New Releases by Humphrey Carpenter

La biografía del padre de la Tierra Media. Humphrey Carpenter, autor entre otros libros de una biografía del poeta W.H. Auden, narra en esta obra la larga carrera de J.R.R. Tolkien, desde las vicisitudes de una infancia difícil a los trabajos y obligaciones de la vida académica, como profesor en la Universidad de Oxford. Carpenter escribió esta biografía del creador de la Tierra Media consultando documentos inéditos, y entrevistando a parientes y amigos.

"A biografia autorizada do criador da Terra-média. Nas décadas posteriores ao falecimento de J.R.R. Tolkien, em setembro de 1973, milhões de pessoas leram O Hobbit, O Senhor dos Anéis e O Silmarillion e ficaram tão fascinadas quanto intrigadas com o homem muito reservado por trás dos livros. Nascido na África do Sul, em janeiro de 1892, John Ronald Reuel Tolkien ficou órfão durante a infância e cresceu quase na pobreza. Ele serviu na Primeira Guerra Mundial e sobreviveu à Batalha do Somme, onde perdeu quase todos os seus amigos mais íntimos. Após a guerra, retornou à vida acadêmica, conquistando uma grande reputação como estudioso e professor universitário, e tornando-se, por fim, Professor de Inglês em Oxford, onde fez amizade com C.S. Lewis e os outros escritores conhecidos, formando um grupo denominado Os Inklings. Então, de repente, sua vida mudou dramaticamente. Certo dia, enquanto corrigia provas, ele acabou escrevendo no verso de uma folha: "Numa toca no chão vivia um hobbit" – e a fama mundial o aguardava. Humphrey Carpenter recebeu acesso irrestrito a todos os documentos de Tolkien e entrevistou seus amigos e familiares. A partir dessas fontes ele segue o longo e doloroso processo de criação que produziu O Senhor dos Anéis e O Silmarillion e fornece uma vasta gama de informações sobre a vida e a obra de um dos mais estimados autores do século XX."

W. H. Auden disapproved of literary biography. Or did he? The truth is far more equivocal than at first seems apparent. There is no denying he delivered himself of such unambiguous pronouncements as ''Biographies of writers are always superfluous and usually in bad taste.''; and that he asked for his friends to burn his letters at his death, but, against that, Auden himself often reviewed literary biographies and normally with enthusiasm. Moreover he argued for biographies of writers such as Dryden, Trollope, Wagner and Gerard Manley Hopkins as their lives would tell us something about their art. Humphrey Carpenter himself nicely summarizes Auden''s ambiguity on this question. ''Here (referring to literary biography), as so often in his life, Auden adopted a dogmatic attitude which did not reflect the full range of his opinions, and which he sometimes flatly contradicted.'' Although the biography was not authorized it did receive the co-operation of the Auden Estate which gave permission for letters and unpublished works to be quoted. The result is a biography that was widely praised on first publication in 1981 and which continues to hold its own. Now is the obvious time to reissue it with the character of Humphrey Carpenter playing an important role in Alan Bennett''s The Habit of Art. In his introduction Alan Bennett writes ''When I started writing the play I made much use of the biographies of both Auden and Britten written by Humphrey Carpenter and both are models of their kind. Indeed I was consulting his books so much that eventually Carpenter found his way into the play.'' ''Carpenter is a model biographer - diligent, unspeculative, sympathetic, and extremely good at finding out what happened when and with whom . . . admirably detailed and researched study.'' John Bayley, The Listener ''an illuminating book; full of information, unobtrusively affectionate, it describes with unpretentious elegance the curve of a great poet''s life and work'' Frank Kermode, Guardian ''sharpens and usually lights up even the most canvassed parts of the Auden life and myth . . . a deeply interesting book about a deeply interesting life'' Roy Fuller, Sunday Times '' . . . the story of a remarkable man told by one of the best living biographers'' David Cecil, Book Choice

Spike Milligan was one of our best-loved comics as well as one of our most original. In this first major assessment of Spike''s life and career, the highly respected biographer Humphrey Carpenter has - through copious research and access to many of those closest to the great man - unearthed a character who could be as difficult and contradictory as he was generous and talented. The creator of The Goons was to influence a whole generation of comics, yet was never to feel fully valued. His periods of depression were matched by periods of high creativity - there were poems, novels, volumes of biography, as well as TV series and a one-man show as Spike searched for his best means of expression. There was also, as revealed here, his inveterate womanising. Married three times and with four children to whom he was devoted, two illegitimate children were to remain barely acknowledged, Detailing both his private and professional life, Humphrey Carpenter gives us the most revealing portrait yet of this highly complex genius.

The original authorised biography, and the only one written by an author who actually met J.R.R. Tolkien.

It started with Beyond the Fringe at the Edinburgh Festival of 1960. Four Cambridge undergraduates, Peter Cook, Dudley Moore, Jonathan Miller and Alan Bennett had created a satirical revue, which by its iconoclastic irreverence destroyed what Humphrey Carpenter describes as ''the culture of deference'' so prevalent in the preceding decade. Satire was quick to spread: The Establishment Club, ''London''s first satirical nightclub'', opened in Soho: Private Eye began to appear: and That Was The Week That Was started to be screened on the BBC on Saturday nights. Why was there this sudden upsurge of satire? What really happened in those years? Alan Bennett, Jonathan Miller, Ned Sherrin, Richard Ingrams and the late John Wells were all interviewed by Humphrey Carpenter. Their stories have been woven together to create a narrative which vibrantly brings alive this period of social and cultural change. ''It''s an interesting story, and I think that it''s never been really got quite right (before now), largely because it hasn''t been set in its social context. . . This is the first detailed, scholarly account of this peculiar episode in British cultural history, and I suspect will remain a definitive one.'' Jonathan Miller

From the burning of Byron''s memoirs, Jane Austen''s clipped businesslike manner, and the lucrative controversy caused by the publication of Darwin''s Origin of Species, through to the discovery of the new young poet John Betjeman, the name John Murray has for more than two hundred years been synonymous with challenging, intelligent and progressive publishing. From its birth in 1768, when the first John Murray of Edinburgh came down to London, each of its seven leaders has made his own contribution to the dissemination of literature and the understanding of the world. One became Byron''s publisher and confidante; another began the revolutionary series of Murray handbooks which transformed world travel in the early years of the railways; a third broke controversial new ground with the publication of Queen Victoria''s letters. So the tradition progressed to the end of the twentieth century, and a list of literary giants including Patrick Leigh Fermor, Osbert Lancaster, Fransoise Sagan and Poet Laureate, John Betjeman. Written in Carpenter''s rollicking and iconoclastic style, it is an affectionate and vibrant account of the longest-surviving publishing house in the world.

When Class Three and Mr Majeika go to the circus, it''s definitely not as fun as they imagined. Everyone''s a bit old, creaky and rubbish really! So when Mr Majeika casts a small spell to help the performers with their circus show, it''s no surprise that Billy Balance, the slack rope walker, kidnaps Mr Majeika so that Mr Majeika can magically help him everytime! Things get worse whilst Mr majeika is trapped when Wilhelmina Worlock takes the opportunity to turn Class Three''s classroom into a circus and the children spend all afternoon running away from lions and alligators! But Mr Majeika''s magic saves the day, Class Three and the circus end up on the news and once again Mr Potter, the headmaster, misses it all!

When old Mr Jenks retires, St Barty''s School advertises for a new caretaker. Unfortunately there''s only one applicant - Hamish Bigmore''s Uncle Wilf who is just as rude and bad-tempered as Hamish. When Mr Majeika is hurt in an accident it becomes clear that Uncle Wilf is working for the wickedest of witches, Wilhelmina Warlock! It''s up to Mr Majeika to work his magic and put things right again.

''I really am quite useless as a wizard.'' But Class Three thinks Mr Majeika is an excellent wizard, particularly when his spells go wrong! First Hamish Bigmore ends up on TV, then a real giant appears in the school play. And finally Mr Majeika gets the whole class lost on a magic carpet! There''s always an adventure with Mr Majeika around...

Mr Majeika is the most magical teacher around! ''Sometimes, '' whispered Jody. ''I think school dinners would be all right if it wasn''t for her.'' Mrs Chipchase, the nasty dinner lady, makes lunch hour at St Barty''s really unpleasant. That is, for everyone but her ''favourite friend'', Hamish Bigmore. Up to his usual tricks, Hamish is allowed to eat chocolate instead of ghastly school dinners! Mr Majeika decides it''s time to sort out the menu in his most magical way...! There are lots more Mr Majeika adventures to collect, including: Mr Majika and the Ghost Train Mr Majeika and the Lost Spell Book Mr Majeika and the Haunted Hotel Mr Majeika and the School Play Mr Majeika and the School Trip

''Music teacher? What music teacher?'' The sudden arrival of a new music teacher throws St barty''s School into confusion. Mysterious smells start coming from the staffroom and creepy-crawlies appear out of nowhere. The new arrival is, of course, Wilhelmina Worlock, a wicked witch with some nasty tricks. It''s up to Mr Majeika to try to outwit her...

''Use of magic by teacher strictly forbidden.'' Poor Mr Majeika goes to the bottom of the class when the school inspector comes to call. Things don''t get any easier when Mr Majeika turns himself into a lobster by mistake. Class Three somehow has to get Wilhemina Worlock to undo the spell...

Mr Majeika is the most magical teacher around! ''Do be careful, Mr Majeika, there might be real ghosts in there.'' When Class Three and Mr Majeika get on board a ghost train, they are in for a surprise. Real ghosts appear and the wicked Wilhemina Worlock isn''t far away. But Jody comes to the rescue - with a dragon to help her! Look out for more Mr Majeika adventures including: Mr Majeika and the School Trip Mr Majeika and the School Play Mr Majeika and the Lost Spell Book Mr Majeika and the Music Teacher Mr Majeika and the School Caretaker

''Oh dear,'' said Mr Majeika, ''I seem to have made the spell too strong.'' Class Three has fun during Book Week, when famous storybook characters suddenly appear! But there''s trouble ahead with Wilhemina Worlock the witch at the school''s Olympic Sports Day... Will Mr Majeika manage to magic up a solution?

Mr Majeika is the most magical teacher around! Oh, don''t be cowards,'' said Jody. ''I''m sure it''s perfectly safe.'' Mysteriously stranded in the fog at night. Mr Majeika and Class Three find themselves in a creepy hotel near Hadrian''s Wall, where some very spooky things start to happen. Strange lights, ghostly sounds and vanishing people... Look out for more Mr Majeika adventures including: Mr Majeika and the School Trip Mr Majeika and the School Play Mr Majeika and the Lost Spell Book Mr Majeika and the Music Teacher Mr Majeika and the School Caretaker

Do you know what a raga is? How many strings does a harp have? Where does reggae music come from? From A-Z, this fully illustrated book looks at blues to soul, flamenco to punk, the Beatles to Mozart. See the special features on key topics: instruments, jazz, pop and rock, notation, world music, orchestra With over 300 words and musicians listed alphabetically, the Oxford Children''s A-Z of Music is a great resource to help you improve your musical vocabulary.

Class Three has got a new computer and while exploring it, Mr Majeika manages to get the whole class trapped in the school website. Many adventures follow and Class Three meet bizarre characters before they can get out.

More amazing adventures with Mr Majeika, the ex-wizard, turned teacher, and his class at St Barty''s School. This time there''s a trip down a magic river, a battle to save St Barty''s from the wrecking ball, and work experience for Class Three.

A super magical story featuring Mr Majeika, the popular wizard turned teacher! Fun and magic combine as usual in this new Mr Majeika story. The pupils in Class 3 at St Barty''s School are not impressed when their headteacher imposes strict rules of behaviour for Halloween. Mr Majeika uses a little magic to make the evening memorable but nasty Hamish Bigmore tells the local press and gets the wizard-teacher the sack. School without magic seems rather boring and Mr Majeika doesn''t last long in the other jobs he tries. His long-time enemy, Wilhelmina Warlock is clearly behindall the trouble; she and the dreaded Hamish must be defeated before life can return to normal. Look out for more Mr Majeika adventures including MR MAJEIKA AND THE GHOST TRAIN MR MAJEIKA AND THE SCHOOL TRIP MR MAJEIKA AND THE SCHOOL BOOK WEEK MR MAJEIKA AND THE SCHOOL PLAY

It was the British satire "boom" of the early 1960s that created a motherlode of styles, material, and formats for generations of bright comedians and social critics in America as well as in Britain, and set the standard for clever humor that still determines our tastes in comedy and commentary today."

There may be more important literary movements than the Angry Young Men but there can be few as consciously (or unconsciously) entertaining. The Angry Young Men were an absurdly diverse group, often wildly at odds and, indeed, often wholly unacquainted with each other. This cavalcade of misunderstandings, wild statements, mediocrity and genuine achievement can now be seen as the first and most perfect example of how the media both helps and ruins literature. Humphrey Carpenter''s extremely funny new book celebrates the strange group of varying talents who at different times were believed to be Angry Young Men.

Studie over het leven en de literaire werken van de Engelse auteur (1892-1973).

"Includes comprehension questions, vocabulary, and questions for class discussion, essays, and projects." Also includes chronology of Tolkien''s life and quotations from The letters of J.R.R Tolkien, edited by Humphrey Carpenter and Christopher Tolkien.