New Releases by Ivo

Rebuilding community connections outlines the main features of restorative justice, including different models and research findings, and proposes guidelines for setting up programmes. It also identifies problems and ways of dealing with them. This guide provides essential information for those planning to introduce restorative justice, in particular countries in central and eastern Europe. For countries that have already done so, it offers an opportunity to review practice in the light of experience and research elsewhere. -- Council of Europe.

The Prologue to Bishop Ivo of Chartres'' Decretum and Panormia has long been recognized as a seminal text in medieval canon law. It can be fairly called the first extended treatment of ecclesiastical jurisprudence. In its attention to categories of law and context, it also demonstrates the nascent scholastic method. This treatise on the tension between rigor and mercy in judgment - and how they could be reconciled through dispensation - spoke not only to legal and theological concerns of the early twelfth century but also to enduring questions about the nature and limits of ecclesiastical law. This book offers the first critical edition of the text based not only on extensive examination of the manuscripts but also the sources Ivo used in its composition. This enables a detailed examination of the text, which, from start to finish, reveals Ivo''s conviction that love, caritas, was the essence of canon law.

The Netherlands Film Museum''s Desmet Collection contains the estate of Dutch cinema owner and film distributor Jean Desmet (1875-1956): almost nine hundred European and American films of all genres, a collection of publicity material, and a massive business archive. These three sources form the basis of this book, the first comprehensive reconstruction of Desmet''s career. From his nomadic beginnings as a traveling showman to his successful switch to permanent cinema operation and film distribution, Blom shows how Desmet''s fortunes encapsulated a series of structural changes within the new culture of the cinema.

For centuries, the people of Morocco have been producing magnificent embroideries, pile rugs, and flatweaves. The Fabric of Moroccan Life showcases rare embroideries, hangings, and rugs that reflect the broad range of traditions and cultural influences active in Morocco during the 18th, 19th, and 20th centuries. The book explores the artistic importance of these superb weavings as well as their central role in Moroccan culture.Approximately 150 pieces - and numerous details - are illustrated in colour, and additional photographs (including many that were taken in the 1930s) show how they were once used in everyday life in Morocco. The book includes essays on Moroccan embroidery and its origins, traditional costumes of the cities and rural areas, the weavings of the Berbers and other ethnic groups, and the distinctive characteristics of items made by particular ethnic sub-groups. The contributing writers are eminent scholars and experts in a variety of fields, including Moroccan history and culture; Moroccan rugs, textiles, and clothing; and natural dyes. A wealth of information is included that has never before been available in one volume.Niloo Imami Paydar is curator of textiles and costumes at the Indianapolis Museum of Art. Ivo Grammet is coordinator of a new museum in Nador, northern Morocco. The contributors include Gérard Boëly, Gebhard Blazek, Katherine Dolk-Ellis, Narjys El Alaoui, Mustapha Hansali, Annette Korolnik-Andersch, Marcel Korolnik, Zineb Lehmam, Russell Pickering, Ahmed Skounti, Frieda Sorber, Wilfried Stanzer, and Marie-France Vivier.

Using the Thomist notion of wisdom as a key for interpretation, Coelho traces the flowering of the universal viewpoint into a mature theological method ? one that holds out the hope of an effective transcultural mediation of meanings and values.

Savage caricatures: Acerbic painting as social commentary George Grosz (1893-1959) was one of the most important exponents of Dadaism, and therefore of political painting in general. He not only condemned both militarism and bourgeois culture, but also set himself in opposition to traditional forms of art. The decisive element in Grosz''s paintings is their content: in them he pointed out defects in the political and social conditions, literally arraigning them before the public. For Grosz, painting served as a political instrument: "I drew and painted from a sense of contradiction and through my work tried to convince the world that it was ugly, sick, and phony." Fascinated by the metropolis, Grosz depicted the wild and dissolute life in the bars and nightclubs of the Weimar Republic in the 1920s. He directed his attention to the shady side of life and filled his canvas with caricatures of distorted figures. Grosz never permitted human beings to emerge as individuals, but instead always portrayed types, as representatives of a social level or class. After the publication of his candidly drawn "pornographic illustrations," Grosz fell under strong criticism in the 1920s. The Nazis castigated his works as "degenerate art." About the Series: Each book in TASCHEN''s Basic Art Series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 colour illustrations with explanatory captions

Dotyczy m.in. Polski.

Cette chronique de Visegrad, où Ivo Andric passa une partie de son enfance, fut écrite pendant l''occupation allemande de la Yougoslavie. Située sur la Drina, torrent de montagne, la ville s''enorgueilit d''un pont magnifique construit au XVIe siècle. C''est sur la place publique, qui se trouve sur ce pont, que se déroulent les évènements cruciaux de la vie des habitants de ce gros bourg.

When in the fourth century the Roman empire split into the Western and Eastern empires, the boundary between the two stretched from the Montenegrin coast up the river Drina to the confluence of the Sava and the Danube and then further north. This boundary has remained virtually unchanged for 1,500 years: the European, Catholic West and the Orthodox East meet on Slav territory. There were, and still are, ethnic similarities between the peoples on either side of the divide, but their culture and history differ fundamentally. The Croats and Croatia, on the western side of the divide, are traditionally linked with Hungarian, Italian, and German regions and Western Europe, and are also influenced by their long Mediterranean coastline. Ivo Goldstein''s Croatia provides a necessary, accessible history of development of what is now an independent state. Croatia includes major sections on the early medieval Croatian state (until 1101), the periods of union with Hungary (1102-1526) and with Austria (1526-1918), incorporation in Yugoslavia (1918-91) and the creation of a sovereign state. Charting social, economic, and cultural developments, Goldstein shows us that this complex historical pattern explains many of the political developments of today.

In American Foreign Policy and Yugoslavia, 1939-1941, Ivo Tasovac contends that Yugoslavia acted as an unwilling prop for American involvement in World War II. As a result of America''s commitment to Britain as an exception to their doctrine of neutrality, and of Winston Churchill and Franklin Roosevelt''s shared eagerness for conflict and suppression of Germany, the war and ensuing Communist takeover of Eastern Europe were inevitable. With Yugoslavia cast as the endangered barrier between the Germans and the Mediterranean, Churchill was able to establish an unquestionable need for U.S. military action. Britain''s leader could seize on the small country as a staging area for activating the Soviets in order to eliminate Italy and weaken Germany in the process. Tasovac contends that pressure from the British government and the American diplomats investigating the situation in fact enforced the Serbian coup d''etat to overthrow Prince Paul of Yugoslavia when he appeared sympathetic to Germany, even though the Serbians had no intentions of fighting. With all of the ingredients for conflict in place, the ensuing struggle for Yugoslavian freedom was unavoidable. By bringing the war to the Balkans, Churchill and Roosevelt shaped the next half-century of international politics and domination. American Foreign Policy and Yugoslavia documents and analyzes the decisions and policies that made this action so detrimental to Yugoslavia and other Balkan states. Tasovac brings new light to the realities of the engagement in Yugoslavia and the long-standing effects, discarding the appearances of history for the truth. This study is ideal for a broad audience of scholars, including those interestedin NATO policies applied to the Balkan states, the relationship between the United States and those states, Franklin D. Roosevelt''s influence on the world stage during his presidency and World War II, and the history of Yugoslavia as a whole.

The Drina bridge, a bridge that spans generations, links early sixteenth century Ottoman Empire with the pre-WWI Austro-Hungarian Empires; giving a glimpse into day-to-day living under such diverse regimes. Chronicles the lives of Catholics, Moslems, and Orthodox Christians -- with their deep seated loyalties to their respective faiths, but giving hope that it is possible for such diverse groups to live in peace -- with each other.

"Andric''s sweeping novel spans the seven years 1807-1814, when French and Austrian consuls served alongside the Turkish Viziers in the remote Bosnian town of Travnik, distant outpost of the Ottoman Empire." "Divided as the community is, Muslims, Catholic and Orthodox Christians, Jews and Gypsies all unite in a common contempt for their visitors. Isolated in a claustrophobic atmosphere of suspicion and mutual distrust, the consuls and Viziers vie with each other, following the fluctuations of their respective foreign policies. When international politics permit however, they console each other as best they can in this harsh and hostile land." "Andric uses his native Bosnia as a microcosm of human society, stressing its potential for national, cultural and religious misunderstanding and conflict, and identifying the barriers of all kinds that hinder communication between individuals. Written against the background of violence released in these mixed communities during the Second World War, the novel now has renewed and poignant relevance."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Ivo Andric (1892-1975), Nobel Prize laureate for literature in 1961, is undoubtedly the most popular of all contemporary Yugoslav writers. Over the span of fifty-two years some 267 of his works have been published in thirty-three languages. Andric’s doctoral dissertation, The Development of Spiritual Life in Bosnia under the Influence of Turkish Rule (1924), never before translated into English, sheds important light on the author’s literary writings and must be taken into account in any current critical analysis of his work. Over his long and distinguished career as a diplomat and man of letters Andric never again so directly or discursively addressed, as a social historian, the impact of Turkish hegemony on the Bosnian people (1463–1878), a theme he returns to again and again in his novels. Although Andric’s fiction was embedded in history, scholars know very little of his actual readings in history and have no other comparable treatment of it from his own pen. This dissertation abounds with topics that Andric incorporated into his early stories and later novels, including a focus on the moral stresses and compromises within Bosnia’s four religious confessions: Catholic, Orthodox, Jew, and Muslim. Z. B. Juricic provides an extensive introduction describing the circumstances under which this work was written and situating it in Andric’s oeuvre. John F. Loud’s original bibliography drawn from this dissertation stands as the only comprehensive inventory of historical sources known to have been closely familiar to the author at this early stage in his development.

Sifting through a huge fund of hitherto unexploited sources, Banac demonstrates that the so-called Cominformists, long considered an inconsequential fifth column, in fact represented as much as 20 percent of the party membership. He shows that this fifth column included a variety of oppositional groups within Yugoslav communism who wanted to exploit the crisis for their own purposes. Their aims often diverged, and only from the official Yugoslav perspective could they be said to have constituted a unified opposition. Banac reconstructs the history of the labyrinthine factional struggles that preceded and accompanied the 1948 split and demonstrates that, as always, the national question played the dominant role in Yugoslav politics. After identifying the members of the opposition and mapping its course, Banac recounts the harsh repression of the movement.

Chronicle of three centuries of Balkan life, centering around a great stone bridge in present-day Yugoslavia.