New Releases by Henry Miller

America’s Most Unusual Writer... In this fascinating volume, devoted to the work of one of the most dynamic, controversial and unusual living American writers, you will find many eloquent and moving tales by Henry Miller, the author of Tropic of Cancer, Tropic of Capricorn, and many other books. Miller’s frank and original expression of the most intimate thoughts and feelings of men and women, his unique style of writing and his acute observations on modern civilization have brought him international fame. Among the many eminent writers and critics who praise his work are T. S. Eliot, George Orwell, John Dos Passos, Aldous Huxley, Edmund Wilson, and H. L. Mencken. All who enjoy and appreciate good writing will find this brilliant collection of Miller’s stories a new and unforgettable reading experience. “His is one of the most beautiful styles today.”—H. L. Mencken “...a literary live wire.”—St. Louis Post Dispatch “Mr. Miller’s love goes out to the little people, men whom the world has never noticed.”—Nashville Tennessean

An essential collection of writings, bursting with Henry Miller’s exhilarating candor and wisdom In this selection of stories and essays, Henry Miller elucidates, revels, and soars, showing his command over a wide range of moods, styles, and subject matters. Writing “from the heart,” always with a refreshing lack of reticence, Miller involves the reader directly in his thoughts and feelings. “His real aim,” Karl Shapiro has written, “is to find the living core of our world whenever it survives and in whatever manifestation, in art, in literature, in human behavior itself. It is then that he sings, praises, and shouts at the top of his lungs with the uncontainable hilarity he is famous for.” Here are some of Henry Miller’s best-known writings: an essay on the photographer Brassai; “Reflections on Writing,” in which Miller examines his own position as a writer; “Seraphita” and “Balzac and His Double,” on the works of other writers; and “The Alcoholic Veteran,” “Creative Death,” “The Enormous Womb,” and “The Philosopher Who Philosophizes.”

The story of Miller''s bizarre second marriage and its development into an extraordinary and legendary ménage à trois – the final installment of the ‘Rosy Curifixion’ trilogy.

In 1941, Henry Miller, the author of Tropic of Cancer, was commissioned by a Los Angeles bookseller to write an erotic novel for a dollar a page. Under the Roofs of Paris (originally published as Opus Pistorum) is that book. Here one finds Miller’s characteristic candor, wit, self-mockery, and celebration of the good life. From Marcelle to Tania, to Alexandra, to Anna, and from the Left Bank to Pigalle, Miller sweeps us up in his odyssey in search of the perfect job, the perfect woman, and the perfect experience.

In 1930 Henry Miller moved from New York to Paris, leaving behind — at least temporarily — his tempestuous marriage to June Smith and a novel that had sprung from his anguish over her love affair with a mysterious woman named Jean Kronski. Begun in 1927, Crazy Cock is the story of Tony Bring, a struggling writer whose bourgeois inclinations collide with the disordered bohemianism of his much-beloved wife, Hildred, particularly when her lover, Vanya, comes to live with them in their already cramped Greenwich Village apartment. In a world swirling with violence, sex, and passion, the three struggle with their desires, inching ever nearer to insanity, each unable to break away from this dangerous and consuming love triangle.

Uncovered along with Crazy Cock in 1988 by Miller biographer Mary V. Dearborn, Moloch emerged from the misery of Miller''s years at Western Union and from the squalor of his first marriage. Set in the rapidly changing New York City of the early twenties, its hero is the rough-and-tumble Dion Moloch, a man filled with anger and despair. Trapped in a demeaning job, oppressed by an acrimonious home life, Moloch escapes to the streets only to be assaulted by a world he despises even more — a Brooklyn transformed into a shrill medley of ethnic sights, sounds, and smells. The antagonized Moloch strikes out blindly at everything he hates, battling against a world whose hostility threatens to overwhelm and destroy him.

Exposing the underbelly of Paris and its world of sex, prostitutes and destitution. This groundbreaking narrative, has outlived its contemporary accusations of obscenity, demonstrating that stylistically and socially Henry Miller was ahead of his time.

The story of Miller''s bizarre second marriage and its development into an extraordinary and legendary ménage à trois - the final installment of the ''Rosy Curifixion'' trilogy. ''Goodbye, dear Pocohantas! Goodbye, P.T. Barnum! Goodbye, Street of Early Sorrows and may I never set eyes on you again!'' When Henry Miller left America for Paris in the 1930s to lead the life of a literary bohemian, he called this death of his former existence and his resurrection as a writer a ''rosy crucifixion''. This dramatic transformation provided the leitmotif for some of Miller''s finest writing, embodying everything he felt about self-liberation and the true life of the spirit. ''Nexus'', the final volume in the ''Rosy Crucifixion'' trilogy, is a fictionalised account of his last, tempestuous few months in New York. Trapped in a bizarre ménage à trois with his volatile actress wife, Mona, and her eccentric lover, Stasia, Miller''s life descends into violent and passionate anarchy. Demoralised, exhausted and finally abandoned by the cunning and disloyal Mona, he sails for Paris.

Tropic of Capricorn : Riotous, rude and explosive, this book chronicles Henry Miller''s early life in New York. The young Miller is angry, passionate, lewd, a fiery prophet of sexual and intellectual freedom, and an incorrigible prankster dedicated to the subversion of America''s stale moral code. Read it, and experience for yourself Miller''s raw, unbridled love of life in all its filthy, vital glory.

A handsome, slip-cased, two-volume edition is printed in commemoration of thereigning achievements of this singular American writer.

“A perfect expression of Miller’s moral perspective as well as one of his outstanding demonstrations of narrative skill. It provides a wonderful cinematic view of two indomitable egotists in deadly conflict.” —The Nation The devil in Henry Miller’s Big Sur paradise is Conrad Moricand: “A friend of his Paris days, who, having been financed and brought over from Europe as an act of mercy by Mr. Miller, turns out as exacting, sponging, evil, cunning and ungrateful a guest as can be found in contemporary literature. Mr. Miller has always been a remarkable creator of character. Conrad Moricand is probably his masterpiece. . . .A Devil in Paradise is the work of a great novelist manqué, a novelist who has no stricter sense of form than the divine creator. . . .Fresh and intoxicating, funny and moving. . .” —The Times Literary Supplement (London)

Aller Retour New York is truly vintage Henry Miller, written during his most creative period, between Tropic of Cancer (1934) and Tropic of Capricorn (1939). Aller Retour New York is truly vintage Henry Miller, written during his most creative period, between Tropic of Cancer (1934) and Tropic of Capricorn (1939). Miller always said that his best writing was in his letters, and this unbuttoned missive to his friend Alfred Perles is not only his longest (nearly 80 pages!) but his best—an exuberant, rambling, episodic, humorous account of his visit to New York in 1935 and return to Europe aboard a Dutch ship. Despite its high repute among Miller devotees, Aller Retour New York has never been easy to find. It was first brought out in Paris in 1935 in a limited edition, and a second edition, “Printed for Private Circulation Only,” was issued in the United States ten years later. It is now available in paperback as a Revived Modern Classic, with an introduction by George Wickes that illuminates the people and personal circumstances which inform Aller Retour New York.

Aller Retour New York is truly vintage Henry Miller, written during his most creative period, between Tropic of Cancer (1934) and Tropic of Capricorn (1939). Miller always said that his best writing was in his letters, and this unbuttoned missive to his friend Alfred Perlès is not only his longest (nearly 80 pages!) but his best--an exuberant, rambling, episodic, humorous account of his visit to New York in 1935 and return to Europe aboard a Dutch ship. Despite its high repute among Miller devotees, Aller Retour New York has never been easy to find. It was first brought out in Paris in 1935 in a limited edition, and a second edition, "Printed for Private Circulation Only," was issued in the United States ten years later. It is now available in paperback as a Revived Modern Classic, with an introduction by George Wickes that illuminates the people and personal circumstances which inform Aller Retour New York.

The first novel of Miller''s frank, autobiographical trilogy uses dream, fantasy, and burlesque to portray the life of a struggling writer in pre-World War I New York.

In celebration of the centennial of his birth, Into the Heart of Life: Henry Miller at One Hundred gathers a captivating selection of writings from ten of his books. The delights of his prose are many, not the least of which is Miller''s comic irony, which as The London Times noted, can be "as stringent and urgent as Swift''s." Frederick Turner has organized the whole to highlight the autobiographical chronology of Miller''s life, and along the way places the author squarely where he belongs––in the great tradition of American radical individualism, as a child of Emerson, Thoreau, and Whitman. Miller, who joyously declared "I am interested––like God––only in the individual," would have been pleased. The keynotes here are self-liberation and the pleasures of Miller''s "knotty, cross-grained" genius, as Turner describes it––"defying classification, ultimately unamenable to any vision, any program not [his] own." Or, as Henry Miller himself put it: "I am the hero and the book is myself."

Nothing But The Marvelous (Expanded) Wisdoms of Henry Miller Henry Miller and Blair Fielding (editor) A gathering of Henry Miller''s insights-memorable and revealing, profound and profane, angry and joyous, poetic and philosophical-covering a multitude of subjects, from "Aging" to "Universal Law." Drawn from the full scope of Miller''s writings-the early, notorious "Tropic of Cancer, to "Book of Friends and "The Hamlet Letters.

A “lyrical, impassioned” document of the intimate relationship between the two authors that was first disclosed in Henry and June (Booklist). This exchange of letters between the two controversial writers—Anaïs Nin, renowned for her candid and personal diaries, and Henry Miller, author of Tropic of Cancer—paints a portrait of more than two decades in their complex relationship as it moves through periods of passion, friendship, estrangement, and reconciliation. “The letters may disturb some with their intimacy, but they will impress others with their fragrant expression of devotion to art.” —Booklist “A portrait of Miller and Nin more rounded than any previously provided by critics, friends, and biographers.” —Chicago Tribune Edited and with an introduction by Gunther Stuhlmann

Presents the best of Miller''s contributions to Stroker magazine, which included prose, letters, and drawings ranging in subject matter from his daily activities to Isaac Bashevis Singer''s Nobel Prize acceptance speech.

Photocopy with manuscript corrections; used as typesetter''s copy. Published in 1983.

"Auch in diesem inzwischen weltberühmten und verfilmten Buch zeigt sich der unsterbliche Henry Miller als Prophet und Moralist. Jahrelang mußte er auf die Vercffentlichung warten. Denn ''Stille Tage in Clichy'' ist nicht, wie der Titel vermuten lassen könnte, eine Idylle im Werk des ''obszönsten Schriftstellers der Weltliteratur'' (Sir Herbert Read). Doch sei es, daß sich sein Erzähler Joey dem Mädchen Nys nähert, das er im Café trifft, sei es Mara-Marignan, die sich auf den Champs-Élysées nach ihm umdreht: Joeys Abenteuer sind von erstaunlicher Heiterkeit. Ganz gleich, ob eine Mutter unter dem Gekreisch ihrer Kinder entblößt wird oder ob Joey mit zwei Dirnen in der Badewanne Brot und Wein zu sich nimmt, fast immer sind seine Handlungen von Gelächter begleitet, gehen unter in wilder Ausgelassenheit. Zugleich beschwört Henry Miller das Paris der dreißiger Jahre und seine Atmosphäre überschäumender Lebenslust"--Amazon.de.

The Miller-Gertz correspondence, in addition to the documentation it prou00advides on the famous struggle to free Tropic of Cancer of obscenity charges, is important for numerous reasons, among them being that Henry Miller wrote inu00adtimately to Elmer Gertz on a wide range of topics, including his thoughts about the book which won him public recogu00adnition in his own country--at long last. Still a controversial figure in the 1960s, but with an impressive following, espeu00adcially abroad where his works were pubu00adlished freely in many languages, Henry Miller had been denied publication of his major works in his own country until 1961, when Grove Press pubu00adlished Tropic of Cancer, precipitating a long, costly, and often bitter battle against the continuing censorship of his autobiographical novels. The attorney chosen by Grove Press to represent the publisher in Illinois was Elmer Gertz, himself a literary critic and historian by avocation, who began intensive preparation by reading everything by and about Miller he could put his hands on, which led inu00addirectly to the letter from Miller that opened their correspondence. Throughout the long, taxing months of this historic battle for freedom of exu00adpression, the bonds linking Cancer''s auu00adthor and his attorney multiplied and strengthened. They tested themselves and the world, their subjects ranging from the arts to business and family matters; from social problems to films and Hollywood personalities; from courtroom pyrotechnics to ping-pong. An almost day-by-day record of Miller''s activities emerges as he speaks of his writing and painting, his social life, his personal concerns, his travels, his conu00adtacts with publishers and theatrical producers. Moreover, the unguarded thoughts expressed through all of the correspondence produced astonishing self-revelations, which makes this volu00adume especially valuable.