New Releases by James F. Cooper

Leatherstocking Tales #2The Last of the Mohicans is a historical novel by James Fenimore Cooper, first published in January 1826.It was one of the most popular English-language novels of its time. Its narrative flaws were criticized from the start, and its length and elaborately formal prose style have reduced its appeal to later readers. Regardless, The Last of the Mohicans is widely read in American literature courses. This second book of the Leatherstocking Tales pentalogy is the best known. The Pathfinder, written 14 years later in 1840, is its sequel.Cooper named a principal character Uncas after the most famous of the Mohicans. The real Mohicans lived in the colony of Connecticut in the mid-seventeenth century, and not in the New York frontier a century later. Uncas was a Mohegan, not a Mohican, and Cooper's usage has helped to confuse the names of two tribes to the present day. When John Uncas, his last surviving male descendant died in 1842, the Newark Daily Advertiser wrote "Last of the Mohegans Gone" lamenting the extinction of the tribe. The writer was not aware that Mohegans still existed then and to the present day.The story takes place in 1757 during the Seven Years' War (known in America as the French and Indian War), when France and the United Kingdom battled for control of the American and Canadian colonies. During this war, the French often allied themselves with Native American tribes in order to gain an advantage over the British, with unpredictable and often tragic results.

The Last of the Mohicans is set in 1757, during the French and Indian War, when France and Great Britain battled for control of North America were both the French and the British used Native American allies, but the French were particularly dependent on them. The novel is set in the upper New York wilderness, describing the transport in a caravan of the two daughters of Colonel Munro, to a safe destination at Fort William Henry.

On the human imagination events produce the effects of time. Thus, he who has travelled far and seen much is apt to fancy that he has lived long; and the history that most abounds in important incidents soonest assumes the aspect of antiquity. In no other way can we account for the venerable air that is already gathering around American annals. When the mind reverts to the earliest days of colonial history, the period seems remote and obscure, the thousand changes that thicken along the links of recollections, throwing back the origin of the nation to a day so distant as seemingly to reach the mists of time; and yet four lives of ordinary duration would suffice to transmit, from mouth to mouth, in the form of tradition, all that civilized man has achieved within the limits of the republic. Although New York alone possesses a population materially exceeding that of either of the four smallest kingdoms of Europe, or materially exceeding that of the entire Swiss Confederation, it is little more than two centuries since the Dutch commenced their settlement, rescuing the region from the savage state. Thus, what seems venerable by an accumulation of changes is reduced to familiarity when we come seriously to consider it solely in connection with time. This glance into the perspective of the past will prepare the reader to look at the pictures we are about to sketch, with less surprise than he might otherwise feel; and a few additional explanations may carry him back in imagination to the precise condition of society that we desire to delineate. It is matter of history that the settlements on the eastern shores of the Hudson, such as Claverack, Kinderhook, and even Poughkeepsie, were not regarded as safe from Indian incursions a century since; and there is still standing on the banks of the same river, and within musket-shot of the wharves of Albany, a residence of a younger branch of the Van Rensselaers, that has loopholes constructed for defence against the same crafty enemy, although it dates from a period scarcely so distant. Other similar memorials of the infancy of the country are to be found, scattered through what is now deemed the very centre of American civilization, affording the plainest proofs that all we possess of security from invasion and hostile violence is the growth of but little more than the time that is frequently fulfilled by a single human life.

Bonded Leather binding

This is one of Fenimore Cooper's later military romances, and contains some daring reflections on different levels and kinds of loyalty set in the context of the American War of Independence.

This is the first volume of the Littlepage Manuscripts trilogy, narrating the history of three generations of a Dutch-descended American family starting from the mid-eighteenth century. The other volumes are also available from CSP.

"The Pioneers," AKA "The Sources of the Susquehanna; a Descriptive Tale," is one of the Leatherstocking Tales, a series of five novels by American writer James Fenimore Cooper. "The Pioneers" was first of these books to be published.

James Fenimore Cooper was a 19th century writer known for his historical romances and stories about the sea. At 17 he left his home in New York to become a merchant seaman. Warfare on the sea and romance fill the pages of The Wing and Wing. Admiral Caraccioli is about to be executed on Lord Nelson's flagship, when Raoul Yvard and his men begin to harass the British fleet. Yward who is in love with Caraccioli's daughter escapes and fights a battle at sea.

We acknowledge a strong paternal feeling in behalf of this book, placing it very high in the estimate of its merits, as compared with other books from the same pen: a species of commendation that need wound no man. . . .

Early New England settlers engaged the natives sometimes with love, sometimes with war. The result from the pen of James Fenimore Cooper is adventure, intrigue, hostages, and wonderful description.

Although the importance of Congregationalism in early Massachusetts has engaged historians' attention for generations, this study is the first to approach the Puritan experience in Congregational church government from the perspective of both the pew and the pulpit. For the past decade, author James F. Cooper, Jr. has immersed himself in local manuscript church records. These previously untapped documents provide a fascinating glimpse of lay-clerical relations in colonial Massachusetts, and reveal that ordinary churchgoers shaped the development of Congregational practices as much as the clerical and elite personages who for so long have populated histories of this period. Cooper's new findings will both challenge existing models of church hierarchy and offer a new dimension to our understanding of the origins of New England democracy. Refuting the idea of clerical predominance in the governance of colonial Massachusetts churches, Cooper shows that the laity were both informed and empowered to rule with ministers, rather than beneath them. From the outset of the Congregational experiment, ministers articulated--and lay people embraced--principles of limited authority, higher law, and free consent in the conduct of church affairs. These principles were codified early on in the Cambridge Platform, which the laity used as their standard in resisting infringements upon their rights. By neglecting the democratic components of Congregationalism, Cooper argues, scholars have missed the larger political significance of the movement. Congregational thought and practice in fact served as one indigenous seedbed of several concepts that would later flourish during the Revolutionary generation, including the notions that government derives its legitimacy from the voluntary consent of the governed, that governors should be chosen by the governed, that rulers should be accountable to the ruled, and that constitutional checks should limit both the governors and the people. By examining the development of church government through the perspective of lay-clerical interchange, Cooper comes to a fresh understanding of the sometimes noble, sometimes sordid, and sometimes rowdy nature of church politics. His study casts new light upon Anne Hutchinson and the "Antinomian Controversy," the Cambridge Platform, the Halfway Covenant, the Reforming Synod of 1679, and the long-standing debate over Puritan "declension." Cooper argues that, in general, church government did not divide Massachusetts culture along lay-clerical lines, but instead served as a powerful component of a popular religion and an ideology whose fundamentals were shared by churchgoers and most ministers throughout much of the colonial era. His is a book that will interest students of American culture, religion, government, and history.

In these days of sensationalism, the images of the past often seem shadowy and rather vague. This work explores a period in American art and culture when both were infused with a strong sense of righteousness and the certainty that the artist must celebrate nature and the deity. The chapter headings--from "Seeing" to "Virtue," "Chivalry" to "Christendom"--echo the ideas expressed in the paintings, contrasting with what art critic Cooper sees as a cultural crisis in our times. Unfortunately, this work comes across as preachy and sentimental, perhaps because of the zealous morality of the time it examines. Still, the works of art, gathered from a wide variety of holdings, are an excellent record of a splendid age of landscape, and Cooper should be commended for preserving and evaluating these important records of a past era. One could only wish that the sense of moral judgment did not overwhelm the critical eye. Recommended for academic libraries and all libraries focusing on American art history. 58 colour & 2 b/w illustrations