Most Popular Books by Don DeLillo

NATIONAL BOOK AWARD WINNER • An “eerie, brilliant, and touching” (The New York Times) modern classic about mass culture and the numbing effects of technology. “Tremendously funny . . . A stunning performance from one of our most intelligent novelists.”—The New Republic The inspiration for the award-winning major motion picture starring Adam Driver and Greta Gerwig Jack Gladney teaches Hitler Studies at a liberal arts college in Middle America where his colleagues include New York expatriates who want to immerse themselves in “American magic and dread.” Jack and his fourth wife, Babette, bound by their love, fear of death, and four ultramodern offspring, navigate the usual rocky passages of family life to the background babble of brand-name consumerism. Then a lethal black chemical cloud floats over their lives, an “airborne toxic event” unleashed by an industrial accident. The menacing cloud is a more urgent and visible version of the “white noise” engulfing the Gladney family—radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings—pulsing with life, yet suggesting something ominous.

Set against the backdrop of a lush and exotic Greece, The Names is considered the book which began to drive "sharply upward the size of his readership" (Los Angeles Times Book Review). Among the cast of DeLillo''s bizarre yet fully realized characters in The Names are Kathryn, the narrator''s estranged wife; their son, the six-year-old novelist; Owen, the scientist; and the neurotic narrator obsessed with his own neuroses. A thriller, a mystery, and still a moving examination of family, loss, and the amorphous and magical potential of language itself, The Names stands with any of DeLillo''s more recent and highly acclaimed works. "The Names not only accurately reflects a portion of our contemporary world but, more importantly, creates an original world of its own."--Chicago Sun-Times "DeLillo sifts experience through simultaneous grids of science and poetry, analysis and clear sight, to make a high-wire prose that is voluptuously stark."--Village Voice Literary Supplement "DeLillo verbally examines every state of consciousness from eroticism to tourism, from the idea of America as conceived by the rest of the world to the idea of the rest of the world as conceived by America, from mysticism to fanaticism."--New York Times

A New York Times Notable Book A New York Times bestseller, “DeLillo’s haunting new novel, Zero K—his most persuasive since his astonishing 1997 masterpiece, Underworld” (The New York Times), is a meditation on death and an embrace of life. Jeffrey Lockhart’s father, Ross, is a billionaire in his sixties, with a younger wife, Artis Martineau, whose health is failing. Ross is the primary investor in a remote and secret compound where death is exquisitely controlled and bodies are preserved until a future time when biomedical advances and new technologies can return them to a life of transcendent promise. Jeff joins Ross and Artis at the compound to say “an uncertain farewell” to her as she surrenders her body. “We are born without choosing to be. Should we have to die in the same manner? Isn’t it a human glory to refuse to accept a certain fate?” These are the questions that haunt the novel and its memorable characters, and it is Ross Lockhart, most particularly, who feels a deep need to enter another dimension and awake to a new world. For his son, this is indefensible. Jeff, the book’s narrator, is committed to living, to experiencing “the mingled astonishments of our time, here, on earth.” Don DeLillo’s “daring…provocative…exquisite” (The Washington Post) new novel weighs the darkness of the world—terrorism, floods, fires, famine, plague—against the beauty and humanity of everyday life; love, awe, “the intimate touch of earth and sun.” “One of the most mysterious, emotionally moving, and rewarding books of DeLillo’s long career” (The New York Times Book Review), Zero K is a glorious, soulful novel from one of the great writers of our time.

A finalist for the National Book Award, Don DeLillo''s most powerful and riveting novel--"a great American novel, a masterpiece, a thrilling page-turner" (San Francisco Chronicle)--Underworld is about the second half of the twentieth century in America and about two people, an artist and an executive, whose lives intertwine in New York in the fifties and again in the nineties. With cameo appearances by Lenny Bruce, J. Edgar Hoover, Bobby Thompson, Frank Sinatra, Jackie Gleason and Toots Shor, "this is DeLillo''s most affecting novel...a dazzling, phosphorescent work of art" (Michiko Kakutani, The New York Times).

“DeLillo’s swift, ironic, and witty cross-country American nightmare doesn''t have a dull or an unoriginal line.”—Rolling Stone The first novel by Don DeLillo, author of the National Book Award–winning White Noise At twenty-eight, David Bell is living the American Dream. He has fought his way to the top, becoming a top television executive who has captivated America’s imagination through the images on their flickering screens. At the height of his success, David becomes disillusioned with the realities of consumerism and mass media and sets out to rediscover reality—and himself. Camera in hand, he journeys across the country in a mad and moving attempt to capture and find meaning in America’s past, present, and future. Don DeLillo delivers a witty and incisive examination of Amerca’s cultural heritage and the complexities of identity in this classic work of postmodernist literary fiction.

"A whimsical, surrealistic excursion into the modern scientific mind." --The New Yorker One of DeLillo''s first novels, Ratner''s Star follows Billy, the genius adolescent, who is recruited to live in obscurity, underground, as he tries to help a panel of estranged, demented, and yet lovable scientists communicate with beings from outer space. It is a mix of quirky humor, science, mathematical theories, as well as the complex emotional distance and sadness people feel. Ratner''s Star demonstrates both the thematic and prosaic muscularity that typifies DeLillo''s later and more recent works, like The Names (which is also available in Vintage Contemporaries). "His most spectacularly inventive novel." --The New York Times

From the National Book Award–winning author of Underworld, a “daring…provocative…exquisite” (The Washington Post) novel about five people gathered together in a Manhattan apartment, in the midst of a catastrophic event. It is Super Bowl Sunday in the year 2022. Five people, dinner, an apartment on the east side of Manhattan. The retired physics professor and her husband and her former student waiting for the couple who will join them from what becomes a dramatic flight from Paris. The conversation ranges from a survey telescope in North-central Chile to a favorite brand of bourbon to Einstein’s 1912 Manuscript on the Special Theory of Relativity. Then something happens and the digital connections that have transformed our lives are severed. What follows is a “brilliant and astonishing…masterpiece” (Chicago Tribune) about what makes us human. Don DeLillo completed this novel just weeks before the advent of the Covid pandemic. His language, the dazzle of his sentences offer a kind of solace in our bewildering world. “DeLillo’s shrewd, darkly comic observations about the extravagance and alienation of contemporary life can still slice like a scalpel” (Entertainment Weekly). “In this wry and cutting meditation on collective loss, a rupture severs us, suddenly, from everything we’ve come to rely on. The Silence seems to absorb DeLillo’s entire body of work and sand it into stone or crystal.” —Rachel Kushner

In this powerful, eerily convincing fictional speculation on the assassination of John F. Kennedy, Don DeLillo chronicles Lee Harvey Oswald''s odyssey from troubled teenager to a man of precarious stability who imagines himself an agent of history. When "history" presents itself in the form of two disgruntled CIA operatives who decide that an unsuccessful attempt on the life of the president will galvanize the nation against communism, the scales are irrevocably tipped. A gripping, masterful blend of fact and fiction, alive with meticulously portrayed characters both real and created, Libra is a grave, haunting, and brilliant examination of an event that has become an indelible part of the American psyche.

Falling Man is a magnificent, essential novel about the event that defines turn-of-the-century America. It begins in the smoke and ash of the burning towers and tracks the aftermath of this global tremor in the intimate lives of a few people. First there is Keith, walking out of the rubble into a life that he''d always imagined belonged to everyone but him. Then Lianne, his estranged wife, memory-haunted, trying to reconcile two versions of the same shadowy man. And their small son Justin, standing at the window, scanning the sky for more planes. These are lives choreographed by loss, grief and the enormous force of history. Brave and brilliant, Falling Man traces the way the events of September 11 have reconfigured our emotional landscape, our memory and our perception of the world. It is cathartic, beautiful, heartbreaking.

The second novel by Don DeLillo, author of White Noise (winner of the National Book Award) and The Silence At Logos College in West Texas, huge young men, vacuum-packed into shoulder pads and shiny helmets, play football with intense passion. During an uncharacteristic winning season, the perplexed and distracted running back Gary Harkness has periodic fits of nuclear glee; he is fueled and shielded by his fear of and fascination with nuclear conflict. Among oddly afflicted and recognizable players, the terminologies of football and nuclear war—the language of end zones—become interchangeable, and their meaning deteriorates as the collegiate year runs its course. In this triumphantly funny, deeply searching novel, Don DeLillo explores the metaphor of football as war with rich, original zeal.

WINNER OF THE PEN/FAULKNER AWARD • A profound novel about art, terror, masses, and the individual, from the National Book Award–winning author of White Noise, “one of the most ironic, intelligent, grimly funny voices to comment on life in present-day America” (The New York Times) “This novel’s a beauty. A vision as bold and a voice as eloquent and morally focused as any in American writing.”—Thomas Pynchon Bill Gray, a famous, reclusive novelist, emerges from his isolation when he becomes the key figure in an event staged to force the release of a poet hostage in Beirut. As Bill enters the world of political violence, a nightscape of Semtex explosives and hostages locked in basement rooms, his dangerous passage leaves two people stranded: his brilliant, fixated assistant, Scott, and the strange young woman who is Scott’s lover—and Bill’s. An extraordinary novel about words and images, novelists and terrorists, the mass mind and the arch-individualist, Mao II is the work of an ingenious writer at the height of his powers.

In Players DeLillo explores the dark side of contemporary affluence and its discontents. Pammy and Lyle Wynant are an attractive, modern couple who seem to have it all. Yet behind their "ideal" life is a lingering boredom and quiet desperation: their talk is mostly chatter, their sex life more a matter of obligatory "satisfaction" than pleasure. Then Lyle sees a man killed on the floor of the Stock Exchange and becomes involved with the terrorists responsible; Pammy leaves for Maine with a homosexual couple.... And still they remain untouched, "players" indifferent to the violence that surrounds them, and that they have helped to create. Originally published in 1977 (before his National Book Award-winning White Noise and the recent blockbuster Underworld), Players is a fast-moving yet starkly drawn socially critical drama that demonstrates the razor-sharp prose and thematic density for which DeLillo is renowned today. "The wit, elegance and economy of Don DeLillo''s art are equal to the bitter clarity of his perceptions."--New York Times Book Review

Collects nine stories written between 1979 and 2011 that chronicle three decades of American life from the perspective of a range of characters, including a pair of nuns in the South Bronx and two astronauts orbiting the Earth.

A stunning novel by the bestselling National Book Award–winning author of White Noise and Underworld. Since the publication of his first novel Americana, Don DeLillo has lived in the skin of our times. He has found a voice for the forgotten souls who haunt the fringes of our culture and for its larger-than-life, real-life figures. His language is defiantly, radiantly American. In The Body Artist his spare, seductive twelfth novel, he inhabits the muted world of Lauren Hartke, an artist whose work defies the limits of the body. Lauren is living on a lonely coast, in a rambling rented house, where she encounters a strange, ageless man, a man with uncanny knowledge of her own life. Together they begin a journey into the wilderness of time, love and human perception. The Body Artist is a haunting, beautiful and profoundly moving novel from one of the finest writers of our time.

Throughout long profiles and conversations--ranging from 1982 to 2001--the renowned author makes clear his distinctions between historical fact and his own creative leaps

DeLillo''s Running Dog, originally published in 1978, follows Moll Robbins, a New York city journalist trailing the activities of an influential senator. In the process she is dragged into the black market world of erotica and shady, infatuated men, where a cat-and-mouse chase for an erotic film rumored to "star" Adolph Hitler leads to trickery, maneuvering, and bloodshed. With streamlined prose and a thriller''s narrative pace, Running Dog is a bright star in the modern master''s early career.

From the bestselling author of White Noise comes a riveting exploration on wealth as a man''s life gradually falls to pieces over the course of one day—now a major motion picture directed by David Cronenberg and starring Robert Pattinson. It is an April day in the year 2000 and an era is about to end. The booming times of market optimism—when the culture boiled with money and corporations seemed more vital and influential than governments— are poised to crash. Eric Packer, a billionaire asset manager at age twenty-eight, emerges from his penthouse triplex and settles into his lavishly customized white stretch limousine. Today he is a man with two missions: to pursue a cataclysmic bet against the yen and to get a haircut across town. Stalled in traffic by a presidential motorcade, a music idol’s funeral and a violent political demonstration, Eric receives a string of visitors—experts on security, technology, currency, finance and a few sexual partners—as the limo sputters toward an increasingly uncertain future. Cosmopolis, Don DeLillo’s thirteenth novel, is both intimate and global, a vivid and moving account of the spectacular downfall of one man, and of an era.

From the author of White Noise (winner of the National Book Award) and The Silence, a novel that “reflects our era’s nightmares and hallucinations with all appropriate lurid, tawdry shades” (The Cleveland Plain Dealer) Bucky Wunderlick, rock star and budding messiah, has hit a spiritual wall. Unfulfilled by the excess of fame and fortune his revolutionary image has wrought, he bolts from his band mid-tour to hole up in a dingy East Village apartment and separate himself from the paranoid machine that propels the culture he has helped create. As faithful fans await messages, Bucky encounters every sort of roiling farce he is trying to escape. Great Jones Street is a penetrating look at rock and roll''s merger of art, commerce and urban decay.

Reading the fiction of Don DeLillo is an utterly original experience: powerful, prescient, perceptive. Writing in a prose that is both majestic and muscular, his unerringly accurate vision penetrates deep into the soul of America and consistently leaves readers with a fresh perspective on the world. Since the publication of his first novel, in 1971, he has been acknowledged across the world as one of the greatest writers of his generation. Richard Elster, a retired secret war adviser, has retreated to a forlorn house in a desert, ''somewhere south of nowhere''. But his planned isolation is interrupted when he is joined by a young filmmaker intent on documenting his experience in a one-take film. The two men sit on the deck, drinking and talking. Weeks go by. And then Elster''s daughter Jessie visits. When a devastating event follows, all the men''s talk, the accumulated meaning of conversation and isolation, is thrown into question. Written in hypnotic prose, Point Omega is both a metaphysical meditation and a deeply unsettling mystery, from which one thing emerges: loss, fierce and incomprehensible.

Love-Lies-Bleeding, Don DeLillo''s third play, is a daring, profoundly compassionate story about life, death, art and human connection. Three people gather to determine the fate of the man who sits in a straight-backed chair saying nothing. He is Alex Macklin, who gave up easel painting to do land art in the southwestern desert, and he is seventy now, helpless in the wake of a second stroke. The people around him are the bearers of a complicated love, his son, his young wife, the older woman -- his wife of years past -- who feels the emotional tenacity of a love long-ended. It is their question to answer. When does life end, and when should it end? In this remote setting, without seeking medical or legal guidance, they move unsteadily toward last things. Luminous, spare, unnervingly comic and always deeply moving, Love-Lies-Bleeding explores a number of perilous questions about the value of life and how we measure it.

Cast ages: adults.

Der Autor schildert den Gegensatz von Individuum und Masse, von Gewalt und Kreativität. Im Mittelpunkt der Handlung steht ein berühmter Schriftsteller, der von New York in den Libanon reist, um sich für die Freilassung einer politischen Geisel einzusetzen. Er gerät in ein aberwitziges Spiel auf Leben und Tod.

"There''s a long drive. It''s gonna be. I believe. The Giants win the pennant. The Giants win the pennant. The Giants win the pennant. The Giants win the pennant." -- Russ Hodges, October 3, 1951 On the fiftieth anniversary of "The Shot Heard Round the World," Don DeLillo reassembles in fiction the larger-than-life characters who on October 3, 1951, witnessed Bobby Thomson''s pennant-winning home run in the bottom of the ninth inning. Jackie Gleason is razzing Toots Shor in Leo Durocher''s box seats; J. Edgar Hoover, basking in Sinatra''s celebrity, is about to be told that the Russians have tested an atomic bomb; and Russ Hodges, raw-throated and excitable, announces the game -- the Giants and the Dodgers at the Polo Grounds in New York. DeLillo''s transcendent account of one of the iconic events of the twentieth century is a masterpiece of American sportswriting.

"The Day Room", Don DeLillo''s first play, is a black comedy that explores the chaos caused when the onlooker is unsure of the status of a team of medics in a psychiatric unit. Are they really bona fide staff or patients just pretending to be?

”Vi föds utan att ha valt det. Måste vi dö på samma sätt?” På en hemlig plats i Centralasien har miljardären Ross Lockhart skapat en anläggning där svårt sjuka kan frysas ner i hopp om att en dag få återvända till livet. Dit kommer hans son Jeffrey, för att bevittna styvmodern Artis sista dagar. Efter flera böcker i det mindre formatet återkommer Don DeLillo med en brett anlagd roman om vår tid. ”Noll K” är en mästerlig skildring av livets kamp med döden.