New Releases by David Lipsky

A New York Times Editors’ Choice Named a Best Book of the Year in The New Yorker, Publishers Weekly, Chicago Tribune, and EcoLit Books A USA Today Must-Read Summer Book "David Lipsky spins top-flight climate literature into cliffhanger entertainment." —Zoë Schlanger, New York Times Book Review The New York Times best-selling author explores how “anti-science” became so virulent in American life—through a history of climate denial and its consequences. In 1956, the New York Times prophesied that once global warming really kicked in, we could see parrots in the Antarctic. In 2010, when science deniers had control of the climate story, Senator James Inhofe and his family built an igloo on the Washington Mall and plunked a sign on top: AL GORE'S NEW HOME: HONK IF YOU LOVE CLIMATE CHANGE. In The Parrot and the Igloo, best-selling author David Lipsky tells the astonishing story of how we moved from one extreme (the correct one) to the other. With narrative sweep and a superb eye for character, Lipsky unfolds the dramatic narrative of the long, strange march of climate science. The story begins with a tale of three inventors—Thomas Edison, George Westinghouse, and Nikola Tesla—who made our technological world, not knowing what they had set into motion. Then there are the scientists who sounded the alarm once they identified carbon dioxide as the culprit of our warming planet. And we meet the hucksters, zealots, and crackpots who lied about that science and misled the public in ever more outrageous ways. Lipsky masterfully traces the evolution of climate denial, exposing how it grew out of early efforts to build a network of untruth about products like aspirin and cigarettes. Featuring an indelible cast of heroes and villains, mavericks and swindlers, The Parrot and the Igloo delivers a real-life tragicomedy—one that captures the extraordinary dance of science, money, and the American character.

David Foster Wallace (1962-2008) è stato uno degli esponenti più significativi della letteratura americana degli ultimi trent'anni. Con libri come Infinite Jest, La ragazza dai capelli strani, Una cosa divertente che non farò mai più ha saputo rivoluzionare la narrativa e la saggistica contemporanea, guadagnandosi la stima della critica e l'amore dei lettori. All'indomani dell'uscita americana di Infinite Jest, invitato dalla rivista Rolling Stone a scrivere un lungo articolo su Wallace, il giornalista David Lipsky trascorse cinque giorni ininterrotti al suo fianco, viaggiando con lui per centinaia di chilometri, assistendo ai suoi reading, alle lezioni del suo corso di scrittura, ma soprattutto impegnandolo in una conversazione personale e profonda su letteratura, politica, cinema, musica e sugli aspetti più privati della sua vita, compresi il rapporto con le droghe e la battaglia contro la depressione. Questa è la fedele trascrizione del materiale registrato all'epoca: il ritratto in presa diretta di un indimenticabile maestro della letteratura. Da questo libro è stato tratto il film The End of the Tour con Jason Segel e Jesse Eisenberg.

Lors de la tournée promotionnelle d'Infinite Jest, le chef-d'oeuvre qui va lui conférer une gloire mondiale, David Foster Wallace digresse sur son époque - télévision, littérature, célébrité, sport, addictions. Au-delà d'un entretien, une passionnante confession, intime et artistique.

A poignant and painfully funny novel about the New York art world by the acclaimed author of Although of Course You End Up Becoming Yourself For two first-class years, Joan Freeley had it all: the perfect family, the best art dealer in Manhattan, and the admiration of famous friends. Her adoring husband and two handsome sons attended her first gallery show in matching khakis and blue blazers. “An Interesting Talent Makes Its Debut,” declared the New York Times. Then, as if her success were nothing more than a booking error, Joan’s life got downgraded. A brutal divorce led to paintings too bitter to sell and a career stuck firmly in coach. Unable to see her suffer alone any longer, Joan’s teenage son Richard leaves his father and older brother in Los Angeles and moves in to her one-bedroom apartment in SoHo. At the gallery openings where she used to be a star, Richard discovers just how much his mother’s light has dimmed. She is an artist who is not showing—she might as well be invisible. To acknowledge her is to acknowledge the thin line between success and failure in a world as superficial as it is intoxicating. Richard immediately devotes himself to returning his mother to her former glory. Everything about him—the clothes he wears, the jokes he makes, the college he attends—is calculated to boost Joan’s reputation. But as the years go by and the galleries keep sending back her slides, Richard has to ask: Who wants Joan Freeley’s resurrection more—him or her? And when will his own life start?

Eleven sparkling stories of family, love, and art from New York Times–bestselling author David Lipsky My mother doesn’t know that I owe my father three thousand dollars. From the opening line of the acclaimed title story—a Best American Short Stories selection that first appeared in the New Yorker—to the tender last scene of “Springs, 1977,” this pitch-perfect collection explores the unsteady terrain of early adulthood and the complex legacy of family. Self-aware, creatively ambitious, and just privileged enough to be acutely aware of all that they lack, Lipsky’s characters are as real and unforgettable as the dilemmas they face—some of their own making, some that the world has thrust on them. In “Relativity,” a college junior transfers to the Ivy League in order to please his mother and make new friends; he quickly realizes the fault in his logic. In “Colonists,” a nervous young author searches for her muse at a New Hampshire writers’ retreat attended by a priest who pens erotic poetry and a composer working on a comic opera about the Alger Hiss trial. “ ‘Shh,’ ” the genesis of Lipsky’s highly praised novel The Art Fair, is the story of a dutiful son trying to shield his artist mother from the agony of her latest rejection. Witty, heartbreaking, and wise, the stories in Three Thousand Dollars are a testament to David Lipsky’s exceptional talent and to the power of short fiction to transform the smallest of moments into the greatest of truths.

NOW A MAJOR MOTION PICTURE, STARRING JASON SEGAL AND JESSE EISENBERG, DIRECTED BY JAMES PONSOLDT An indelible portrait of David Foster Wallace, by turns funny and inspiring, based on a five-day trip with award-winning writer David Lipsky during Wallace’s Infinite Jest tour In David Lipsky’s view, David Foster Wallace was the best young writer in America. Wallace’s pieces for Harper’s magazine in the ’90s were, according to Lipsky, “like hearing for the first time the brain voice of everybody I knew: Here was how we all talked, experienced, thought. It was like smelling the damp in the air, seeing the first flash from a storm a mile away. You knew something gigantic was coming.” Then Rolling Stone sent Lipsky to join Wallace on the last leg of his book tour for Infinite Jest, the novel that made him internationally famous. They lose to each other at chess. They get iced-in at an airport. They dash to Chicago to catch a make-up flight. They endure a terrible reader’s escort in Minneapolis. Wallace does a reading, a signing, an NPR appearance. Wallace gives in and imbibes titanic amounts of hotel television (what he calls an “orgy of spectation”). They fly back to Illinois, drive home, walk Wallace’s dogs. Amid these everyday events, Wallace tells Lipsky remarkable things—everything he can about his life, how he feels, what he thinks, what terrifies and fascinates and confounds him—in the writing voice Lipsky had come to love. Lipsky took notes, stopped envying him, and came to feel about him—that grateful, awake feeling—the same way he felt about Infinite Jest. Then Lipsky heads to the airport, and Wallace goes to a dance at a Baptist church. A biography in five days, Although Of Course You End Up Becoming Yourself is David Foster Wallace as few experienced this great American writer. Told in his own words, here is Wallace’s own story, and his astonishing, humane, alert way of looking at the world; here are stories of being a young writer—of being young generally—trying to knit together your ideas of who you should be and who other people expect you to be, and of being young in March of 1996. And of what it was like to be with and—as he tells it—what it was like to become David Foster Wallace. "If you can think of times in your life that you’ve treated people with extraordinary decency and love, and pure uninterested concern, just because they were valuable as human beings. The ability to do that with ourselves. To treat ourselves the way we would treat a really good, precious friend. Or a tiny child of ours that we absolutely loved more than life itself. And I think it’s probably possible to achieve that. I think part of the job we’re here for is to learn how to do it. I know that sounds a little pious." —David Foster Wallace

In this thesis, we explore a chain-level construction in smooth Deligne cohomology that produces data for extended topological field theories. For closed oriented manifolds $Sigma$, this construction takes the form of a chain map $tau_Sigma$ from the smooth v{C}ech-Deligne complex on a manifold $X$ to a degree-shifted version of the same complex on the mapping space $X^Sigma$. More generally, if $Sigma$ has boundary $partial Sigma$, the construction produces a chain null-homotopy of the chain map $tau_{partial Sigma}$ associated to the boundary.

"A superb description of modern military culture, and one of the most gripping accounts of university life.... Powerful.... Wonderfully told." --The New York Times Book Review As David Lipsky follows a future generation of army officers from their proving grounds to their barracks, he reveals the range of emotions and desires that propels these men and women forward. From the cadet who struggles with every facet of West Point life to those who are decidedly huah, Lipsky shows people facing challenges so daunting and responsibilities so heavy that their transformations are fascinating to watch. Absolutely American is a thrilling portrait of a unique institution and those who make up its ranks. With an updated Epilogue by the author. NATIONAL BESTSELLER

When Tom Thompson finds himself as a pallbearer at the funeral of a classmate he never knew, his life begins to spin out of control. He finds himself drawn to the deceased's mysterious and attractive mother whilst romancing the girl of his dreams as he collides with the issue of growing up.

The authors--both in their twenties--have written the first serious and searching look at the economic, social, and political forces of the last 30 years that will shape the futures of younger Americans. Based on detailed statistical research, and in a constructive, non-confrontational manner, Abrams and Lipsky show how today's twenty-somethings can make positive plans for the future.