New Releases by James Baldwin

YOU must rise early in the morning," said Dame Louhi, the Wise Woman of the North. She stood at the door of her chamber and looked back into the low-raftered hall where her daughter was spinning. Her face was wrinkled and grim, her thin lips were puckered over her toothless mouth, her gray-green eyes sparkled beneath her shaggy eyebrows. She paused and listened. No answer came from her busy daughter. The day was almost ended. Already the swallows were asleep under the eaves, the reindeer were lying down in their paddock, all the underlings of Dame Louhi''s household had retired to rest. So near was her dwelling to the sea that she could hear the waves lapping on the beach and the ice-floes crunching and grinding and pounding against the shore. But other sounds there were none.

"James Baldwin was born for truth. It called upon him to tell it on the mountains, to preach it in Harlem, to sing it on the Left Bank in Paris. . . . He was a giant." — Maya Angelou This collectible edition celebrates James Baldwin’s 100th-year anniversary, delving into his years in France and Switzerland Originally published in Notes of a Native Son, the essays, "Encounter on the Seine: Black Meets Brown," "A Question of Identity," "Equal in Paris," and "Stranger in the Village" will appeal to readers interested in Baldwin''s observations as a Black man overseas. During his transformative time in Europe, Baldwin uncovers what it means to be American, immersing the reader in his life as a foreigner, his troubling encounter with a Parisian prison, and his unprecedented arrival to a tiny Swiss village. This final collection in the Baldwin centennial anniversary series raises issues of identity, belonging, nationhood, and race within a global context. Encounter on the Seine: Essays showcases Baldwin’s strengths as a storyteller, revealing how his years in Paris transformed his understanding of American identity.

This collectible edition celebrates James Baldwin’s 100th-year anniversary, revealing and critiquing the realities of Black life in mid-century US Originally published in Notes of a Native Son, the essays "The Harlem Ghetto," "Journey to Atlanta," and "Notes of a Native Son" will appeal to those interested in the personal and political turmoil of Baldwin''s life. “The Harlem Ghetto” introduces readers to the extremities of life in Baldwin’s native city. “Journey to Atlanta” depicts the faulty relationship between the Black community and the politician, following a quartet called The Melodeers on a trip to Atlanta under the auspices of the Progressive Party. Baldwin concludes this collection with “Notes of A Native Son,” a powerful autobiographical essay about his fractured relationship with his father. The Harlem Ghetto: Essays explores the American condition through a mix of analytic and autobiographical essays. This second collection in the Baldwin centennial anniversary series is Baldwin’s most personal as he grapples with his childhood and his own affinity with Blackness.

A stunning edition of James Baldwin''s timeless novel, with a new introduction by bestselling novelist Brit Bennett and special cover art designed by Baldwin''s friend and contemporary Beauford Delaney From one of our greatest writers, James Baldwin''s If Beale Street Could Talk is a profoundly moving novel about love in the face of injustice that is as socially resonant today as it was when it was first published. Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin''s story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions--affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.

A deluxe edition of James Baldwin''s haunting coming-of-age story, with a new introduction by Roxane Gay and special cover art designed by Baldwin''s friend and contemporary Beauford Delaney Originally published in 1953, Go Tell It on the Mountain was James Baldwin''s first major work, based in part on his own childhood in Harlem. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy''s discovery of the terms of his identity as the stepson of the minister of a Pentecostal storefront church in Harlem. Baldwin''s rendering of his protagonist''s spiritual, sexual, and moral struggle toward self-invention opened new possibilities in the American language and in the way Americans understood themselves.

A deluxe edition of James Baldwin''s groundbreaking novel, with a new introduction by Kevin Young and special cover art designed by Baldwin''s friend and contemporary Beauford Delaney Giovanni''s Room is set in the Paris of the 1950s, where a young American expatriate finds himself caught between his repressed desires and conventional morality. David has just proposed marriage to his American girlfriend, but while she is away on a trip he becomes involved in a doomed affair with a bartender named Giovanni. With sharp, probing insight, James Baldwin''s classic narrative delves into the mystery of love and tells a deeply moving story that reveals the unspoken complexities of the human heart.

"I am completely indebted to Jimmy Baldwin’s prose. It liberated me as a writer."—Toni Morrison This collectible edition celebrates James Baldwin’s 100th-year anniversary, probing the shortcomings of the American protest novel and the harmful representations of Black identity in film and fiction Originally published in Notes of a Native Son, the essays "Autobiographical Notes," "Everybody''s Protest Novel," "Many Thousands Gone," and "Carmen Jones: The Dark is Light Enough," showcase Baldwin''s incisive voice as a social and literary critic. “Autobiographical Notes” outlines Baldwin’s journey as a Black writer and his hesitant transition from fiction to nonfiction. In the following essays, Baldwin explores the Black experience through the lens of popular media, critiquing the ways in which Black characters—in Harriet Beecher Stowe’s novel Uncle Tom’s Cabin, Richard Wright’s novel Native Son, and the 1950s film Carmen Jones—are reduced to digestible caricatures. Everybody’s Protest Novel: Essays is the first of three special editions in the James Baldwin centennial anniversary series. Through this collection, Baldwin examines the facade of progress present in the novels of Black oppression. These essays showcase Baldwin’s profound ability to reveal the truth of the Black experience, exposing the failure of the protest novel, and the state of racial reckoning at the dawn of the Civil Rights Movement.

A collection of classic fairy tales and fables, carefully curated for second grade readers. With beautiful illustrations and engaging text, this book is perfect for children learning to read. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

DigiCat Publishing presents to you this special edition of "Fifty Famous People: A Book of Short Stories" by James Baldwin. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

DigiCat Publishing presents to you this special edition of "Misread Passages of Scriptures" by James Baldwin Brown. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This is an 1897 reader by an American educator and administrator, James Baldwin. It will help the students learn to spell, define, and pronounce words. It aimed to engage the young reader, develop a taste for the best style of literature, appeal to the learner''s sense of duty, strengthen their desire to do right, arouse patriotic feelings, and finally, add somewhat to the learner''s knowledge of history, science, and art.

A stirring, intimate reflection on the nature of race and American nationhood that has inspired generations of writers and thinkers, first published in 1963, the same year as the March on Washington “The finest essay I’ve ever read.”—Ta-Nehisi Coates, #1 New York Times bestselling author of the National Book Award winner Between the World and Me With clarity, conviction, and passion, James Baldwin delivers a dire warning of the effects of racism that remains urgent nearly sixty years after its original publication. In the first of two essays, “My Dungeon Shook: Letter to My Nephew on the One Hundredth Anniversary of the Emancipation,” Baldwin offers kind and unflinching counsel on what it means to be Black in the United States and explains the twisted logic of American racism. In “Down at the Cross: Letter from a Region in My Mind,” Baldwin recounts his spiritual journey into the church after a religious crisis at the age of fourteen, and then back out of it again, as well as his meeting with Elijah Muhammad, the leader of the Nation of Islam. Throughout, Baldwin urges us to confront the oppressive institutions of race, religion, and nationhood itself, and insists that shared resilience among both Black and white people is the only way forward. As much as it is a reckoning with America’s racist past, The Fire Next Time is also a clarion call to care, courage, and love, and a candle to light the way.

James Baldwin’s critique of American society at the height of the civil rights movement brings his prescient thoughts on social isolation, race, and police brutality to a new generation of readers. Available for the first time in a stand-alone edition, Nothing Personal is Baldwin’s deep probe into the American condition. Considering the Black Lives Matter protests in the summer of 2020—which were met with tear gas and rubber bullets the same year white supremacists entered the US Capitol with little resistance, openly toting flags of the Confederacy—Baldwin’s documentation of his own troubled times cuts to the core of where we find ourselves today. Baldwin’s thoughts move through an interconnected range of questions, from America’s fixation on eternal youth, to its refusal to recognize the past, its addiction to consumerism, and the lovelessness that fuels it in its cities and popular culture. He recounts his own encounter with police in a scene disturbingly similar to those we see today documented with ever increasing immediacy. This edition also includes a new foreword from interdisciplinary scholar Imani Perry and an afterword from noted Baldwin scholar Eddie S. Glaude Jr. Both explore and situate the essay within the broader context of Baldwin’s work, the Movement for Black Lives, the COVID-19 pandemic, and the presidency of Donald Trump. Nothing Personal is both a eulogy and a declaration of will. In bringing this work into the twenty-first century, readers new and old will take away fundamental and recurring truths about life in the US. It is both a call to action, and an appeal to love and to life.

Fifty Famous People by James Baldwin isn''t a biographical book. It''s in fact a guide about life and how certain ''famous'' people influenced the world we live in. Easy to read? Yes! Effective and transforming? No doubt!James Baldwin was born in Indiana, United States, and made a career as an educator and administrator in that state starting at the age of 24.

The pupil who is in his sixth year at school should be able to read quite well. He should be able to pronounce at sight and without hesitation all new or unusual words; and when reading aloud, his tones should be so clear, his enunciation so faultless, and his manner so agreeable that his hearers shall listen with pleasure and shall have a ready understanding of whatever is being read. He is now prepared to devote more and more attention to literary criticism—that is, to the study of the peculiarities of style which distinguish any selection, the passages which are remarkable for their beauty, their truth, or their adaptation to the particular purpose for which they were written. The present volume is designed to aid the learner in the acquisition of all these ends. The selections are of a highly interesting character, and illustrate almost every variety of English composition. To assist in their comprehension, many of the selections are introduced or followed by brief historical or bibliographical notes. Hints also are given as to collateral, or supplementary readings on a variety of subjects. To assist the pupil still further to enlarge his acquaintance with books and authors, additional notes, literary and biographical, are given in the appendix; here also may be found several pages of brief notes explanatory of difficult passages, unusual expressions, and historical references, such as might otherwise be stumbling stones in the way of the learner. The numerous portraits of authors is another important feature designed to add to the interest and beauty of the book, and to assist the pupil to a more intimate acquaintance with the makers of our literature. Most of the full-page pictures are reproductions of famous paintings, and these, while serving as illustrations of the text which they accompany, are designed to introduce the learner to some of the masters of art also, and perform the more important office of cultivating and enlarging his æsthetic tastes and sympathies.

A stunning love story about a young Black woman whose life is torn apart when her lover is wrongly accused of a crime—"a moving, painful story, so vividly human and so obviously based on reality that it strikes us as timeless" (The New York Times Book Review). "One of the best books Baldwin has ever written—perhaps the best of all." —The Philadelphia Inquirer Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin’s story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions—affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.

Dans le Harlem des années cinquante, se nouent les destins de quatre adolescents : Julia l’enfant évangéliste qui enflamme les foules, Jimmy son jeune frère, Arthur le talentueux chanteur de gospel et Hall son frère aîné. Trente ans plus tard, Hall tente de faire le deuil d’Arthur et revient sur leur jeunesse pour comprendre la folle logique qui a guidé leur vie. Pourquoi Julia a-t-elle subitement cessé de prêcher ? Pourquoi le quartet s’est-il dispersé ? Pourquoi Arthur n’a-t-il jamais trouvé le bonheur ? Ce roman magistral, où la violence et l’érotisme sont constamment maîtrisés par la tendresse et l’humour du poète, est, comme l’écrit Alain Mabanckou, « l’un des plus beaux chants de fraternité, d’amour, d’espérance et d’expiation ». Traduit de l’anglais (États-Unis) par Christiane Besse. Préface d’Alain Mabanckou.

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About Old Greek Stories by James Baldwin Greece, for many ages they have been a source of delight to young people and old, to the ignorant and the learned, to all who love to hear about and contemplate things mysterious, beautiful, and grand. They have become so incorporated into our language and thought, and so interwoven with our literature, that we could not do away with them now if we would. They are a portion of our heritage from the distant past, and they form perhaps as important a part of our intellectual life as they did of that of the people among whom they originated. That many of these tales should be read by children at an early age no intelligent person will deny. Sufficient reason for this is to be found in the real pleasure that every child derives from their perusal: and in the preparation of this volume no other reason has been considered.

In June 1979, the writer and civil rights activist James Baldwin embarked on a project to tell the story of America through the lives of three of his murdered friends : Medgar Evers, Malcolm X and Martin Luther King, Jr. He died before it could be completed. In his documentary film I Am Not Your Negro, Raoul Peck imagines the book Baldwin never wrote, using his original words to create a radical, powerful and poetic work on race in the United States — then, and today.

A study of Islamic law and political power in the Ottoman Empires richest provincial cityWhat did Islamic law mean in the early modern period, a world of great Muslim empires? Often portrayed as the quintessential jurists law, to a large extent it was developed by scholars outside the purview of the state. However, for the Sultans of the Ottoman Empire, justice was the ultimate duty of the monarch, and Islamic law was a tool of legitimation and governance. James E. Baldwin examines how the interplay of these two conceptions of Islamic law religious scholarship and royal justice undergirded legal practice in Cairo, the largest and richest city in the Ottoman provinces. Through detailed studies of the various formal and informal dispute resolution institutions and practices that formed the fabric of law in Ottoman Cairo, his book contributes to key questions concerning the relationship between the shariaa and political power, the plurality of Islamic legal practice, and the nature of centre-periphery relations in the Ottoman Empire.Key featuresOffers a new interpretation of the relationship between Islamic law and political powerPresents law as the key nexus connecting Egypt with the imperial capital Istanbul during the period of Ottoman decentralizationStudies judicial institutions such as the governors Diwan and the imperial council that have received little attention in previous scholarshipIntegrates the study of legal records with an analysis of how legal practice was represented in contemporary chroniclesProvides transcriptions and translations of a range of Ottoman legal documents

Never before available, the unexpurgated last interview with James Baldwin “I was not born to be what someone said I was. I was not born to be defined by someone else, but by myself, and myself only.” When, in the fall of 1987, the poet Quincy Troupe traveled to the south of France to interview James Baldwin, Baldwin’s brother David told him to ask Baldwin about everything—Baldwin was critically ill and David knew that this might be the writer’s last chance to speak at length about his life and work. The result is one of the most eloquent and revelatory interviews of Baldwin’s career, a conversation that ranges widely over such topics as his childhood in Harlem, his close friendship with Miles Davis, his relationship with writers like Toni Morrison and Richard Wright, his years in France, and his ever-incisive thoughts on the history of race relations and the African-American experience. Also collected here are significant interviews from other moments in Baldwin’s life, including an in-depth interview conducted by Studs Terkel shortly after the publication of Nobody Knows My Name. These interviews showcase, above all, Baldwin’s fearlessness and integrity as a writer, thinker, and individual, as well as the profound struggles he faced along the way.

All of the published poetry of James Baldwin, including six significant poems previously only available in a limited edition During his lifetime (1924–1987), James Baldwin authored seven novels, as well as several plays and essay collections, which were published to wide-spread praise. These books, among them Notes of a Native Son, The Fire Next Time, Giovanni’s Room, and Go Tell It on the Mountain, brought him well-deserved acclaim as a public intellectual and admiration as a writer. However, Baldwin’s earliest writing was in poetic form, and Baldwin considered himself a poet throughout his lifetime. Nonetheless, his single book of poetry, Jimmy’s Blues, never achieved the popularity of his novels and nonfiction, and is the one and only book to fall out of print. This new collection presents James Baldwin the poet, including all nineteen poems from Jimmy’s Blues, as well as all the poems from a limited-edition volume called Gypsy, of which only 325 copies were ever printed and which was in production at the time of his death. Known for his relentless honesty and startlingly prophetic insights on issues of race, gender, class, and poverty, Baldwin is just as enlightening and bold in his poetry as in his famous novels and essays. The poems range from the extended dramatic narratives of “Staggerlee wonders” and “Gypsy” to the lyrical beauty of “Some days,” which has been set to music and interpreted by such acclaimed artists as Audra McDonald. Nikky Finney’s introductory essay reveals the importance, relevance, and rich rewards of these little-known works. Baldwin’s many devotees will find much to celebrate in these pages.

From "the best essayist in this country” (The New York Times Book Review) comes an incisive book-length essay about racism in American movies that challenges the underlying assumptions in many of the films that have shaped our consciousness. Baldwin’s personal reflections on movies gathered here in a book-length essay are also an appraisal of American racial politics. Offering a look at racism in American movies and a vision of America’s self-delusions and deceptions, Baldwin considers such films as In the Heat of the Night, Guess Who’s Coming to Dinner, and The Exorcist. Here are our loves and hates, biases and cruelties, fears and ignorance reflected by the films that have entertained and shaped us. And here too is the stunning prose of a writer whose passion never diminished his struggle for equality, justice, and social change.

A major work of American literature from a major American writer that powerfully portrays the anguish of being Black in a society that at times seems poised on the brink of total racial war. "Baldwin is one of the few genuinely indispensable American writers." —Saturday Review At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo''s childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo''s loyalty. Tell Me How Long the Train''s Been Gone is overpowering in its vitality and extravagant in the intensity of its feeling.

From one of the most important American writers of the twentieth century—an extraordinary history of the turbulent sixties and early seventies that powerfully speaks to contemporary conversations around racism. “It contains truth that cannot be denied.” —The Atlantic Monthly In this stunningly personal document, James Baldwin remembers in vivid details the Harlem childhood that shaped his early conciousness and the later events that scored his heart with pain—the murders of Martin Luther King and Malcolm X, his sojourns in Europe and in Hollywood, and his retum to the American South to confront a violent America face-to-face.

One of the most brilliant and provocative American writers of the twentieth century chronicles a fourteen-year-old boy''s spiritual, sexual, and moral struggle of self-invention in this “truly extraordinary” novel (Chicago Sun-Times). Baldwin''s classic novel opened new possibilities in the American language and in the way Americans understand themselves. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin tells the story of the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Originally published in 1953, Baldwin said of his first novel, "Mountain is the book I had to write if I was ever going to write anything else."

From one of the most brilliant and provocative literary figures of the past century—a collection of essays, articles, reviews, and interviews that have never before been gathered in a single volume. “An absorbing portrait of Baldwin’s time—and of him.” —New York Review of Books James Baldwin was an American literary master, renowned for his fierce engagement with issues haunting our common history. In The Cross of Redemption we have Baldwin discoursing on, among other subjects, the possibility of an African-American president and what it might mean; the hypocrisy of American religious fundamentalism; the black church in America; the trials and tribulations of black nationalism; anti-Semitism; the blues and boxing; Russian literary masters; and the role of the writer in our society. Prophetic and bracing, The Cross of Redemption is a welcome and important addition to the works of a cosmopolitan and canonical American writer who still has much to teach us about race, democracy, and personal and national identity. As Michael Ondaatje has remarked, “If van Gogh was our nineteenth-century artist-saint, Baldwin [was] our twentieth-century one.”

James Baldwin was beginning to be recognized as the most brilliant black writer of his generation when his first book of essays, Notes of a Native Son, established his reputation in 1955. No one was more pleased by the book’s reception than Baldwin’s high school friend Sol Stein. A rising New York editor, novelist, and playwright, Stein had suggested that Baldwin do the book and coaxed his old friend through the long and sometimes agonizing process of putting the volume together and seeing it into print. Now, in this fascinating new book, Sol Stein documents the story of his intense creative partnership with Baldwin through newly uncovered letters, photos, inscriptions, and an illuminating memoir of the friendship that resulted in one of the classics of American literature. Included in this book are the two works they created together–the story “Dark Runner” and the play Equal in Paris, both published here for the first time. Though a world of difference separated them–Baldwin was black and gay, living in self-imposed exile in Europe; Stein was Jewish and married, with a growing family to support–the two men shared the same fundamental passion. Nothing mattered more to either of them than telling and writing the truth, which was not always welcome. As Stein wrote Baldwin in a long, heartfelt letter, “You are the only friend with whom I feel comfortable about all three: heart, head, and writing.” In this extraordinary book, Stein unfolds how that shared passion played out in the months surrounding the creation and publication of Baldwin’s Notes of a Native Son, in which Baldwin’s main themes are illuminated. A literary event published to honor the eightieth anniversary of James Baldwin’s birth, Native Sons is a celebration of one of the most fruitful and influential friendships in American letters.

The best of the best from a powerful voice in the American literary landscape who fearlessly tackled race, sex, politics, and art in his internationally acclaimed novels, short stories, plays, and essays. “[Baldwin] uses words as the sea uses waves, to flow and beat, advance and retreat, rise and take a bow in disappearing...the thought becomes poetry and the poetry illuminates thought.” —Langston Hughes James Baldwin was and remains a powerfully prophetic voice in the American literary landscape. His literary achievement is a lasting legacy about what it means to be American. Vintage Baldwin includes the short story “Sonny’s Blues”; the galvanizing civil rights examination “My Dungeon Shook: Letter to My Nephew on the One Hundredth Anniversary of the Emancipation”; the essays “Fifth Avenue, Uptown: A Letter from Harlem,” “The Discovery of What It Means to Be an American,” and “Nobody Knows My Name: A Letter from the South”; and excerpts from the novel Another Country and the play The Amen Corner. “If Van Gogh was our 19th-century artist-saint, James Baldwin is our 20th-century one.” —Michael Ondaatje