Best Selling Books by Graham Greene

Meticulously chosen and engagingly annotated, this selection of letters many of them seen here for the first time gives an entirely new perspective on a life that combined literary achievement, political action, espionage, exotic travel and romantic entanglement. In several letters, the individuals, events or places described provide the inspiration for characters, episodes or locations found in his later fiction. The correspondence describes his travels in Mexico, Africa, Malaya, Vietnam, Haiti, Cuba, Sierra Leone, Liberia and other trouble spots, where he observed the struggles of victims and victors with a compassionate and truthful eye. The volume includes a vast number of unpublished letters to authors Evelyn Waugh, Auberon Waugh, Anthony Powell, Edith Sitwell, R.K. Narayan and Muriel Spark, and to other more notorious individuals such as the double-agent Kim Philby.

A tormented, alcoholic priest is pursued by an idealistic lieutenant during an anti-clerical persecution in Mexico.

An assistant police commissioner in a West African coastal town lets passion overrule his honor

During World War II a group of men is held prisoner by the Germans, who determine that three of them must die. This is the story of how one of those men trades his wealth for his life--and lives to pay for his act in utterly unexpected ways.

A hapless salesman in Cuba is recruited into Cold War spy games in Greene’s classic “comical, satirical, atmospherical” novel (The Daily Telegraph). James Wormold, a cash-strapped vacuum cleaner salesman in Havana, finds the answer to his prayers when British Intelligence offers him a lucrative job as an undercover agent. To keep the checks coming, Wormold must at least pretend to know what he’s doing. Soon, he’s apparently deciphering incomprehensible codes, passing along sketches of secret weapons that look suspiciously like vacuum parts, and claiming to recruit fellow operatives from his country club, all to create the perfect picture of intrigue. But when MI6 dispatches a secretary to oversee his endeavors, Wormold fears his carelessly fabricated world will come undone. Instead, it all comes true. Somehow, he’s become the target of an assassin, and it’s going to take more than a fib to get out of Cuba alive. Her Majesty’s man in Havana may have to resort to spying. Named one of the 20 Best Spy Novels of All Time by the Telegraph and adapted into the classic 1959 comedy starring Alec Guinness, Our Man in Havana is “high-comic mayhem . . . weirdly undated . . . [and] bizarrely prescient” (Christopher Buckley, New York Times–bestselling author).

Maurice Castle is a high-level operative in the British secret service during the Cold War. He is deeply in love with his African wife, who escaped apartheid South Africa with the help of his communist friend. Despite his misgivings, Castle decides to act as a double agent, passing information to the Soviets to help his in-laws in South Africa. In order to evade detection, he allows his assistant to be wrongly identified as the source of the leaks. But when suspicions remain, Castle is forced to make an even more excruciating sacrifice to save himself. Originally published in 1978, The Human Factor is an exciting novel of espionage drawn from Greene’s own experiences in MI6 during World War II, and ultimately a deeply humanistic examination of the very nature of loyalty. This edition features a new introduction by Colm Tóibín. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Tells the story of Andrews, a young man who has betrayed his fellow smugglers and fears their vengeance. Fleeing from them, he takes refuge in the house of a young woman. She persuades him to give evidence against his accomplices in court, but neither of them is aware that to both criminals and authority treachery is as great a crime as smuggling.

In Greene’s “magnificent tour-de-force among tales of international intrigue,” rival agents engage in a deadly game of cat and mouse in prewar England (The New York Times). D., a widowed professor of Romance literature, has arrived in Dover on a peaceful yet important mission. He’s to negotiate a contract to buy coal for his country, one torn by civil war. With it, there’s a chance to defeat fascist influences. Without it, the loyalists will fail. When D. strikes up a romantic acquaintance with the estranged but solicitous daughter of a powerful coal-mining magnate, everything appears to be in his favor—if not for a counteragent who has come to England with the intent of sabotaging every move he makes. Accused of forgery and theft, and roped into a charge of murder, D. becomes a hunted man, hemmed in at every turn by an ever-tightening net of intrigue and double cross, with no one left to trust but himself. Written during the height of the Spanish Civil War, Graham Greene’s “exciting . . . kaleidoscopic affair” was the basis for the classic 1945 thriller starring Charles Boyer and Lauren Bacall (The Sunday Times).

This noir classic by the “superb storyteller” is the basis for the movie named the best British film of all time by the British Film Institute (The New York Times). Almost-broke pulp author Rollo Martins sets out for Vienna after receiving an invitation from his old friend Harry Lime, who might have a financial opportunity for him. But when he arrives, he’s shocked to learn that Lime is dead in what appeared to be an accident—and that his pal had been under investigation for racketeering. That raises questions some questions for Martins, so he starts combing the postwar ruins of the Austrian capital to find out for himself what happened to Harry Lime . . . The Third Man is one of the best-known works by Graham Greene, author of The Quiet American, Our Man in Havana, and The End of the Affair—famed for his complex, philosophical novels, and compelling tales of crime, espionage, and suspense. “The most ingenious, inventive and exciting of our novelists . . . A master of storytelling.” —V. S. Pritchett, The Times (London) “Greene had wit and grace . . . and a transcendent universal compassion that places him for all time in the ranks of world literature.” —John LeCarre “In a class by himself.” —William Golding An enormously popular writer who was also one of the most significant novelists of his time.” —Newsweek

"A Catholic tours Mexico and finds little to his liking, and plenty to condemn. The anti-Catholic movements have prejudiced him in advance, and he travels down from Texas, with a chip on his shoulder, looking for things to criticize. He succeeds in getting plenty to feed his distaste and he pours it all forth in this volume, -- places, people, travel accommodation, scenery, food, lodgings -- he was acutely miserable throughout. Stringent antidote to usual enthusiasm for Mexico and things Mexican. Particular market -- the Catholics who want food for their wrath."--Kirkus

With superb skill and feeling, Graham greene retraces the experiences and encounters of a long and extraordinary life. His restlessness is legendary; he has travelled like an explorer seeking our people and political situations. ''at the dangerous edge of things'' - Haiti during the nightmare rule of Papa Doc, Vietnam in the last days - of the French. , Cuba, Prague, Paraguay, Kenya during the Mau Mau rebellion. With ironic delight he recalls his time in the British Secret Service in Africa, and his brief involvement in Hollywood. He writes, as only he can about people and places, about faith, doubt, fear and, not least, the trials and craft of writing.

The British author embarks on an awe-inspiring trek through 1930s West Africa in “one of the best travel books [of the twentieth] century” (The Independent). When Graham Greene left Liverpool in 1935 for what was then an Africa unmarked by colonization, it was to leave the known transgressions of his own civilization behind for those unknown. First by cargo ship, then by train and truck through Sierra Leone, and finally on foot, Greene embarked on a dangerous and unpredictable 350-mile, four-week trek through Liberia with his cousin, and a handful of servants and bearers, into a world where few had ever seen a white man. For Greene, this odyssey became as much a trip into the primitive interiors of the writer himself as it was a physical journey into a land foreign to his experience. “No one who reads this book will question the value of Greene’s experiment, or emerge unshaken by the penetration, the richness, the integrity of this moving record.” —The Guardian

The detective, Mather, searches for a professional assassin, who unknowingly has kidnapped Mather''s fiancee

Strangers in Port-au-Prince are united in the corruption, fear, and revolt of Duvalier-era Haiti in “the most interesting novel of [Greene’s] career” (The Nation). Haiti, under the rule of Papa Doc and his menacing paramilitary, the Tontons Macoute, has long been abandoned by tourists. Now it is home to corrupt capitalists, foreign ambassadors and their lonely wives—and a small group of enterprising strangers rocking into port on the Dutch cargo ship, Medea: a well-meaning pair of Americans claiming to bring vegetarianism to the natives; a former jungle fighter in World War II Burma and current confidence man; and an English hotelier returning home to the Trianon, an unsalable shell of an establishment on the hills above the capital. Each is embroiled in a charade. But when they’re unsuspectingly bound together in this nightmare republic of squalid poverty, torrid love affairs, and impending violence, their masks will be stripped away. “While Mr. Greene . . . specialized in chronicling the moral and political murkiness he encountered in the third world . . . nowhere did he produce a more topical or damning work of fiction than [in The Comedians]” (The New York Times). Banned in Haiti, and condemned by Papa Doc Duvalier, it was adapted by Greene into a 1967 film starring Elizabeth Taylor and Richard Burton.

A collection of ten stories, the first written in 1923 and the last in 1988. These will be arranged in chronological order reversed and there will be a short preface by the author. These stories have been previously published in a selection of magazines and newspapers (the two most recently in the ''Independent'').

A famous architect struggling with a crisis of faith escapes to a leper colony in the Congo, in Graham Greene’s “greatest novel” (Time). Querry is a world-renowned architect noted for his magnificent churches, each designed not for the glory of God, but for the satisfaction of self. Suddenly infected with indifference, he has abandoned his pursuit of pleasure. Now he has reached the end of desire at the end of the world—a colony of lepers in the remote jungles of Africa. Here, under the guidance of Doctor Colin, a fellow atheist, Querry’s consideration of the sick could be something close to a cure for his own suffering. So too, it first seems, could a local plantation owner’s lonely and abused wife—Querry’s unlikely confessor. But when Querry reluctantly agrees to build a hospital and his good intentions brand him a modern-day saint, all the intrusive and dangerous piety of civilization returns. And this time it could be inescapable. From “the ultimate chronicler of twentieth-century man’s consciousness and anxiety” comes Graham Greene’s celebrated novel about the consequences of conviction, the sickness of the soul, and the tenuous endurance of the human spirit (William Golding).

Discover Graham Green’s prescient political masterpiece ‘The novel that I love the most is The Quiet American’ Ian McEwan Into the intrigue and violence of 1950s Indo-China comes CIA agent Alden Pyle, a young idealistic American sent to promote democracy through a mysterious ''Third Force''. As his naive optimism starts to cause bloodshed, his friend Fowler, a cynical foreign correspondent, finds it hard to stand aside and watch. But even as he intervenes he wonders why: for the greater good, or something altogether more complicated? WITH AN INTRODUCTION BY ZADIE SMITH **One of the BBC’s 100 Novels That Shaped Our World**

Relates the story of the politically motivated kidnapping of Charlie Fortnum, a minor British functionary in Argentina.

When Graham Greene died in 1991, at the age of 86, his reputation as a great Catholic writer was assured. His books reflected an awareness of sin and confronted discomfiting themes with a sombre eye. The British Catholic journal The Tablet provided Greene with a forum for both his works-in-progress and his sometimes unorthodox religious views. For the first time, Graham Greenes Tablet contributions are collected in one volume. Much of the journalism has not been seen for fifty years.

A collection of four stories comprising ` Under The Garden'' (A short novel); `A Visit to the Morin''; Dream of a Strange Land'' and `A Discovery in the Woods''. In these four stories Graham Greene, one of the master of modern English fiction, has allowed himself the liberty of fantasy, myth, legend and dream. The results are, quite simply, superb.

Henry Pulling, a retired manager, volunteers to accompany his aunt on a trip to Istanbul and soon becomes involved with an ill-assorted group of travelers on the Orient Express

Kriminalroman. En kærlighedshistorie udspiller sig i toget, mellem hvis passagerer også er en morder på flugt og en politisk flygtning i livsfare

Roman om en mand der bliver dømt for mord, men hvor strafspørgsmålet udvikler sig til et politisk anliggende.

"Not intended for publication, the journal of Graham Greene''s trip to the Belgian Congo in 1959 was the raw material for the novel that became A Burnt-out Case. A shorter journal, of a wartime convoy to West Africa in 1941, was a prelude to the writing of The Heart of the Matter. Together with the author''s introduction and plentiful notes, they are a fascinating revelation of the fiction writer''s craft." Book flap.

A teenage sociopath rises to power in Britain’s criminal underworld in this “brilliant and uncompromising” thriller (The New York Times). Seventeen-year-old Pinkie Brown, raised amid the casual violence and corruption in the dire prewar Brighton slums, has left his final judgment in the hands of God. On the streets, impelled by his own twisted moral doctrine, he leads a motley pack of gangsters whose sleazy little rackets have most recently erupted in the murder of an informant. Pinkie’s attempts to cover their tracks have led him into the bed of a timid and lovestruck young waitress named Rose—his new wife, the key witness to his crimes, and, should she live long enough, his alibi. But loitering in the shadows is another woman, Ida Arnold—an avenging angel determined to do right by Pinkie’s latest victim. Adapted for film in both 1948 and 2010 and for the stage as both a drama and musical, and serving as an inspiration to such disparate artists as Morrissey, John Barry, and Queen, “this bleak, seething and anarchic novel still resonate[s]” (The Guardian).

Greene’s “sharply, often incisively etched” novel of the interlocked fates of unwary strangers on a train from Belgium to Constantinople (The New York Times). The Orient Express has embarked from Ostend for a three-day journey to Cologne, Vienna, and Constantinople. The passenger list includes a Jewish trader from London with business interests in Turkey—and a score to settle; a vulnerable chorus girl on her last legs; a boozy and spiteful journalist who’s found an unrequited love in her paid companion, and her latest scoop in second class—a Serbian dissident in disguise on his way to lead a revolution; and a murderer on the run looking for a getaway. As the train hurtles across Europe, the fates of everyone on board will collide long before the Orient Express rushes headlong to its final destination. Originally published in the UK as Stamboul Train in 1932, Graham Greene’s “novel has movement, variety, interest; taken on the surface, it is an interesting and entertaining story of adventure, penetrated through and through with the consciousness of the on-rushing train, with that curious sense of the temporary suspension of one’s ordinary existence which comes to many on ship or train” (The New York Times).

In London during the Blitz, an amnesiac must outwit a twisted Nazi plot in this “master thriller” of espionage, murder, and deception (Time). On a peaceful Sunday afternoon, Arthur Rowe comes upon a charity fete in the gardens of a Cambridgeshire vicarage where he wins a game of chance. If only this were an ordinary day. Britain is under threat by Germany, and the air raid sirens that bring the bazaar to a halt expose Rowe as no ordinary man. Recently released from a psychiatric prison for the mercy killing of his wife, he is burdened by guilt, and now, in possession of a seemingly innocuous prize, on the run from a nest of Nazi spies who want him dead. Pursued on a dark odyssey through the bombed-out streets of London, he becomes enmeshed in a tangle of secrets that reach into the dark recesses of his own forgotten past. And there isn’t a soul he can trust, not even himself. Because Arthur Rowe doesn’t even know who he really is. “A storyteller of genius,” Graham Greene composed his serpentine mystery of authentic wartime espionage—and one the author’s personal favorites—while working for MI6 (Evelyn Waugh). But The Ministry of Fear “is more than a mere thriller . . . [it’s a] hypnotic moonstone of a novel” (The New York Times).

After a man is almost killed in a bombing raid, the married woman with whom he has been having an affair breaks away from him.

A Monte Carlo honeymoon becomes a gamble in Graham Greene’s “superbly well told” comedy of love, marriage, and risk (J. B. Priestley). A modest London accountant on a budget, Mr. Bertram has settled on a honeymoon at the seaside resort of Bournemouth with his fiancée, Cary. However, Bertram’s boss, the solicitous Herbert Dreuther, won’t hear of anything so common. Bertram and Cary are to be married in Monte Carlo, after which they’ll be Dreuther’s guests on his private yacht and sail down the coast of Italy. It sounds too lovely to be true. And surely Bertram can afford one night at the Hôtel de Paris. But when the absentminded Dreuther fails to show, and days turn into weeks, Bertram and Cary find themselves well beyond their means. Unable to check out, trapped in luxury, and with nowhere to turn but the casino, Bertram has a plan—and absolutely no idea what there is left to lose.

A young boy, Victor, is collected from school by a stranger in a bowler hat. The stranger says he has won Victor in a game of backgammon with Victor''s father. The stranger, known as the Captain, takes Victor to live with the sweet but withdrawn Lisa, where he serves as her conduit to the outside world. From mysterious beginnings, Graham Greene''s final novel becomes a twisting thriller of smuggling, jewel theft and international espionage which culminates in a dramatic showdown in Panama.