Most Popular Books by Gore Vidal

"Mr. Vidal demonstrates a political imagination and insider''s sagacity equaled by no other practicing fiction writer I can think of. And like the earlier novels in his historical cycle, Empire is a wonderfully vivid documentary drama." —The New York Times Book Review In this extraordinarily powerful epic Gore Vidal recreates America''s Gilded Age—a period of promise and possibility, of empire-building and fierce political rivalries. In a vivid and beathtaking work of fiction, where the fortunes of a sister and brother intertwine with the fates of the generation, their country, and some of the greatest names of their day, including President McKinley, Theodore Roosevelt, William Jennings Bryan, William and Henry James, the Astors, the Vanderbilts, and the Whitneys, Gore Vidal sweeps us from the nineteenth century into the twentieth, from the salvaged republic of Lincoln to a nation boldly reaching for the world.

This explosively entertaining memoir abounds in gossip, satire, historical apercus, and trenchant observations. Vidal''s compelling narrative weaves back and forth in time, providing a whole view of the author''s celebrated life, from his birth in 1925 to today, and features a cast of memorable characters—including the Kennedy family, Marlon Brando, Anais Nin, and Eleanor Roosevelt.

A sweeping novel of politics, war, philosophy, and adventure–in a restored edition, featuring never-before-published material from Gore Vidal’s original manuscript–Creation offers a captivating grand tour of the ancient world. Cyrus Spitama, grandson of the prophet Zoroaster and lifelong friend of Xerxes, spent most of his life as Persian ambassador for the great king Darius. He traveled to India, where he discussed nirvana with Buddha, and to the warring states of Cathay, where he learned of Tao from Master Li and fished on the riverbank with Confucius. Now blind and aged in Athens–the Athens of Pericles, Sophocles, Thucydides, Herodotus, and Socrates–Cyrus recounts his days as he strives to resolve the fundamental questions that have guided his life’s journeys: how the universe was created, and why evil was created with good. In revisiting the fifth century b.c.–one of the most spectacular periods in history–Gore Vidal illuminates the ideas that have shaped civilizations for millennia.

Gore Vidal—novelist, playwright, critic, screenwriter, memoirist, indefatigable political commentator, and controversialist—is America''s premier man of letters. No other living writer brings more sparkling wit, vast learning, indelible personality, and provocative mirth to the job of writing an essay.This long-needed volume comprises some twenty-four of his best-loved pieces of criticism, political commentary, memoir, portraiture, and, occasionally, unfettered score settling. It will stand as one of the most enjoyable and durable works from the hand and mind of this vastly accomplished and entertaining immortal of American literature.

The Golden Age is the concluding volume in Gore Vidal''s celebrated and bestselling Narratives of Empire series-a unique pageant of the national experience from the United States'' entry into World War Two to the end of the Korean War. The historical novel is once again in vogue, and Gore Vidal stands as its undisputed American master. In his six previous narratives of the American empire-Burr, Lincoln, 1876, Empire, Hollywood, and Washington, D.C.-he has created a fictional portrait of our nation from its founding that is unmatched in our literature for its scope, intimacy, political intelligence, and eloquence. Each has been a major bestseller, and some have stirred controversy for their decidedly ironic and unillusioned view of the realities of American power and of the men and women who have exercised that power. The Golden Age is Vidal''s crowning achievement, a vibrant tapestry of American political and cultural life from 1939 to 1954, when the epochal events of World War Two and the Cold War transformed America, once and for all, for good or ill, from a republic into an empire. The sharp-eyed and sympathetic witnesses to these events are Caroline Sanford, Washington, D.C., newspaper publisher turned Hollywood pioneer producer-star, and Peter Sanford, her nephew and publisher of the independent intellectual journal The American Idea. They experience at first hand the masterful maneuvers of Franklin Roosevelt to bring a reluctant nation into World War Two, and later, the actions of Harry Truman that commit the nation to a decades-long twilight struggle against Communism-developments they regard with a marked skepticism, even though they end in an American global empire. The locus of these events is Washington, D.C., yet the Hollywood film industry and the cultural centers of New York also play significant parts. In addition to presidents, the actual characters who appear so vividly in the pages of The Golden Age include Eleanor Roosevelt, Harry Hopkins, Wendell Willkie, William Randolph Hearst, Dean Acheson, Tennessee Williams, Joseph Alsop, Dawn Powell-and Gore Vidal himself. The Golden Age offers up United States history as only Gore Vidal can, with unrivaled penetration, wit, and high drama, allied to a classical view of human fate. It is a supreme entertainment that will also change readers'' understanding of American history and power.

Gore Vidal''s Narratives of Empire series spans the history of the United States from the Revolution to the post-World War II years. With their broad canvas and large cast of fictional and historical characters, the novels in this series present a panorama of the American political and imperial experience as interpreted by one of its most worldly, knowing, and ironic observers. To most Americans, Abraham Lincoln is a monolithic figure, the Great Emancipator and Savior of the Union, beloved by all. In Gore Vidal''s Lincoln we meet Lincoln the man and Lincoln the political animal, the president who entered a besieged capital where most of the population supported the South and where even those favoring the Union had serious doubts that the man from Illinois could save it. Far from steadfast in his abhorrence of slavery, Lincoln agonizes over the best course of action and comes to his great decision only when all else seems to fail. As the Civil War ravages his nation, Lincoln must face deep personal turmoil, the loss of his dearest son, and the harangues of a wife seen as a traitor for her Southern connections. Brilliantly conceived, masterfully executed, Gore Vidal''s Lincoln allows the man to breathe again.

For readers who can’t get enough of the hit Broadway musical Hamilton,Gore Vidal’s stunning novel about Aaron Burr, the man who killed Alexander Hamilton in a duel—and who served as a successful, if often feared, statesman of our fledgling nation. Here is an extraordinary portrait of one of the most complicated—and misunderstood—figures among the Founding Fathers. In 1804, while serving as vice president, Aaron Burr fought a duel with his political nemesis, Alexander Hamilton, and killed him. In 1807, he was arrested, tried, and acquitted of treason. In 1833, Burr is newly married, an aging statesman considered a monster by many. But he is determined to tell his own story, and he chooses to confide in a young New York City journalist named Charles Schermerhorn Schuyler. Together, they explore both Burr''s past—and the continuing civic drama of their young nation. Burr is the first novel in Gore Vidal''s Narratives of Empire series, which spans the history of the United States from the Revolution to post-World War II. With their broad canvas and sprawling cast of fictional and historical characters, these novels present a panorama of American politics and imperialism, as interpreted by one of our most incisive and ironic observers.

Profiles the American presidency and discusses the contributions of the more influential presidents.

Hollywood marks the fifth episode in Gore Vidal''s "Narratives of Empire," his celebrated series of six historical novels that form his extended biography of the United States. It is 1917, and President Woodrow Wilson is about to lead the country into the Great War in Europe. In California, a new industry is born that will irreversibly transform America. Caroline Sanford, the alluring heroine of Empire, discovers the power of moving pictures to manipulate reality as she vaults to screen stardom under the name of Emma Traxler. Just as Caroline must balance her two lives--West Coast movie star and East Coast newspaper publisher and senator''s mistress--so too must America balance its two power centers: Hollywood and Washington. Here is history as only Gore Vidal can re-create it: brimming with intrigue and scandal, peopled by the greats of the silver screen and American politics. "Hollywood shimmers with the illusion of politics and the politics of illusion," wrote the Chicago Sun-Times. "A wonderfully literate and consistently impressive work of fiction that clearly belongs on a shelf with Vidal''s best," said The New York Times Book Review. With a new Introduction by the author.

Bestselling author Gore Vidal joins the ranks of Penguin Classics. To satisfy a public that longs for a savior, Vidal''s eponymous hero of KALKI, born and bred in America''s Midwest, establishes himself in Nepal, puts out the word that he is the last incarnation of the god Vishnu, and predicts an imminent apocalypse meant to cleanse the planet. Copyright © Libri GmbH. All rights reserved.

In a witty and elegant autobiography that takes up where his bestelling Palimpsest left off, the celebrated novelist, essayist, critic, and controversialist Gore Vidal reflects on his remarkable life.Writing from his desks in Ravello and the Hollywood Hills, Vidal travels in memory through the arenas of literature, television, film, theatre, politics, and international society where he has cut a wide swath, recounting achievements and defeats, friends and enemies made (and sometimes lost). From encounters with, amongst others, Jack and Jacqueline Kennedy, Tennessee Williams, Eleanor Roosevelt, Orson Welles, Johnny Carson, Francis Ford Coppola to the mournful passing of his longtime partner, Howard Auster, Vidal always steers his narrative with grace and flair. Entertaining, provocative, and often moving, Point to Point Navigation wonderfully captures the life of one of twentieth-century America’s most important writers.

Six essays on the theme of empire and republic, with particular focus on the national security state and the failure of the U.S. economic system./Pu003e

Chronicle of the nation''s capital from the New Deal through the McCarthy era, centering on a conservative Senator and his ambitious assistant, both of whom aspire to the Presidency.

"Gore Vidal''s reputation as "America''s finest essayist" is an enduring one. Vidal has a gift for writing about the events of the moment with an astuteness usually reserved for the beneficiaries of hindsight, and about events of the past with the familiarity of someone who has just come out of the room where they were happening. This collection, chosen by the author from forty years of work, contains about two thirds of what he has published in various magazines and journals. He has divided the essays into three categories, or states. State of the Art covers literature, including novelists and critics, bestsellers, pieces on the French New Novel, Henry James, Oscar Wilde, Suetonius, Edmund Wilson, Nabokov, Herman Wouk, Italo Calvino, and Montaigne (a previously uncollected essay from 1992). State of the Union deals with politics and public life: sex, drugs, pornography, money, Abraham Lincoln, Eleanor Roosevelt, H. L. Mencken, "The Holy Family" (his famous essay on the Kennedys), Nixon, Reagan, and, finally, "Monotheism and Its Discontents," a scathing critique of Christianity, Judaism, and Islam. In State of Being, we are given "personal responses to people and events": recollections of his childhood, E. Nesbit, Tarzan, as well as Tennessee Williams, Anais Nin, making movies, travel, home. A lifetime of work from a writer of enormous intelligence, wit, and style."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Like his National Book Award—winning United States, Gore Vidal’s scintillating ninth collection, The Last Empire, affirms his reputation as our most provocative critic and observer of the modern American scene. In the essays collected here, Vidal brings his keen intellect, experience, and razor-edged wit to bear on an astonishing range of subjects. From his celebrated profiles of Clare Boothe Luce and Charles Lindbergh and his controversial essay about the Bill of Rights–which sparked an extended correspondence with convicted Oklahoma City Bomber Timothy McVeigh–to his provocative analyses of literary icons such as John Updike and Mark Twain and his trenchant observations about terrorism, civil liberties, the CIA, Al Gore, Tony Blair, and the Clintons, Vidal weaves a rich tapestry of personal anecdote, critical insight, and historical detail. Written between the first presidential campaign of Bill Clinton and the electoral crisis of 2000, The Last Empire is a sweeping coda to the last century’s conflicted vision of the American dream.

THE STORY: The New York Post describes the plot as follows: ...William Russell, the ex-Secretary of State, is a wit and scholar with high liberal principles, beloved of the eggheads and suspected by practical politicians. Joseph Cantwell is a

This is the sequal to Vidal''s novel Myra Breckinridge. It continues the role of Myron, the Myra of the earlier novel, who had undergone a sex-change operation.

A literary cause célèbre when first published in 1948, Gore Vidal’s now-classic The City and the Pillar stands as a landmark novel of the gay experience. Jim, a handsome, all-American athlete, has always been shy around girls. But when he and his best friend, Bob, partake in “awful kid stuff,” the experience forms Jim’s ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar remains a forthright and uncompromising portrayal of sexual relationships between men.

Two Sisters is Gore Vidal''s fictional memoir of a love affair with a beautiful set of twins in post-war Paris--a story skilfully interwoven with notebooks, diaries & the vivid fragment of a screenplay set in ancient Greece. In seductive settings from a brothel in a Parisian backstreet to the rooftops of 70s Rome, Vidal assembles his characters, real & imagined: Cocteau & Tennessee Williams, Gide & Mailer rub shoulders with creations as unforgettable as the ageing femme fatale Marietta Donegal & Hollywood hustler & flagellant Murray Morris. All are bound together in a mesmerising fiction that builds to an extraordinary conclusion.

This is an uncorrected galley proof of Vidal''s book.

Almost sixty years ago, Gore Vidal burst onto the literary landscape with his World War II novel Williwaw. He never looked back. To date he has published twenty-nine novels, one short story collection, six theatrical plays, and numerous books of nonfiction. His novel The City and the Pillar was a groundbreaking work in the history of homosexual literature. In Myra Breckinridge Vidal created a ribald parody of sexual morality and identity. In 1967 Vidal published Washington, D.C. It would be the first of seven novels that have come to be known as the American Chronicles, a sprawling history of the empire filled with a cast of the most significant social, literary, and political figures of the United States. Conversations with Gore Vidal features provocative and intriguing interviews with one of America''s most prolific authors. Vidal was an enfant terrible in the 1940s and a marginalized homosexual in the 1950s. As Edgar Box he wrote mysteries, and as a screenwriter he penned the script for Ben-Hur. In 1960 he ran for Congress. In the 1990s, he appeared in films such as Gattaca, Bob Roberts, and Shadow Conspiracy. His essay collection United States: Essays 1952-1992, which features 114 pieces on everything from Howard Hughes to French literature, won the National Book Award. Vidal proves himself here to be a witty, acerbic, cantankerous conversationalist, one who is willing to-and often eager to-defy conventional wisdom and lacerate the tired clich s inherent in both politics and literature. A defiant political insider who is related to both the Gores and the Kennedys, he is a proud Leftist who nevertheless does not hesitate to slash at party orthodoxy when he deems it necessary. Richard Peabody and Lucinda Ebersole are the editors of the literary journal Gargoyle, based in Washington, D.C.

Robert Holton has returned from Europe and settled into a solitary existence working for a New York stockbroker. He suppresses memories of nights of love in Florence as he tries to succeed in the city, but when Carla turns up he has to choose between conventionality and the fraught path of love. (Goodreads)

"I exist to say, ‘No, that isn''t the way it is,'' or ‘What you believe to be true is not true for the following reasons.'' I am a master of the obvious. I mean, if there''s a hole in the road, I will, viciously, outrageously, say there''s a hole in the road and if you don''t fill it in you''ll break the axle of your car. One is not loved for being helpful." Gore Vidal, one of America''s foremost essayists, screenwriters, and novelists, died July 31, 2012. He was, in addition, a terrific conversationalist. Dick Cavett once described him as "the best talker since Oscar Wilde." And Vidal was never more eloquent, or caustic, than when let loose on his favorite topic, the history and politics of the United States. This book is made up from four interviews conducted with his long–time interlocutor, the writer and radio host Jon Wiener, in which Vidal grapples with matters evidently close to his heart: the history of the American Empire, the rise of the National Security State, and his own life in politics, both as a commentator and candidate. The interviews cover a twenty–year span, from 1988 to 2008, when Vidal was at the height of his powers. His extraordinary facility for developing an argument, tracing connections between past and present, and drawing on an encyclopedic knowledge of America''s place in the world, are all on full display. And, of course, it being Gore Vidal, an ample sprinkling of gloriously acerbic one–liners is also provided.

When a mortician appears on television to declare that death is infinitely preferable to life, he sparks a religious movement that quickly leaves Christianity and most of Islam in the dust. Gore Vidal’s deft and daring blend of satire and prophecy, first published in 1954, eerily anticipates the excesses of Jim Jones, David Koresh, and the Heaven’s Gate suicide cult.-Print ed.

The outrageous and immortal, gender-bending and polymorphously perverse, over-the-top, and utterly on-target comic masterpiece from the bestselling author of Burr, Lincoln, and the National Book Award-winning United States. With a new introduction by Camille Paglia "I am Myra Breckinridge, whom no man will ever possess." So begins the irresistible testimony of the luscious instructor of Empathy and Posture at Buck Loner''s Academy of Drama and Modeling. Myra has a secret that only her surgeon shares; a passion for classic Hollywood films, which she regards as the supreme achievements of Western culture; and a sacred mission to bring heteronormative civilization to its knees. Fifty years after its first publication unleashed gales of laughter, delight, and ferocious dissent ("Has literary decency fallen so low?" asked Time), Myra Breckinridge''s moment to instruct and delight has once again arrived.

In Death Before Bedtime, dashing P.R. man Peter Sargent is invited to the home of a venerable senator to help strategize his imminent run for president. On the night before he’s to announce, though, the senator is murdered in his bed. No longer needed as a political publicist, Sargent finds himself helping the police find the killer. He deftly navigates an eccentric cast of characters, all of whom are suspects: the rebellious daughter; the sycophantic aide; the grieving widow; and the power-hungry governor with his eye on the senator’s job. Somehow, between charming the senator’s daughter and glad-handing Washington’s elite, Sargent still manages to methodically put the pieces into place and sees that politics truly is a cut-throat business.

An American smuggler in Egypt finds himself at the mercy of killers, femme fatales, and an escalating revolution—a lost pulp crime novel from one of the legends of the genre Lost for more than 60 years and overflowing with political and sexual intrigue, Thieves Fall Out provides a delicious glimpse into the mind of legendary writer Gore Vidal in his formative years. By turns mischievous and deadly serious, Vidal tells the story of a man caught up in events bigger than he is, a down-on-his-luck American hired to smuggle an ancient relic out of Cairo at a time when revolution is brewing and heads are about to roll. One part Casablanca and one part torn-from-the-headlines tabloid reportage, this novel also offers a startling glimpse of Egypt in turmoil—written over half a century ago, but as current as the news streaming from the streets of Cairo today. Gore Vidal was one of America’s greatest and most controversial writers. The author of twenty-three novels, five plays, three memoirs, numerous screenplays and short stories, and well over two hundred essays, he received the National Book Award in 1993. In 1953, Vidal had already begun writing the works that would launch him to the top ranks of American authors and intellectuals. But in the wake of criticism for the scandalous content of his third novel, The City and the Pillar, Vidal turned to writing crime fiction under pseudonyms: three books as “Edgar Box” and one as “Cameron Kay.” The Edgar Box novels were subsequently republished under his real name. The Cameron Kay never was.

"A wild spoof of absolutely everything: social pretenses, law enforcement, marriage, open marriage, racism, literature, television, science fiction, and sex. Dozens of plots perk along at an amazing pace . . . . raunchy, dirty, outrageous, rife with cliches -- and often very funny." -- People "One of the most brilliant, most radical, and most subversive pieces of writing to emerge from America in recent years." -- The New Statesman "Vidal belongs to that group of writers of our time who, precisely because they have always kept their eyes open to the disorders and distortions of our age, have chosen irony, humor, comedy -- in other words, the whole range of literary instruments belonging to the universe of the laugh -- as their means of settling accounts." -- Italo Calvino

Julian the Apostate was the nephew of Emperor Constantine the Great. Julian ascended to the throne in A.D. 361, at the age of twenty-nine, and was murdered four years later after an unsuccessful attempt to rebuke Christianity and restore the worship of the old gods. Now this historical tapestry is brought to vibrant life by the dazzling talent of Gore Vidal.

Vidal intertwines fond recollections of films savored in the movie palaces of his Washington, D.C., boyhood with strands of autobiography and trenchant observations about American politics. Never before has the renowned author revealed so much about his own life or written with such immediacy about the forces shaping America. 26 halftones.

Timothy (later St. Timothy) is in his study in Thessalonika, where he is bishop of Macedonia. It is A.D. 96, and Timothy is under terrific pressure to record his version of the Sacred Story, since, far in the future, a cyberpunk (the Hacker) has been systematically destroying the tapes that describe the Good News, and Timothy''s Gospel is the only one immune to the Hacker''s deadly virus. Meanwhile, thanks to a breakthrough in computer software, an NBC crew is racing into the past to capture—live from the suburb of Golgotha—the Crucifixion, for a TV special guaranteed to boost the network''s ratings in the fall sweeps. As a stream of visitors from twentieth-century America channel in to the first-century Holy Land—Mary Baker Eddy, Shirley MacLaine, Oral Roberts and family—Timothy struggles to complete his story. But is Timothy''s text really Hacker-proof? And how will he deal with the truth about Jesus'' eating disorder? Above all, will he get the anchor slot for the Big Show at Golgotha without representation by a major agency, like CAA 1,896 years in the future? Tune in.

When a mortician appears on television to declare that death is infinitely preferable to life, he sparks a religious movement that quickly leaves Christianity and most of Islam in the dust. Gore Vidal''s deft and daring blend of satire and prophecy, first published in 1954, eerily anticipates the excesses of Jim Jones, David Koresh, and the Heaven''s Gate suicide cult.

Gore Vidal''s Narratives of Empire series spans the history of the United States from the Revolution to the post-World War II years. With their broad canvas and large cast of fictional and historical characters, the novels in this series present a panorama of the American political and imperial experience as interpreted by one of its most worldly, knowing, and ironic observers. The centennial of the United States was celebrated with great fanfare--fireworks, exhibitions, pious calls to patriotism, and perhaps the most underhanded political machination in the country''s history: the theft of the presidency from Samuel Tilden in favor of Rutherford B. Hayes. This was the Gilded Age, when robber barons held the purse strings of the nation, and the party in power was determined to stay in power. Gore Vidal''s 1876 gives us the news of the day through the eyes of Charlie Schuyler, who has returned from exile to regain a lost fortune and arrange a marriage into New York society for his widowed daughter. And although Tammany Hall has faltered and Boss Tweed has fled, the effects of corruption reach deep, even into Schuyler''s own family.