Best Selling Books by Douglas R. Hofstadter

One of our greatest philosophers and scientists of the mind asks, where does the self come from -- and how our selves can exist in the minds of others. Can thought arise out of matter? Can self, soul, consciousness, "I" arise out of mere matter? If it cannot, then how can you or I be here? I Am a Strange Loop argues that the key to understanding selves and consciousness is the "strange loop"-a special kind of abstract feedback loop inhabiting our brains. The most central and complex symbol in your brain is the one called "I." The "I" is the nexus in our brain, one of many symbols seeming to have free will and to have gained the paradoxical ability to push particles around, rather than the reverse. How can a mysterious abstraction be real-or is our "I" merely a convenient fiction? Does an "I" exert genuine power over the particles in our brain, or is it helplessly pushed around by the laws of physics? These are the mysteries tackled in I Am a Strange Loop, Douglas Hofstadter''s first book-length journey into philosophy since Gödel, Escher, Bach. Compulsively readable and endlessly thought-provoking, this is a moving and profound inquiry into the nature of mind.

Hofstadter''s collection of quirky essays is unified by its primary concern: to examine the way people perceive and think.

Winner of the Pulitzer Prize A metaphorical fugue on minds and machines in the spirit of Lewis Carroll Douglas Hofstadter''s book is concerned directly with the nature of "maps" or links between formal systems. However, according to Hofstadter, the formal system that underlies all mental activity transcends the system that supports it. If life can grow out of the formal chemical substrate of the cell, if consciousness can emerge out of a formal system of firing neurons, then so too will computers attain human intelligence. Gödel, Escher, Bach is a wonderful exploration of fascinating ideas at the heart of cognitive science: meaning, reduction, recursion, and much more.

Hofstadter has developed a sophisticated vision of the mind in which perception, at an abstract level, is the key.

Puede un sistema comprenderse a sí mismo ? Si esta pregunta se refiere a la mente humana, entonces nos encontramos ante una cuestión clave del pensamiento científico. Y de la filosofía. Y del arte. Investigar este misterio es una aventura que recorre la matemática, la física, la biología, la psicología y muy especialmente, el lenguaje. Douglas R. Hofstadter, joven y ya célebre científico, nos abre la puerta del enigma con la belleza y la alegría creadora de su estilo. Sorprendentes paralelismos ocultos entre los grabados de Escher y la música de Bach nos remiten a las paradojas clásicas de los antiguos griegos y a un teorema de la lógica matemática moderna que ha estremecido el pensamiento del siglo XX : el de Kurt Gödel. Todo lenguaje, todo sistema formal, todo programa de ordenador, todo proceso de pensamiento, llegan, tarde o temprano, a la situación límite de la autorreferencia : de querer expresarse sobre sí mismos. Surge entonces la emoción del infinito, como dos espejos enfrentados y obligados a reflejarse mutua e indefinidamente. Gödel, Escher, Bach : un Eterno y Grácil Bucle, es una obra de arte escrita por un sabio. Versa sobre los misterios del pensamiento e incluye, ella misma, sus propios misterios. Por ello su traducción ha supuesto también una larga, azarosa y laboriosa aventura que el propio autor ha vivido y que relata en un prólogo especialmente escrito para esta versión española.

Essays from some of the 20th century''s greatest thinkers explore topics as diverse as artificial intelligence, evolution, science fiction, philosophy, reductionism, and consciousness, presenting a variety of conflicting visions of the self and the soul. Illustrations.

An accessible explanation of Kurt Gödel''s groundbreaking work in mathematical logic In 1931 Kurt Gödel published his fundamental paper, "On Formally Undecidable Propositions of Principia Mathematica and Related Systems." This revolutionary paper challenged certain basic assumptions underlying much research in mathematics and logic. Gödel received public recognition of his work in 1951 when he was awarded the first Albert Einstein Award for achievement in the natural sciences—perhaps the highest award of its kind in the United States. The award committee described his work in mathematical logic as "one of the greatest contributions to the sciences in recent times." However, few mathematicians of the time were equipped to understand the young scholar''s complex proof. Ernest Nagel and James Newman provide a readable and accessible explanation to both scholars and non-specialists of the main ideas and broad implications of Gödel''s discovery. It offers every educated person with a taste for logic and philosophy the chance to understand a previously difficult and inaccessible subject. New York University Press is proud to publish this special edition of one of its bestselling books. With a new introduction by Douglas R. Hofstadter, this book will appeal students, scholars, and professionals in the fields of mathematics, computer science, logic and philosophy, and science.

Lost in an art—the art of translation. Thus, in an elegant anagram (translation = lost in an art), Pulitzer Prize-winning author and pioneering cognitive scientist Douglas Hofstadter hints at what led him to pen a deep personal homage to the witty sixteenth-century French poet Clément Marot.”Le ton beau de Marot” literally means ”The sweet tone of Marot”, but to a French ear it suggests ”Le tombeau de Marot”—that is, ”The tomb of Marot”. That double entendre foreshadows the linguistic exuberance of this book, which was sparked a decade ago when Hofstadter, under the spell of an exquisite French miniature by Marot, got hooked on the challenge of recreating both its sweet message and its tight rhymes in English—jumping through two tough hoops at once.In the next few years, he not only did many of his own translations of Marot''s poem, but also enlisted friends, students, colleagues, family, noted poets, and translators—even three state-of-the-art translation programs!—to try their hand at this subtle challenge.The rich harvest is represented here by 88 wildly diverse variations on Marot''s little theme. Yet this barely scratches the surface of Le Ton beau de Marot, for small groups of these poems alternate with chapters that run all over the map of language and thought.Not merely a set of translations of one poem, Le Ton beau de Marot is an autobiographical essay, a love letter to the French language, a series of musings on life, loss, and death, a sweet bouquet of stirring poetry—but most of all, it celebrates the limitless creativity fired by a passion for the music of words.Dozens of literary themes and creations are woven into the picture, including Pushkin''s Eugene Onegin, Dante''s Inferno, Salinger''s Catcher in the Rye, Villon''s Ballades, Nabokov''s essays, Georges Perec''s La Disparition, Vikram Seth''s Golden Gate, Horace''s odes, and more.Rife with stunning form-content interplay, crammed with creative linguistic experiments yet always crystal-clear, this book is meant not only for lovers of literature, but also for people who wish to be brought into contact with current ideas about how creativity works, and who wish to see how today''s computational models of language and thought stack up next to the human mind.Le Ton beau de Marot is a sparkling, personal, and poetic exploration aimed at both the literary and the scientific world, and is sure to provoke great excitement and heated controversy among poets and translators, critics and writers, and those involved in the study of creativity and its elusive wellsprings.

A micro-world is described, in which many analogies involving strikingly different concepts and levels of subtlety can be made. The question ''What differentiates the good ones from the bad ones? is discussed, and then the problem of how to implement a computational model of the human ability to come up with such analogies (and to have a sense for their quality) is considered. A key part of the proposed system, now under development, is its dependence on statistically emergent properties of stochastically interacting ''codelets'' (small pieces of ready-to-run code created by the system, and selected at random to run with probability proportional to heuristically assigned ''urgencies''). Another key element is a network of linked concepts of varying levels of ''semanticity'', in which activation spreads and indirectly controls the urgencies of new codelets. There is pressure in the system toward maximizing the degree of ''semanticity'' or ''intensionality'' of descriptions of structures, but many such pressures, often conflicting, must interact with one another, and compromises must be made.