need a constitution, never has, never will. We have History as our guide. In tough times, the British do what we have always done. We muddle through. This House is a timely and relevant political comedy, exploring Westminster and the 1974 hung parliament. In the run-up to the General Election pressure mounts as squabbling whips attempt to attract key regional votes. As it becomes clear the results will be closely balanced, the play tracks the formation, perils and consequences of a coalition government, including the compromises, conflicts and power games all in the interest of gaining control of Parliament. With well-paced, witty and waspish dialogue, This House playfully explores the childish digs and chauvinistic attitudes that riddle political life. Award-winning playwright James Graham combines comedy with comment in this portrayal of the strain between the thinking individual, the pressure to toe the part line and the end goal of winning government.

This collection brings together four of Graham''s most successful and entertaining plays, each representing a relationship with a theatre with which he has worked and introduced by the author. One of the plays, Sons of York, has never before been published, but earned James Graham a nomination for the Empty Space Mark Marvin Award. A History of Falling Things is a gentle love story about a young man and woman forced to confront their fears of the outside world and discover what really matters to their lives. Tory Boyz is a fast-paced, political comedy about prejudice and ambition in Westminster, looking at homosexuality in the British Conservative party, both today and in the past. As Ben, self-employed, skint and emotionally vulnerable, begins to stitch together the patchwork quilt that was the Tax Year 2009/2010, he relives a year that was both hilarious and tragic, all mixed up in one shoe box of receipts. The Man is an affectionate and funny portrait of an individual''s year-long experience, pieced together from receipts, shopping and commercial transactions. The Whisky Taster is a contemporary, subtle and witty exploration of feeling and perception in the modern world of advertising, and about seeing things too clearly in a city that never stands still. Sons of York Described as ''undoubtedly one of the best new plays of the year'' (British Theatre Guide), Sons of York depicts three generations of the same family moving in together in Hull as the Winter of Discontent of 1978 builds up.

Fifty years ago, Britain propelled itself into a disastrous war in the Middle East. Condemned by the UN and accused of falsifying intelligence, the Prime Minister was left fighting for his political life against a Party disillusioned, a public betrayed, and a wily Chancellor with ambitions to take his place... With the pressure of opposition to his war, Prime Minister Anthony Eden rapidly lost his grip on both the Empire and his health. Unable to control the growing power of both the United States and the Arab world, nor his own failing body, history would mark him as the worst British Prime Minister of the twentieth century. A new, uncompromising political thriller exploring with electrifying theatricality the events of the Suez Crisis, and the tragic story of its flawed hero - Churchill''s golden boy and heir apparent, Anthony Eden.

An innovative and accessible guide to the world''s religions, ''The Religions Book'' clearly explains the key concepts behind the earliest religious beliefs right up to the world''s newest faiths, getting to the heart of what it means to believe. Principles of the five main world religions - Hinduism, Buddhism, Judaism, Christianity, and Islam - as well as ancient and primal belief systems are explored in this informative tome. All the big ideas are simply explained with jargon-free descriptions, step-by-step diagrams, and witty illustrations that encapsulate every aspect of religious thinking.

In this volume, Graham investigates the relation between land and nationalism in South African and Zimbabwean fiction from the 1960s to the present. This comparative study, the first of its kind, discusses a wide range of writing against a backdrop of regional decolonization, including novels by the prize-winning authors J.M Coetzee, Nadine Gordimer, Bessie Head, Chenjerai Hove, and Yvonne Vera. By employing a range of critical perspectives—cultural materialist, feminist and ecocritical—this book offers new ways of thinking about the relationship between literature, politics and the environment in Southern Africa. The return of land has been central to the material and cultural struggles for decolonization in Southern Africa, yet between the advent of democracy in Zimbabwe (1980) and South Africa (1994) and Zimbabwe’s decision to fast-track land redistribution in 2000, it has been limited land reform rather than widespread land redistribution that has prevailed. During this period nationalist discourses of reconciliation and economic development replaced those of revolution and decolonization. This book develops a critique of both forms of nationalistic narrative by focusing on how different and often opposing idea of land and nation are reflected, refracted and even refused in the fictions.