Most Popular Books by Elmore Leonard

No one is more evocative of the dusty, gutsy hey-day of the American West than Elmore Leonard. And no story about a young writer struggling to launch his career ever matched its subject matter better than the tale behind Leonard''s Western oeuvre. In 1950, fresh out of college -- having written two "pointless" stories, as he describes them -- Leonard decided he needed to pick a market, a big one, which would give him a better chance to be published while he learned to write. In choosing between crime and Westerns, the latter had an irresistible pull -- Leonard loved movies set in the West. As he researched deeper into settings, Arizona in the 1880s captured his imagination: the Spanish influence, the standoffs and shootouts between Apache Indians and the U.S. cavalry ... His first dozen stories sold for 2 cents a word, for $100 each. The rest is history. This first-ever complete collection of Leonard''s thirty Western tales will thrill lovers of the genre, his die-hard fans, and everyone in between -- and makes a terrific study of the launch of a phenomenal career. From his very first story ever published -- "The Trail of the Apache" -- through five decades of classic Western tales, The Complete Western Stories of Elmore Leonard demonstrates again and again the superb talent for language and gripping narrative that has made Leonard one of the most acclaimed and influential writers of our time.

“A Hollywood hit….Taut, inimitable prose and characters who could have only sprung from the mind of Elmore Leonard.” —Detroit News The Chicago Tribune has dubbed Elmore Leonard, “the coolest, hottest writer in America.” In the same league as the legendary great ones—John D. MacDonald, Dashiell Hammett, James M. Cain—the “King Daddy of crime writers” (Seattle Times) demonstrates his remarkable mastery with Get Shorty, one of the most adored of his forty-plus novels. The basis of the hit movie starring John Travolta and Danny DeVito, Get Shorty chronicles the over-the-top, sometimes violent Hollywood misadventures of a Florida mob loan shark who chases a deadbeat client all the way to Tinseltown and decides to stick around and make movies. Get Shorty’s shylock protagonist, Chili Palmer, is a truly inspired creation—as memorable as another unforgettable Leonard hero, U.S. Marshal Raylan Givens of the hit TV series Justified—and readers will relish his moves and countermoves in this electrifying, funny, bullet train-paced winner from “the greatest crime writer of our time, perhaps ever!” (New York Times Book Review)

World-class gentleman felon Jack Foley is busting out of Florida''s Glades Prison when he runs head on into a shotgun-wielding Karen Sisco. Suddenly he''s sharing a cramped car trunk with the classy, disarmed federal marshal and the chemistry is working overtime—and as soon as she escapes, he''s already missing her. But there are bad men and a major score waiting for Jack in Motown. And the next time his path crosses Karen''s, chances are she''s going to be there for business, not pleasure.

“Speedy, exhilarating, and smooth. Nobody does it better.” —Washington Post “The man knows how to grab you—and Pronto is one of the best grabbers in years.” —Entertainment Weekly Fans of U.S. Marshal Raylan Givens of the hit TV series Justified are in for a major treat. The unstoppable manhunter with the very itchy trigger finger stars in Pronto, a crime fiction gem from the one and only Elmore Leonard, “the greatest crime writer of our time, perhaps ever” (New York Times Book Review). The Grand Master justifies the overwhelming acclaim he has received over the course of his remarkable career with an electrifying thriller that sends the indomitable Raylan racing to Italy on the trail of a fugitive bookie who’s hiding from the vengeful Miami mob. The legendary Leonard, whom the Seattle Times lauds as the “King Daddy of crime writers,” proves that all comparisons to American noir icons John D. MacDonald, Dashiell Hammett, and James M. Cain are well deserved with this tale of very dirty doings and extremely dangerous men coming together in the birthplace of Puccini, Garibaldi, and La Cosa Nostra.

The sequel to Chili Palmer''s hit movie Get Leo tanked and now Chili''s itching for a comeback. So when a power lunch with record-label executive and former associate Tommy Athens ends in a mob hit, he soon finds himself in an unlikely alliance with organized-crime detective Darryl Holmes and the likely next target of Russian gangsters. But where others see danger, Chili Palmer sees story possibilities. Enter Linda Moon, a singer with aspirations that go further than her current gig in a Spice Girls cover band. Chili takes over as Linda''s manager, entering the world of rock stars, pop divas, and hip-hop gangstas. As he wings his way to success in the music business with his trademark cool, Chili manipulates his adversaries and advances his friends, all the while basing the plot of his new film on the action that results. Be Cool is rife with drama, jealousy, and betrayal, and all Chili needs to do is survive to make a new box-office hit.

After exhausting his mom''s gravy train, gambling, debt-ridden Palm Beach playboy Warren "Chip" Ganz decides to take somebody rich hostage--with the help of a Bahamian ex-con, a psycho gardener/enforcer, and the beautiful psychic Reverend Dawn. The trouble is they choose bookmaker Harry Arno--and Harry can scam with the best.

Touch is sensational suspense from the master of crime fiction, New York Times bestselling author Elmore Leonard. A Michigan woman was blind and now she can see, after being touched by a young man who calls himself Juvenal. Maybe it was just coincidence, but Bill Hill—who used to run the spectacular Uni-Faith Ministry in Dalton, Georgia, and now sells RVs—can see dollar signs when he looks at this kid with the magic “touch.” The trouble is that others see them also, including a wacko fundamentalist fascist with his own private army of the faithful and an assortment of media leeches. But everyone who’s looking to put the touch on the healer is in for a big surprise—because Juvenal’s got a trick or two up his sleeve that nobody sees coming.

“Constant action and top-notch writing.” —New York Times A Palm Beach playboy who amuses himself with murder finds himself on a collision course with a vacationing Motown cop in Elmore Leonard’s Split Images—a gripping and electrifying example of noir gold from “the coolest, hottest writer in America” (Chicago Tribune). Split Images is Grand Master Leonard at the top of his game, a bravura example of how exemplary crime fiction is done by a writer who stands tall among the all-time mystery greats: John D. MacDonald, Dashiell Hammett, James M. Cain, et al. The brilliant creator of U.S. Marshal Raylan Givens (of TV’s Justified) now brings us a cast of vivid and unforgettable characters on both sides of the law, in a twisting masterwork of unrelenting suspense that the Washington Post calls, “Brilliant...impressive...superb.”

THE INSPIRATION FOR JUSTIFIED: CITY PRIMEVAL ON FX “As gritty and hard-driving a thriller as you’ll find….The action never stops, the language sings and stings.” —Washington Post The City Primeval in Elmore Leonard’s relentlessly gripping classic noir is Detroit, the author’s much-maligned hometown and the setting for many of the Grand Master’s acclaimed crime novels. The “Alexander the Great of crime fiction” (Pittsburgh Post-Gazette) shines in these urban mean streets, setting up a downtown showdown between the psychopathic, thrill-killing “Oklahoma Wildman” and the dedicated city copy who’s determined to take him down. The creator of U.S. Marshal Raylan Givens of TV’s Justified fame, Elmore Leonard is the equal of any writer who has ever captivated readers with dark tales of heists, hijacks, double-crosses, and murder—John D. MacDonald, Dashiell Hammett, James M. Cain, and Robert Parker included—and nobody then or now is better.

Carl Webster, the hot kid of the marshals service, is polite, respects his elders, and can shoot a man driving away in an Essex at four hundred yards. Carl works out of the Tulsa, Oklahoma, federal courthouse during the 1930s, the period of America''s most notorious bank robbers: Dillinger, Baby Face Nelson -- those guys. Carl wants to be America''s most famous lawman. He shot his first felon when he was fifteen years old. With a Winchester. Louly Brown loves Carl but wants the world to think she is Pretty Boy Floyd''s girlfriend. Tony Antonelli of True Detective magazine wants to write like Richard Harding Davis and wishes cute little Elodie wasn''t a whore. She and Heidi and the girls work at Teddy''s in Kansas City, where anything goes and the girls wear -- what else -- teddies. Jack Belmont wants to rob banks, become public enemy number one, and show his dad, an oil millionaire, he can make it on his own. With tommy guns, hot cars, speakeasies, cops and robbers, and a former lawman who believes in vigilante justice, all played out against the flapper period of gun molls and Prohibition, The Hot Kid is Elmore Leonard -- a true master -- at his best.

Joe LaBrava first fell in love with femme fatale movie queen Jean Shaw in a darkened theater when he was twelve. Now he''s finally meeting his dream woman in the flesh, albeit in a rundown Miami crisis center. Cleaned up and sober, though, she still makes LaBrava''s heart race. And now that Jean''s being terrorized by redneck thug Richard Nobles and his slimy Marielito partner Cundo Rey, Joe has a golden opportunity to play the hero. Or he could wind up the patsy—or dead—in the final reel.

“The greatest crime writer of our time, perhaps ever!” —New York Times Book Review When the all-time greats of mystery/noir/crime fiction are mentioned (John D. MacDonald, Dashiell Hammett, James M. Cain, Robert Parker, etc.), Elmore Leonard’s name invariably tops the list. A true Leonard classic, The Big Bounce showcases all of the Grand Master’s acclaimed skills—twisty plotting, unforgettable characters, dialogue so razor sharp it could draw blood—as he chronicles the misadventures of a larcenous young man in a Michigan resort town who’s irresistibly drawn to a dangerous femme fatale, a rich man’s plaything, and the nasty little caper they plan to pull off together—if they can somehow manage to survive each other. The acclaimed creator of Raylan (aka U.S. Marshal Raylan Givens, lately of TV’s smash hit Justified), Leonard has never lost the mojo that makes him “the King Daddy of crime writers” (Seattle Times).

"These are the rules I''ve picked up along the way to help me remain invisible when I''m writing a book, to help me show rather than tell what''s taking place in the story."—Elmore Leonard For aspiring writers and lovers of the written word, this concise guide breaks down the writing process with simplicity and clarity. From adjectives and exclamation points to dialect and hoopetedoodle, Elmore Leonard explains what to avoid, what to aspire to, and what to do when it sounds like "writing" (rewrite). Beautifully designed, filled with free-flowing, elegant illustrations and specially priced, Elmore Leonard''s 10 Rules of Writing is the perfect writer''s—and reader''s—gift.

The old Apache renegade Soldado Viejo is hiding out in Mexico, and the Arizona Department Adjutant has selected two men to hunt him down. One -- Dave Flynn -- knows war, the land, and the nature of his prey. The other is a kid lieutenant named Bowers. But there''s a different kind of war happening in Soyopa. And if Flynn and his young associate choose the wrong allies -- and the wrong enemy -- they won''t be getting out alive.

“Intense….A higher caliber of entertainment.” —New York Times Elmore Leonard’s Glitz is a killer…in the best possible way. “The King Daddy of crime writers” (Seattle Times) electrifies with this unputdownable noir tale of a mama’s boy psycho killer with a vendetta against a Miami cop. A cat-and-mouse tale with claws, Glitz is thrilling, frightening, explosive, surprising, everything a great thriller is supposed to be—superior crime fiction the genre’s late greats, John D. MacDonald, Dashiell Hammett, James M. Cain, et al, would have been proud to call their own. Elmore Leonard, the creator of magnificent mayhem and truly unforgettable characters—like U.S. Marshal Raylan Givens of the hit TV series Justified—is at his nail-biting, page-turning best with Glitz which Stephen King in the New York Times Book Review calls, “Smashing and satisfying.”

Three guys with illegal expertise, a plan to snag a tax-free hundred grand, and a taste for summertime Detroit''s sweet life. But it means committing armed robbery. And being smart enough to get away with it.

“A slam-bang, no-bull action thriller…and nobody but nobody writes better dialogue.” —New York Daily News It’s an established fact: Elmore Leonard is “the uncontested master of the crime thriller” (Washington Post ) who “does crime fiction better than anyone” (Cleveland Plain Dealer), and nowhere is this more obvious than in the pages of Stick. After serving time for armed robbery, Ernest "Stick" Stickley is back on the outside and trying to stay legit. But it''s tough staying straight in a crooked town -- and Miami is a pirate''s paradise, where investment fat cats and lowlife drug dealers hold hands and dance. And when a crazed player chooses Stick at random to die for another man''s sins, the struggling ex-con is left with no choice but to dive right back into the game. Besides, Stick knows a good thing when he sees it -- and a golden opportunity to run a very profitable sweet revenge scam seems much too tasty to pass up.

Brendan Early and Dana Moon have tracked renegade Apaches together and gunned down scalp hunters to become Arizona legends. But now they face each other from opposite sides of what newspapers are calling The Rincon Mountain War. Brendan and a gang of mining company gun thugs are dead set on running Dana and "the People of the Mountain" from their land. The characters are unforgettable, the plot packed with action and gunfights from beginning to end.

New York Times Bestselling Author It was supposed to be impossible. No man could break out of the brutal convict labor camp at Five Shadows. Until they locked up Bowen. He was like dynamite--charged to go off, to explode out of that desert hell so he could clear his name. Already the deadly trackers have caught him, dragged him back through the mesquite and rocks, beat him and left him to rot in the punishment cell. But they can’t stop Bowen. He’s a different breed, a man who will go to any extreme to escape. Any extreme.

“[Leonard has] written so many first-rate crime stories that it would be fatuous to say Killshot is his best, but it probably is anyway.” —Newsweek The New York Times bestselling author the Pittsburgh Post-Gazette once called, “the Alexander the Great of crime fiction,” Elmore Leonard is responsible for creating some of the sharpest dialogue, most compelling characters (including U.S. Marshal Raylan Givens of TV’s Justified fame), and, quite simply, some of the very best suspense novels written over the past century. Killshot is prime Leonard—a riveting story of a husband and wife caught in the crossfire when they foil a criminal act and are forced to defend themselves when the legal system fails them from the murderous wrath of a pair of vengeful killers. When it comes to cops and criminals stories, Killshot and Leonard are as good as it gets—further proof why “the King Daddy of crime writers” (Seattle Times) deserves his current place among John D. MacDonald, Dashiell Hammett, James M. Cain, and the other legendary greats of the noir fiction genre.

The hell called Yuma Prison can destroy the soul of any man. And it''s worse for those whose damning crime is the color of their skin. The law says Chiricahua Apache Raymond San Carlos and black-as-night former soldier Harold Jackson are murderers, and they''ll stay behind bars until they''re dead and rotting. But even in the worst place on Earth, there''s hope. And for two hard and hated inmates -- first enemies, then allies by necessity -- it waits at the end of a mad and violent contest ... on a bloody trail that winds toward Arizona''s five most dangerous men.

Phil Sundeen thinks Deputy Sheriff Kirby Frye is just a green local kid with a tin badge. And when the wealthy cattle baron''s men drag two prisoners from Frye''s jail and hang them from a high tree, there''s nothing the untried young lawman can do about it. But Kirby''s got more grit than Sundeen and his hired muscles bargained for. They can beat the boy and humilate him, but they can''t make him forget the jog he has sworn to do. The cattleman has money, fear, and guns on his side, but Kirby Frye''s the law in this godforsaken corner of the Arizona Territories. And he''ll drag Sundeen and his killers straight to hell himself to prove it.

In this superb short fiction collection, Elmore Leonard, “the greatest crime writer of our time, perhaps ever” (New York Times Book Review), once again illustrates how the line between the law and the lawbreakers is not as firm as we might think. In the title story, the basis for the hit FX series Justified, U.S. Marshal Raylan Givens meets up with an old friend, but they’re now on different sides of the law. Federal marshal Karen Sisco, from Out of Sight, returns in “Karen Makes Out,” once again inadvertently mixing pleasure with business. In “When the Women Come Out to Dance,” Mrs. Mahmood gets more than she bargains for when she conspires with her maid to end her unhappy marriage. These nine stories are the great Elmore Leonard at his vivid, hilarious, and unfailingly human best.

They laughed at Roberto Valdez and then ignored him. But when a dark-skinned man was holed up in a shack with a gun, they sent the part-time town constable to deal with the problem -- and made sure he had no choice but to gun the fugitive down. Trouble was, Valdez killed an innocent man. And when he asked for justice -- and some money for the dead man''s woman -- they beat Valdez and tied him to a cross. They were still laughing when Valdez came back. And then they began to die...

“Elmore Leonard can write circles around almost anybody active in the crime novel today.” —New York Times Book Review The revered New York Times bestselling author, recognized as “America’s greatest crime writer” (Newsweek), brings back U.S. Marshal Raylan Givens, the mesmerizing hero of Pronto, Riding the Rap, and the hit FX series Justified. With the closing of the Harlan County, Kentucky, coal mines, marijuana has become the biggest cash crop in the state. A hundred pounds of it can gross $300,000, but that’s chump change compared to the quarter million a human body can get you—especially when it’s sold off piece by piece. So when Dickie and Coover Crowe, dope-dealing brothers known for sampling their own supply, decide to branch out into the body business, it’s up to U.S. Marshal Raylan Givens to stop them. But Raylan isn’t your average marshal; he’s the laconic, Stetson-wearing, fast-drawing lawman who juggles dozens of cases at a time and always shoots to kill. But by the time Raylan finds out who’s making the cuts, he’s lying naked in a bathtub, with Layla, the cool transplant nurse, about to go for his kidneys. The bad guys are mostly gals this time around: Layla, the nurse who collects kidneys and sells them for ten grand a piece; Carol Conlan, a hard-charging coal-mine executive not above ordering a cohort to shoot point-blank a man who’s standing in her way; and Jackie Nevada, a beautiful sometime college student who can outplay anyone at the poker table and who suddenly finds herself being tracked by a handsome U.S. marshal. Dark and droll, Raylan is pure Elmore Leonard—a page-turner filled with the sparkling dialogue and sly suspense that are the hallmarks of this modern master.

52 Pickup is a rip-roaring thriller from master of crime fiction Elmore Leonard, the New York Times bestselling author of Raylan, Get Shorty, Killshot, and other novels of suspense. Detroit businessman Harry Mitchell has had only one affair in his twenty-two years of happy matrimony. Unfortunately, someone caught his indiscretion on film and now wants Harry to fork over one hundred grand to keep his infidelity a secret. And if Harry doesn’t pay up, the blackmailer and his associates plan to press a lot harder—up to and including homicide, if necessary. But the psychos picked the wrong pigeon for their murderous scam. Because Harry Mitchell doesn’t get mad...he gets even.

“Sharp as an ice pick….You will love this excellent book.” —New York Times Book Review Elmore Leonard is the undisputed master, the “King Daddy of crime writers” (Seattle Times), in the august company of the all-time greats of mystery/noir/crime fiction genre: John D. MacDonald, Dashiell Hammett, James M. Cain, et al. The creator of such unforgettable classics as Stick, Out of Sight, and Get Shorty—not to mention the character of U.S. Marshal Raylan Givens, lately of TV’s hit series Justified—Leonard is in fine form with Mr. Paradise. A riveting Detroit-based thriller enlivened by Leonard’s trademark razor-sharp dialogue, Mr. Paradise follows a smart Victoria’s Secret model’s attempt to score big after surviving a double murder in a millionaire’s mansion…with a lonely cop acting as spoiler.

A quiet, haunted man, Paul Cable walked away from a lost cause hoping to pick up where he left off. But things have changed in Arizona since he first rode out to go fight for the Confederacy. Two brothers—Union men—have claimed his spread and they''re not about to give it back, leaving Cable and his family no place to settle in peace. It seems this war is not yet over for Paul Cable. But no one''s going to take away his land and his future—not with their laws, their lies, or their guns.

“A wild ride through Cuba during the Spanish-American War.” —Miami Herald “Not only his finest novel but one that transcends the limits of its genre and is worthy of being evaluated as literary fiction.” —Houston Chronicle Before Grand Master Elmore Leonard earned his well-deserved reputation as “the best writer of crime fiction alive” (Newsweek), he penned some of the finest western fiction to ever appear in print. (The classics Hombre, Valdez is Coming, and 3:10 to Yuma were just a few of his notable works.) With his extraordinary Cuba Libre, Leonard ingeniously combines all of his many talents and delivers a historical adventure/caper/western/noir like none other. The creator of U.S. Marshal Raylan Givens, star of Raylan, Pronto, Riding the Rap, and TV’s Justified, spins a gloriously exciting yarn about an American horse wrangler who escapes a date with a Cuban firing squad to join forces with a powerful sugar baron’s lady looking to make waves and score big in and around Spanish-American War-torn Havana in 1898. Everything you love about Leonard’s fiction—and more—is evident in Cuba Libre. No wonder the New York Times Book Review enthusiastically declared him “a literary genius.”

“Road Dogs is terrific, and Elmore Leonard is in a class of one.” —Dennis Lehane, author of Shutter Island and Mystic River “You know from the first sentence that you’re in the hands of the original Daddy Cool....This one’ll kill you.” —Stephen King Elmore Leonard is eternal. In Road Dogs, the PEN USA Lifetime Achievement Award winner and “America’s greatest crime master” (Newsweek) brings back three of his favorite characters—Jack Foley from Out of Sight, Cundo Rey from La Brava, and Dawn Navarro from Riding the Rap—for a twisting, explosive, always surprising masterwork of crime fiction the San Francisco Chronicle calls, “a sly, violent, funny and superbly written story of friendship, greed, and betrayal.”

The odd thing about Walter Schoen, German born but now running a butcher shop in Detroit, he''s a dead ringer for Heinrich Himmler, head of the SS and the Gestapo. They even share the same birthday. Honey Deal, Walter''s American wife, doesn''t know that Walter is a member of a spy ring that sends U.S. war production data to Germany and gives shelter to escaped German prisoners of war. But she''s tired of telling him jokes he doesn''t understand—it''s time to get a divorce. Along comes Carl Webster, the hot kid of the Marshals Service. He''s looking for Jurgen Schrenk, a former Afrika Korps officer who escaped from a POW camp in Oklahoma. Carl''s pretty sure Walter''s involved with keeping Schrenk hidden, so Carl gets to know Honey, hoping she''ll take him to Walter. Carl then meets Vera Mezwa, the nifty Ukrainian head of the spy ring who''s better looking than Mata Hari, and her tricky lover Bohdan with the Buster Brown haircut and a sly way of killing. Honey''s a free spirit; she likes the hot kid marshal and doesn''t much care that he''s married. But all Carl wants is to get Jurgen Schrenk without getting shot. And then there''s Otto—the Waffen-SS major who runs away with a nice Jewish girl. It''s Elmore Leonard''s world—gritty, funny, and full of surprises.

Carl Webster, the hot kid of the marshals service, works out of the Tulsa, Oklahoma, federal courthouse during the 1930s. Louly Brown loves Carl but wants the world to think she is Pretty Boy Floyd''s girlfriend. Tony Antonelli of True Detective magazine wants to write like Richard Harding Davis and wishes cute little Elodie wasn''t a whore. Jack Belmont wants to rob banks and become public enemy number one. With tommy guns, hot cars, speakeasies, cops and robbers, and a former lawman who believes in vigilante justice, all played out against the flapper period of gun molls and Prohibition, The Hot Kid is Elmore Leonard -- a true master -- at his best.

“Although known for his mysteries, Elmore Leonard has penned some of the best western fiction ever.” —USA Today Grand Master Elmore Leonard is justifiably acknowledged as one of the very best crime fiction writers ever, alongside other all-time greats like John D. MacDonald, Dashiell Hammett, James M. Cain, and Robert Parker. But he has also many acclaimed masterworks of American western fiction to his credit—including Hombre, the basis for the classic Hollywood motion picture starring Paul Newman. Set in Arizona mining country, Hombre is the tale of a white man raised by Indians, who must come to the aid of people who hate him when their stagecoach is attacked by outlaws. As thrilling as his contemporary novels of crime, double-cross, and murder in Detroit and Miami, Hombre is Elmore Leonard at his riveting best—no less than one would expect from the creator of U.S. Marshal Raylan Givens (Justified).