New Releases by Henry Purcell

In the Hall of the Mountain King Halloween Classics for Easy Piano A delightful and whimsical collection of spooky Classics for Easy Piano, capturing both the playful spirit of Halloween and the rich history of Classical Music 8 Classical Arrangements for Beginner and Novice Pianists by SilverTonalities! From Bach to Mussorgsky, each piece brings a touch of eerie elegance to Halloween Festivities Preview, pages 1-2 Dance for the Followers of the Night from Purcell’s Fairy Queen, pages 3-6 Danse Macabre by Camille Saint Saens, pages 7-12 In the Hall of the Mountain King from Grieg’s Peer Gynt Suite, pages 13-16 A Night on Bald Mountain by Mussorgsky, pages 17-19 Ride of the Valkyries by Wagner, pages 20-22 Sorcerer’s Apprentice by Dukas, pages 23-26 Toccata and Fugue by Bach, pages 27-34 Witches Dance, Opus 4 Number 2 by Kullak, pages 35-38

Beginner Piano Arrangement 2nd Edition A SilverTonalities Arrangement! Easy Note Style Sheet Music Letter Names of Notes embedded in each Notehead!

From Purcell''s Fairy Queen for Beginner Piano 2nd Edition Easy Note Style Sheet Music Letter Names of Notes embedded in each Notehead! A SilverTonalities Arrangement!

From Purcell''s Opera, King Arthur for Easy Piano Easy Note Style Sheet Music Letter Names of Notes embedded in each Notehead! A SilverTonalities Arrangement!

etite Classics for Easiest Piano Booklet A1 Popular Classics for Beginner and Novice Pianists by SilverTonalities! Letter Names Embedded in Noteheads For Quick and Easy Reading! Booklet A1 includes: - Air from King Arthur by Henry Purcell - Canon in D Major by Johann Pachelbel - Flower Duet from Lakme by Leo Delibesufeff

Hardcover reprint of the original 1843 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Purcell, Henry. Dryden''s Opera Of King Arthur. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Purcell, Henry. Dryden''s Opera Of King Arthur, . London: Chappell, 1843. Subject: Operas

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Near-complete collection of great English composer''s keyboard compositions, including the 8 suites, airs, trumpet tunes (for harpsichord solo), grounds, preludes, dances, etc. Edited by William Barclay Squire.

La presente edizione ripropone alcune delle pagine con tromba/e più belle dal King Arthur (Londra, 1691) di Henry Purcell. L''organico prevede 2 trombe, 2 violini, 2 viole, basso continuo. La selezione è così composta: Ouverture: organico completo; Song of Triumph: organico completo; Battle: 2 trombe, 2 violini, bc; Introduction to Second Act: 2 violini, viola, bc; Symphony: tromba, 2 violini, bc; Symphony: 2 violini, viola, bc; Trumpet Tune: organico completo; Chorus: organico completo Solo nell''Ouverture vi sono 2 parti separate di Viola. Negli altri brani della Suite si può utilizzare una sola Viola. Edizione a cura di Jonathan Pia, corredata di Partitura e Parti.

(Music Sales America). Set for SATB, edited by Bruce Wood

While understanding the concept of all-sung opera, seventeenth-century English impresarios and their audiences also understood opera to mean spoken plays with a large amount of added music. The works have been given a variety of descriptive titles including `semi-operas'', `ambigues'', `multi-media spectaculars'', and, most appropriately, `dramatick operas''. As well as four big dramatick operas, Henry Purcell also wrote a small all-sung masque, Dido and Aeneas, which is one of the few works of the century which fulfils a modern ideal of `opera''. The music of Purcell''s operas has long been studied in detail, but it is only in recent years--and not by all scholars--that the operas have been taken seriously as dramatic entities. Consideration of the pieces have been hampered by the lack of availability of the texts of the operas, for while the music has long been edited and played, the sections of spoken dialogue have been almost entirely ignored. This volume, the first complete collection of the texts, redresses the balance. It presents to the reader the complete entertainment as prepared by the author on each occasion. Included are editions of both the 1689 libretto of Dido and Aeneas and its later incarnation as a series of masques in Shakespeare''s Measure for Measure, together with the playtext, the original published texts of Dioclesian, King Arthur, and The Fairy-Queen, and a transcription of the manuscript of The Indian Queen. An appendix to the volumeshows the song texts as actually set by Purcell.

"The Fairy Queen" was first performed in 1692, and was repeated in the following year. For the revival in 1693 Purcell added all the music of Act I., and the two songs, "Ye gentle spirits of the air" (No. 24) and "The Plaint" (No. 43). The Opera was adapted from Shakespeare''s "A Midsummer Night''s Dream," but Purcell did not set a single line of Shakespeare''s play to music. The play was considerably curtailed, many lines altered, and some Scenes rearranged; in this mutilated version it was acted, not sung. At the end of each Act some pretext is found for introducing a musical entertainment which has little or nothing to do with the play. Purcell''s music, composed towards the end of his short career, includes some of his best work, and shows strong Italian influence.

Expertly arranged Vocal Score by Henry Purcell from the Kalmus Edition series. This is from the Baroque era.

A Choral Extended Work for SATB or SAATTB with SAATBB Soli composed by Henry Purcell.

A collection of vocal solos composed by Henry Purcell.

A Choral Worship Cantata in SATB with SATB Soli voicing, composed by Henry Purcell.

Expertly arranged choral worship cantata from our Kalmus Edition.

A Violin solo for 2 Violins with Piano Accompaniment composed by Henry Purcell.

Henry Purcell''s masterpiece, Dido and Aeneas, is considered the high point of English opera. "When I Am Laid in Earth" is a poignant, lovely aria sung by the lovelorn, dying Queen Dido as her hero Aeneas sails away. Beautifully arranged by Sylvia Rabinof for two pianos, eight hands, the delicate simplicity sings forth with subtle strength.