New Releases by Geraldine Brooks

A heartrending and beautiful memoir of sudden loss and a journey to peace, from the bestselling, Pulitzer Prize-winning author of Horse Many cultural and religious traditions expect those who are grieving to step away from the world. In contemporary life, we are more often met with red tape and to-do lists. This is exactly what happened to Geraldine Brooks when her partner of more than three decades, Tony Horwitz – just sixty years old and, to her knowledge, vigorous and healthy – collapsed and died on a Washington, D. C. sidewalk. After spending their early years together in conflict zones as foreign correspondents, Geraldine and Tony settled down to raise two boys on Martha’s Vineyard. The life they built was one of meaningful work, good humor, and tenderness, as they spent their days writing and their evenings cooking family dinners or watching the sun set with friends at Lambert’s Cove. But all of this came to an abrupt end when, on Memorial Day 2019, Geraldine received the phone call we all dread. The demands were immediate and many. Without space to grieve, the sudden loss became a yawning gulf. Three years later, she booked a flight to a remote island off the coast of Australia with the intention of finally giving herself the time to mourn. In a shack on a pristine, rugged coast she often went days without seeing another person. There, she pondered the varied ways those of other cultures grieve, such as the people of Australia''s First Nations, the Balinese, and the Iranian Shiites, and what rituals of her own might help to rebuild a life around the void of Tony''s death. A spare and profoundly moving memoir that joins the classics of the genre, Memorial Days is a portrait of a larger-than-life man and a timeless love between souls that exquisitely captures the joy, agony, and mystery of life.

This book gives you a glimpse of life’s minutiae – good and bad. One that will make you wonder and ponder.

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review “Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME “A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily Winner of the Anisfield-Wolf Book Award, the Dayton Literary Peace Prize, and the Dr. Tony Ryan Book Award · Finalist for the Chautauqua Prize · A Massachusetts Book Award Honor Book A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance. Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success. Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

Der New-York-Times-Bestseller – von der Pulitzerpreisträgerin und Autorin des Welterfolgs »Das Pesttuch« Washington, D.C., 2019: Jess, eine junge australische Wissenschaftlerin, und Theo, ein nigerianisch-amerikanischer Kunsthistoriker, finden sich durch ihr gemeinsames Interesse an einem Pferd unerwartet verbunden. Jess untersucht die Knochen des Hengstes nach Hinweisen auf seine Kraft und Ausdauer – Theo will die verlorene Geschichte des unbekannten schwarzen Trainers aufdecken, der für seinen Rennerfolg entscheidend war. New York City, 1954: Martha Jackson, eine Galeristin, die für ihr Gespür bekannt ist, entdeckt ein Ölgemälde eines Pferdes aus dem 19. Jahrhundert von unbekannter Herkunft. Kentucky, 1850: Ein versklavter Junge namens Jarret und ein braunes Fohlen schmieden ein Band der Verständigung, das das Pferd zu Rekordsiegen im Süden Amerikas führen wird. Als der Bürgerkrieg ausbricht, wird auch ein junger Künstler, der sich mit Gemälden des Rennpferdes einen Namen gemacht hat, zu den Waffen gerufen. In einer gefährlichen Nacht trifft er auf den Hengst und seinen Reiter Jarret, weit entfernt vom ehemaligen Glanz der Rennstrecke. Basierend auf der wahren Geschichte des siegreichen Rennpferds Lexington ist »Das Gemälde« ein Roman über Kunst und Wissenschaft, Liebe und Besessenheit und unsere offene Rechnung mit alltäglichem Rassismus.

Raça, o novo romance da autora de As memórias do livro Uma pintura abandonada em uma pilha de lixo. Uma ossada esquecida no porão de um museu. A história misteriosa do mais notável cavalo de corrida de todos os tempos. As consequências cruéis da escravidão que ainda nos dias de hoje assombram milhões de vidas. Em Raça, a vencedora do prêmio Pulitzer, Geraldine Brooks, combina realidade e ficção para contar a história perdida de Lexington, a maior lenda do hipismo, e reflete sobre o racismo ainda presente nas mais diferentes esferas da nossa sociedade.

In this beautifully written personal essay, Pulitzer Prize–winning novelist Geraldine Brooks offers readers brilliant insights into the work of one of Australia’s greatest living writers, Tim Winton. In the Writers on Writers series, leading authors reflect on an Australian writer who has inspired and fascinated them. Provocative and crisp, these books start a fresh conversation between past and present, shed new light on the craft of writing, and introduce some intriguing and talented authors and their work. Published by Black Inc. in association with the University of Melbourne and State Library Victoria.

Lexington, Kentucky, 1850. Il primo giaciglio che Jarret ricordi è in una scuderia. Sua madre dormiva nella villa in cui faceva da balia al figlio del padrone. Sul suo letto di paglia tra due castroni, Jarret impara cosí presto a comprendere i versi dei cavalli, il loro umore, le simpatie, i loro timori. La prima cosa che apprende è che i cavalli vivono nella paura, e che basta sapere questo per capire come trattarli. Quando sua madre si ammala e muore, Jarret ha soltanto tre anni, inerme come un puledro senza piú una giumenta a proteggerlo. Valente addestratore di cavalli, Harry, il padre, spende ogni risparmio per fare quello che ogni nero del Kentucky nella metà dell’Ottocento sogna di fare: riscattarsi dalla schiavitú. Non potendo, però, liberare il figlio, chiede al suo datore di lavoro, il dottor Warfield, ricco signore animato da irrefrenabile passione per i cavalli, fondatore, tra gli altri, dell’ippodromo di Lexington, di comprare Jarret. Un giorno, nelle scuderie di Warfield, viene alla luce un magnifico puledro baio con una stella bianca e una chiazza sul muso e tutti e quattro i piedi bianchi. Warfield lo cede a Harry in cambio del compenso di un anno. Affidato alle cure di Jarret, con il nome di Lexington il cavallo non tarda ad affermarsi come un campione. Sbaraglia gli avversari nelle corse nazionali di galoppo e viene celebrato come il primo, grande purosangue d’America. Indossando sempre, tuttavia, i colori di scuderie diverse, poiché nell’America schiavista per legge un uomo dalla pelle nera non può possedere un cavallo. Occorrerà aspettare piú di un secolo perché la storia e il ruolo dei black horsemen nella creazione di una delle piú note leggende americane vengano pienamente alla luce, grazie a una gallerista che si imbatte in un quadro che raffigura Lexington e all’accidentale ritrovamento ai giorni nostri del suo scheletro in una soffitta. Ispirandosi alla vera vicenda di un purosangue, Geraldine Brooks torna a raccontare, con la potenza evocativa che la rende una delle scrittrici contemporanee piú amate, una storia di coraggio e di passione che svela «radici ed eredità dello schiavismo» e mostra come agisca «il razzismo nella vita reale» (Washington Post). «Geraldine Brooks ha l’abilità quasi sovrannaturale di trasportare il lettore nel passato, in un vero e proprio viaggio nel tempo». The Boston Globe «Una narrazione trascinante che crea una profonda empatia nel lettore. Con un forte messaggio morale: il veleno del razzismo non appartiene al passato». Kirkus Reviews «La storia vera del piú celebre cavallo da corsa del xix secolo raccontata magistralmente da Geraldine Brooks si intreccia con quella di personaggi indimenticabili come lo schiavo Jarret». Publishers Weekly

The American Civil Liberties Union partners with award-winning authors Michael Chabon and Ayelet Waldman in this “forceful, beautifully written” (Associated Press) collection that brings together many of our greatest living writers, each contributing an original piece inspired by a historic ACLU case. On January 19, 1920, a small group of idealists and visionaries, including Helen Keller, Jane Addams, Roger Baldwin, and Crystal Eastman, founded the American Civil Liberties Union. A century after its creation, the ACLU remains the nation’s premier defender of the rights and freedoms guaranteed by the Constitution. In collaboration with the ACLU, authors Michael Chabon and Ayelet Waldman have curated an anthology of essays “full of struggle, emotion, fear, resilience, hope, and triumph” (Los Angeles Review of Books) about landmark cases in the organization’s one-hundred-year history. Fight of the Century takes you inside the trials and the stories that have shaped modern life. Some of the most prominent cases that the ACLU has been involved in—Brown v. Board of Education, Roe v. Wade, Miranda v. Arizona—need little introduction. Others you may never even have heard of, yet their outcomes quietly defined the world we live in now. Familiar or little-known, each case springs to vivid life in the hands of the acclaimed writers who dive into the history, narrate their personal experiences, and debate the questions at the heart of each issue. Hector Tobar introduces us to Ernesto Miranda, the felon whose wrongful conviction inspired the now-iconic Miranda rights—which the police would later read to the man suspected of killing him. Yaa Gyasi confronts the legacy of Brown v. Board of Education, in which the ACLU submitted a friend of- the-court brief questioning why a nation that has sent men to the moon still has public schools so unequal that they may as well be on different planets. True to the ACLU’s spirit of principled dissent, Scott Turow offers a blistering critique of the ACLU’s stance on campaign finance. These powerful stories, along with essays from Neil Gaiman, Meg Wolitzer, Salman Rushdie, Ann Patchett, Viet Thanh Nguyen, Louise Erdrich, George Saunders, and many more, remind us that the issues the ACLU has engaged over the past one hundred years remain as vital as ever today, and that we can never take our liberties for granted. Chabon and Waldman are donating their advance to the ACLU and the contributors are forgoing payment.

Căzut în dizgrație și urmărit de oamenii regelui Saul, tânărul David, împreună cu un grup de apropiați, jefuiește satele Iudeei. Dacă i se opune rezistență, omoară fără ezitare. Într-o astfel de incursiune, Natan, băiatul care tocmai privise cum tatăl îi este ucis, vorbește cu un glas profetic care nu-i aparține, prorocind ascensiunea lui David la tronul Iudeei. Din acel moment, Natan este nedespărțit de soldatul, regele și poetul David, este confesor, martor și proroc al faptelor de vitejie, al victoriilor și al pierderilor, al nelegiuirilor și al ispășirilor celui care avea să lase posterității o legendă tulburătoare și cei peste o sută cincizeci de psalmi. După o muncă uriașă de documentare, cu o intuiție și o empatie ce transcend mileniile, Geraldine Brooks ne transportă într-o lume de demult pe care o însuflețește și o preschimbă pentru noi din manuscrise moarte într-o realitate vie. „O carte extrem de captivantă... Brooks este o maestră a reînvierii trecutului... Prin abilitatea ei, trecutul trezește în noi ecoul celor mai adânci frământări: dragostea și pierderea, drama și tragedia, haosul și brutalitatea.“ The Washington Post „Glasul de taină – o reconsiderare tulburătoare, dură, distrugătoare a legendei regelui David – constituie o pledoarie magistrală pentru puterea creatoare a repovestirii trecutului... Magia constă în reconstituirea cadrului și a timpului ca scenă a unei drame senzoriale, iar adevărata realizare a lui Geraldine Brooks este aceea că oferă cititorilor posibilitatea să simtă spiritul epocii.“ The New York Times „Cu acuitate senzorială și cu o înțelegere profundă și complexă a stărilor emoționale, Brooks evocă modul în care trăiau oamenii în vremea aceea. Autoarea îl umanizează pe regele David și, cu inteligență, adaugă o perspectivă modernă felului în care îl receptăm. Viziunea ei asupra universului biblic este fascinantă.“ The Boston Globe

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“A page turner. . .Brooks is a master at bringing the past alive. . .in her skillful hands the issues of the past echo our own deepest concerns: love and loss, drama and tragedy, chaos and brutality.” – Alice Hoffman, The Washington Post A rich and utterly absorbing novel about the life of King David, from the Pulitzer Prize–winning author of People of the Book and March. With more than two million copies of her novels sold, New York Times bestselling author Geraldine Brooks has achieved both popular and critical acclaim. Now, Brooks takes on one of literature’s richest and most enigmatic figures: a man who shimmers between history and legend. Peeling away the myth to bring David to life in Second Iron Age Israel, Brooks traces the arc of his journey from obscurity to fame, from shepherd to soldier, from hero to traitor, from beloved king to murderous despot and into his remorseful and diminished dotage. The Secret Chord provides new context for some of the best-known episodes of David’s life while also focusing on others, even more remarkable and emotionally intense, that have been neglected. We see David through the eyes of those who love him or fear him—from the prophet Natan, voice of his conscience, to his wives Mikhal, Avigail, and Batsheva, and finally to Solomon, the late-born son who redeems his Lear-like old age. Brooks has an uncanny ability to hear and transform characters from history, and this beautifully written, unvarnished saga of faith, desire, family, ambition, betrayal, and power will enthrall her many fans.

A vencedora do Prêmio Pulitzer, Geraldine Brooks, reinterpreta de maneira majestosa os episódios mais marcantes da vida do rei Davi Em uma análise minuciosa do Antigo Testamento e de descobertas arqueológicas, a autora compõe um Davi poderoso e movido pela ambição. Ela o acompanha desde quando era um reles pastor de ovelhas, rejeitado pelo próprio pai, que, ao se utilizar de sua inteligência para derrotar o gigante Golias, torna-se um herói e ao mesmo tempo um traidor, um poeta brilhante e músico talentoso. Brooks compõe um retrato vívido de Davi desde quando era um soldado destemido que com sangue e lágrimas ascende ao trono até seus últimos dias como um velho tirano dominado pelo remorso. Narrado a partir dos olhos do profeta Natã, amigo, conselheiro e muitas vezes a própria consciência de Davi, O acorde secreto recria o livro perdido do profeta, que segundo muitos ainda acreditam, continha detalhes sobre a biografia do rei e seus descendentes que vão muito além do que é descrito na Bíblia. Uma saga épica sobre fé, sangue, desejo, família e ambição que dá uma nova cor ao rei Davi, tornando-o humano, mas sem destruir o mito.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In 1666 the unsuspecting villagers of a North Country town were visited by the plague, carried in a bale of cloth from London. The desperate villagers turn to sorcery, herb lore and witch-hunting.

Dans le Massachusetts, à Concord, un homme quitte femme et enfants pour s''engager auprès des nordistes. Un père aimant, mari fidèle et abolitionniste convaincu : le docteur March. Enrôlé comme aumônier, March va bientôt voir ses certitudes ébranler par les atrocités commises sur le champ de bataille. Mais rien n''aurait pu le préparer à retrouver celle qu''il n''a jamais pu oublier : la belle et douce Grace, une esclave rencontrée vingt ans plus tôt... Entre attirance tragique et culpabilité dévorante, engagements humanistes et devoirs familiaux, lynchages publics et mise à sac de plantations, March va devoir affronter des épreuves qui le changeront à jamais. Seul face à lui-même, sur une terre où s''effacent les frontières entre le bien et le mal...

Zwei Menschen, die sich finden. Zwei Welten, die aufeinanderprallen Nordamerika, 1660 – auf einer kleinen Insel, die heute Martha‘s Vineyard heißt: die 12-jährige Bethia wächst in einer puritanischen Siedlung auf. Ihr Vater ist Prediger, ein strenger Mann, dessen Mission es ist, seinen Glauben auf das Eiland vor Cape Cod zu bringen, das sich die englischen Siedler mit den Wampanoag-Indianern teilen. Doch Bethia fühlt sich fast magisch angezogen von diesen Fremden, die sie oft heimlich auf ihren Streifzügen durch die wilde Natur der Insel beobachtet. Eines Tages trifft sie auf Caleb, den Sohn eines Häuptlings. Auch er ist fasziniert von dem Mädchen mit den blauen Augen und dem wachen Verstand. Die beiden knüpfen ein zartes Band. Doch als sie heranwachsen, kommt der Moment, an dem sie gezwungen werden, für ihre Freundschaft und für ihren Platz im Leben zu kämpfen ...

In 1665, a young man from Martha''s Vineyard became the first Native American to graduate from Harvard College. Upon this slender factual scaffold, Brooks has created a luminous tale of love and faith, magic and adventure.

A compelling Boyer Lecture from Australian literary sensation Geraldine Brooks. For theBoyer Lecture 2011, best-selling author and journalist Geraldine Brooks tackles the topic of the Idea of Home. Drawing on her personal experience from being an adolescent pen pal to being a foreign correspondent in some of the world''s most dangerous countries to being a writer of several award winning books including the Pulitzer Prize winner, March, Brooks reflects on what it means to be both a global citizen and a novelist at home in an increasingly fractured world. the individual lectures are: Our Only Home, A Home on Bland Street, A Writer at Home and At Home in the World

A novel from Pulitzer Prize-winner Geraldine Brooks, author of the Richard and Judy bestseller ‘March’, ‘Year of Wonders’ and ‘People of the Book’.

Korean edition of NINE PARTS OF DESIRE - The Hidden World of Islamic Women by the Pulitzer prize winning journalist Geraldine Brooks. This captivating book analyzes how the religious oppression towards women in Islam culture has been distorted in many ways. Translated by Hwang Seong Won. In Korean. Distributed by Tsai Fong Books, Inc.

As a young girl in a working-class neighborhood of Sydney, Australia, Geraldine Brooks longed to discover the places where history happens and culture comes from, so she enlisted pen pals who offered her a window on adolescence in the Middle East, Europe, and America. Twenty years later Brooks, an award-winning foreign correspondent, embarked on a human treasure hunt to find her pen friends. She found men and women whose lives had been shaped by war and hatred, by fame and notoriety, and by the ravages of mental illness. Intimate, moving, and often humorous, Foreign Correspondence speaks to the unquiet heart of every girl who has ever yearned to become a woman of the world.