New Releases by Gilbert Keith Chesterton

In the deftly penned ''A Miscellany of Men,'' G.K. Chesterton offers a compilation of essays that broach an eclectic array of human archetypes through the kaleidoscopic lens of early 20th-century European discourse. Characterized by Chesterton''s trademark wit, clarity, and moral vigor, the work unfurls as a series of literary vignettes, each a contemplative portrait capturing the dynamics of societal roles and the philosophical underpinnings of the age. The book''s trenchant analyses of literature, philosophy, history, and social criticism are delivered in Chesterton''s inimitably pithy style, which resonates with the era''s literary zeitgeist and illuminates the zeitgeist itself, marking it as a beacon of timeless intellectual and aesthetic relevance. As the author navigates through topics that are remarkably prescient, his acute perception of the human condition and the socio-religious influences of the time converges to create a mosaic that is as enlightening as it is entertaining. Gilbert Keith Chesterton, an eminent figure in the canons of literature and criticism, was persistently preoccupied with the social, religious, and moral conundrums of his era. With a keenly observant eye and a profound understanding of the Christian ethos, Chesterton''s work was propelled by a desire to reconcile the contradictions that besieged modern man. ''A Miscellany of Men'' serves not only as a platform for Chesterton''s incisive commentary on the foibles and virtues of his contemporary world but also as an echo of the personal convictions he espoused. The fidelity with which Chesterton articulates his observations speaks volumes about an intellect deeply entrenched in the struggles and the aspirations of the human spirit, lending his essays an air of authenticity and empathy that is palpable. The scholarly and contemplative reader will find ''A Miscellany of Men'' to be a rare gem—a volume that entertains as much as it edifies. It stands as a testament to Chesterton''s inimitable ability to cut through the superficiality of society and examine the human soul with a clarity that is both unsettling and refreshing. Recommended for aficionados of thought-provoking literature, students of philosophy and history, and anyone seeking a richer understanding of the early 20th century, this book promises to be a source of inspiration and a beacon of insight for generations to come.

In "The Flying Inn," G. K. Chesterton constructs an imaginative narrative brimming with his characteristic wit and philosophical discourse. Set against the backdrop of a fictionalized England grappling with the conflicts of modernity and tradition, the novel follows the escapades of an innkeeper and his friend as they embark on a quest to defend English culture from the absurdities of a totalitarian regime intent on banning alcohol. Chesterton''s vivid prose and richly drawn characters serve as a canvas for his exploration of themes such as liberty, loyalty, and the intertwining of faith and reason, all through a lens of fantasy that reflects the socio-political climate of the early 20th century. Chesterton, a celebrated British author, philosopher, and journalist, was renowned for his sharp insights into contemporary society and moral philosophy. His deep-rooted Christian beliefs and skepticism towards progressivism are manifest in his works, including "The Flying Inn," where he critiques the encroachment of bureaucratic control on personal freedoms. His life experiences, characterized by a keen understanding of the complexities of society, influenced his creation of narratives that combine both lighthearted adventure and serious moral inquiry. For readers seeking a thought-provoking yet entertaining exploration of societal values, "The Flying Inn" is a timeless piece that captures the essence of Chesterton''s literary genius. It invites reflection on the past and present, encouraging readers to ponder the balance between tradition and modernity in a rapidly changing world. This novel is not only a delightful read but also a thorough examination of human liberty and cultural identity.

The Man Who Was Thursday: A Nightmare is a novel by G. K. Chesterton, first published in 1908. The book has been referred to as a metaphysical thriller. Although it deals with anarchists, the novel is not an exploration or rebuttal of anarchist thought; Chesterton''s ad hoc construction of "Philosophical Anarchism" is distinguished from ordinary anarchism and is referred to several times not so much as a rebellion against government but as a rebellion against God. The novel has been described as "one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.

The Man Who Was Thursday: A Nightmare is a novel by G. K. Chesterton, first published in 1908. The book has been referred to as a metaphysical thriller.Although it deals with anarchists, the novel is not an exploration or rebuttal of anarchist thought; Chesterton''s ad hoc construction of "Philosophical Anarchism" is distinguished from ordinary anarchism and is referred to several times not so much as a rebellion against government but as a rebellion against God.

A collection of related short stories by British author G. K. Chesterton. Each story is centered on a person who is making his living by some novel and extraordinary means (a "queer trade"). To gain admittance to the Club, one must have a unique queer trade as principal source of income. "Cherub" Swinburne describes his quest for The Club of Queer Trades with his friend Basil Grant, a retired judge, and Rupert Grant, a private detective who is Basil''s younger brother. Each of the stories describes their encounter with one of the trades. In the final story, Rupert Grant rescues a lady from her kidnappers but cannot understand why she refuses to be rescued. The answer leads to the unveiling of the mystery of The Club of Queer Trades. So don''t wait! Scroll up and buy now.

The Napoleon of Notting Hill is a novel written by G. K. Chesterton in 1904, set in a nearly-unchanged London in 1984.Though the novel deals with the future, it concentrates not on technology nor on totalitarian government but on a government where no one cares what happens, comparable to Fahrenheit 451 in that respect.The dreary succession of randomly selected Kings of England is broken up when Auberon Quin, who cares for nothing but a good joke, is chosen. To amuse himself, he institutes elaborate costumes for the provosts of the districts of London. All are bored by the King''s antics except for one earnest young man who takes the cry for regional pride seriously - Adam Wayne, the eponymous Napoleon of Notting Hill.While the novel is humorous (one instance has the King sitting on top of an omnibus and speaking to it as to a horse: "Forward, my beauty, my Arab," he said, patting the omnibus encouragingly, "fleetest of all thy bounding tribe"), it is also an adventure story: Chesterton is not afraid to let blood be drawn in his battles, fought with sword and halberd in the London streets, and Wayne thinks up a few ingenious strategies; and, finally, the novel is philosophical, considering the value of one man''s actions and the virtue of respect for one''s enemies.

Gilbert Keith Chesterton KC*SG (29 May 1874 - 14 June 1936) was an English writer, [2] philosopher, lay theologian, and literary and art critic. He has been referred to as the "prince of paradox".[3] Time magazine observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out

Gilbert Keith Chesterton (29 May 1874 - 14 June 1936) was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction. Chesterton has been called the "prince of paradox." Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories--first carefully turning them inside out." For example, Chesterton wrote the following: Thieves respect property. They merely wish the property to become their property that they may more perfectly respect it. Chesterton is well known for his reasoned apologetics and even those who disagree with him have recognized the universal appeal of such works as Orthodoxy and The Everlasting Man. Chesterton, as political thinker, cast aspersions on both Liberalism and Conservatism, saying: The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected. Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify such a position with Catholicism more and more, eventually converting to Roman Catholicism. George Bernard Shaw, Chesterton''s "friendly enemy" according to Time, said of him, "He was a man of colossal genius".

Gilbert Keith Chesterton (29 May 1874 - 14 June 1936) was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction. Chesterton has been called the "prince of paradox." Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories--first carefully turning them inside out." For example, Chesterton wrote the following: Thieves respect property. They merely wish the property to become their property that they may more perfectly respect it. Chesterton is well known for his reasoned apologetics and even those who disagree with him have recognized the universal appeal of such works as Orthodoxy and The Everlasting Man. Chesterton, as political thinker, cast aspersions on both Liberalism and Conservatism, saying: The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected. Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify such a position with Catholicism more and more, eventually converting to Roman Catholicism. George Bernard Shaw, Chesterton''s "friendly enemy" according to Time, said of him, "He was a man of colossal genius".

Gilbert Keith Chesterton (29 May 1874 - 14 June 1936) was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction. Chesterton has been called the "prince of paradox." Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories--first carefully turning them inside out." For example, Chesterton wrote the following: Thieves respect property. They merely wish the property to become their property that they may more perfectly respect it. Chesterton is well known for his reasoned apologetics and even those who disagree with him have recognized the universal appeal of such works as Orthodoxy and The Everlasting Man. Chesterton, as political thinker, cast aspersions on both Liberalism and Conservatism, saying: The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected. Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify such a position with Catholicism more and more, eventually converting to Roman Catholicism. George Bernard Shaw, Chesterton''s "friendly enemy" according to Time, said of him, "He was a man of colossal genius".

Gilbert Keith Chesterton (29 May 1874 - 14 June 1936) was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction. Chesterton has been called the "prince of paradox." Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories--first carefully turning them inside out." For example, Chesterton wrote the following: Thieves respect property. They merely wish the property to become their property that they may more perfectly respect it. Chesterton is well known for his reasoned apologetics and even those who disagree with him have recognized the universal appeal of such works as Orthodoxy and The Everlasting Man. Chesterton, as political thinker, cast aspersions on both Liberalism and Conservatism, saying: The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected. Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify such a position with Catholicism more and more, eventually converting to Roman Catholicism. George Bernard Shaw, Chesterton''s "friendly enemy" according to Time, said of him, "He was a man of colossal genius".

Differentiated book* It has a historical context with research of the time-Orthodoxy is an essay by G. K. Chesterton, published in 1908, which has become a classic about Christian apologetics. In it he presents an original vision of the Christian religion, which Chesterton sees as a response to the natural needs of human beings, the "answer to a riddle", and not as an arbitrary truth received from somewhere strange to the human experience. Chesterton considered this book as a companion to his book Heretics. In the preface, the author explains that the purpose of the book is "to try an explanation, not about whether the Christian faith can be believed, but how he came to believe in it."Gilbert Keith Chesterton. London, May 29, 1874-Beaconsfield, June 14, 1936, better known as G. K. Chesterton, was a British writer and journalist of the early twentieth century. He cultivated, among other genres, the essay, the narration, the biography, the lyric, the journalism and the travel book.

The Man Who Was Thursday: A Nightmare is a novel by G. K. Chesterton, first published in 1908. The book is sometimes referred to as a metaphysical thriller.

The Ball and the Cross is a novel by G. K. Chesterton. The title refers to a more worldly and rationalist worldview, represented by a ball or sphere, and the cross representing Christianity. The first chapters of the book were serialized from 1905 to 1906 with the completed work published in 1909. The novel''s beginning involves debates about rationalism and religion between a Professor Lucifer and a monk named Michael. A part of this section was quoted in Pope John Paul I''s Illustrissimi letter to G. K. Chesterton. Much of the rest of the book concerns the dueling, figurative and somewhat more literal, of a Jacobite Catholic named Maclan and an atheist Socialist named Turnbull

The Man Who Knew Too Much and other stories (1922) is a book of detective stories by English writer G. K. Chesterton, published in 1922 by Cassell and Company in the United Kingdom, and Harper Brothers in the United States.[1][2][3][4] The book contains eight connected short stories about "The Man Who Knew Too Much", and additional unconnected stories featuring separate heroes/detectives. The United States edition contained one of these additional stories: "The Trees of Pride", while the United Kingdom edition contained "Trees of Pride" and three more, shorter stories: "The Garden of Smoke", "The Five of Swords" and "The Tower of Treason".

Gilbert Keith Chesterton, KC*SG (29 May 1874 - 14 June 1936), better known as G. K. Chesterton, was an English writer,poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the "prince of paradox". Time magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories--first carefully turning them inside out." Chesterton is well known for his fictional priest-detective Father Brown,and for his reasoned apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man.Chesterton, as a political thinker, cast aspersions on both Progressivism and Conservatism, saying, "The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes.

Orthodoxy by G. K. Chesterton has become a classic of Christian apologetics. In the book''s preface Chesterton states the purpose is to "attempt an explanation, not of whether the Christian faith can be believed, but of how he personally has come to believe it." In it, Chesterton presents an original view of Christian religion. He sees it as the answer to natural human needs, the "answer to a riddle" in his own words, and not simply as an arbitrary truth received from somewhere outside the boundaries of human experience. Aeterna Press

G. K. Chesterton is well known as a novelist, essayist, storyteller, poet, philosopher, theologian, historian, artist, and critic. He''s less well-known as a journalist these days, yet all evidence indicates that he viewed his work for the various newspapers as his primary raison-de-etre. Therefore anyone interested in exploring the works of this colossal genius should include a sampling of his newspaper columns along with all of his other brilliant books.

A biography of St. Francis of Assisi that highlights his contradictions, showing his affinity for animals and his love for nature, art, and the world of the senses alongside his vow of chastity, life of poverty, and devotion to the Church.

Includes two essays by Chesterton, "The true romance" and "If Don John of Austria had married Mary, Queen of Scots."

This is the first edition of Chesterton''s masterpiece, The Man Who Was Thursday, that explicates and enriches the complete text with extensive footnotes, together with an introductory essay on the metaphysical meaning of Chesterton''s profound allegory. Gardner sees the novel''s anarchists as symbols of our God-given free will, and the mysterious Sunday as representing Nature, with its strange mixture of good and evil when considered as distinct from God, as a mask hiding the transcendental face of the creator. The book also includes a bibliography listing the novel''s many earlier editions and stage dramatizations, as well as numerous illustrations that further illuminate the text.

A history of humanity, Christ, and Christianity, this 1925 polemic famously converted C. S. Lewis from atheism. Chesterton''s view of Christianity&- as a rare blend of philosophy and mythology, satisfying to both intellect and spirit&- applies to his brilliant book, which appeals to readers'' heads as well as their hearts.

A comical futurist fantasy, first published in 1904, about a tradition-loving suburban London community of the 1980s at war with its modernizing neighbors. Chesterton''s splendid storytelling gifts and his sympathies for the plight of small nations trying to remain independent are strongly in evidence. 7 illustrations by W. Graham Robertson. New Introduction by Martin Gardner.

Listed in C̀rime and mystery : the 100 best books". First pub. in 1911. The unassuming East Anglia priest solving crime by the intuitive method.

Obra escrita en defensa del catolicismo, que no elude la discusi n ni el debate de ciertas actitudes eclesi sticas que el propio Chesterton consider dignas de esclarecimiento. En sus p ginas se encontrar n el proverbial humor y agudeza del ingl s, aplicado a cuestiones que Para muchos son poco menos que intocables.

Tells stories about an English club whose members must invent a new profession and earn a living at it

Further detective adventures of an English priest.