New Releases by James Baldwin

SINCE the publication of my larger book, "The Horse Fair," many letters have been received from teachers and their scholars telling of the pleasure derived from the reading of it, and incidentally suggesting that much of its contents is directly in line with the courses of literary instruction pursued in our elementary schools. This suggestion has led me to col-lect certain of the stories into a smaller volume especially adapted for use as a school reading-book.The eighteen stories in this volume have been chosen with a thought to their educative value as well as for the intrinsic charm of the original narratives, which in various forms have delighted many generations of readers. All have a literary interest connecting them with subjects with which every educated person is supposed to be familiar. In the first four, you will be introduced to the sun myths and season myths of the Greeks and of our Norse ancestors. Following these, the tale of song-inspiring Pegasus is presented in contrast with that of Griffen, the base imitation invented by the romancing poets of the Middle Ages.Then in "The Ship of the Plains," you may read of the mythical founding of Athens; and in the sketch that follows, you may enjoy a brief glimpse of Arabic imagery in the story of one of the most interesting episodes in the life of the prophet Mohammed. The story of the twin brethren will acquaint you with the thought of some of the old Latin writers, while the tale of Rakush will give you a taste of Persian literature as it is found in the great epic written by Firdusi. The romances of Charlemagne and his peers are represented by the story of Broiefort and his indomitable master; and the world-famous Don Quixote is introduced by his sorry but scarcely less famous steed, Rozinante.

"James Baldwin was born for truth. It called upon him to tell it on the mountains, to preach it in Harlem, to sing it on the Left Bank in Paris. . . . He was a giant." — Maya Angelou This collectible edition celebrates James Baldwin’s 100th-year anniversary, delving into his years in France and Switzerland Originally published in Notes of a Native Son, the essays, "Encounter on the Seine: Black Meets Brown," "A Question of Identity," "Equal in Paris," and "Stranger in the Village" will appeal to readers interested in Baldwin''s observations as a Black man overseas. During his transformative time in Europe, Baldwin uncovers what it means to be American, immersing the reader in his life as a foreigner, his troubling encounter with a Parisian prison, and his unprecedented arrival to a tiny Swiss village. This final collection in the Baldwin centennial anniversary series raises issues of identity, belonging, nationhood, and race within a global context. Encounter on the Seine: Essays showcases Baldwin’s strengths as a storyteller, revealing how his years in Paris transformed his understanding of American identity.

This collectible edition celebrates James Baldwin’s 100th-year anniversary, revealing and critiquing the realities of Black life in mid-century US Originally published in Notes of a Native Son, the essays "The Harlem Ghetto," "Journey to Atlanta," and "Notes of a Native Son" will appeal to those interested in the personal and political turmoil of Baldwin''s life. “The Harlem Ghetto” introduces readers to the extremities of life in Baldwin’s native city. “Journey to Atlanta” depicts the faulty relationship between the Black community and the politician, following a quartet called The Melodeers on a trip to Atlanta under the auspices of the Progressive Party. Baldwin concludes this collection with “Notes of A Native Son,” a powerful autobiographical essay about his fractured relationship with his father. The Harlem Ghetto: Essays explores the American condition through a mix of analytic and autobiographical essays. This second collection in the Baldwin centennial anniversary series is Baldwin’s most personal as he grapples with his childhood and his own affinity with Blackness.

A stunning edition of James Baldwin''s timeless novel, with a new introduction by bestselling novelist Brit Bennett and special cover art designed by Baldwin''s friend and contemporary Beauford Delaney From one of our greatest writers, James Baldwin''s If Beale Street Could Talk is a profoundly moving novel about love in the face of injustice that is as socially resonant today as it was when it was first published. Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin''s story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions--affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.

A deluxe edition of James Baldwin''s haunting coming-of-age story, with a new introduction by Roxane Gay and special cover art designed by Baldwin''s friend and contemporary Beauford Delaney Originally published in 1953, Go Tell It on the Mountain was James Baldwin''s first major work, based in part on his own childhood in Harlem. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy''s discovery of the terms of his identity as the stepson of the minister of a Pentecostal storefront church in Harlem. Baldwin''s rendering of his protagonist''s spiritual, sexual, and moral struggle toward self-invention opened new possibilities in the American language and in the way Americans understood themselves.

"I am completely indebted to Jimmy Baldwin’s prose. It liberated me as a writer."—Toni Morrison This collectible edition celebrates James Baldwin’s 100th-year anniversary, probing the shortcomings of the American protest novel and the harmful representations of Black identity in film and fiction Originally published in Notes of a Native Son, the essays "Autobiographical Notes," "Everybody''s Protest Novel," "Many Thousands Gone," and "Carmen Jones: The Dark is Light Enough," showcase Baldwin''s incisive voice as a social and literary critic. “Autobiographical Notes” outlines Baldwin’s journey as a Black writer and his hesitant transition from fiction to nonfiction. In the following essays, Baldwin explores the Black experience through the lens of popular media, critiquing the ways in which Black characters—in Harriet Beecher Stowe’s novel Uncle Tom’s Cabin, Richard Wright’s novel Native Son, and the 1950s film Carmen Jones—are reduced to digestible caricatures. Everybody’s Protest Novel: Essays is the first of three special editions in the James Baldwin centennial anniversary series. Through this collection, Baldwin examines the facade of progress present in the novels of Black oppression. These essays showcase Baldwin’s profound ability to reveal the truth of the Black experience, exposing the failure of the protest novel, and the state of racial reckoning at the dawn of the Civil Rights Movement.

THE romance entitled "The Achievements of the Ingenious Gentleman, Don Quixote de la Mancha," was originally written in Spanish by Miguel de Cervantes Saavedra. It was published in two parts, the first in 1605 and the second in 1615—now just about three hundred years ago. Among the great books of the world it holds a permanent place. It has been translated into every language of Europe, even Turkish and Slavonic. It has been published in numberless editions. It has been read and enjoyed by men of the most diverse tastes and conditions. The story is so simple that every one can understand it, and yet it has in it so much wisdom that the wisest may derive pleasure from it. It touches the sen-se of humor in every heart. It moves to pity rather than ridicule, and to tears as well as laughter. And herein lies its chief claim to greatness, that it seems to have been written not for one country nor for one age alone, but to give delight to all mankind. "It is our joyfullest modern book." In its original form, however, it is a bulky work, dismaying the present-day reader by its vastness. For it fills more than a thousand closely printed pages, and the story itself is interrupted and encumbered by episodes and tedious passages which are no longer interesting and which we have no time to read. The person who would get at the kernel of this famous book and know something of its plan and its literary worth, must either struggle through many pages of tiresome details and unnecessary digressions, or he must resort to much ingenious skipping. In these days of many books and hasty reading, it is scarcely possible that any person should read the whole of Don Quixote in its original form. And yet no scholar can afford to be ignorant of a work so famous and so enjoyable. These considerations have led to the preparation of the present small volume. It is not so much an ab-ridgment of the great book by Cervantes as it is a rewriting of some of its most interesting parts. While very much of the work has necessarily been omitted, the various adventures are so related as to form a continuous narrative; and in every way an effort is made to give a clear idea of the manner and content of the original. Although Cervantes certainly had no thought of writing a story for children, there are many passages in Don Quixote which appeal particularly to young readers; and it is hoped that this adaptation of such passages will serve a useful purpose in awakening a desire to become further acquainted with that great world''s classic..

DigiCat Publishing presents to you this special edition of "Fifty Famous People: A Book of Short Stories" by James Baldwin. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

DigiCat Publishing presents to you this special edition of "Misread Passages of Scriptures" by James Baldwin Brown. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

James Baldwin’s critique of American society at the height of the civil rights movement brings his prescient thoughts on social isolation, race, and police brutality to a new generation of readers. Available for the first time in a stand-alone edition, Nothing Personal is Baldwin’s deep probe into the American condition. Considering the Black Lives Matter protests in the summer of 2020—which were met with tear gas and rubber bullets the same year white supremacists entered the US Capitol with little resistance, openly toting flags of the Confederacy—Baldwin’s documentation of his own troubled times cuts to the core of where we find ourselves today. Baldwin’s thoughts move through an interconnected range of questions, from America’s fixation on eternal youth, to its refusal to recognize the past, its addiction to consumerism, and the lovelessness that fuels it in its cities and popular culture. He recounts his own encounter with police in a scene disturbingly similar to those we see today documented with ever increasing immediacy. This edition also includes a new foreword from interdisciplinary scholar Imani Perry and an afterword from noted Baldwin scholar Eddie S. Glaude Jr. Both explore and situate the essay within the broader context of Baldwin’s work, the Movement for Black Lives, the COVID-19 pandemic, and the presidency of Donald Trump. Nothing Personal is both a eulogy and a declaration of will. In bringing this work into the twenty-first century, readers new and old will take away fundamental and recurring truths about life in the US. It is both a call to action, and an appeal to love and to life.

Fifty Famous Stories Retold (1895), the classic collection of lore recounted by James Baldwin, serves as an early foundation for the love of literature. This volume was widely used in the United States public school system as a primer of many of the most enduring stories of Western culture. What all these stories share is their indelible mark in the worlds of letters, art, music, and drama; while these are the elemental blocks for continued literary studies, these tales of legend and history are timelessly delightful in their ability to charm and dazzle young readers. Among the fifty stories in the collection are; “A Story of Robin Hood,” “Sir Walter Raleigh,” “Pocahontas,” “George Washington and his Hatchet,” “The Story of William Tell,” “How Napoleon Crossed the Alps,” “Androclus and the Lion,” “Julius Caesar,” and “Diogenes the Wise Man” as well as many lesser known, yet indispensable tales. With an eye-catching new cover, and professionally typeset manuscript, this edition of Fifty Famous Stories Retold is both modern and readable.

Fifty Famous People by James Baldwin isn''t a biographical book. It''s in fact a guide about life and how certain ''famous'' people influenced the world we live in. Easy to read? Yes! Effective and transforming? No doubt!James Baldwin was born in Indiana, United States, and made a career as an educator and administrator in that state starting at the age of 24.

" Ce que les Blancs doivent faire, c''est essayer de trouver au fond d''eux-mêmes pourquoi, tout d''abord, il leur a été nécessaire d''avoir un "nègre", parce que je ne suis pas un "nègre". Je ne suis pas un nègre, je suis un homme. Mais si vous pensez que je suis un nègre, ça veut dire qu''il vous en faut un. " James Baldwin. Dans ses dernières années, le grand écrivain américain James Baldwin a commencé la rédaction d''un livre sur l''Amérique à partir des portraits de ses trois amis assassinés, figures de la lutte pour les droits civiques : Medgar Evers, Malcolm X et Martin Luther King Jr. Partant de ce livre inachevé, Raoul Peck a reconstitué la pensée de Baldwin en s''aidant des notes prises par l''écrivain, ses discours et ses lettres. Il en a fait un documentaire – salué dans le monde entier et sélectionné aux Oscars – aujourd''hui devenu un livre, formidable introduction à l''oeuvre de James Baldwin. Un voyage kaléidoscopique qui révèle sa vision tragique, profonde et pleine d''humanité de l''histoire des Noirs aux Etats-Unis et de l''aveuglement de l''Occident. " Attention, chef-d''oeuvre ! " La Croix (au sujet du film documentaire I Am Not Your Negro)

Dans le Harlem des années cinquante, se nouent les destins de quatre adolescents : Julia l’enfant évangéliste qui enflamme les foules, Jimmy son jeune frère, Arthur le talentueux chanteur de gospel et Hall son frère aîné. Trente ans plus tard, Hall tente de faire le deuil d’Arthur et revient sur leur jeunesse pour comprendre la folle logique qui a guidé leur vie. Pourquoi Julia a-t-elle subitement cessé de prêcher ? Pourquoi le quartet s’est-il dispersé ? Pourquoi Arthur n’a-t-il jamais trouvé le bonheur ? Ce roman magistral, où la violence et l’érotisme sont constamment maîtrisés par la tendresse et l’humour du poète, est, comme l’écrit Alain Mabanckou, « l’un des plus beaux chants de fraternité, d’amour, d’espérance et d’expiation ». Traduit de l’anglais (États-Unis) par Christiane Besse. Préface d’Alain Mabanckou.

A collection of James Baldwin''s writings that speaks urgently to our current era of racial injustice, with an introduction by prominent Baldwin scholar Rich Blint In his unforgettable, incandescent essays and poetry, James Baldwin diagnosed the racial injustices of the twentieth century and illuminated the struggles and triumphs of African Americans. Now, in our current age of persistent racial injustice and the renewed spirit of activism represented by the Black Lives Matter movement, Baldwin’s insights are more urgent than ever. Baldwin for Our Times features incisive essay selections from Notes of a Native Son and searing poetry from Jimmy’s Blues—writing to turn to for wisdom and strength as we seek to understand and confront the injustices of our times.

Never before available, the unexpurgated last interview with James Baldwin “I was not born to be what someone said I was. I was not born to be defined by someone else, but by myself, and myself only.” When, in the fall of 1987, the poet Quincy Troupe traveled to the south of France to interview James Baldwin, Baldwin’s brother David told him to ask Baldwin about everything—Baldwin was critically ill and David knew that this might be the writer’s last chance to speak at length about his life and work. The result is one of the most eloquent and revelatory interviews of Baldwin’s career, a conversation that ranges widely over such topics as his childhood in Harlem, his close friendship with Miles Davis, his relationship with writers like Toni Morrison and Richard Wright, his years in France, and his ever-incisive thoughts on the history of race relations and the African-American experience. Also collected here are significant interviews from other moments in Baldwin’s life, including an in-depth interview conducted by Studs Terkel shortly after the publication of Nobody Knows My Name. These interviews showcase, above all, Baldwin’s fearlessness and integrity as a writer, thinker, and individual, as well as the profound struggles he faced along the way.

All of the published poetry of James Baldwin, including six significant poems previously only available in a limited edition During his lifetime (1924–1987), James Baldwin authored seven novels, as well as several plays and essay collections, which were published to wide-spread praise. These books, among them Notes of a Native Son, The Fire Next Time, Giovanni’s Room, and Go Tell It on the Mountain, brought him well-deserved acclaim as a public intellectual and admiration as a writer. However, Baldwin’s earliest writing was in poetic form, and Baldwin considered himself a poet throughout his lifetime. Nonetheless, his single book of poetry, Jimmy’s Blues, never achieved the popularity of his novels and nonfiction, and is the one and only book to fall out of print. This new collection presents James Baldwin the poet, including all nineteen poems from Jimmy’s Blues, as well as all the poems from a limited-edition volume called Gypsy, of which only 325 copies were ever printed and which was in production at the time of his death. Known for his relentless honesty and startlingly prophetic insights on issues of race, gender, class, and poverty, Baldwin is just as enlightening and bold in his poetry as in his famous novels and essays. The poems range from the extended dramatic narratives of “Staggerlee wonders” and “Gypsy” to the lyrical beauty of “Some days,” which has been set to music and interpreted by such acclaimed artists as Audra McDonald. Nikky Finney’s introductory essay reveals the importance, relevance, and rich rewards of these little-known works. Baldwin’s many devotees will find much to celebrate in these pages.

‘Everyone’s life begins on a level where races, armies, and churches stop. And yet everyone’s life is always shaped by races, churches, and armies’ In these eight extraordinary stories of love, conflict, desperation and fear, James Baldwin shows people trapped by the roles they must play in society, and those who try and escape them. From the child in ‘The Rockpile’ whose God-fearing father will not forgive his illegitimacy, to the adolescent who hides his sexuality from his community in ‘The Outing’, and from the down-and-out jazz pianist recovering from addiction in ‘Sonny’s Blues’ to the chilling initiation of a racist in ‘Going to Meet the Man’, these tales, first published in 1965, explore the subtle and profound wounds that discrimination leaves – both in its victims and its perpetrators. ‘He uses words as the sea uses waves’ Langston Hughes ''Few, it seems to me, have driven their words with such passion'' Guardian

NATIONAL BESTSELLER • The book that galvanized the nation, gave voice to the emerging civil rights movementin the 1960s—and still lights the way to understanding race in America today. • "The finest essay I’ve ever read.” —Ta-Nehisi Coates At once a powerful evocation of James Baldwin''s early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document from the iconic author of If Beale Street Could Talk and Go Tell It on the Mountain. It consists of two "letters," written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as "sermon, ultimatum, confession, deposition, testament, and chronicle … all presented in searing, brilliant prose," The Fire Next Time stands as a classic of literature.

From "the best essayist in this country” (The New York Times Book Review) comes an incisive book-length essay about racism in American movies that challenges the underlying assumptions in many of the films that have shaped our consciousness. Baldwin’s personal reflections on movies gathered here in a book-length essay are also an appraisal of American racial politics. Offering a look at racism in American movies and a vision of America’s self-delusions and deceptions, Baldwin considers such films as In the Heat of the Night, Guess Who’s Coming to Dinner, and The Exorcist. Here are our loves and hates, biases and cruelties, fears and ignorance reflected by the films that have entertained and shaped us. And here too is the stunning prose of a writer whose passion never diminished his struggle for equality, justice, and social change.

A major collection of short stories by one of America’s most important writers—informed by the knowledge the wounds racism leaves in both its victims and its perpetrators. • “If Van Gogh was our 19th-century artist-saint, James Baldwin is our 20th-century one.” —Michael Ondaatje, Booker Prize-winner of The English Patient In this modern classic, "there''s no way not to suffer. But you try all kinds of ways to keep from drowning in it." The men and women in these eight short fictions grasp this truth on an elemental level, and their stories detail the ingenious and often desperate ways in which they try to keep their head above water. It may be the heroin that a down-and-out jazz pianist uses to face the terror of pouring his life into an inanimate instrument. It may be the brittle piety of a father who can never forgive his son for his illegitimacy. Or it may be the screen of bigotry that a redneck deputy has raised to blunt the awful childhood memory of the day his parents took him to watch a black man being murdered by a gleeful mob. By turns haunting, heartbreaking, and horrifying, Going to Meet the Man is a major work by one of our most important writers.

From one of the most important American novelists of the twentieth century—a novel of sexual, racial, political, artistic passions, set in Greenwich Village, Harlem, and France. “Brilliant and fiercely told.”—The New York Times One of The Atlantic’s Great American Novels of the Past 100 Years Stunning for its emotional intensity and haunting sensuality, this book depicts men and women, blacks and whites, stripped of their masks of gender and race by love and hatred at the most elemental and sublime. Nominated as one of America’s best-loved novels by PBS’s The Great American Read.

From one of the most important writers of the twentieth century comes a stunning love story about a young Black woman whose life is torn apart when her lover is wrongly accused of a crime—"a moving, painful story, so vividly human and so obviously based on reality that it strikes us as timeless" (The New York Times Book Review). "One of the best books Baldwin has ever written—perhaps the best of all." —The Philadelphia Inquirer Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin’s story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions—affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.

One of the most brilliant and provocative American writers of the twentieth century chronicles a fourteen-year-old boy''s spiritual, sexual, and moral struggle of self-invention in this “truly extraordinary” novel (Chicago Sun-Times). Baldwin''s classic novel opened new possibilities in the American language and in the way Americans understand themselves. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin tells the story of the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Originally published in 1953, Baldwin said of his first novel, "Mountain is the book I had to write if I was ever going to write anything else."

From one of the most brilliant and provocative literary figures of the past century—a collection of essays, articles, reviews, and interviews that have never before been gathered in a single volume. “An absorbing portrait of Baldwin’s time—and of him.” —New York Review of Books James Baldwin was an American literary master, renowned for his fierce engagement with issues haunting our common history. In The Cross of Redemption we have Baldwin discoursing on, among other subjects, the possibility of an African-American president and what it might mean; the hypocrisy of American religious fundamentalism; the black church in America; the trials and tribulations of black nationalism; anti-Semitism; the blues and boxing; Russian literary masters; and the role of the writer in our society. Prophetic and bracing, The Cross of Redemption is a welcome and important addition to the works of a cosmopolitan and canonical American writer who still has much to teach us about race, democracy, and personal and national identity. As Michael Ondaatje has remarked, “If van Gogh was our nineteenth-century artist-saint, Baldwin [was] our twentieth-century one.”

From one of the most important American writers of the twentieth century—an extraordinary history of the turbulent sixties and early seventies that powerfully speaks to contemporary conversations around racism. “It contains truth that cannot be denied.” —The Atlantic Monthly In this stunningly personal document, James Baldwin remembers in vivid details the Harlem childhood that shaped his early conciousness and the later events that scored his heart with pain—the murders of Martin Luther King and Malcolm X, his sojourns in Europe and in Hollywood, and his retum to the American South to confront a violent America face-to-face.

A very long time ago, Apollo was born in the island of Delos. When the glad news of his birth was told, Earth smiled, and decked herself with flowers; the nymphs of Delos sang songs of joy that were heard to the utmost bounds of Greece; and choirs of whit

There are numerous time-honored stories which have become so incorporated into the literature and thought of our race that a knowledge of them is an indispensable part of one''s education. These stories are of several different classes. To one class belong the popular fairy tales which have delighted untold generations of children, and will continue to delight them to the end of time. To another class belong the limited number of fables that have come down to us through many channels from hoar antiquity. To a third belong the charming stories of olden times that are derived from the literatures of ancient peoples, such as the Greeks and the Hebrews. A fourth class includes the half-legendary tales of a distinctly later origin, which have for their subjects certain romantic episodes in the lives of well-known heroes and famous men, or in the history of a people. It is to this last class that most of the fifty stories contained in the present volume belong. As a matter of course, some of these stories are better known, and therefore more famous, than others. Some have a slight historical value; some are useful as giving point to certain great moral truths; others are products solely of the fancy, and are intended only to amuse. Some are derived from very ancient sources, and are current in the literature of many lands; some have come to us through the ballads and folk tales of the English people; a few are of quite recent origin; nearly all are the subjects of frequent allusions in poetry and prose and in the conversation of educated people. Care has been taken to exclude everything that is not strictly within the limits of probability; hence there is here no trespassing upon the domain of the fairy tale, the fable, or the myth. That children naturally take a deep interest in such stories, no person can deny; that the reading of them will not only give pleasure, but will help to lay the foundation for broader literary studies, can scarcely be doubted. It is believed, therefore, that the present collection will be found to possess an educative value which will commend it as a supplementary reader in the middle primary grades at school. It is also hoped that the book will prove so attractive that it will be in demand out of school as well as in. Acknowledgments are due to Mrs. Charles A. Lane, by whom eight or ten of the stories were suggested.

James Baldwin was beginning to be recognized as the most brilliant black writer of his generation when his first book of essays, Notes of a Native Son, established his reputation in 1955. No one was more pleased by the book’s reception than Baldwin’s high school friend Sol Stein. A rising New York editor, novelist, and playwright, Stein had suggested that Baldwin do the book and coaxed his old friend through the long and sometimes agonizing process of putting the volume together and seeing it into print. Now, in this fascinating new book, Sol Stein documents the story of his intense creative partnership with Baldwin through newly uncovered letters, photos, inscriptions, and an illuminating memoir of the friendship that resulted in one of the classics of American literature. Included in this book are the two works they created together–the story “Dark Runner” and the play Equal in Paris, both published here for the first time. Though a world of difference separated them–Baldwin was black and gay, living in self-imposed exile in Europe; Stein was Jewish and married, with a growing family to support–the two men shared the same fundamental passion. Nothing mattered more to either of them than telling and writing the truth, which was not always welcome. As Stein wrote Baldwin in a long, heartfelt letter, “You are the only friend with whom I feel comfortable about all three: heart, head, and writing.” In this extraordinary book, Stein unfolds how that shared passion played out in the months surrounding the creation and publication of Baldwin’s Notes of a Native Son, in which Baldwin’s main themes are illuminated. A literary event published to honor the eightieth anniversary of James Baldwin’s birth, Native Sons is a celebration of one of the most fruitful and influential friendships in American letters.

The best of the best from a powerful voice in the American literary landscape who fearlessly tackled race, sex, politics, and art in his internationally acclaimed novels, short stories, plays, and essays. “[Baldwin] uses words as the sea uses waves, to flow and beat, advance and retreat, rise and take a bow in disappearing...the thought becomes poetry and the poetry illuminates thought.” —Langston Hughes James Baldwin was and remains a powerfully prophetic voice in the American literary landscape. His literary achievement is a lasting legacy about what it means to be American. Vintage Baldwin includes the short story “Sonny’s Blues”; the galvanizing civil rights examination “My Dungeon Shook: Letter to My Nephew on the One Hundredth Anniversary of the Emancipation”; the essays “Fifth Avenue, Uptown: A Letter from Harlem,” “The Discovery of What It Means to Be an American,” and “Nobody Knows My Name: A Letter from the South”; and excerpts from the novel Another Country and the play The Amen Corner. “If Van Gogh was our 19th-century artist-saint, James Baldwin is our 20th-century one.” —Michael Ondaatje