Best Selling Books by Emily Dickinson

Let your children discover the works of poet Emily Dickinson in Poetry for Kids: Emily Dickinson. As the premier title in the Poetry for Kids series, Emily Dickinson introduces children to the works of poet Emily Dickinson. Poet, professor, and scholar Susan Snively has carefully chosen 35 poems of interest to children and their families. Each poem is beautifully illustrated by Christine Davenier and thoroughly explained by an expert. The gentle introduction, which is divided into sections by season of the year, includes commentary, definitions of important words, and a foreword.

Although Dickinson was a prolific private poet, fewer than a dozen of her nearly eighteen hundred poems were published during her lifetime. The work that was published during her lifetime was usually altered significantly by the publishers to fit the conventional poetic rules of the time. Although most of her acquaintances were probably aware of Dickinson''s writing, it was not until after her death in 1886-- when Lavinia, Emily''s younger sister, discovered her cache of poems-- that the breadth of Dickinson''s work became apparent.

This enthralling collection contains more than 400 poems that were published between 1886 (the year of Emily Dickinson''s death) and 1900 which express her concepts of life and death, of love and nature.

The definitive edition of Emily Dickinson’s correspondence, expanded and revised for the first time in over sixty years. Emily Dickinson was a letter writer before she was a poet. And it was through letters that she shared prose reflections—alternately humorous, provocative, affectionate, and philosophical—with her extensive community. While her letters often contain poems, and some letters consist entirely of a single poem, they also constitute a rich genre all their own. Through her correspondence, Dickinson appears in her many facets as a reader, writer, and thinker; social commentator and comedian; friend, neighbor, sister, and daughter. The Letters of Emily Dickinson is the first collected edition of the poet’s correspondence since 1958. It presents all 1,304 of her extant letters, along with the small number available from her correspondents. Almost 300 are previously uncollected, including letters published after 1958, letters more recently discovered in manuscript, and more than 200 “letter-poems” that Dickinson sent to correspondents without accompanying prose. This edition also redates much of her correspondence, relying on records of Amherst weather patterns, historical events, and details about flora and fauna to locate the letters more precisely in time. Finally, updated annotations place Dickinson’s writing more firmly in relation to national and international events, as well as the rhythms of daily life in her hometown. What emerges is not the reclusive Dickinson of legend but a poet firmly embedded in the political and literary currents of her time. Dickinson’s letters shed light on the soaring and capacious mind of a great American poet and her vast world of relationships. This edition presents her correspondence anew, in all its complexity and brilliance.

Emily Dickinson''s Poems: As She Preserved Them is a major new edition of Dickinson''s verse intended for the scholar, student, and general reader. It foregrounds the copies of poems that Dickinson retained for herself during her lifetime, in the form she retained them. This is the only edition of Dickinson''s complete poems to distinguish in easy visual form the approximately 1,100 poems she took pains to copy carefully onto folded sheets in fair hand--arguably to preserve them for posterity--from the poems she kept in rougher form or apparently did not retain. It is the first edition to include the alternate words and phrases Dickinson wrote on copies of the poems she retained. Readers can see, and determine for themselves, the extent to which a poem is resolved or fluid. With its clear and uncluttered pages, the volume recommends itself as a valuable resource for the classroom and to general readers. A Dickinson scholar, Cristanne Miller supplies helpful notes that gloss the poet''s quotations and allusions and the contexts of her writing. Miller''s Introduction describes Dickinson''s practices in copying and circulating poems and summarizes contentious debates within Dickinson scholarship. Emily Dickinson''s Poems: As She Preserved Them brings us closer to the writing practice of a crucially important American poet and provides new ways of thinking about Dickinson, allowing us to see more fully her methods of composing, circulating, and copying than previous editions have allowed. It will be valued by all readers of Dickinson''s poetry.

The Emily Dickinson Collection (2021) compiles some of the best-known works of an icon of American poetry. Out of nearly two-thousand poems discovered after her death, less than a dozen appeared in print during Dickinson’s lifetime. Drawn from such influential posthumous volumes as Poems (1902) and The Single Hound (1914), The Emily Dickinson Collection captures the spiritual depths, celebratory heights, and impenetrable mystery of Dickinson’s poetic gift. “Fame is a fickle food / Upon a shifting plate, / Whose table once a Guest, but not / The second time, is set.” Deeply aware of the fleeting nature of fame, Dickinson—whose reputation in life was as a lonely eccentric who rarely, if ever, left home—seems to provide some clarity as to why publication so often eluded her. Having published just ten poems in her lifetime, Dickinson continued to write in solitude until her final years. Her final word on fame is a warning, perhaps, for poets whose fate would differ from her own: “Men eat of it and die.” Despite her admonishing tone, she found space elsewhere to muse on the nature of literary achievement, recognizing that obscurity could incidentally produce the conditions for a poet to produce their most vital work: “Success is counted sweetest / By those who ne’er succeed. / To comprehend a nectar / Requires sorest need.” Throughout her life, Emily Dickinson showed a profound respect for the mysteries of worldly existence. In her poems, this creates an atmosphere of prayer and contemplation, a search for something beyond the simple answers: “Some things that fly there be, — / Birds, hours, the bumble-bee: / Of these no elegy.” Amid such fleeting things, she catches a glimpse of eternity. With a beautifully designed cover and professionally typeset manuscript, this edition of The Emily Dickinson Collection is a classic of American poetry reimagined for modern readers.

Part I, "Life" (p.1-105) compiled from unpublished letters and personal recollections; cf. compilers preface.

This collection of Emily Dickinson''s work contains 444 of the nearly 1,800 poems that the prolific yet reclusive American poet privately penned during her lifetime. Although her bold and non-traditional writing style met with mixed reviews when first published, Dickinson is now considered one of America''s greatest poets. Included here are such famous poems as "Because I could not stop for Death", "I''m nobody! Who are you?", and "Hope is the thing with feathers". Themes of love, loss, death, and immortality imbue Dickinson''s work with a timeless quality; her unconventional poetry continues to provide insight into the human condition. This is an unabridged compilation of three series of Dickinson''s poetry edited and published by her friends after her death—the first series in 1890, the second in 1891, and the third in 1896.

Famous British writer and poet Emily Dickinson''s poetry volume titled ''Poems by Emily Dickinson, Three Series, Complete'' was first published in the year 1998. "This selection from her poems is published to meet the desire of her personal friends, and especially of her surviving sister. It is believed that the thoughtful reader will find in these pages a quality more suggestive of the poetry of William Blake than of anything to be elsewhere found,—flashes of wholly original and profound insight into nature and life; words and phrases exhibiting an extraordinary vividness of descriptive and imaginative power, yet often set in a seemingly whimsical or even rugged frame." -Preface

One of American’s most distinctive poets, Emily Dickinson scorned the conventions of her day in her approach to writing, religion, and society. Hope Is the Thing with Feathers is a collection of her vast archive of poetry to inspire the writers, creatives, and feminists of today.

This Is A New Release Of The Original 1890 Edition.

With full-color illustrations on every page, all faithful to nineteenth-century New England, the book gives loving attention to such poems as "A narrow fellow in the grass", "Hope is the thing with feathers", "I never saw a moor", "There is no frigate like a book" and many others. All chosen to represent the poet and delight all readers.

First published in 1890, this volume contains all three series of “Poems by Emily Dickinson”, an extensive collection of Dickinson''s very best poetry. Emily Elizabeth Dickinson (1830–1886) was an American poet commonly hailed as being among the most important figures in American poetry. Not much is known about her personal life, but evidence suggests that this is because she spent most of her time isolated from other people. Those who lived around her claimed that she took to wearing only white apparel and rarely left her bedroom in her later years. Despite being a prolific writer who produced a corpus of over 1,800 poems, only 10 were published during her lifetime. Her poetry was considered unusual for her time, incorporating a variety of odd features and breaking many of the conventional rules. Contents include: “First Series - I. Life, II. Love, III. Nature, IV. Time and Eternity”, “Second Series - I. Life, II. Love, III. Nature, IV. Time and Eternity”and “Third Series - I. Life, II. Love, III. Nature, IV. Time and Eternity." A fantastic collection of classic poetry not to be missed by fans and collectors of Dickinson''s seminal work. Ragged Hand is proud to be republishing this collection of classic poetry now complete with an introductory excerpt by Martha Dickinson Bianchi.

This compact edition, designed for use in undergraduate courses, combines a substantial selection of Dickinson’s poems (including one complete fascicle) with a selection of letters and a range of contextual materials. In a number of cases several different versions of a poem are presented side by side. The texts are based on the handwritten manuscripts themselves, in the facsimile form in which the Emily Dickinson Archive now makes the vast majority of Dickinson’s manuscript versions available to the general public. The three major editions that are based directly on the manuscripts—those of Thomas H. Johnson (1955), R.W. Franklin (1998) and Cristanne Miller (2016)—have also been consulted; in many cases where the transcriptions of these editors differ from one another, this edition provides information in the notes as to those differences. Extensive explanatory footnotes are also provided, as is a concise but wide-ranging introduction to Dickinson and her work. The appendices include excerpts from numerous nineteenth-century reviews of Dickinson’s first published volume (including by William Dean Howells and Andrew Lang). Thomas Wentworth Higginson’s influential Atlantic Monthly article, “Emily Dickinson’s Letters,” is also included in its entirety.

A collection of letters written by British poet Emily Dickinson.

In "Poems by Emily Dickinson, Third Series," the enigmatic poet presents an exquisite collection that exemplifies her distinctive voice and innovative use of language. Dickinson''s poetry, characterized by its succinctness, unconventional punctuation, and slant rhyme, invites readers into a world of profound introspection and vivid imagery. This series explores themes of death, immortality, nature, and the inner workings of the human soul, all while reflecting the quiet isolation of her life in Amherst, Massachusetts. The poems resonate with an intimate urgency, encouraging readers to ponder existential inquiries amidst her captivating metaphors and deft syntax. Emily Dickinson (1830''Äì1886), a groundbreaking figure in American literature, spent much of her life in reclusive contemplation, profoundly influenced by her personal experiences and the philosophical currents of her time, including Transcendentalism. Though she published only a handful of poems during her lifetime, her posthumous acclaim has cemented her legacy as a pioneering voice that challenges conventional norms of poetry. Dickinson''s exploration of solitude and the complexities of human emotion speaks to her unique perspective, one that diverges sharply from her contemporaries. This collection is highly recommended for readers seeking to delve into the intricacies of Dickinson''s thought and to experience the beauty of her insignia-drenched words. Her ability to encapsulate vast emotions within brief lines invites both intellectual and emotional engagement, making this series a timeless addition to any literary enthusiast''s library.

Poems by Emily Dickinson [Three Series, Complete] is a complete collection of the poems of the renowned American poet Emily Dickinson, who, with the possible exception of Walt Whitman, is now recognized as the most important American poet of the 19th century.

The 19th–century American poet’s uncensored and breathtaking letters, poems, and letter-poems to her sister-in-law and childhood friend. For the first time, selections from Emily Dickinson’s thirty-six year correspondence with her childhood friend, neighbor, and sister-in-law, Susan Huntington Dickinson, are compiled in a single volume. Open Me Carefully invites a dramatic new understanding of Emily Dickinson’s life and work, overcoming a century of censorship and misinterpretation. For the millions of readers who love Emily Dickinson’s poetry, Open Me Carefully brings new light to the meaning of the poet’s life and work. Gone is Emily as lonely spinster; here is Dickinson in her own words, passionate and fully alive. Praise for Open Me Carefully “With spare commentary, Smith . . . and Hart . . . let these letters speak for themselves. Most important, unlike previous editors who altered line breaks to fit their sense of what is poetry or prose, Hart and Smith offer faithful reproductions of the letters’ genre-defying form as the words unravel spectacularly down the original page.” —Renee Tursi, The New York Times Book Review

Undertakes a radically new model of critical editing