New Releases by Henry Miller

Auch in diesem inzwischen weltberühmten und verfilmten Buch zeigt sich der unsterbliche Henry Miller als Prophet und Moralist. Jahrelang musste er auf die Veröffentlichung warten. Denn «Stille Tage in Clichy» ist nicht, wie der Titel vermuten lassen könnte, eine Idylle im Werk des "obszönsten Schriftstellers der Weltliteratur" (Sir Herbert Read). Doch sei es, dass sich sein Erzähler Joey dem Mädchen Nys nähert, das er im Café trifft, sei es Mara-Marignan, die sich auf dem Champs-Élysées nach ihm umdreht: Joeys Abenteuer sind von erstaunlicher Heiterkeit. Ganz gleich, ob eine Mutter unter dem Gekreisch ihrer Kinder entblößt wird oder ob Joey mit zwei Dirnen in der Badewanne Brot und Wein zu sich nimmt, fast immer sind seine Handlungen von Gelächter begleitet, gehen unter in wilder Ausgelassenheit. Zugleich beschwört Henry Miller das Paris der dreißiger Jahre und seiner Atmosphäre überschäumender Lebenslust.

America’s Most Unusual Writer... In this fascinating volume, devoted to the work of one of the most dynamic, controversial and unusual living American writers, you will find many eloquent and moving tales by Henry Miller, the author of Tropic of Cancer, Tropic of Capricorn, and many other books. Miller’s frank and original expression of the most intimate thoughts and feelings of men and women, his unique style of writing and his acute observations on modern civilization have brought him international fame. Among the many eminent writers and critics who praise his work are T. S. Eliot, George Orwell, John Dos Passos, Aldous Huxley, Edmund Wilson, and H. L. Mencken. All who enjoy and appreciate good writing will find this brilliant collection of Miller’s stories a new and unforgettable reading experience. “His is one of the most beautiful styles today.”—H. L. Mencken “...a literary live wire.”—St. Louis Post Dispatch “Mr. Miller’s love goes out to the little people, men whom the world has never noticed.”—Nashville Tennessean

An essential collection of writings, bursting with Henry Miller’s exhilarating candor and wisdom In this selection of stories and essays, Henry Miller elucidates, revels, and soars, showing his command over a wide range of moods, styles, and subject matters. Writing “from the heart,” always with a refreshing lack of reticence, Miller involves the reader directly in his thoughts and feelings. “His real aim,” Karl Shapiro has written, “is to find the living core of our world whenever it survives and in whatever manifestation, in art, in literature, in human behavior itself. It is then that he sings, praises, and shouts at the top of his lungs with the uncontainable hilarity he is famous for.” Here are some of Henry Miller’s best-known writings: an essay on the photographer Brassai; “Reflections on Writing,” in which Miller examines his own position as a writer; “Seraphita” and “Balzac and His Double,” on the works of other writers; and “The Alcoholic Veteran,” “Creative Death,” “The Enormous Womb,” and “The Philosopher Who Philosophizes.”

In this unique work, Henry Miller gives an utterly candid and self-revealing account of the reading he did during his formative years. Some writers attempt to conceal the literary influences which have shaped their thinking––but not Henry Miller. In The Books in My Life he shares the thrills of discovery that many kinds of books have brought to a keenly curious and questioning mind. Some of Miller’s favorite writers are the giants whom most of us revere––authors such as Dostoeyvsky, Boccaccio, Walt Whitman, James Joyce, Thomas Mann, Lao-Tse. To them he brings fresh and penetrating insights. But many are lesser-known figures: Krishnamurti, the prophet-sage; the French contemporaries Blaise Cendrars and Jean Giono; Richard Jeffries, who wrote The Story of My Heart; the Welshman John Cowper Powys; and scores of others. The Books in My Life contains some fine autobiographical chapters, too. Miller describes his boyhood in Brooklyn, when he devoured the historical stories of G. A. Henty and the romances of Rider Haggard. He tells of the men and women whom he regards as "living books": Lou Jacobs, W. E. B. DuBois, Elizabeth Gurley Flynn, and others. He offers his reminiscences of the New York Theatre in the early 1900’s––including plays such as Alias Jimmy Valentine and Nellie, the Beautiful Cloak Model. And finally, in Miller’s best vein of humor, he provides a satiric chapter on bathroom reading. In an appendix, Miller lists the hundred books that have influenced him most.

In celebration of the centennial of his birth, Into the Heart of Life: Henry Miller at One Hundred gathers a captivating selection of writings from ten of his books. The delights of his prose are many, not the least of which is Miller''s comic irony, which as The London Times noted, can be "as stringent and urgent as Swift''s." Frederick Turner has organized the whole to highlight the autobiographical chronology of Miller''s life, and along the way places the author squarely where he belongs––in the great tradition of American radical individualism, as a child of Emerson, Thoreau, and Whitman. Miller, who joyously declared "I am interested––like God––only in the individual," would have been pleased. The keynotes here are self-liberation and the pleasures of Miller''s "knotty, cross-grained" genius, as Turner describes it––"defying classification, ultimately unamenable to any vision, any program not [his] own." Or, as Henry Miller himself put it: "I am the hero and the book is myself."

“A brilliant selection . . . it is in short a voyage of discovery, an adventure and this the log of that voyage in the life of a probing and powerful writer.” —Robert R. Kirsch, Los Angeles Times Some of the most rewarding pages in Henry Miller''s books concern his self-education as a writer. He tells, as few great writers ever have, how he set his goals, how he discovered the excitement of using words, how the books he read influenced him, and how he learned to draw on his own experience.

This collection, first published by New Directions in 1939, contains a number of Henry Miller''s most important shorter prose writings. They are taken from the Paris books Black Spring (1936) and Max and the White Phagocytes (1938) and were for the most part, written at about the satire time as Tropic of Capricorn—the period of Miller’s and Durrell’s life in the famous Villa Seurat in Paris. As is usual with Miller, these pieces cannot be tagged with the label of any given literary category. The unforgettable portrait of Max, the Paris drifter, and the probably-autobiographical Tailor Shop, are basically short stories, but even here the irrepressible vitality of Miller’s personality keeps breaking into the narrative. And in the critical and philosophical essays, the prose poems and surrealist fantasies, the travel sketches and scenarios, Miller’s passion for fiction, for telling the endless story of his extraordinary life, cannot be held down. Life, as no other modern author has lived it or can write it, bursts from these pages—the life of the mind and the body; of people, places and things; of ideas and the imagination.

His stories and essays celebrate those rare individuals (famous and obscure) whose creative resilience and mere existence oppose the mechanization of minds and souls. In 1939, after ten years as an expatriate, Henry Miller returned to the United States with a keen desire to see what his native land was really like—to get to the roots of the American nature and experience. He set out on a journey that was to last three years, visiting many sections of the country and making friends of all descriptions. The Air-Conditioned Nightmare is the result of that odyssey.

Miller’s groundbreaking first novel, banned in Britain for almost thirty years.

The story of Miller''s bizarre second marriage and its development into an extraordinary and legendary ménage à trois – the final installment of the ‘Rosy Curifixion’ trilogy.

Written during the same period as Tropic of Cancer and Tropic of Capricorn, and banned in the English-speaking world upon its publication in Paris in 1936, Black Spring is one of Miller''s finest achievements, and arguably his most distinguished book from a stylistic point of view. It consists of a number of linked episodes describing some of the crucial years in his personal saga, from recollections of his childhood in Brooklyn to his time in Paris.

Henry Miller’s landmark travel book, now reissued in a new edition, is ready to be stuffed into any vagabond’s backpack. Like the ancient colossus that stood over the harbor of Rhodes, Henry Miller’s The Colossus of Maroussi stands as a seminal classic in travel literature. It has preceded the footsteps of prominent travel writers such as Pico Iyer and Rolf Potts. The book Miller would later cite as his favorite began with a young woman’s seductive description of Greece. Miller headed out with his friend Lawrence Durrell to explore the Grecian countryside: a flock of sheep nearly tramples the two as they lie naked on a beach; the Greek poet Katsmbalis, the “colossus” of Miller’s book, stirs every rooster within earshot of the Acropolis with his own loud crowing; cold hard-boiled eggs are warmed in a village’s single stove, and they stay in hotels that “have seen better days, but which have an aroma of the past.”

In 1930 Henry Miller moved from New York to Paris, leaving behind — at least temporarily — his tempestuous marriage to June Smith and a novel that had sprung from his anguish over her love affair with a mysterious woman named Jean Kronski. Begun in 1927, Crazy Cock is the story of Tony Bring, a struggling writer whose bourgeois inclinations collide with the disordered bohemianism of his much-beloved wife, Hildred, particularly when her lover, Vanya, comes to live with them in their already cramped Greenwich Village apartment. In a world swirling with violence, sex, and passion, the three struggle with their desires, inching ever nearer to insanity, each unable to break away from this dangerous and consuming love triangle.

Tropic of Capricorn : Riotous, rude and explosive, this book chronicles Henry Miller''s early life in New York. The young Miller is angry, passionate, lewd, a fiery prophet of sexual and intellectual freedom, and an incorrigible prankster dedicated to the subversion of America''s stale moral code. Read it, and experience for yourself Miller''s raw, unbridled love of life in all its filthy, vital glory.

A handsome, slip-cased, two-volume edition is printed in commemoration of thereigning achievements of this singular American writer.

You''d better read that if your morals can stand it." Laughlin was so impressed with the book, Tropic of Cancer, that he promptly initiated a correspondence with Miller which soon turned into a publisher/author relationship when Laughlin, at Pound''s urging, founded New Directions in 1936.

Nothing But The Marvelous (Expanded) Wisdoms of Henry Miller Henry Miller and Blair Fielding (editor) A gathering of Henry Miller''s insights-memorable and revealing, profound and profane, angry and joyous, poetic and philosophical-covering a multitude of subjects, from "Aging" to "Universal Law." Drawn from the full scope of Miller''s writings-the early, notorious "Tropic of Cancer, to "Book of Friends and "The Hamlet Letters.

Henry Miller''s letters to Emil contain a compelling record of this writer in the making, beginning with his first efforts in 1922, tracing his ten-year struggle to find his own voice, and reaching a climax with the publication of ''Tropic of Cancer'' in 1934. This one-sided correspondence was often quarried for publication, and has never appeared in print until now.

Trapped in a bizarre menage a trois with his volatile actress wife, Mona, and her eccentric lover, Stasia, Miller''s life descends into violent and passionate anarchy. This is the story of Miller''s bizarre second marriage and its development into an extraordinary and legendary menage a trois.

Presents the best of Miller''s contributions to Stroker magazine, which included prose, letters, and drawings ranging in subject matter from his daily activities to Isaac Bashevis Singer''s Nobel Prize acceptance speech.

Photocopy with manuscript corrections; used as typesetter''s copy. Published in 1983.

In 1941, Henry Miller, the author of Tropic of Cancer, was commissioned by a Los Angeles bookseller to write an erotic novel for a dollar a page. Under the Roofs of Paris (originally published as Opus Pistorum) is that book. Here one finds Miller''s characteristic candor, wit, self-mockery, and celebration of the good life. From Marcelle to Tania, to Alexandra, to Anna, and from the Left Bank to Pigalle, Miller sweeps us up in his odyssey in search of the perfect job, the perfect woman, and the perfect experience.

The Miller-Gertz correspondence, in addition to the documentation it prou00advides on the famous struggle to free Tropic of Cancer of obscenity charges, is important for numerous reasons, among them being that Henry Miller wrote inu00adtimately to Elmer Gertz on a wide range of topics, including his thoughts about the book which won him public recogu00adnition in his own country--at long last. Still a controversial figure in the 1960s, but with an impressive following, espeu00adcially abroad where his works were pubu00adlished freely in many languages, Henry Miller had been denied publication of his major works in his own country until 1961, when Grove Press pubu00adlished Tropic of Cancer, precipitating a long, costly, and often bitter battle against the continuing censorship of his autobiographical novels. The attorney chosen by Grove Press to represent the publisher in Illinois was Elmer Gertz, himself a literary critic and historian by avocation, who began intensive preparation by reading everything by and about Miller he could put his hands on, which led inu00addirectly to the letter from Miller that opened their correspondence. Throughout the long, taxing months of this historic battle for freedom of exu00adpression, the bonds linking Cancer''s auu00adthor and his attorney multiplied and strengthened. They tested themselves and the world, their subjects ranging from the arts to business and family matters; from social problems to films and Hollywood personalities; from courtroom pyrotechnics to ping-pong. An almost day-by-day record of Miller''s activities emerges as he speaks of his writing and painting, his social life, his personal concerns, his travels, his conu00adtacts with publishers and theatrical producers. Moreover, the unguarded thoughts expressed through all of the correspondence produced astonishing self-revelations, which makes this volu00adume especially valuable.