Best Selling Books by Ilan Stavans

Tormented by bullies at their Jewish school in Mexico, Sammy Nurko asks his friend Ilan to help build and control, a small, Aztec version of the legendary Golem, then finds his own strength through the poetry of Nezahualcoyotl.

Uses a question-and-answer format to offer a comprehensive introduction to Latino history and culture, covering topics such as Latino cuisine, historical figures, cultural influences, and heritage.

A dazzling and definitive compendium of the Latino literary tradition.

In 13 essays, Stavans (Latin American and Latino culture, Amherst College, Massachusetts) explores the history of lexicography across many languages, sharing strange meaning inconsistencies, unusual origins, and extraordinary anecdotes. He does not provide an index. Annotation 2006 Book News, Inc., Portland, OR (booknews.com).

The story of longing and hope in the life of a Jewish boy and his family in 1930s Uruguay.

Essay and photographs re-embody Cesar Chavez, not as an icon, but as a man struggling for workers'' rights.

A graphic novel about the volatile nature of existence on the fringes of society in Mexico City.

Sabor Judio celebrates the delicious fusion of two culinary traditions, Jewish and Mexican. Written with joy and verve, Ilan Stavans and Margaret Boyle''s lavishly illustrated cookbook demonstrates how cooking and eating connect Jewish Mexicans across places and generations. Featuring 100 deeply personal recipes enjoyed by Jewish Mexicans around the world, the book is organized by meal—desayuno (breakfast), comida (lunch), and cena (dinner)—and also includes dishes made for Shabbat, Rosh Hashanah, Yom Kippur, Passover, Hanukkah, Shavuot, and other holidays.&8239; Sabor Judio isn''t only a cookbook; it is also a vibrant history of Jewish immigration to Mexico from 1492 to the present. It explains how flavors and dishes evolved in Mexican and Jewish kitchens and how they fused into a distinct cuisine, mainly by the labor of Ashkenazi, Sephardic, Mizrahi, and converso women. This cookbook is the product of two award-winning, internationally known Jewish Mexican writers and foodies who spent a decade gathering recipes and personal narratives from Jewish Mexican households. The result is a dynamic and delicious array of recipes and experiences, infusing important cultural heritage into this essential culinary record.

A cultural critic of extraordinary erudition, encyclopedic knowledge, and boundless curiosity, Ilan Stavans, an Ashkenazic Jew who grew up in Mexico, negotiates wildly varied topics as effortlessly and deftly as he manages the multiple perspectives of a dual national, religious, and ethnic identity. In Singer’s Typewriter and Mine, a follow-up to The Inveterate Dreamer (Nebraska, 2001), Stavans interweaves his own experience with that of other Jewish writers and thinkers, past and present, to explore modern Jewish culture across the boundaries of language and nation. Juxtaposing the personal and the analytical, these essays and conversations take up the oeuvres of Isaac Bashevis Singer and Mario Vargas Llosa, translation and God’s language, storytelling as midrash, anti-Semitism in Hispanic America, Yiddish and Sephardic literatures, the connection between humor and terror, impostors as cultural agents, the creators of the King James Bible, and the encounter between Jewish and Latino civilizations, to name but a few of Stavans’s topics here. Funny, engaging, and provocative, this collection continues Stavans’s project of opening new vistas in our cross-cultural understanding of language, literature, and life.

This long-awaited biography provides a fascinating and comprehensive picture of García Márquez''s life up to the publication of his classic 100 Years of Solitude. Based on nearly a decade of research, this biographical study sheds new light on the life and works of the Nobel Laureate, father of magical realism, and bestselling author in the history of the Spanish language. As García Márquez''s impact endures on well into his ninth decade, Stavans''s keen insights constitute the definitive re-appraisal of the literary giant''s life and corpus. The later part of his life will be covered in a second book.

Not only do "modern" Jewish languages like Yiddish and Hebrew have their own Jewish writers, but every major Western tongue?from German and Russian to English and Portuguese?does as well. These writers are often at the crossroad between the two traditions: their Jewish one and their own national one. Is there such a thing as a modern Jewish literary tradition, one navigating across linguistic and national lines? If so, how should one define it? Ilan Stavans is uniquely qualified to answer these questions and to comment on the power and challenges of cultural margins and literary crossings. He has been at the forefront of an appreciation of the Jewish literary tradition that is less asphyxiating, more global. His reflections on Jewish Latin America have won him the nickname "pathfinder." This incomparable volume showcases Stavans''s most insightful and provocative?and at times controversial?observations on transnational Jewish culture and literature. Stavans explores the problems and prospects of representing Jewish experiences through such media as Holocaust memoirs and Jewish museums; astutely comments on well-known intellectual figures, including Lionel Trilling, Isaac Babel, Primo Levi, Harold Bloom, and Walter Benjamin; engages in memorable conversations with Norman Manea, Joseph Brodsky, and Ariel Dorfman; and offers compelling glimpses of revelatory moments in his own life.

"Una merenda azeremos," Abuela says to her grandson. "But I don''t understand," says the boy. "It means ''we will cook together'' in our secret language," says Abuela. That evening, Mamá explains that the Spanish Jews took the Ladino language with them when they were forced to leave their homelands in Spain and Portugal during the Inquisition. "Can I learn the secret language?" the boy asks.

An incisive, thought-provoking, and timely meditation, at once panoramic and synoptic, on American literature for an age of xenophobia, heightened nationalism, and economic disparity. The distinguished cultural critic Ilan Stavans explores the nation''s identity through the prism of its books, from the indigenous past to the early settlers, the colonial period, the age of independence, its ascendance as a global power, and its shallow, fracturing response to the COVID-19 pandemic. The central motives that make the United States a flawed experiment - its celebration of do-it-yourself individualism, its purported exceptionalism, and its constitutional government based on checks and balances - are explored through canonical works like Mark Twain''s The Adventures of Huckleberry Finn, Walt Whitman''s Leaves of Grass, Emily Dickinson''s poetry, F. Scott Fitzgerald''s The Great Gatsby, the work of Langston Hughes, Zora Neale Hurston, and Toni Morrison, and immigrant voices such as those of Américo Paredes, Henry Roth, Saul Bellow, Isaac Bashevis Singer, Jhumpa Lahiri, and others. This is literary criticism at its best-informed: broad-ranged yet pungent and uncompromising.

Natives of the Iberian Peninsula and the twenty countries of Latin America, as well as their kinsfolk who''ve immigrated to the United States and around the world, share a common quality or identity characterized as la hispanidad. Or do they? In this lively, provocative book, two distinguished intellectuals, a cultural critic and a historian, engage in a series of probing conversations in which they try to discern the nature of la hispanidad and debate whether any such shared identity binds the world''s nearly half billion people who are "Hispanic." Their conversations range from La Reconquista and Spanish monarchs Ferdinand and Isabella, who united the Spanish nation while expelling its remaining Moors and Jews, to the fervor for el fútbol (soccer) that has swept much of Latin America today. Along the way, they discuss a series of intriguing topics, including the complicated relationship between Latin America and the United States, Spanish language and the uses of Spanglish, complexities of race and ethnicity, nineteenth-century struggles for nationhood and twentieth-century identity politics, and popular culture from literary novels to telenovelas. Woven throughout are the authors'' own enlightening experiences of crossing borders and cultures in Mexico and Chile and the United States. Sure to provoke animated conversations among its readers, What is la hispanidad? makes a convincing case that "our hispanidad is rooted in a changing tradition, flexible enough to persist beyond boundaries and circumstances. Let us not fix it with a definition, but allow it instead to travel, always."

A sixteenth-century Mexican nun, Sor Juana Inés de la Cruz, has become one of the most rebellious and lasting icons in modern times, on par with Mahatma Gandhi, Ernesto “Che” Guevara, and Nelson Mandela. Referenced in ranchera, tejana, and hip-hop lyrics, and celebrated in popular art as a guerrillera with rifle and bullet belts, Sor Juana has become ubiquitous. The conduits keep multiplying: statues, lotería cards, key chains, recipe books, coffee mugs, Día de los Muertos costumes. Ironically, Juana Inés de Asbaje—alias Sor Juana Inés de la Cruz—died in anonymity. Her grave was unmarked until the 1970s. Sor Juana: Or, the Persistence of Pop encapsulates the life, times, and legacy of Sor Juana. In this immersive work, essayist Ilan Stavans provides a biographical and meditative picture of the ways in which popular perceptions of her life and body of work both shape and reflect modern Latinx culture.

In 2017, the New York Times announced that the long-lost memoir of Luis de Carvajal the Younger had been rediscovered. Considered the first autobiography by a Jew in the Americas, the book had been stolen decades earlier from Mexico’s National Archives. Here, Ilan Stavans recounts the extraordinary and entertaining story of the reappearance of this precious object and how its discovery opened up new vistas onto the world of secret Jews escaping the Spanish Inquisition. Called el Mozo (the Younger) to distinguish him from an uncle of the same name who was governor of Nuevo León, Luis de Carvajal learned of his Jewishness after being raised a Catholic. He came to recognize himself as a messiah for fellow crypto-Jews, and he was burned at the stake on December 8, 1596, in the biggest auto-da-fé in all of Latin America. His memoir—a 180-page manuscript written by a crypto-Jew targeted by the Holy Office of the Inquisition for unlawful proselytizing activities—was not only distinct but of enormous value. With characters such as conniving academics embroiled in a scholarly feud, a magnanimous philanthropist, naïve booksellers, and a secondary cast that could be taken from a David Lynch film, The Return of Carvajal recounts the global intrigue that placed crypto-Jewish culture at the heart of contemporary debates on religion and identity.

This study of of the short fiction by Julio Cortazar - ten collections in all - is considered here as a part of the enormous body of Latin American literature which began to be discovered in this country in the 1960s. By showing the reader Cortazar''s relation to other writers in this genre Garcia Marquez, Fuentes, Borges, and others, the author provides a platform for critical exploration into Cortazar''s work.

An encyclopedic collaboration between award-winning Mexican American scholar Ilan Stavans and illustrator Eko, A Pre-Columbian Bestiary features lively and informative descriptions of forty-six religious, mythical, and imaginary creatures from the Nahua, Aztec, Maya, Tabasco, Inca, Aymara, and other cultures of Latin America. From the siren-like Acuecuéyotl and the water animal Chaac to the class-conscious Oc and the god of light and darkness Xólotl, the magnificent entities in this volume belong to the same family of real and invented creatures imagined by Dante, Franz Kafka, C. S. Lewis, Jorge Luis Borges, Umberto Eco, and J. K. Rowling. They are mined from indigenous religious texts, like the Popol Vuh, and from chronicles, both real and fictional, of the Spanish conquest by Diego Durán, Bernal Díaz del Castillo, and Fernando de Zarzamora, among others. In this playful compilation, Stavans distills imagery from the work of magic realist masters such as Juan Rulfo and Gabriel García Márquez; from songs of protest in Mexico, Guatemala, and Peru; and from aboriginal beasts in Jewish, Muslim, European, British, and other traditions. In the spirit of imaginative invention, even the bibliography is a mixture of authentic and concocted material. An inspiring record of resistance and memory from a civilization whose superb pantheon of myths never ceases to amaze, A Pre-Columbian Bestiary will delight anyone interested in the history and culture of Latin America.

The crossroads where politics and the imagination meet--from the shaping of Latin America''s collective identity to Columbus''s afterlife.

In its four volumes, 650 entries, 2000 pages and 1.2 million words, Encyclopedia Latina explores every aspect of Latino life in America from a myriad of perspectives, spanning the arts, media, cuisine, government and politics, science and technology, business, health, and sports, among others. While the collection represents an important cultural point of reference and source of pride for Latino youth, it will also serve the interests of an increasingly diverse American population who can all relate to the themes and stories included in this resource.

Most famously depicted as the 300-pound, pill-popping Samoan attorney in Hunter S. Thompson''s Fear and Loathing in Las Vegas, Oscar ''Zeta'' Acosta''s wild, moving first book, originally published in 1972, reveals a man of astonishing variety. A converted Baptist missionary in Panama, bar hopper, psychiatric patient, struggling writer, heartbroken lover, great imposter, connoisseur of excess, Chicano activist, Brown Buffalo - Acosta did it all, then disappeared like a puff of smoke off the coast of Mazatlan, Mexico in the spring of 1974.

A critical dialogue focused on intellectual and comedic approaches to humor from the wildly inventive minds of Ilan Stavans and Frederick Luis Aldama.