Best Selling Books by Derrick Jensen

This is a hard-hitting and sometimes scathing critique of the current educational system that not only gives a hands-on method for learning how to write, but also a lesson on how to connect to the core of our creative selves.

Derrick Jensen takes no prisoners in The Culture of Make Believe, his brilliant and eagerly awaited follow-up to his powerful and lyrical A Language Older Than Words. What begins as an exploration of the lines of thought and experience that run between the massive lynchings in early twentieth-century America to today''s death squads in South America soon explodes into an examination of the very heart of our civilization. The Culture of Make Believe is a book that is as impeccably researched as it is moving, with conclusions as far-reaching as they are shocking.

At once a beautifully poetic memoir and an exploration of the various ways we live in the world, A Language Older Than Words explains violence as a pathology that touches every aspect of our lives and indeed affects all aspects of life on Earth. This chronicle of a young man''s drive to transcend domestic abuse offers a challenging look at our worldwide sense of community and how we can make things better.

The long-awaited companion piece to Derrick Jensen''s immensely popular and highly acclaimed works A Language Older Than Words and The Culture of Make Believe. Accepting the increasingly widespread belief that industrialized culture inevitably erodes the natural world, Endgame sets out to explore how this relationship impels us towards a revolutionary and as-yet undiscovered shift in strategy. Building on a series of simple but increasingly provocative premises, Jensen leaves us hoping for what may be inevitable: a return to agrarian communal life via the disintegration of civilization itself.

A scathing indictment of U. S. domestic and foreign policy, this collection of interviews gathers incendiary insights from 10 of today’s most experienced and knowledgeable activists. Whether it’s Ramsey Clark describing the long history of military invasion, Alfred McCoy detailing the relationship between CIA activities and the increase in the global heroin trade, Stephen Schwartz reporting the obscene costs of nuclear armaments, or Katherine Albrecht tracing the horrors of the modern surveillance state, this investigation of global governance is sure to inform, engage, and incite readers. Full list of Interviewees: Stephen Schwartz, author of Atomic Audit: The Costs and Consequences of U. S. Nuclear Weapons Since 1940, is a guest scholar at the Brooking Institute and the director of the U.S. Nuclear Weapons Cost Study Project. Katherine Albrecht is the director of CASPIAN (Consumers Against Supermarket Privacy Invasion and Numbering), and is widely recognized as one of the world’s leading experts on consumer privacy. Robert McChesney is the author of seven books concerned with the contradiction between a for-profit corporate media and the communications requirements of a democratic society. J.W. Smith is the author of The World’s Wasted Wealth and is the director of The Institute for Cooperative Capitalism. Juliet Schor is co-founder of the Center for a New American Dream, and has written three books focused on trends in work and leisure, consumerism, the relationship between work and family, women’s issues and economic justice. Alfred McCoy is the author of The Politics of Heroin in Southeast Asia and was winner of the Grant Goodman Prize in 2001. Christian Parenti is the author of Lockdown America: Police and Prisons in the Age of Crisis, a critique the “incipient American police state.” Kevin Bales is an expert on modern slavery and is the author of Disposable People: New Slavery in the Global Economy, which was nominated for the Pulitzer Prize. Ramsey Clark was Attorney General under Lyndon Johnson, playing an important role in the history of the Civil Rights movement and continuing on as unstinting critic of US foreign policy. Anuradha Mittal is an internationally renowned expert on trade, development, human rights, democracy, and agriculture issues, and is the founder of The Oakland Institute, which works to ensure public participation and democratic debate on crucial economic and social policy issues.

From Derrick Jensen, acclaimed author of Endgame and The Culture of Make Believe, comes a prescient, thought-provoking collection of interviews with ten leading writers, philosophers, teachers, and activists. To function in this society, we are asked to live by lies: that humans have the right to take what they want from the earth without giving back, that knowledge is limited to that which can be quantified, that corporations and governments know what is best for our future. Our instinctive outrage at environmental collapse, political conspiracy, and corporate corruption is stifled by the double-speak of popular opinion telling us that the “progress” of civilization demands unquestioning allegiance to those in power. But the brave voices in Truths Among Us seek to help us acknowledge the values we know in our hearts are right—and inspire within us the courage to act on them. Among those who share their wisdom here is acclaimed sociologist Stanley Aronowitz, who shows us that science is but one lens through which we can discover knowledge. Luis Rodriguez, poet and peacemaker, asks us to embrace gang members as people instead of stereotypes, while the brilliant Judith Herman helps us gain a deeper understanding of the psychology of abusers in whatever form they may take. Paul Stamets reveals the power of fungi, whose intelligence, like that of so many nonhumans, is often ignored. And writer Richard Drinnon reminds us that our spiritual paths need not be narrowed by the limiting mythologies of Western civilization. Following How Shall I Live My Life? and Resistance Against Empire, Jensen''s third collection of interviews reinforces a simple premise with which he has long challenged his readers: if we shut our ears and eyes to the cacophony of consumption-oriented distractions and pause to listen to the wisdom of our own hearts, the truths among us will reveal themselves. Interviewees include: George Gerbner, Stanley Aronowitz, Luis Rodriguez, Judith Herman, John Keeble, Richard Drinnon, Paul Stamets, Marc Ian Barasch, Martín Prechtel, and Jane Caputi.

What We Leave Behind is a piercing, impassioned guide to living a truly responsible life on earth. Human waste, once considered a gift to the soil, has become toxic material that has broken the essential cycle of decay and regeneration. Here, award-winning author Derrick Jensen and activist Aric McBay weave historical analysis and devastatingly beautiful prose to remind us that life—human and nonhuman—will not go on unless we do everything we can to facilitate the most basic process on earth, the root of sustainability: one being''s waste must always become another being’s food.

In an age marked by seemingly unstoppable environmental collapse and the urgent quest for solutions, environmental philosopher Derrick Jensen, the voice of the growing deep ecology movement, reveals for us new seeds of hope. Here for the first time in The Derrick Jensen Reader are collected generous selections from his prescient, unflinching books on the problem of civilization and the path to true resistance. In the acclaimed A Language Older Than Words, Jensen dissects his own abusive childhood to examine the pathology of Western culture and shares with us the power and beauty of an alliance with the natural world. He continues to use the lens of his own experience as well as the wisdom of philosophers, activists, and teachers to expose oppression and call us to action in his other early works, Listening to the Land, A Culture of Make Believe, Strangely Like War, and Walking on Water. We see his analysis deepen when he asks us to accept that the only moral response to biocide is resistance in the two-volume Endgame, a truth he explores further in Thought to Exist in the Wild, What We Leave Behind, the graphic novel As The World Burns, and in his two novels, Songs of the Dead and Lives Less Valuable. And in Dreams, Jensen''s latest work, he leads us still further toward his vision for a healed planet, freeing us to see beyond the limits of our present culture to a future luminous with meaning.

In this collection of interviews, Derrick Jensen discusses the destructive dominant culture with ten people who have devoted their lives to undermining it. Whether it is Carolyn Raffensperger and her radical approach to public health, or Thomas Berry on perceiving the sacred; be it Kathleen Dean Moore reminding us that our bodies are made of mountains, rivers, and sunlight; or Vine Deloria asserting that our dreams tell us more about the world than science ever can, the activists and philosophers interviewed in How Shall I Live My Life? each bravely present a few of the endless forms that resistance can and must take. Interviews include: George Draffan, Jesse Wolf Hardin, Vine Deloria, David Abram, Steven Wise, Jan Lundber, David Edwards, Thomas Berry, Carolyn Raffensperger, and Kathleen Dean Moore.

Grandma Johnson lives alone in the forest and loves to knit sweaters and mittens for her grandchildren in the city. One day, when returning from a visit to the city, her solitude comes to an end when her mischievous forest neighbors reveal themselves in a delightfully colorful fashion. Who took her yarn, and what have they done with it? The colorful mystery is solved when the birds, rabbits, snakes, trees, and other dwellers of Grandma Johnson’s neighborhood are seen playing with the yarn. Suddenly the forest doesn’t seem so lonely, and the visiting grandkids take great delight getting to know the inhabitants of Grandma’s forest. This picture book is a lesson for both young and old to connect with one’s surroundings and embrace the role of good neighbors with the rest of the natural world, whether in the city or in the forest.

“This disturbing but very important book makes clear we must dig deeper than the normal solutions we are offered.”—Yvon Chouinard, founder of Patagonia Works "Bright Green Lies exposes the hypocrisy and bankruptcy of leading environmental groups and their most prominent cheerleaders. The best-known environmentalists are not in the business of speaking truth, or even holding up rational solutions to blunt the impending ecocide, but instead indulge in a mendacious and self-serving delusion that provides comfort at the expense of reality. They fail to state the obvious: We cannot continue to wallow in hedonistic consumption and industrial expansion and survive as a species. The environmental debate, Derrick Jensen and his coauthors argue, has been distorted by hubris and the childish desire by those in industrialized nations to sustain the unsustainable. All debates about environmental policy need to begin with honoring and protecting, not the desires of the human species, but with the sanctity of the Earth itself. We refuse to ask the right questions because these questions expose a stark truth—we cannot continue to live as we are living. To do so is suicidal folly. ‘Tell me how you seek, and I will tell you what you are seeking,’ the German philosopher Ludwig Wittgenstein said. This is the power of Bright Green Lies: It asks the questions most refuse to ask, and in that questioning, that seeking, uncovers profound truths we ignore at our peril.”—Chris Hedges, Pulitzer Prize-winning journalist and author of America: The Farewell Tour

Jensen''s furthest-reaching book yet, Dreams challenges the "destructive nihilism" of writers like Richard Dawkins and Sam Harris who believe that there is no reality outside what can be measured using the tools of science. He introduces the mythologies of ancient cultures and modern indigenous peoples as evidence of alternative ways of understanding reality, informed by thinkers such as American Indian writer Jack Forbes, theologian and American Indian rights activist Vine Deloria, Shaman Martin Prechtel, Dakota activist and scholar Waziyatawin, and Okanagan Indian writer Jeannette Armstrong. He draws on the wisdom of Dr. Paul Staments, author of Mycelium Running: How Mushrooms Can Help Save the World, sociologist Stanley Aronowitz, who discusses science''s lack of accountability to the earth, and many more. As in his other books, Jensen draws heavily from his own life experience living alongside the frogs, redwoods, snails, birds and bears of the upper northwest, about which he writes with exquisite tenderness. Having taken on the daunting task of understanding one''s dreams as a source of knowledge, Jensen achieves the near-impossible in this breathtakingly brave and ambitious new work.

In this impassioned polemic, radical environmental philosopher Derrick Jensen debunks the near-universal belief in a hierarchy of nature and the superiority of humans. Vast and underappreciated complexities of nonhuman life are explored in detail—from the cultures of pigs and prairie dogs, to the creative use of tools by elephants and fish, to the acumen of caterpillars and fungi. The paralysis of the scientific establishment on moral and ethical issues is confronted and a radical new framework for assessing the intelligence and sentience of nonhuman life is put forth. Jensen attacks mainstream environmental journalism, which too often limits discussions to how ecological changes affect humans or the economy—with little or no regard for nonhuman life. With his signature compassionate logic, he argues that when we separate ourselves from the rest of nature, we in fact orient ourselves against nature, taking an unjust and, in the long run, impossible position. Jensen expresses profound disdain for the human industrial complex and its ecological excesses, contending that it is based on the systematic exploitation of the earth. Page by page, Jensen, who has been called the philosopher-poet of the environmental movement, demonstrates his deep appreciation of the natural world in all its intimacy, and sounds an urgent call for its liberation from human domination.

Jensen and Draffan look at the way machine readable devices that track our identities and purchases have infiltrated our lives and have come to define our culture.

In this far-ranging and heartening collection, Derrick Jensen gathers conversations with environmentalists, theologians, Native Americans, psychologists, and feminists, engaging some of our best minds in an exploration of more peaceful ways to live on Earth. Included here is Dave Foreman on biodiversity, Matthew Fox on Christianity and nature, Jerry Mander on technology, and Terry Tempest Williams on an erotic connection to the land. With intelligence and compassion, Listening to the Land moves from a look at the condition of the environment and the health of our spirit to a beautiful evocation of eros and a life based on love.

“In America, four hundred people own the wealth of more than half of the American population. We should not be saying tax the rich, but instead we should be saying take their money and redistribute it, take their property and redistribute it.” —Arundhati Roy Industrial civilization is devouring the planet and the future. The oceans are acidifying, whole mountains have been laid to waste, and the climate is teetering into chaos. Every biome is approaching collapse. And fifty years of environmentalism hasn’t even slowed the rate of destruction. Yet environmentalists are not considering strategies that might actually prevent the looming biocide we are facing. Until Earth at Risk. Earth at Risk: Building a Resistance Movement to Save the Planet is an annual conference featuring environmental thinkers and activists who are willing to ask the hardest questions about the seriousness of our situation. The conference is convened by Derrick Jensen, acclaimed author of Endgame, who has argued that we need a resistance movement against civilization itself. The twelve people in this volume present an impassioned critique of the dominant culture from every angle: William Catton Jr. explains ecological overshoot; Thomas Linzey gives a fiery call for community sovereignty; Jane Caputi exposes patriarchy’s mythic dismemberment of the Goddess; Aric McBay discusses historically effective resistance strategies; and Stephanie McMillan takes down capitalism. One by one, they build an unassailable case that we need to deprive the rich of their ability to steal from the poor and the powerful of their ability to destroy the planet. These speakers offer their ideas on what can be done to build a real resistance movement, one that includes all levels of direct action—action that can actually match the scale of the problem. Earth at Risk includes: Derrick Jensen, author of Endgame, A Language Older than Words, and many others. Lierre Keith, author of The Vegetarian Myth: Food, Justice, and Sustainability; coauthor of Deep Green Resistance: Strategy to Save the Planet. Nora Barrows-Friedman, journalist and photographer; correspondent for outlets such as The Electronic Intifada, Al Jazeera, and Truthout.org. Jane Caputi, author of The Age of Sex Crime; Gossips, Gorgons, and Crones: The Fates of the Earth; and Goddesses and Monsters: Women, Myth, Power and Popular Culture. William Catton Jr., sociologist, author of Overshoot: The Ecological Basis of Revolutionary Change, and Bottleneck: Humanity’s Impending Impasse. Gail Dines, a founding member of Stop Porn Culture, author of Pornland: How Porn Has Hijacked Our Sexuality. Thomas Linzey, executive director of the Community Environmental Legal Defense Fund. Aric Mcbay, coauthor of Deep Green Resistance: Strategy to Save the Planet. Stephanie Mcmillan, cartoonist; author of The Beginning of the American Fall; organizer for the anti-capitalist/anti-imperialist collective One Struggle. Riki Ott, marine biologist, author of Not One Drop: Betrayal and Courage in the Wake of the Exxon Valdez Oil Spill. Arundhati Roy, author of An Ordinary Person’s Guide to Empire; Field Notes on Democracy: Listening to Grasshoppers; and many others. Waziyatawin, historian and anti-colonial activist, author of For Indigenous Eyes Only; What Does Justice Look Like? The Struggle for Liberation in Dakota Homeland; and other books.

A serial killer stalks the streets of Spokane, acting out a misogynist script from the dark heart of this culture. Across town, a writer named Derrick has spent his life tracking the reasons--political, psychological, spiritual--for the sadism of modern civilization. And through the grim nights, Nika, a trafficked woman, tries to survive the grinding violence of prostitution. Their lives, and the forces propelling them, are about to collide. Derrick’s current project is a book called Possession, which asks the ontological question of who is responsible for the culture of domination that’s destroying the earth. Who actually benefits from a dead planet, the endgame that’s fast approaching? What if the answer is something way bigger than humans? Meanwhile, with motivations opposite to Derrick’s, the serial killer is asking much the same question of the women he kidnaps as his final act of possession--and Nika is next. Derrick’s metaphysical explorations suddenly take on more urgency as visions both terrifying and sacred begin to intrude, and past and future collapse without warning. All Derrick knows is Nika’s name and her impending death. The only person who believes him is his partner Allison, a woman with both strengths and scars, whose past has led her to a commitment to justice no matter what the cost. As the visions intensify and the killer draws nearer, Derrick and Allison are compelled to act, making themselves the next targets. Derrick must learn to negotiate a world of spirits and demons, living and dead, before it’s too late. And what hangs in the balance is not just their lives, but also the fate of life on earth. With Songs of the Dead, Derrick Jensen has written more than a thriller. This is a story lush with rage and tenderness on its way to being a weapon.

Monsters is an illustrated collection of wild, weird, and whimsical tales with a twist. These stories are not about mythical creatures; here, the creatures speak for themselves. There’s an orc who hates Tolkien, a young demon awash in teenage angst, an angel abandoned by Jesus who finds the Fates. Jensen creates a world both delicately dreamlike and all too real, where the villain is sometimes the victim and evil is not always what we thought. If stories teach us how to be human, then the stories in Monsters are the ones we need now. These are fractured fairy tales for grown-ups, where the roots of sadism are laid bare and the horrors of human supremacism are firmly faced. But as in all of Jensen’s work, love is both always possible and also a call to action. By turns macabre, melancholy, and magical, these stories and their accompanying images will leave you wondering who the real monsters are and how they can be defeated.

Two of America''s most talented activists team up to deliver a bold and hilarious satire of modern environmental policy in this fully illustrated graphic novel. The U.S. government gives robot machines from space permission to eat the earth in exchange for bricks of gold. A one-eyed bunny rescues his friends from a corporate animal-testing laboratory. And two little girls figure out the secret to saving the world from both of its enemies (and it isn''t by using energy-efficient light bulbs or biodiesel fuel). As the World Burns will inspire you to do whatever it takes to stop ecocide before it’s too late.

"Ever since Gilgamesh cut down the ancient cedar forests of Mesopotamia, civilizations have foundered and collapsed in the wake of widespread deforestation. Today, with three quarters of the world''s original forests gone and the pace of cutting, clearing, processing, and pulping ever accelerating, Jensen and Draffan lay bare the stark scenario we face - we being not only people, but the nonhuman fabric of life itself - unless deforestation is slowed and stopped. A must read for anyone who wants to understand the relationship between deforestation and our ecological crisis as well as an essential "handbook" for activists everywhere."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Putting corporate disregard for ecology on trial, this novel follows Vexcorp, a wealthy corporation that, at a safe distance, counts both the lives of others and the health of the environment as expenses on a balance sheet—but that distance is about to collapse. Malia is an activist who has lost faith in systemic reform, and Dujuan is a street thug torn by grief at his younger sister’s death. When Dujuan mugs Malia, she compares him to Vexcorp, triggering a storm inside him. That storm only clears when he identifies the real agent of his pain: Larry Gordon, Vexcorp’s CEO. Injury requires justice, so Dujuan kidnaps Gordon and presents him to Malia for judgment. As bystanders become involved and time runs out, Malia is forced to make grueling moral decisions between survival and loyalty, safety and courage, and agency and despair.

For years, Derrick Jensen has asked his audiences, "Do you think this culture will undergo a voluntary transformation to a sane and sustainable way of life?" No one ever says yes. Deep Green Resistance starts where the environmental movement leaves off: industrial civilization is incompatible with life. Technology can''t fix it, and shopping—no matter how green—won’t stop it. To save this planet, we need a serious resistance movement that can bring down the industrial economy. Deep Green Resistance evaluates strategic options for resistance, from nonviolence to guerrilla warfare, and the conditions required for those options to be successful. It provides an exploration of organizational structures, recruitment, security, and target selection for both aboveground and underground action. Deep Green Resistance also discusses a culture of resistance and the crucial support role that it can play. Deep Green Resistance is a plan of action for anyone determined to fight for this planet—and win.

Whereas Volume 1 of Endgame presents the problem of civilization, Volume 2 of this pivotal work illustrates our means of resistance. Incensed and hopeful, impassioned and lucid, Endgame leapfrogs the environmental movement''s deadlock over our willingness to change our conduct, focusing instead on our ability to adapt to the impending ecological revolution.

Provides a history of zoos, examines the faults of zoos, and argues for their dissolution.

Radical author Jensen''s controversial analysis of the dark side of the anarchist movement--including the recent history of allegations of rape and abuse--is, like many of his books, a reflection of the violence inherent in western society that is both destructive and movement suppressing. In Derrick''s words, from the introduction: "For more than two thousand years, a war has been waged over the soul and direction of anarchism. On one hand, there are those who understand the straightforward and obvious premises that at least to me form the foundation of anarchism: that governments exist in great measure to serve the interests of the governors and others of their class; and that we in our communities are capable of governing ourselves. And on the other hand, there are those who argue that all constraints on their own behavior are oppressive, and so for whom the point of anarchism is to remove all of these constraints. I researched and wrote this book in an attempt to understand this war, in the hope that understanding this war can help us understand how and why anarchism has become a haven for so much behavior that is community-and movement-destroying..." A book that will be much discussed, sometimes attacked and highly praised. The introduction by Chris Hedges will add another leading voice to Jensen''s radical assault on the status quo within the anarchist movement.

"Marijuana: A Love Story is many things: a unique book about a unique plant, a clear analysis of what has gone wrong with legalization and how to fix it, a wild look at the quirky culture that has grown up around it, and a love song not only to this plant but to all of evolution." -Lierre Keith, author of The Vegetarian Myth and Bright Green Lies Marijuana legalization-that long-deferred dream of stoners everywhere-is overtaking the nation. No longer will people be imprisoned for decades for possession of a plant. No longer will patients be denied marijuana needed for medical treatment. Even folks who just want to get high will have easy, safe access. But for many that dream has become a nightmare. Legalization has achieved one thing: the wholesale handover of marijuana to a few large corporations. In state after state, the wealth-building capacity of this extraordinary plant is now concentrating into the control of the already rich. From seed to smoke, legalization is eroding the lives and livelihoods of the people it was supposed to help: the patients, growers, trimmers, "mules," and activists who created the colorful and committed culture that is now under threat. We can end the war on weed without turning it into a war on small family growers-but it will depend on how much pressure we are willing to apply to force law makers to serve local communities rather than corporate interests. Marijuana: A Love Story is a report from the front, a reminder of how and why we fell in love with this plant, a cautionary tale of corporate power, and a call to once more "Free the Sacred Herb."

In this darkly comic novel, the six women of the Knitting Circle meet every week to talk, eat cake, and make fabulous sweaters. The easy-going circle undergoes a drastic change when the members realize they are all the survivors of rape—worse still, that none of their attackers suffered consequences—and the group becomes the vengeful Knitting Circle Rapist Annihilation Squad, taking punishment into their own hands via their knitting needles. As the women take their revenge, groups of men issue statements against the vigilante ladies, from the Chamber of Commerce to the sinister Men Against Women Against Rape (MAWAR), plotting to stop and punish the Knitting Circle. Featuring strong female characters, this satirical piece explores love, revenge, feminism, violence, and knitting.

In diesem Buch legen Jensen und seine Mitautoren haarklein dar, dass all die »Lösungen« schöner Schein sind und weit davon entfernt, in eine grüne Zukunft zu führen. Je länger wir vor dieser Wahrheit davonlaufen, desto schmerzhafter wird das Erwachen sein. Die Autoren dieses Buches fordern nichts anderes, als dass wir unsere Lebensweise grundlegend revidieren und uns auf die einzig wirkliche grüne Energie besinnen: Das Blattgrün der Pflanzen, die Sonnenlicht in Energie und in Nahrung verwandeln. Dieses Grün hat uns über die Jahrhunderttausende unseres Menschseins am Leben erhalten.

Le président américain est contacté par des martiens qui veulent manger leur planète. Celui-ci accepte contre remise d''or. Mais ceci finit par inquiéter les grandes entreprises : n''est-ce pas leur privilège exclusif de faire des profits en mettant à mal la planète ? Deux jeunes filles dissertent sur la manière d''endiguer la destruction de la planète. L''une pense qu''il faut appliquer les préceptes des livres et émissions de télé (se doucher moins longtemps, prendre des douches plus courtes...) tandis que l''autre pense que toutes ces conseils sont juste faits pour endormir les gens et leur donner bonne conscience. Pendant ce temps, un lapin borgne décide de passer à l''attaque et fait sauter un barrage, détruit un centre d''expérimentation sur les animaux...

"Recent work in the visual arts has often investigated the opposition between natural and constructed worlds. In The Time After, which references the process of photography as well as the future fate of our planet, fine arts photographer Doug Fogelson uses an iconoclastic multiple exposure technique in order to depict our collective surroundings, producing imagery that reflects our own alien experience of nature, as well as the distanced perspective of the viewer. This volume collects over 160 of Fogelson''s spectacular images and pairs them with speculative and poetic essays by Derrick Jensen, Eiren Caffall, and Bridgette R. McCullough. Sharply contrasting built (or processed) scenes with rich natural images, the design of these photographs speaks to both our changing understanding of our role in the environment and the increasingly prominent place of activism in contemporary art practice." --Book Jacket.